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Lot 721

MIXED COSTUME JEWELLERY. A box of mixed costume jewellery and a desk magnifying glass

Lot 784

CHROME DESK FAN. Retro Fridgemaker chrome desk fan

Lot 924

ANGLEPOISE LAMP. An anglepoise desk lamp

Lot 213

19th Century brass scroll design desk top pen stand on oak base.

Lot 630

20th Century pine desk or small table.

Lot 639

Edwardian mahogany pedestal knee hole desk.

Lot 646

Early 20th Century mahogany two drawer writing desk together with a pair of dining chairs. (3)

Lot 319

An early 20th century mahogany desk, having two single drawers, raised on pedestal supports and joined by stretcher. H.80cm W.107cm D.51cm

Lot 92

"Dial M for Murder" 1954 US lobby cards No. 5 & 6 (11 x 14 inch each) picturing Grace Kelly and Ray Milland directed by Alfred Hitchcock. No. 5 Grace Kelly confronts Ray Milland about key, No. 6 Grace Kelly on the floor under the desk. Framed.

Lot 260

A Computer Desk & Chair, along with a Sky HD+ box with remote and a Philips DVD player with remote and other electrical items.

Lot 422

A George III Mahogany Partner's Desk of Neat Proportions, to each side a central drawer with four side drawers, an extension slide to each end (41cm), brass swan neck handles, on ogee bracket feet (height 81cm, width un-extended 122cm, depth 60cm)

Lot 793

A Very Good Pedestal Desk Having a Leather Top.

Lot 851

An Late 19th Century Ladies Writing Desk of Neat Proportions, in need of restoration.

Lot 964

A Georgian Mahogany Architect's/Clerk's Desk with pull out fitted leather lined front section, c. 1780-1800.

Lot 410

A Victorian Oak Large Tambour Roll Top Desk, the front revealing an arrangement of drawers and pigeon holes, the base with an arrangement of drawers.

