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An unusual Aesthetic Movement mahogany folding 'piano' desk, hinged top and fall front enclosing hinged writing surfaces, pigeon holes and small drawers, carved with stylized flowers and roundels, the frieze with a pair of drawers above rectangular panelled doors, turned legs, 116cm high, 123cm wide, c. 1880
A Sheraton revival lady's writing desk, the crossbanded fall front, inlaid with satinwood shell shaped patera and fans, enclosing a leather writing surface and a crescented arrangement of pigeon holes, drawers and central cupboard, long drawer, shaped undertier, tapering square supports, chequered banding, boxwood and satinwood stringing throughout.
A late Victorian/Edwardian mahogany Carlton House desk, the incurved superstructure with an arrangement of pigeon holes, small drawers and cupboards flanked by a pair of hinged compartments, inset tooled leather writing surface above three frieze drawers, outlined throughout with chequered and boxwood stringing, tapered square legs, brass castors, 95cm high, 105cm wide, c. 1900
A Victorian mahogany cylinder pedestal desk The cylinder enclosing a sliding fitted interior, above six cockbeaded short drawers fitted with turned knob handles, raised on plinth base, 153cm wide. (illustrated) CONDITION REPORT: Leather top scratched, tears, part missing, split marks to cylinder, scratches and dents. Internal drawer knobs 2 replaced, dents to drawer moulding, see image
Follower of John Linnell (19th century) Portrait of Joseph Hodgson (1788-1869) seated in a red chair holding a document, a quill ink well and other objects on a desk nearby, oil on board, with arched top corners, 25 x 20 cm **Joseph Hodgson was the son of a Birmingham merchant, he went to King Edward VI school and later became a doctor attending Sir Robert Peel in his last illness. **See Journal of the American Medical Association Vol 19, November 27th 1967 **The work also bears ' Hodgson's signature on an old label together with a wax seal, initials, J.H
A silver mounted glass inkwell cum desk timepiece, of tapered square form, the hinged silver top to the inkwell fitted with a keyless wind openfaced pocket watch, the enameled dial with black Roman numerals, subsidiary seconds and with blued steel hands, detailed NON MAGNETIQUE, the mount Birmingham 1905.
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