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Lot 1238
A VICTORIAN ENGRAVED GILT-BRASS PART DESK TIMEPIECEBy Thomas Cole, London, No. 1298, for Hunt & Roskell, London, circa 1870The 2 3/4in circular engraved silvered dial, inscribed for Hunt & Roskell and punch numbered, the half-plate movement signed THOs COLE LONDON, with lever escapement and plain three-armed balance, in an engraved cup case, with removable central terminal for winding and hand setting(Lacking its stand)8cm diam.This timepiece formed part of an inkwell designed by Cole, its base now lost. See John B. Hawkins, Thomas Cole & Victorian Clockmaking, Sydney 1975.The timepiece is in unrestored condition and lacks its stand and glass. The dial is tarnished and the movement is overwound and does not function.The balance wheel does spin when the clock is turned.
Lot 1556
A SILVER MOUNTED DESK BLOTTER AND FOUR FURTHER ITEMS (5)The desk blotter having a horses head handle, Birmingham 2000, a silver paper knife, having a horses head finial, Sheffield 2000 and engraved Glorious Goodwood 1999, weight 83 gms, a decanter label detailed Claret with mark P A, a plated vesta case, designed as a book and detailed Long Live The King and a 15ct gold mounted amber cheroot holder, Birmingham 1909, gross weight 8.3 gms, with a case
Lot 174
LATE GEORGE III MAHOGANY AND SATINWOOD TAMBOUR DESK LATE 18TH CENTURY the tambour top opening to reveal a pull-out leather writing surface and an arrangement of pigeon holes and drawers, over a pair of short frieze drawers with slides to both ends, raised on square tapered legs ending in brass caps and castorsDimensions:84cm wide, 101cm high, 72cm deep
Lot 216
REGENCY MAHOGANY CYLINDER DESK, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the brass gallery top above a cylinder close opening to an arrangement of pigeon holes and drawers and a pull-out slide with ratchet adjusted leather writing slope, above a pair of short frieze drawers and pair of cupboard doors enclosing shelves and a further pigeon holes with alphabet labels, raised on reeded bun feet with brass castorsDimensions:110cm wide, 109.5cm high, 57cm deep
Lot 245
WILLIAM IV RED TORTOISEHELL AND BRASS MOUNTED BOULLE DESK STAND, BY JOHN TURRILL, LONDON HALLMARKED 1836 in première partie marquetry, with a raised platform with three small frieze drawers and fitted with a pair of glass inkwells with silver mounts with maker's mark for Thomas Dicks, the base with a drawer bearing a brass plaque 'Turrill, Dressing & Writing Case Maker, 250 Regent Street, London', on bracket feetDimensions:37cm wide, 19cm high, 30cm deep
Lot 326
Y ROSEWOOD TUNBRIDGE WARE LAP DESK 19TH CENTURY the slope decorated with a scene of an abbey ruin enclosed by a rose border, opening to a fitted interior with Tunbridge ware inkwell caps, a page turner, and a cylindrical rulerDimensions:43cm wide, 10cm high, 33cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 392
VICTORIAN SILVER-PLATED EQUINE DESK STAND LATE 19TH CENTURY the central figure of a horse beneath an oak tree mounted with a flared cut glass trumpet vase, the rectangular tray engraved with foliate sprays with two fitted cut glass inkwells and a pen tray, on ball feet, maker's stamp for James Deakin & Sons, Sheffield and numbered '10939'Dimensions:56cm high, 30cm wide, 19cm deep
Lot 441
Y VICTORIAN KINGWOOD, IVORY, AND GILT METAL MOUNTED LAP DESK 19TH CENTURY the exterior covered in ivory inlaid star diaper pattern and banded in leaf and bead gilt metal mounts; the hinged top opening to an interior divided for stationery over a folding writing slope with a black velvet liningDimensions:37cm wide, 22cm high, 30cm deepProvenance:Provenance: The Bellamy Collection, County Down, Northern Ireland, previously at Seggie House, St. AndrewsNote: With non-transferable CITES self-certification number 24842157317Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 453
