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Lot 38JS
Make & Model: Nissan Juke Acenta Sport DCIDate of Reg: VO13 TUYColour: 13 13cc: 1461MoT: 16-09-2021Fuel Type: DIESELMileage: 132kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since Jan 2016Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146084
Lot 48JS
Make & Model: Audi A4 S Line TDI 170Date of Reg: FY57 LVHColour: Blackcc: 1986MoT: 01-11-2021Fuel Type: DIESELMileage: 153kTransmission: MANUALSummary: Last keeper since July 2015. Sat nav (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146104
Lot 53JS
Make & Model: Seat Ibiza Sport 104Date of Reg: KP58 MLVColour: Redcc: 1598MoT: 14-07-2021Fuel Type: PETROLMileage: 98kTransmission: MANUALSummary: Last registered keeper since April 2018Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146171
Lot 58JS
Make & Model: Renault Laguna Dyn DCI 150Date of Reg: AO08 XFBColour: Greycc: 1995MoT: 11-12-2021Fuel Type: DIESELMileage: 113kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since Nov 2017.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146175
Lot 69JS
Make & Model: Peugeot 308 SR HDI 107Date of Reg: FG09 AYPColour: Bluecc: 1560MoT: 21-02-2022Fuel Type: DIESELMileage: 106kTransmission: MANUALSummary: Last lady keeper since May 2017. 7 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146168
Lot 76DK
Make & Model: Vauxhall Insignia SRI NAV CDTIDate of Reg: FY62 JPUColour: Blackcc: 1956MoT: 24-09-2021Fuel Type: DIESELMileage: 85kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since Nov 2015. 6 Service stamps. Sat nav (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146212
Lot 77DK
Make & Model: Renault Megane Expression VVTDate of Reg: HY11 VZWColour: Bluecc: 1598MoT: 27-05-2021Fuel Type: PETROLMileage: 76kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since August 2017. 4 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146216
Lot 78DK
Make & Model: Kia Soul ConnectDate of Reg: LP64 JXRColour: Blackcc: 1591MoT: 21-10-2021Fuel Type: PETROLMileage: 61kTransmission: MANUALSummary: 2 Registered keepers - Last keeper since October 2017. 4 Service stamps. Reverse camera (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146217
Lot 80DK
Make & Model: Volvo V50 SE DDate of Reg: YB57 YLGColour: Bluecc: 1998MoT: 23-04-2021Fuel Type: DIESELMileage: 71kTransmission: MANUALSummary: 2 Registerd keepers - Last keeper since May 2016. 12 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146115
Lot 83DK
Make & Model: Honda Civic SE I-CTDIDate of Reg: FV59 HKXColour: Silvercc: 2204MoT: 30-01-2022Fuel Type: DIESELMileage: 96kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since Jan 2015. 7 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146213
Lot 86DK
Make & Model: Peugeot 208 Active Blue HDIDate of Reg: FG16 AHJColour: Silvercc: 1560MoT: 28-03-2022Fuel Type: DIESELMileage: 78kTransmission: MANUALSummary: 2 Registered keepers - Last keeper since April 2018. 7 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146162
Lot 89DK
Make & Model: Kia Sorento CRDI XSDate of Reg: PK06 NWPColour: Silvercc: 2497MoT: 28-10-2021Fuel Type: DIESELMileage: 87kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since October 2011. 10 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146111
Lot 90DK
Make & Model: Kia Venga 3 Eco CRDIDate of Reg: SH11 BVEColour: Bluecc: 1396MoT: 17-02-2022Fuel Type: DIESELMileage: 95kTransmission: MANUALSummary: 2 Registered keepers - Last keeper since March 2014. 9 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146106
Lot 91DK
Make & Model: Vauxhall Insignia Energy CDTIDate of Reg: FY64 HDAColour: Redcc: 1956MoT: 30-09-2021Fuel Type: DIESELMileage: 125kTransmission: MANUALSummary: 1 Registered keepers from new. Sat nav (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146108
Lot 92DK
Make & Model: Kia Ceed 4 CRDIDate of Reg: YR12 AOYColour: Bluecc: 1582MoT: 07-10-2021Fuel Type: DIESELMileage: 115KTransmission: MANUALSummary: 3 Registered keepers - Last keeper since Dec 2016. 5 Service stamps. Sat nav, Reverse camera (not tested)Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146189
Lot 97DK
Make & Model: Vauxhall Astra SRIDate of Reg: MW11 GYOColour: Redcc: 1598MoT: 30-03-2022Fuel Type: PETROLMileage: 83kTransmission: MANUALSummary: 3 Registered keepers - Last keeper since March 2018. 6 Service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=146114
Lot 758