Lot 93

CAPTAIN HANS LANGSDORFF'S NAVAL DRESS SWORD Kaisermarine pattern, the 29½in. pipe-backed blade stamped with maker's mark for F.W. Höller, Solingen, regulation half-basket hilt inscribed on the hinged thumb-piece Kpt. Z. See Langsdorff , contained in leather scabbard of issue -- 35½in. (90cm.) overall Provenance: Phillips Glendinings, London, Arms & Armour Sale, 26th March, 1998, lot 1064: Acquired by vendor in lieu of a debt, from a German engineer in Buenos Aires in 1957. Captain Hans Langsdorff, born at Bergen on the Baltic island of Rügen in 1894, spent much of his youth in Düsseldorf before joining the Imperial German Navy in 1912. After active service during WWI, he remained in the navy and ultimately became a torpedo specialist before accepting a senior administrative appointment with the Reichsmarine. Proving equally capable behind a desk, he was an obvious choice to command the new cruiser Admiral Graf Spee when she completed in 1936, a commission which eventually ended with him being accorded that remarkable reputation for chivalry in war which not only made him a household name at the time, but which has now endured for over 50 years. When WWII broke out on 3rd September, 1939, the 'pocket battleship' Graf Spee was already in the South Atlantic although, despite Germany's invasion of Poland on 1st September, Hitler was initially convinced that Great Britain and France would negotiate for an early peace. To this end, he kept German warships away from the commercial shipping lanes as he awaited developments and Graf Spee stood off the South American coast in company with her supply ship Altmark for almost three weeks before finally receiving orders to assume the offensive. On 20th September Langsdorff sank his first victim, the Booth Line's steamer Clement, 60 miles off Pernambuco, and in just over two months, he sank a further nine British merchantmen. His dislike of unnecessary bloodshed however, coupled with the extraordinarily humane treatment of his prisoners whom he put aboard Altmark, earned him the grudging respect of even those captains whose ships he had sunk beneath them although it was not until Altmark herself was captured off Norway the following February that the full story emerged. The Admiralty meanwhile, realising that Langsdorff had to be stopped as much to allay public concern at home as to prevent further shipping losses, mounted an urgent operation to hunt and destroy Graf Spee as rapidly as possible. Commodore Henry Harwood, Senior Royal Navy officer in the area, was given command and his flotilla - designated Force 'G' - consisted of the heavy cruiser H.M.S. Exeter and two light cruisers, Ajax and Achilles, the latter seconded from the Royal New Zealand Navy. In theory at least Force 'G' was easily capable of dealing with a single enemy heavy cruiser; in practice however, the considerable strengths of the so-called 'pocket battleship' were such that Harwood knew he faced a formidable task even allowing for the fact that he would first have to locate Graf Spee and corner her somewhere in the vastness of the South Atlantic. Intuition suggested the wide estuary of the River Plate, a vital crossroads for many South American trade routes, and Harwood's fitness for command soon proved itself when Force 'G' sighted the smoke of an unknown vessel on the horizon early on the morning of 13th December. Exeter approached to investigate and instantaneously with Harwood's confirmation that the stranger was indeed Graf Spee, Langsdorff had spotted his pursuers, rung up 'battle stations' and was steaming into action at full speed. Harwood wisely divided his force so as to minimise the effects of the enemy's main armament but not before all three of his ships had become targets. Langsdorff opened fire at approximately 6.20am. and concentrated his port salvoes on Exeter whilst his starboard guns dealt with Ajax and Achilles. Exeter bore the brunt of accurate German gunnery and by 7 o'clock she had received between 40 and 50 hits and lost two turrets. Half an hour later, her last turret was silenced and she was forced to withdraw from the action, severely damaged and with heavy casualties including 53 dead. The light cruisers fought on obstinately, despite the overwhelming odds, and even though they too were damaged - especially Ajax - their dogged tenacity probably saved Exeter and decided the outcome of the battle. Unknown to them, Langsdorff had become concerned that he was vulnerable to a combined torpedo attack and that fear, coupled with the realisation that Graf Spee had actually been hit 20 times by British shells, provoked a surprising reaction and he broke off the engagement to run for shelter in the Plate Estuary 300 miles to the west. Racing past and ignoring a homeward-bound British merchantman the Shakespeare, Graf Spee made the neutral port of Montevideo after a 12 hour dash pursued by Ajax and Achilles. Britain immediately requested the Uruguayan authorities to expel Graf Spee within 24 hours or intern her under the provisions of International Law, thereby initiating a frenzied burst of diplomatic activity worthy of the most popular fiction. Despite the best efforts of both Langsdorff and the German Ambassador, the permitted stay was only extended to 72 hours and Langsdorff, surrounded by rumours of approaching British reinforcements, was faced with a bitter choice. As the 8.00pm. deadline neared on 17th December, Langsdorff took his second fateful decision and having released the few British prisoners still aboard his ship, and bidding farewell to those who had given him sanctuary in Montevideo, ordered Graf Spee to make ready to sail. Clearing her moorings at 6.15pm., she made for the open sea followed by the German steamer Tacoma. With her battle ensigns flying, she stopped engines at the three mile limit and there, in full view of Ajax and Achilles, she suddenly and unexpectedly blew up and destroyed herself with pre-set explosives. Her crew were taken aboard Tacoma which proceeded to Buenos Aires where, on 20th December, Captain Langsdorff took his own life rather than face the ignominy of surrender and internment. It was a tragic end for a man who, by then, had earned the admiration of those who were hunting him down as well a those who had suffered loss at his hands. To many he epitomised the chivalry of an earlier age and even though he had sunk over 50,000 tons of British merchant shipping, not a single allied life had been lost aboard any of those vessels. In fact, his conduct throughout the Graf Spee's final commission was such that he was, and still is, universally regarded as one of the last gentleman raiders in the history of war at sea. Admiral Graf Spee, the third of the 'Deutschland' class cruisers [the so-called 'pocket battleships'] was laid down in 1932, launched in 1934 and completed in January 1936. Displacing 11,700 tons, she measured 610 feet in length with a 71 foot beam, and could make 28 knots under full power. Her design, as a fast heavily-armed though lightly-armoured long-range merchant raider, proved a triumph and had all eight of the class been built instead of three which were completed, the Royal Navy would probably have faced an impossible task given that it had only three capital ships capable of matching their speed.

Lot 289

A WELL PRESENTED AND FINELY DETAILED SCALE MODEL FOR THE R.T.Y.C STEAM YACHT AMANDA the wooden hull with bilge keels, portholes and companionways, finished in red and cream, with scored varnished decks, wood capped deck rails, fitted boats in davits including steam launch, desk lights, stayed funnel, open bridge with search lights, binnacle, winch, ventilators, etc., mounted on two gilt-brass columns on raised plush base within glazed mahogany case on stand, overall measurements -- 61½ x 60 x 16in. (156.5 x 152.5 x 40.5cm.) This lot will be available for viewing at Imperial Road

