Zwei Seidenbilder mit FrauendarstellungenChina, 19. Jh.Dame mit Zweig in der Hand und Dame am Schreibtisch sitzend. Tusche und Farben auf Seide,Brokatmontierung. Rote Siegelstempel. 30,5 x 20 cm. - Altersspuren, Bereibungen. Two silk paintings with depictions of womenChina, 19th century.Lady with a branch in her hand and lady sitting at a desk. Ink and colours on silk,brocade mount. Red seal stamps. 30,5 x 20 cm. - Signs of age, rubbing.
We found 147546 price guide item(s) matching your search
There are 147546 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
147546 item(s)/page
Schreibtisch am Fenster19. Jh.Interieur mit einem durch Zimmerpflanzen vollgestellten Schreibsekretär nahe einemFenster. Öl/Lwd. Links unten undeutl. sign., verso bez. "H. v. Lossow". 47,5 x 36,5 cm. Desk by the window19th century.Interior with a writing desk full of indoor plants near a window. Oil on canvas.Indistinctly signed lower left, inscribed on verso ''H. v. Lossow''. 47,5 x 36,5 cm.
Gaisser, MaxDer Kunsthändler beim Kardinal(Augsburg 1857-1922 München) In einem mit zahlreichen Kunstkammerobjekten bestücktenRenaissanceinterieur bietet ein Händler ein Elfenbeintriptychon dem an seinem Schreibtischsitzenden Kardinal an. Öl/Holz, mit Einschubleisten. 58 x 78 cm. - Lit. Thieme/Becker 13,Vollmer 5.Genredarstellung, Münchner Maler Gaisser, MaxThe Art Dealer at the Cardinal's(Augsburg 1857-1922 Munich) In a Renaissance interior filled with numerous objects fromthe Kunstkammer, a dealer offers an ivory triptych to the cardinal sitting at his desk.Oil on wood. 58 x 78 cm. - Lit. Thieme/Becker 13, Vollmer 5.
TintenzeugA. 19. Jh.Über vier geflügelten Tatzenfüßen rechteckige Plinthe mit reliefierter Schublade, darüberflankierende Schwäne ovalen Aufsatz mit Deckel haltend. Messing, Reste von Vergoldung. 27x 13 x 10,5 cm. - Kleine Teile verloren. Desk decorationEarly 19th centuryRectangular plinth with drawer in relief on top of four winged paw feet, flanked by swansholding oval top with lid. Brass, remains of gilding. 27 x 13 x 10,5 cm. - Small partslost.
Avantgarde - Bauhaus - Le Corbusier - - Robert u. Jean Petit Doisneau. Bonjour Monsieur le Corbusier. Mit 1 sign. OPhototographie und zahlr. Abbildungen von R. Doisneau. Zürich, Grieshaber, 1988. Gr.-4°. OLwd. mit schwarzgepr. DTitel im illustr. OUmschlag und Karton-Mappe im illustr. OPp.-Schuber (dieser minimal fleckig). Eins von 150 Exemplaren mit der signierten OPhotographie von R. Doisneau. Silbergelatine-Abzug (33 cm x 33 cm) mit Porträt Le Corbusiers an seinem Schreibtisch, mit hochgeschobener Brille ein Schriftstück lesend. - Sehr gutes Exemplar. With 1 sign. original photography and numerous illustrations by R. Doisneau. 1 of 150 copies with the signed OPhotography by R. Doisneau. Silver gelatin print (33 cm x 33 cm) with portrait of Le Corbusier at his desk, reading a document. Original cloth with cover title and illustrated original jacket, and cardboard folder. In the ill. original slipcase (marginally stained). - Very good copy.
[ Autographs ] A vinyl LP record of the soundtrack to Stanley Kubrick's "Clockwork Orange" bearing the director's signature on the sleeve front. [Collected in person by the vendor's father-in-law Mr Roy Smith, while working as a Senior Projectionist in the dubbing theatre of Elstree Studios. A note from the vendor reads "At this particular time they were working on the film Clockwork Orange, the theatre was a closed theatre, with a Mr Bill Rowe as the Main Mixer and also alongside him most of the time on the mixing desk was Stanley Kubrick himself. He (Roy Smith) can not remember precisely, but believes the company was either Hawk Films or Anvil Films. Roy does remember many a late night, overtime and them feasting on steak sandwiches, not your everyday meal in 1971 Britain, and thoroughly enjoying the work, hard though it was, Roy purchased the copy of the Long Player from the Studio Shop that was in Elstree Studios and during a break in one of the evening sessions asked Stanley Kubrick to sign the LP for him. He was a bit taken aback at his agreement, as he feels that Stanley Kubrick was not one for signing many autographs. Such was his shock, that he did not have a decent pen to hand and all he could lay his hands on in the moment was the rather attractive green with which the signature was duly signed. Roy does believe there are still a couple of members of the Dubbing Crew who worked alongside him on the Clockwork Orange project. He is also happy to talk to any purchaser if they wish to know more or have any questions"]
-
147546 item(s)/page