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Various items of plated ware to include a four-branch epergne, the large central epergne with dedication 'From Shawbury Aerodrome Officials June 1917', height 33cm, a modern glass and plated three-branch epergne, the three glass vases of orchid head shape, with iridescent finish, height 23cm, four egg cups on stand, a pair of three-branch candelabra, two pairs of short candlesticks, a plated desk cigarette box and a large table mirror, the embossed border of scrolling flowers and leaves, height of mirror 34cm (11).
A large Victorian mahogany twin pedestal partners' desk, each side with a pair of drawers in each pedestal, raised on turned supports, 76 x 168 x 138cm (af). CONDITION REPORT There are two drawer knobs detached from one side, but both are present. The top has quite a lot of surface damage including fading, staining, scratches and splits, etc. Further surface wear as mentioned above throughout both of the pedestals and further wear to the feet. All of the drawers are unlocked, but we do not have any keys for the desk.
A modern pine bedroom suite comprising a six-drawer twin pedestal desk with associated triptych mirror, raised on two small drawers, a chest of two short over four long drawers, raised on bracket feet and a modern telephone table with one short over two long drawers, raised on a plinth base (4). CONDITION REPORT Overall solid but used condition, with a significant scratch to the top of the desk. Further light surface wear throughout, with various signs of light use.
Various collectibles to include a 19th century carved ivory okimono depicting a geisha holding a lantern and a fan, red seal mark to the base, height 23cm, a boxed Hohner harmonica, a vintage Junghams alarm clock, a modern BIG Ben desk clock and a blue glass table lighter with dimpled body (5).
An antique Continental unusual Folk Art fruitwood Desk, the raised back with star inlay, frieze of birds and reclining figures, central bird finial, fitted three drawers and pair of doors, surmounted by clock dials, gothic style spires with barbs, numerous other quirky animal and figure motifs, 3ft 7in wide, 2ft deep
A 19th Century mahogany and marquetry inlaid Writing Desk with raised mirror back fitted two drawers and surmounted by pierced brass gallery and inset with mirror to back above a leather writing surface above two frieze drawers with scrolled leafage decorated mounted upon turned supports and casters united by X-stretcher 4ft W x 3ft 2in H
Geoffrey Jenkins for Jentique 20thC retro vintage teak pop up student's desk / chest of drawers of small proportions, the rectangular top lifting and sliding forward to reveal a pop up fitted interior to the back, below are three drawers with recessed handles, all raised on tapering supports, W78 x D45 x H74cm
Box containing assorted items: two books 'A History of Margam Abbey' by Walter de Gray Birch, published in 1897 and a leather bound, marble boarded 'History of the 19th Century, from 1850 to the Present Time' volume IV, a cast iron desk stamp, five Egyptian style prints on papyrus, a set of boxed and cased Starrett micrometer calipers etc. (B.P. 21% + VAT)
The 11 white label test pressings of the re-mastered Fontana Albums, re-mastered from the original tape masters and released in 2019.Mastering Notes: The recordings have been lovingly remastered at Gearbox Records’ Studios, London, directly from the original tapes, using a Studer C37 ¼-inch stereo tape machine. They were then equalised through an all-valve mastering desk built bespoke for Decca studios in the late 1950s, Vintage Lang Pultec EQ, Prism Maselec EQ and Telefunken U73b valve limiters from 1959. The LP lacquers were cut on a beautifully restored Haeco Scully Lathe from 1967 with Westrex (Western Electric) head and cutting amps: the same go-to lathe that Rudy Van Gelder used LP1: Tubbs (1961)LP2: Equation In Rhythm / Palladium Jazz Date (A side: Southern Suite Pts. 1 & 2, B side: Tubby Hayes’ Palladium Jazz Date tracks) (1961 & 1962).LP3: Tubbs In N.Y. (1961)LP4: Return Visit! (1962)LP5: Late Spot At Scott's (1962)LP6: Down In The Village (1962)LP7: Tubbs' Tours (1964)LP8: 100% Proof (1967)LP9: Mexican Green (1967)LP10: Grits, Beans And Greens (Previously unreleased 1969)LP11: The Orchestra (1970)
Large initial enclosing St. Jerome writing, on a cutting from a grand Bible, in Latin, manuscript on parchment [Austria (probably Vienna), mid-fifteenth century] Square cutting, with a large initial 'F' (opening 'Frater Ambrosius ...', Jerome's epistle 53 urging Bishop Paulinus of Nola to embrace and study the Scriptures, usually found opening the Vulgate Bible: Stegmuller 284 and 3306), in light grey swirls of acanthus leaves overlaid on dark grey panels, enclosing the author wrapped in a red cloak and wearing a galero, seated at a writing desk, and writing in an open book while gazing upwards, all on burnished gold grounds, sprays of blue-grey, pink and green acanthus leaves with gold fruit in margins, red rubric, 13 lines from a single column in an ornamental and angular hand whose descenders trail away to sharp tips, some paper adhering to back from old mounting, small spots and stains, else excellent condition, 169 by 140mm. Provenance:1. Written and illuminated for a wealthy patron or grand community in Austria, probably in Vienna, towards the end of the second quarter of the fifteenth century, or in the years immediately after. This cutting is from the frontispiece of the parent manuscript, and another complete leaf has been catalogued by C. de Hamel, Gilding the Lilly, 2010, no. 65, pp. 146-147, where he also notes a further leaf in Columbia, University of Missouri, Ellis Library, Rare Res. BS 1254.L3M6.1450.2. Perhaps owned by Erik von Scherling (1907-56): C.L. Ricketts acquired the Lilly leaf from von Scherling's cat. 11, Manuscript Fragments, Miniatures, Persian Miniatures, Greek Vases (1930), no. 953, but without mentioning a specific leaf or part of text there, suggesting he had several examples.3. Les Enluminures cat. 5 (1996), no. 34: with clipping from that catalogue included, most probably thence to a North American collector (see de Hamel, p. 146).4. Acquired by Roger Martin in Brunn Rasmussen Auctioneers, Copenhagen, 12 December 2017, lot 1750/6147. Published:Jonathan J. G. Alexander, 'The Author as Authority in theMedieval Illuminated Manuscript', in Bruce Ferrini and Les Enluminures, Important Illuminated Manuscripts, 2000, p. 15, fig. 7.C. de Hamel, Gilding the Lilly, 2010, no. 65, p. 146.
A Meissen figure of the Merchant's Wife, late 19th centuryAfter the 18th century model by J.J. Kaendler, wearing a pink bodice and white skirt with blue flower pattern, seated at a desk with a pen and ink set and an open ledger, another book on her lap, a basket with bottles and various other items at her feet, the base moulded with gilt-edged scrollwork, 15.5cm high, crossed swords mark in blue with one incised cancellation mark, incised model number 2654 (restoration to left arm and some losses to chair)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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147561 item(s)/page