Lot 150

Four steel desk seals, all 19th century, the matrices with an armorial for: a) an official governmental seal for Stuttgart in the former Kingdom of Wurttemberg and Baden; b) Count Regrais (Lyonnais), nob. 1668; the seal of the Institute of Physiology in Freiburg University in Baden, an administrative district in Wurttemberg and Baden and d) the seal of Grodesky de Grodez (Austria)

Lot 140

A group of objects of vertu, including: a Dunhill silver plated Rollagas lighter, in a box; three other lighters; various snuff boxes; two cigarette holders; a wooden desk seal; a Mauchline ware pincushion; a Japanese ivory netsuke of a lantern maker; two glass scent phials; an opalescent glass model of a bird by Sabino, 4.5cm high; a Chinese jade two-part butterfly buckle; and other items

Lot 284

Jaeger LeCoultre, a perspex and gilt metal circular desk clock, circa 1980, 8 day straight line lever movement, 16 jewels, baton hands, diameter 12.5cm diameter

Lot 101

Heavy moulded glass desk ink well, together with a desk top hand guillotine, (2).

Lot 365

Victorian mahogany twin pedestal desk, rectangular top with an inset writing surface, fitted with three frieze drawers and three drawers to each pedestal, 122 x 69cms.

Lot 311

Late Victorian walnut slope front desk stand, two doors enclosing a stationery rack, drawer under, width 31cms.

Lot 368

Mahogany and stained wood twin pedestal desk, rectangular top with a tooled leather inset, gadrooned outlines, fitted with three frieze drawers and three drawers to each pedestal, ball and claw feet, 153 x 91cms.

Lot 11

A large George V period silver desk cigarette box, having presentation inscription to lid and banded engraved design, marks worn, approx 18.5cm wide

Lot 311

box of collectables inc barometer, silver topped box and desk tidies etc

Lot 52

A 19th century 800 silver desk top inkstand, 800 silver napkin rings & pen holder (4)

Lot 210

A victorian burr walnut leathered top twist top writing desk

Lot 198

An edwardian mahogany leather topped writing desk

Lot 215

A victorian mahogany twin pedastal writing desk

Lot 330

An Art Deco desk calendar; a new Bond Easiflow 333 fountain pen and another fountain pen

Lot 378

A 1960s Kienzle Everdate German desk clock, 7.5cm high

Lot 489

A teak compact folding desk, doors enclosing fitted interior and pull out drop leaf writing surface, 112cm high, 83cm wide, 53cm deep (opened 160cm wide)

Lot 48

DESK, polished metal with dark glass top and shelves, 80cm D x 76cm H x 175cm W.

Lot 38

REVOLVING DESK CHAIR, Charles Eames design with tan brown leather upholstered seat revolving and reclining on an adjustable base with castors.

Lot 19

DESK LAMP, after Jean Louis Domeq, 1950's style made in France by Jielde.

Lot 605

DEMI LUNE PEDESTAL DESK, early 20th century Georgian Revival mahogany with three drawers and two doors, 152cm W x 75cm D x 82cm H. (with faults)

Lot 566

REVOLVING DESK CHAIR, Charles Eames design tan brown leather, the seat revolving and reclining on an adjustable base with castors, 68cm W.

Lot 233

The Deployment of the Golf Club a Historic record of its Evolution a boxed collectors lot, with a desk 5 replica golf club heads

Lot 256

Antique style brass desk lamp, with green glass shade,

Lot 478

A silver, onyx and porcelain desk calender surmounted by a figure of the Artful Dodger.

Lot 320

A gold plated Matisa pocket watch/desk clock with subsidiary seconds.

Lot 182

An anglepoise desk lamp along with an old B.T telephone.

Lot 66

Three pottery based tablelamps along with a 1960s desk lamp.

Lot 288

Silver desk calendar, rug hooks, decorative spoons, two silver thimbles, slide rule etc

Lot 369

A child's pine school style desk with lift up top and chair

Lot 294

Vintage style Amber glass shade desk lamp

Lot 6579

A 1970's angle poise style desk lamp fitted with a magnifying glass

Lot 6318

A walnut desk, 1950's Danish design. 122cm x 62cm x 76cm

Lot 6554

A Herbert Terry angle poise desk lamp and another similar

Lot 6451

A Danish design oak twin pedestal desk. 128.5cm x 60cm x 72cm

Lot 6278

A teak twin pedestal desk. 132cm x 70cm x 72cm

Lot 6493

A grey painted metal, glass and chrome desk lamp

Lot 6488

An oak and teak twin pedestal desk. 130cm x 73.5cm x 75cm

Lot 6562

A Joe Columbo KD29 desk light in red and white plastic, a/f

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