GEORGIAN STYLE MAHOGANY TAMBOUR DESK, JAMES SHOOLBRED & CO. LATE 19TH CENTURY the tambour top opening to an interior with a slide-out hinged leather lined writing slope and pigeon holes and drawers, over three frieze drawers and raised on square tapered legs joined by a X stretcher and ending in brass caps and castors, stamped in the drawer JAS SHOOLBRED & CO and no. 5132Dimensions:107cm wide, 108cm high, 61cm deepProvenance:Provenance: The Bellamy Collection, County Down, Northern Ireland
Lot 496
GROUP OF FOUR SMALL PERPETUAL CALENDARS LATE 19TH/ EARLY 20TH CENTURY to include an oak desk example; a circular fruitwood wall example, 22.5cm diameter; a blonde wood Art Deco example, 19cm high; and a cast metal example on a marble base, 14cm highDimensions:Largest 26cm highProvenance:Provenance: The Bellamy Collection, County Down, Northern Ireland
Lot 604
AN ITALIAN PIETA DURA PANEL MOUNTED EBONISED MUSIC BOX (QTY)Late 19th Century Fitted with a 2.1/2 in brass cylinder, stamped 29287, winding key, 17cm wide; Together with a group of desk accessories, including two painted oak mounted Cambridge University coats-of-arms, one for Girton College, 20cm and 17cm high, a glass and brass mounted inkwell, a magnifying glass, blade sharpening stone, a burr and tulip wood inlaid photograph frame, another gilt-tooled leather example by Jarrolds, a Tiger’s Eye agate inset marble paperweight, and a quantity of stone samplesProvenance: The Waterhouse Collection Please see the following story for further details: Autumn at Bellmans | The Waterhouse Family CollectionThe Tiger’s eye agate inlaid marble paper weight, with paper label to reverse inscribed ‘Said to be a sample for fireplace at Yattendon Court’. Yattendon Court, Berkshire was purchased by Alfred Waterhouse RA in 1876 and extended by the architect. It was later completely pulled down in 1925. Condition report: Please see extra images of the top of the small pietra dura music box. There is a key. The music mechanism does work but there is no guarantee of it’s working order and a full clean and service is recommended by a specialist. The box with a few minor scuffs and small dents commensurate with wear and use. The paper weight with a few small nicks to the edges an corners. The glass well separates from base. Wear and tarnishing.The other pieces with inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age.
Lot 112
A late Victorian Aesthetic Movement ebonised Davenport desk, hinged rectangular superstructure enclosing stationery divisions, hinged sloping writing surface enclosing two drawers, panel door to side enclosing four drawers, turned feet, ceramic casters, 94cm high, 56.5cm wide, 55cm deep, c.1890
Lot 308
An early Victorian mahogany partners’ desk, by Miles & Edwards, 134 Oxford Street, London, stamped and numbered 2248, rounded rectangular top with inset writing surface above three frieze drawers, a single to verso, three further drawers to each pedestal, the verso with a panel door, 76.5cm high, 124cm wide, 62.5cm deep, c.1840
Lot 52
Irini Bachlitzanaki Tea Towel Detail 1, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Irini Bachlitzanaki studied History of Art at UCL and Fine Art at Central Saint Martins, Chelsea College of Arts and most recently the Royal Academy Schools in London. To date, she has had two solo shows and has participated in group exhibitions in Greece and abroad. In addition to her practice she has curated a number of exhibitions and is interested in pursuing curatorial work in line with her artistic research. Education 2017-2020/21: Postgraduate Programme, Royal Academy Schools, Royal Academy of Arts, London. 2006-2010: BA Fine Art, Chelsea College of Arts, London. 2005-2006: Diploma in Foundation Studies in Art & Design, Central Saint Martins, London. 2002-2005: BA History of Art, UCL, London. Select Exhibitions/Awards Solo Exhibitions 2021 The Combination Show. Wolfson College Cambridge. Royal Academy Schools Graduate Prize 2021 2018 just us on a different day, Elika Gallery, Athens. 