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Lot 543
A collection of silver and plated small items, including a single loaded silver desk candlestick, Birmingham 1929; two silver models of the Coronation Throne; a small photo frame, Birmingham 1911; an assortment of cruet items; three silver tea strainers; a plated tea pot and plated models of animals
Lot 90
A Russian silver-gilt and shaded cloisonné enamel desk set, Pavel Ovchinnikov, Moscow, 1908-1917. comprising an inkstand with inkwell, a blotter, and a pair of table candlesticks, decorated in the art nouveau style in pastel tones with stylized scrolling foliage, trees and strawberry motifs, the lower border of the inkstand in pale-blue (5), Candlesticks 14cm high, base 15cm high, 21.5cm wide. Provenance: Christie’s New York, Important Silver, Objects of Vertu and Russian Works of Art, 14th April 1994, lot 85. Sotheby’s New York, Fabergé, Russian Works of Art and Objects of Vertu, 13th December 1991, lot 73. Christie’s London, Icons, Russian Paintings and Works of Art, 26th April 1989, lot 264. Provenance: Christie's New York, Important Silver, Objects of Vertu and Russian Works of Art, 14th April 1994, lot 85. Sotheby's New York, Fabergé, Russian Works of Art and Objects of Vertu, 13th December 1991, lot 73. Christie's London, Icons, Russian Paintings and Works of Art, 26th April 1989, lot 264
Lot 129
A fine Gothic revival silver-cased desk clock with perpetual calendar and thermometer, Mortimer and Hunt, London 1839. the ‘spire’ cast as five cluster scrolling branches enclosing an earl’s coronet sitting on a stepped hexagonal platform engraved with acorns and oak leaves, leaf clasped finial to each corner, the circular enamel dial within a lancet framed panel flanked by panelled Gothic pillars, with an engraved tablet ‘John Carter’, the silvered thermometer and perpetual calendar dial of lancet shape, the reverse showing the movement through glazed panel and the other as a sliding engraved gothic door enclosing winder and hands adjustment, the movement with single fusee, 17.2cm high
Lot 212
A George I silver desk stand, Courtauld, London 1721-22. the tray of rounded rectangular outline with moulded everted rim and engraved with armorial to opposing sides, centrally applied with simple raised stand with pull out drawer and applied with three moulded stands for chalk pot, inkwell and table bell all engraved with crest with coronet above, 31cm wide, 76oz, Heraldry: Engraved with the Arms of Thomas Howard, 8th Duke of Norfolk, the boxes and bell with the crest and Ducal coronet for the Dukes of Norfolk, Note: With engraved scratch weight to underside of tray 80=10. Drawers in inkstands are unusual, however the Courtaulds made others: One by Augustine, 1730 (illus. E. A. Jones, Old English Plate of the Emperor of Russia, 1909, pl.XLV). Another by Samuel Courtauld, 1749, is in the Ashmolean Museum, Engraved with the Arms of Thomas Howard, 8th Duke of Norfolk, the boxes and bell with the crest and Ducal coronet for the Dukes of Norfolk, Notes: with engraved scratch weight to underside of tray 80 . 10. An unusual form, drawers in inkstands are unusual, however the Courtaulds made others;, One by Augustine, 1730 (illus. E. A. Jones, Old English Plate of the Emperor of Russia, 1909, pl.XLV). Another by Samuel Courtauld, 1749, is in the Ashmolean Museum
Lot 114
A VICTORIAN CAST BRASS AND BRONZED DESK PLATFORM WITH GLASS INKWELL, the faceted globular inkwell with brass hinged collar surmounted by a standing stag, retardant, centred within a bas relief cast base of rounded square form, each corner segment depicting various game birds and animals between baroquesque scrolling shell and mask decoration, on four scrolling supports. Stamped JG & Sons, numbered 109. 30cm x 30cm x 20cm high.
Lot 517
The 6th Battalion Jat Light Infantry, a carved Indian hardwood folding campaign desk with floral and foliate decoration the hinged top interior carved with 6 Jat light Infantry and slung bugle device, the lid enclosing a fitted interior of writing slope, racks and compartments, 68cm x 50cm x 70cm.