PAXTON'S MAGAZINE OF BOTANY FOR 1833/1834 with multiple coloured plates, Orr and Smith, London. 8vo. 1/2 black calf with red title and marbled bds plus SWEET, Robert, 'The Hot-House and Greenhouse Manual', Ridgway, London 1831. 5th Ed. Green cloth. 8vo. plus THOMPSON, Robert, The Gardener's Assistant, Practical and Scientific'. New Ed. by Thomas Moore. Blackie, London 1878. thick 4to. 1/2 black calf with red label (3)
Lot 166
An impressive George III eight-day musical longcase clock with moonphaseRichard Bullock, Ellesmere, circa 1775The substantial seven pillar triple-train bell striking movement with T-shaped plates, anchor escapement regulated by seconds pendulum and playing a choice of seven tunes every three hours on a graduated nest of ten bells with twenty hammers via a 11.25 inch pinned cylinder mounted transversely across the upper edge of the backplate, the 13 inch brass break-arch dial with subsidiary tune selection dial annotated EASTER HYMN/MARCH IN PTOLOMY/BANK OF FLOWERS/BEILLISLE MARCH/ROAST BEEF/NANCY DAWSON/HARVEST HOME to the symmetrical foliate scroll engraved dial centre incorporating oval reserve signed Rich'd Bullock, Elles mere, No. 539 around the calendar aperture to lower margin, within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll pierced blued steel hands and crested female mask and scroll cast spandrels to lower angles opposing subsidiary STRIKE/NOT STRIKE and CHIME/NOT selection dials to the upper, beneath arch with rolling moonphase incorporating conforming mask-centred mounts to lunettes and unusual Classical capriccio landscape painted decoration opposing starry sky with a comet to the concentric age-of-the-moon annotated lunar disc, in a case possibly by Gillows of Lancaster with carved lobed finials over dentil cavetto moulded swan-neck pediment incorporating leafy pendant scroll and blind-fretwork infill over ogee bolection moulded break-arch glazed hinged dial aperture enclosing gilt leaf carved mask around the dial, flanked by free-standing Gothic cluster columns and the sides with rectangular sound frets and conforming columns set against bargeboards at the rear, the trunk with dentil cavetto throat and blind fretwork frieze over ogee lancet triple arch-topped flame-figured door flanked by cluster columns to angles, the plinth base with stepped ogee top mouldings over shaped chevron-line panel bordered fascia flanked by moulded canted angles over ogee bracket feet, 241cm (95ins) high excluding top finial; 254cm (100ins) high overall. Provenance: The beneficiary of the Estate of a private collector, East Midlands. Research undertaken by Brian Loomes places the earliest record of the Bullock family of clockmakers in Ellesmere, Shropshire through the Baptism of Sarah Bullock daughter of Edmund Bullock, clockmaker on 8th July 1708. Loomes further notes a baptism of an Edmund Bullock at nearby Wrockwardine in 1686, which most likely records the year of his birth. Of Edmunds work several turret clocks are known (including an example made for Chirk in 1712), numerous longcase clocks many of which are numbered, a sundial dated 1726 and at least one table clock. Edmund Bullock's son, Richard, was born in 1718/19 along with his twin sister, Hannah. Richard followed his father in becoming a clockmaker, although his exact dates appear to be unrecorded it can be safely assumed that he was working, probably alongside his father, by around 1740. Richard also numbered his clocks and maybe continued the series first established by his Edmund although there are no records to confirm this. The current lot is a particularly impressive example and would have been a very expensive commission most likely placed by a very wealthy local land owner. The mechanism is rare in that it has survived unaltered, which is unusual for a musical clock of this complexity. The quality of the case certainly befits that of the movement and exhibits details which may support an attribution to Gillows of Lancaster; namely the ogee-moulded frame to the hood door, fine quality carving to the pediment and sparing/restrained use of parquetry stringing. Condition Report: Movement is complete and appears all original with no visible alterations or missing items and replacement limited to some historic re-pinioning (undertaken at time of past servicing to counter wear in the relevant pinions). The hammers and bells generally sound cleanly on the bells and testing through manual operation of the mechanism suggests that the pin/hammer tail engagement is generally very good. The tune selection feature is present and functional however the return spring that holds the lateral position to the barrel is a bit weak for its purpose. Although the trains will run/operate the mechanism is generally in dirty/neglected condition so will need