2015 Emergent Qualities, Elika Gallery, Athens. Selected Group Exhibitions & Projects 2021 Our Home, this Mortal Coil, Ione & Mann, Cromwell Place, London. Royal Academy Schools Degree show, London. All I Need is the Air that I Breathe, Artseen Contemporary Art, Nicosia. Curated by Maria Stathi. 2020 Yesterday, Today and Forever, Artseen Contemporary Art, Nicosia. Curated by Maria Stathi. Piccadilly Lights, London. Solo presentation curated by Circa Art. Prickly Pears in the Sun, Patio Project, London. Curated by Georgia Stephenson. 2019 Playing Ground, Athens Transmission, Athens. Curated by Christina Petkopoulou. Two-person exhibition: Irini Bachlitzanaki & Harminder Judge, Intrinsic Value Investors (IVI), London. Cream:Whipped!, Coningsby gallery, London. Curated by Nia Hefe Filioginni and Cream, Athens. Creekside Open 2019, A.P.T. Gallery, Deptford, London. Selected by Brian Griffiths. Premiums: Interim Projects 2019. Royal Academy of Arts, London. Τα Δημώδη / Aggeliki Xatzimichali Museum of Folk Culture and Tradition, Athens.Curated by Apostolis Artinos. 2018 Τα Δημώδη, Panourgias Estate, Amfissa, Greece. Curated by Apostolis Artinos. Serpent and Shadow, Royal Academy of Arts, London. Curated by Martin Westwood. Unguided Tour: Irini Bachlitzanaki, Vasilis Zografos, Maria Ikonomopoulou. Martinos Art Gallery, Athens. Honeymoon, Royal Academy Schools, London. 2017 Art-Athina 2017, Elika Gallery, Athens. Domestic Matter, Praxitelous 31, Athens. Curated by Katerina Papazissi. Sci-Fi Athens, Snehta Residency, Athens. Curated by Augustus Veinoglou. Paste in Place, Supersimétrica, Madrid. Curated by 3 137. 2016 Tramontane, Ileana Tounta Contemporary Art Centre, Athens. Curated by Alexios Papazacharias. Fournos, Githio, Lakonia. Curated by Maria Tzanakou and Vasiliki Sifostratoudaki. Art-Athina 2016, Elika Gallery, Athens. 2015 Curious Artefacts, The Artwall, Athens. Curated by Becky Campbell. Unknown Artist, Stegi Texnon, Molyvos, Lesvos. Curated by Christina Sgouromyti. European Night of Museums 2015 annual exhibition, Τhe National Bank of Greece Historical Archive, Athens. Work, Elika Gallery, Athens. Curated by Irini Bachlitzanaki. 2014 Minimum Structure, Romantzo, Bios, Athens. Curated by Apostolis Artinos. Microgeographies, as part of the WorldWideStorefront (WWSf), Athens. Curated by Hariklia Hari. Art-Athina 2014, Elika Gallery, Athens. Dayz of Glory, Open Show Studio, Athens. Desk Issues, curated by 3 137, Dynamo Project Space, Thessaloniki. Boundaries, Snehta and Artscape, Athens. Curated by Becky Campbell. 2013 Microgeographies, Chapter III: Toi et tes Épaves, Athens. Curated by Hariklia Hari. Thrills and Chills, CAN Gallery, Athens. Curated by Christina Androulidaki and Daily Lazy. Desk Issues, Sluice Art Fair, London. Curated by 3 137. Loxodrome, Remap 4, Athens. Message in a Bottle, Mithimna Municipal Gallery, Lesvos. Curated by Vasilis Zografos. Paradise Lost: Art Athina Contemporaries, Art Athina 2013, Athens. Curated by Artemis Potamianou. Pindaros/Third Floor - a project by irini Bachlitzanaki & Augustus Veinoglou, back to athens festival 2013, Athens. Déjà vécu, Anamesa, Athens. Curated by Evita Tsokanta. Boiling Point, CAMP, Athens. Curated by George and Dimitris Georgakopoulos. 2012 Kodra Fresh: What We Want, Action Field Kodra 2012, Thessaloniki. Curated by Vasilis Zografos. Boiling Point, Künstlerhaus, Vienna. Curated by George and Dimitris Georgakopoulos. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
Lot 53
