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Lot 91
Victorian agate desk seal (vacant), with unmarked white metal mounts, 5.5cm; also a pocket watch winding key seal (vacant), in unmarked white metal, 4.5cm; a Sterling silver swizzle stick, circa 1935, 9cm; two Edwardian silver and Wedgwood jasperware menu holders, Chester 1905, 4cm; Scottish silver thistle form menu holder, Edinburgh 1898, 4cm; Edwardian silver miniature funnel, Birmingham 1901, 5cm; and a pair of silver wishbone sugar tongs, Birmingham 1936 (8)
Lot 77
A MIXED LOT TO INCLUDE: two pairs of lorgnettes; an oval horn snuffbox apparently from a sailing ship off the Pembroke coast in 1806; an Italian tortoiseshell and mother of pearl inlaid miniature mandolin; a Chinese carved hardwood small tray; two Chinese soapstone desk seals; and assorted further items
Lot 159
A miscellaneous lot to include a pair of 1935 George V silver sixpence coin cufflinks and others, earrings to include white metal examples, mixed wallets, evening bags, leather goods, a Parker pen, vintage aviator glasses, an unused Salter toaster, a Retro Nokia mobile, a desk top shredder, photo frames, an Omega watch box A/F, golf balls, an Aynsley trinket dish and other items Location:RWB
Lot 374
ERNEST ARCHIBALD TAYLOR (1874-1951) FOR WYLIE & LOCHHEAD, GLASGOW DESK, CIRCA 1905 oak, stained and leaded glass panels, with nickel drop handles backed with green leather(75cm wide, 122cm high, 50cm deep)Footnote: Provenance: Property from an Important Private Collection Literature: Kinchin, Juliet The Wylie & Lochhead Style, The Journal of the Decorative Arts Society 1850 - the Present, No. 9, Aspects of British Design 1870 - 1930 (1985), pp. 4-16 Note: Initially apprenticed in the Glasgow shipbuilding industry, E. A. Taylor trained as an artist at the Glasgow School of Art, where he met Jessie M. King around 1898. Taylor joined the Glasgow cabinetmakers and retailers Wylie and Lochhead as trainee designer in 1893. His furniture designs for the firm brought him great acclaim with exhibitions at the 1901 Glasgow International Exhibition and, with his fiancée Jessie King, a series of stained-glass panels for the Turin International Exhibition of Modern Decorative Art in 1902. Taylor went on to lecture in furniture design at Glasgow School of Art from 1903 to 1905. In 1908 he married Jessie King and moved to Manchester to manage and design for George Wragge Ltd where he produced many designs for stained glass. Between 1911 and 1914 the Taylor’s lived in Paris where they established an art school – the Shealing Atelier. This rare cabinet by Taylor combines his skills as a furniture maker and stained-glass designer and was available to buy in mahogany or, in this rarer version, in oak.
Lot 80
A late Victorian walnut cylinder desk, with a moulded top and a triple panelled fall, enclosing a fitted interior with red leather insets, pigeon holes and drawers, each with teardrop handles above six drawers, each with engraved brass drop handles, on a plinth (AF), 118cm high, 41cm wide, 73cm deep.
Lot 367
λ AN ITALIAN WALNUT AND IVORY INLAID TWIN PEDESTAL DESK LOMBARDY, 19TH CENTURY with ebonised banding, the top inlaid with a central classical scene of centurions with chariots, flanked by mythical female term figures with wings and horse's legs, holding urns with scrolling leaves, above three frieze drawers, each pedestal with a hinged cupboard door decorated with a figure of a saint, enclosing a shelf, the sides and back with ebonised outline mouldings and inlaid with further classical figures and grotesques, on later castors 82.4cm high, 118cm wide, 61cm deep
Lot 649
λ A GILT BRASS NELSON'S COLUMN DESK THERMOMETER BY G. STAIGHT, 19TH CENTURY depicting Admiral Lord Nelson standing holding an anchor on a column, with a Corinthian capital, signed 'G. Staight, London', with a mercury thermometer, on a turned and moulded rosewood base, under a glass dome 30cm high (without dome)
Lot 747
A VICTORIAN WALNUT WRITING DESK BY HINDLEY & SONS, C.1860 the raised back with two banks of three cedar lined drawers, each with a locking pilaster, flanking pigeonholes, above a gilt tooled leather writing surface and a pair of cedar lined frieze drawers, one stamped 'G. Hindley & Sons 134 Oxford St. London 15502', on fluted tapering legs and brass castors 102cm high, 122.3cm wide, 81.5cm deep
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