a gentle clean/service before putting to use.The dial is generally in good original condition albeit with some discolouration, tarnishing and wear to the finishes. All functions (calendar, strike/time selection, moonphase, tune selection and seconds) are operational. The moon disc has some slight flaking to the painted decoration otherwise is in very good original condition.The movement retains its original seatboard. The seatboard however does not stretch to the full width of the cheeks hence much of the support is reliant on blocks applied to the inside of the cheek uprights; such blocks are present but appear fairly recent. The upper surface of the cheeks however appear undisturbed. Due to the seatboard appearing a little narrow for the case we cannot offer any assurances that the movement and dial are original to the case.The case is generally in good condition with faults mainly limited to age related bumps, scuffs, wear, a few very small repairs and slight shrinkage. The finish is a little flat hence case would benefit from a good polish. The hood has carved gilded wood dial surround applied to the inside edge of the mask. This is an unusual (and visually striking) detail may not be original which adds weight to the probability that the movement and dial are not original to the case (as this detail serves to 'adjust' the dimensions of the mask to accommodate the current movement and dial). Notable other faults to the case include a length of slender dentil moulding missing from the throat to the left hand side, a vertical shrinkage crack to the left hand side of the trunk. The moulded skirt and ogee bracket feet are replacements probably dating to the early 20th century.Clock is complete with pendulum, three weights, case key and winder. Condition Report Disclaimer
Lot 461
bronze, signed and inscribed in the cast M. A. SUZOR-COTE'/ L'ESSOUCHEUR, stamped foundry mark and edition no. to foot rim ROMAN BRONZE WORK NY/ #17, bears gallery label for W. Scott & Sons to the underside, inscribed W. SCOTT & SONS/ No. O/S - 749/ PROPERTY OF SUZOR-COTÉ RCA/ "THE GRUBBER"/ PRICE $385.00(53.3cm wide, 40.6cm high)Provenance: Presented as a gift to Alfred James Towle Taylor, circa 1935-40 and by family descentNote: After studying at the prestigious École des Beaux-Arts in Paris, Suzor-Côté returned to his native Canada and sought to capture the mesmerising mountain landscapes of his homeland. Here, he quickly gained critical acclaim as an artist, breaking away from the rigid academic tradition of studio painting, in favour of Canada's iconic and breath-taking scenery. Heavily influenced by French Impressionism, his works demonstrate a fascination with colour theory and the play of light on snowy mountain tops and icy lakes.In 1907, Suzor-Côté began to develop his talents in sculpting, and by 1919 he had excelled in the medium. His works in bronze are quite rare, as he is thought to have only produced around fifty in his career. As with his painterly approach, the influence of Impressionism remained dominant throughout his experimentation with sculpture.In L’Essoucher, idealised Classical subjects have been abandoned for character studies of rural settlers, representing the essence of country life in Canada. Here, one is immediately drawn to the figure’s body language: his back growing tired and beginning to hunch over; his hands, larger than life, grip onto his tools as his body strains with the hard manual labour he must undertake. Equally, there is a clear attempt to depart from the academic sculptures of his contemporaries, which strive for smooth perfection and beauty. In the present example, Suzor-Côté has sculpted a richly textured surface that is both evocative and captivating. The eye is carried across every fold and crevice, drawing our attention to the physicality of the labourer's task at hand. L’Essoucher typifies Suzor-Côté’s move away from idealism, towards more authentic subjects which celebrate the individual and, above all, captures the essence of rural Canadian life which he loved and cherished.Note: Founded in 1859 as a framing workshop, William Scott and Sons became an important gallery and art dealer in Montreal in the late nineteenth and early twentieth centuries. The firm imported work by British and French painters, and in 1892 became the first gallery in Canada to show work by the French Impressionists. The gallery mainly sold Barbizon School paintings but from 1901 was the dealer for M.A. Suzor-Cote as well as handling the work of Cornelius Krieghoff.
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68809 item(s)/page