Irini Bachlitzanaki Tea Towel Detail 2, 2022 Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Irini Bachlitzanaki studied History of Art at UCL and Fine Art at Central Saint Martins, Chelsea College of Arts and most recently the Royal Academy Schools in London. To date, she has had two solo shows and has participated in group exhibitions in Greece and abroad. In addition to her practice she has curated a number of exhibitions and is interested in pursuing curatorial work in line with her artistic research. Education 2017-2020/21: Postgraduate Programme, Royal Academy Schools, Royal Academy of Arts, London. 2006-2010: BA Fine Art, Chelsea College of Arts, London. 2005-2006: Diploma in Foundation Studies in Art & Design, Central Saint Martins, London. 2002-2005: BA History of Art, UCL, London. Select Exhibitions/Awards Solo Exhibitions 2021 The Combination Show. Wolfson College Cambridge. Royal Academy Schools Graduate Prize 2021 2018 just us on a different day, Elika Gallery, Athens. 2015 Emergent Qualities, Elika Gallery, Athens. Selected Group Exhibitions & Projects 2021 Our Home, this Mortal Coil, Ione & Mann, Cromwell Place, London. Royal Academy Schools Degree show, London. All I Need is the Air that I Breathe, Artseen Contemporary Art, Nicosia. Curated by Maria Stathi. 2020 Yesterday, Today and Forever, Artseen Contemporary Art, Nicosia. Curated by Maria Stathi. Piccadilly Lights, London. Solo presentation curated by Circa Art. Prickly Pears in the Sun, Patio Project, London. Curated by Georgia Stephenson. 2019 Playing Ground, Athens Transmission, Athens. Curated by Christina Petkopoulou. Two-person exhibition: Irini Bachlitzanaki & Harminder Judge, Intrinsic Value Investors (IVI), London. Cream:Whipped!, Coningsby gallery, London. Curated by Nia Hefe Filioginni and Cream, Athens. Creekside Open 2019, A.P.T. Gallery, Deptford, London. Selected by Brian Griffiths. Premiums: Interim Projects 2019. Royal Academy of Arts, London. Τα Δημώδη / Aggeliki Xatzimichali Museum of Folk Culture and Tradition, Athens.Curated by Apostolis Artinos. 2018 Τα Δημώδη, Panourgias Estate, Amfissa, Greece. Curated by Apostolis Artinos. Serpent and Shadow, Royal Academy of Arts, London. Curated by Martin Westwood. Unguided Tour: Irini Bachlitzanaki, Vasilis Zografos, Maria Ikonomopoulou. Martinos Art Gallery, Athens. Honeymoon, Royal Academy Schools, London. 2017 Art-Athina 2017, Elika Gallery, Athens. Domestic Matter, Praxitelous 31, Athens. Curated by Katerina Papazissi. Sci-Fi Athens, Snehta Residency, Athens. Curated by Augustus Veinoglou. Paste in Place, Supersimétrica, Madrid. Curated by 3 137. 2016 Tramontane, Ileana Tounta Contemporary Art Centre, Athens. Curated by Alexios Papazacharias. Fournos, Githio, Lakonia. Curated by Maria Tzanakou and Vasiliki Sifostratoudaki. Art-Athina 2016, Elika Gallery, Athens. 2015 Curious Artefacts, The Artwall, Athens. Curated by Becky Campbell. Unknown Artist, Stegi Texnon, Molyvos, Lesvos. Curated by Christina Sgouromyti. European Night of Museums 2015 annual exhibition, Τhe National Bank of Greece Historical Archive, Athens. Work, Elika Gallery, Athens. Curated by Irini Bachlitzanaki. 2014 Minimum Structure, Romantzo, Bios, Athens. Curated by Apostolis Artinos. Microgeographies, as part of the WorldWideStorefront (WWSf), Athens. Curated by Hariklia Hari. Art-Athina 2014, Elika Gallery, Athens. Dayz of Glory, Open Show Studio, Athens. Desk Issues, curated by 3 137, Dynamo Project Space, Thessaloniki. Boundaries, Snehta and Artscape, Athens. Curated by Becky Campbell. 2013 Microgeographies, Chapter III: Toi et tes Épaves, Athens. Curated by Hariklia Hari. Thrills and Chills, CAN Gallery, Athens. Curated by Christina Androulidaki and Daily Lazy. Desk Issues, Sluice Art Fair, London. Curated by 3 137. Loxodrome, Remap 4, Athens. Message in a Bottle, Mithimna Municipal Gallery, Lesvos. Curated by Vasilis Zografos. Paradise Lost: Art Athina Contemporaries, Art Athina 2013, Athens. Curated by Artemis Potamianou. Pindaros/Third Floor - a project by irini Bachlitzanaki & Augustus Veinoglou, back to athens festival 2013, Athens. Déjà vécu, Anamesa, Athens. Curated by Evita Tsokanta. Boiling Point, CAMP, Athens. Curated by George and Dimitris Georgakopoulos. 2012 Kodra Fresh: What We Want, Action Field Kodra 2012, Thessaloniki. Curated by Vasilis Zografos. Boiling Point, Künstlerhaus, Vienna. Curated by George and Dimitris Georgakopoulos. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.
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147546 item(s)/page