Lot 407
Great Northern Railway Board (Ireland) Coat of Arms tastefully mounted on a 12 x 10" wooden board. Typical garter crest with multi section shield within and a central shield of the red hand of Ulster. A rare COA, this particular era of the Great Northern Railway of Ireland only being in existence from 1953 to 1958. Excellent condition. Together with Brecon & Merthyr Railway, simple script, Coat of Arms on a piece of solid wood, believed to be part of an original coach. Recovered from an office at Swindon Works where it was used as a desk-end. Measures 28" x 18" approximately. Good condition considering the use it was put to. Together with a Northern Counties Committee script only, Coat of Arms mounted on a wooden backboard measuring 22" square. Excellent condition.
Lot 483
EARLY GEORGE III MAHOGANY KNEEHOLE DESK, c.1760, the moulded rectangular top with cut-off corners above a slide and a long frieze drawer, over a recess fitted with a cupboard flanked by three short drawers within fluted canted angles, raised on ogee bracket feet, (handles replaced). 0.82m by 0.98m by 0.56m
Lot 534
EARLY 19th CENTURY MAHOGANY PARTNERS DESK, with leather-inset top, fitted to one side with a dummy frieze drawer flanked by two drawers, opposed by three frieze drawers, all above a guilloche carved band, each pedestal fitted with three graduated drawers to both sides, and on a plinth base. 0.80m by 1.69m by 0.96m
Lot 672
A late 19th century Russian enamel desk clock by Faberge, workmaster Michael Perchin, pre 1899 88 zolotniks mark for St Petersburg, the white enamel circular dial with black Arabic numerals and gilt Louis hands, within a chased laurel wreath bezel on a white guilloche enamel lozenge ground and purple guilloche enamel outer border, applied with two coloured laurel wreath and ribbon motifs, 15 jewel double barrel Swiss lever movement by Hy Moser no 66670 with bi metallic split balance and overcoil balance spring, with an ivory back and scrolled easel, signed Faberge in Cyrillic, Michael Perchin workmaster's mark in three places, scratch inventory numbers '1801' and 'BL 9.5.4.0', 10.5 cm high. Provenance: The property of the Hon. Daisy Fellowes of Donnington Grove, thence by descent. Subject to 5% Import Duty on the Hammer Price
Lot 596
Mauchline Ware - A notebook, 'Boat Landing, Derwentwater'; another, 'Tunbridge Wells / Cleft in High Rock, Tunbridge Wells'; a pin cushion 'St. Mary's Church, Eastbourne / Splash Point, Eastbourne'; a match pot, 'Lea Hurst, Nr Matlock, The Home of Miss Nightingale'; a cylindrical desk ruler, 'Infant Orphan Asylum, Wanstead / Merchant Seaman's Orphan Asylum, Wanstead'; and seven other items, (12).
Lot 272
A George III mahogany cylinder writing desk, the tambour shutter enclosing pigeon holes, drawers and a pull-out writing surface, above two short drawers and three graduated drawers to each pedestal, with side carrying handles, formerly on castors, 39.75in (101cm) h, 42.25in (107.2cm) w, 25.5in (64.6cm) d. Locks replaced, restorations and replacements.
Lot 284
A George III rosewood and satinwood banded cylinder writing desk, the alternating veneered tambour revealing a pull-out writing surface with a leather lined ratcheted and hinged slope and an arrangement of tulipwood banded drawers and pigeon holes, above two short drawers and on square tapering legs to brass caps and castors, 39.25in (99.5cm) h, 33.5in (84.7cm) w, 23in (58.5cm) d. Provenance: Ayer & Co Ltd, 26 Bruton Street, London, 1974.
Lot 416
A pair of late 19th century bronze candlesticks, with a recumbent stag and doe, 5.25in (13cm) h, a French desk thermometer modelled as the Vendome column, thermometer broken, another similar, two models of the Arc de Triomphe, a model of The Temple of Vesta,an equestrian model of the Marcus Aurelius and a seated classical lady. (9)
Lot 240
John Raphael Smith, (1752-1812), Portrait of William Cobbett, seated by his desk below a portrait of John Hampden, pastels, 63 x 45cm National Portrait Exhibition 1868 label verso. Lent by Miss Cobbett. Also with handwritten note relating to Cobbett's imprisonment in Newgate, and the fact that "This picture was given to Anne Cobbett by her father in Newgate...." See Neil Jeffares' Dictionary of Pastellists before 1800, 2006, p. 503.
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