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Cunard QE2 memorabilia to include items from her last voyage in September 2008 including ephemera, lapel pins desk tidy, documents wallet, QE2 Transart development book/brochure, QE2 Forty years 1967-2007 commemorative publication plus QE2 Forty Years Famous book by Carol Thatcher, signed by the author and the Captain etc
A retro painted pine writing table / desk & café chair in a white colourway. The table having a flared chamfered top over dual drawers with ceramic pull handles raised on turned legs. The chair having a balloon back over a round seat raised on straight supports united by a circular stretcher. Table measuring 79 x 94 x 47cm.
A vintage mid 20th century Gordon Russel teak wood school desk. Having a large solid teak rectangular top with knee hole centre flanked by twin pedestal drawers, with graduating drawers two left and deep filing cabinet drawer to right. Raised on square upright supports. Measures approx. 70cm x 183cm x 91cm.
A late 20th Century Finnish 1980s reproduction Victorian style green leather Chesterfield Captains deep button back swivel office / desk chair by Ring Mekanikk of Finland. Having carved spindles with shaped arms and backrest. Shaped seat raised on splayed base terminating on castors. Measures approx; 76cm (depth) x 64cm (width) x 82cm (height).
A reproduction 20th century mahogany George III revival twin pedestal partners desk. Of rectangular form with green leather top with decorated border. With larger central drawer flanked by two smaller ones with metal hanging pulls. With twin pedestals with a bank of three drawers, raised on a plinth base. Measures approx. 78cm x 153cm x 92cm.
A retro vintage mid 20th century Scandinavian teak veneered roll top desk by Egon Ostergaard for SMI Sweden. Of rectangular form with roll top opening to reveal a fitted interior. With three full length drawers with short recessed handles support on square upright supports. Measures approx 96 x 90 x 48cm.
An 18th century George III oak bureau having brass fittings and scrolled pull handles. The front folds down opening to reveal an appointed writing table desk/ interior with hidden compartments. Two twin drawers over a bank of two large drawers. Raised on scroll feet. AF. Measures approx 99 x 87 x 50cm
Pair of American silver bowls, marked to base Sterling 96160, diameter 7cm, weight 39g, Autro-Hungarian silver compact with mirror to inside of lid, diameter 6.5cm, pair of novelty open salts with dolphin supports, height 5cm, American nickel silver evening case or purse, opening to reveal calling card clip, coin holders and compact or similar compartment, length excluding chain 9cm and a parquetry desk paperweight
* Heaney (Seamus, 1939-2013). A group of 6 picture postcards signed, 'Seamus', 1980s & 1990s, all to Rosemary Goad and all but one postally used (4 x USA and 1 x France), one from New York, 19 November 1999 with a reproduction of Edvard Munch's The Scream to picture side, 'Overleaf is an image of this poet's inner being when he remembers the letter on the desk at home from the trustee of the type museum... ', another card with an illustration of intercourse in the Amish country, Heaney writing, 'Daren't say "wish you were here" here? There's a town nearby called Bareville. Too much. En route now to LA', another with a message referring to the painting by Signorelli on the front, 'Editors of Rattle Bag take stock before signing another contract with Fabers', additionally signed by Marie and Catherine, plus 3 other postcards from Seamus Heaney (one to Belinda Matthews at Faber) and one on personal stationery, all signed 'Seamus', plus 2 postally used postcards to Rosemary Goad from Marie Heaney including one with a note by their daughter CatherineQTY: (11)NOTE:Provenance: from the library of Rosemary Goad, the first female director of Faber and Faber.
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