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An early Victorian silver castle top snuff box Nathaniel Mills, Birmingham 1838, the cover with Abbotsford in relief, the sides concave and engine turned, the base with a vacant reserve on a tartan ground, the interior gilt, 7cm (2 3/4in) long, 57g (1.8 oz)Condition Report: Marks are partially obscuredSome light rubbing to the coverRubbing to the corners of the engraving to the baseSlight play to the hingeSlight gap when the cover is closedLight scratches and wear commensurate with age and useCondition Report Disclaimer
A George III silver rectangular snuff box by William Pugh, Birmingham 1808, engraved with foliate decoration, the cover with an oval vacant reserve, 7.5cm (3in) long, 77g (2.5 oz)Condition Report: Marks are generally clearEngraving is crispHinge is goodLight scratches and wear commensurate with age and useCondition Report Disclaimer
An early Victorian silver rectangular snuff box by Francis Clark, Birmingham 1839, the cover engraved with a shield to the tablet within an engine turned border, a floral chased rim incorporating the thumbpiece, the sides threaded, the base engine turned, the interior gilt, 7.5cm (3in) long, 103g (3.3 oz)
A late 18th century French gold and enamel canted-rectangular snuff box, maker's mark incuse F.J (not traced), indistinct pre-revolution marks, blue, light blue and white enamelled in bands and stripes, urns to the side angles, 8.3cm (3 1/4in) long, 88g gross (top later enamelled) Condition Report: The top panel is a later inset replacement.Marks are partially obscured.Hinge is goodCover closes wellKnock/repair to the blue enamel beneathLight scratches and wear commensurate with age and useCondition Report Disclaimer
marked W.D.&Co., S, 925, of circular form, with applied vacant circular cartouche to pull off lid, the underside with glass base; together another circular snuff box, collet set with a mixed-cut amethyst to centre, the underside with glass base; together with an oval snuff box, with applied silver shield, Dunningham & Co, Edinburgh 1933, with engraved italic A to centre; a similar oval box, collet set with a heart shaped citrine and another with applied white metal thistle an collet set with faceted amethyst to centre(7.2cm, 6.8cm, 6.8cm, 7.4cm and 7.5cm across)
marked M&C, INVS, of circular form, the circular silver mount to centre collet set with a fancy-mixed-cut citrine, the underside with glass base; together with another by Dunningham & Co of Aberdeen, of oval form, the pull off lid with applied silver shield and banner engraved GLASGOW, with another similar, the silver mounted shield engraved with PER MARE, a depiction of a ship / STROMNESS; together with an oval snuff box, collet set with a facetted citrine, the metal modelled as a buckle(73mm, 71mm, 74mm, 73mm across)
after Robert Strange, the half-length portrait of Prince Charles in tartan jacket with blue sash for the Order of the Garter and wearing blue bonnet and white cockade, in modern white card mount(Portrait 6.5cm diameter) Note: It would appear this portrait originally formed part of a hidden portrait snuff box and would have been concealed either to the interior of a box on under a false cover. This is further backed up by a mid-19th century manuscript note which accompanies the box which reads “Prince Charles Edward Stuart’s picture, discovered concealed in the lid of an old snuff box about 1815, probably 70 years after it was placed in the box for concealment as the box originally belonged to a Jacobite family, J. Linning Stirling 1840’ the label is also noted “M.L.Melville Esq / This belongs to you / J. Linning / Stirling 8 th Sept. / 1853” and on an alter attached section “came to Mrs Janet Linning through her mother E. Wilson & aunts (Wilson) the Jacobite ladles: probably through their Haldane mother, grandmother or relation who were all ardent Jacobites”
18th century Continental gold mounted moss agate snuff box, cushion form with hinged cover, with relief border of hunting scenes, the metal apparently unmarked, 7cm wideCondition report: Stone is in good condition, metal chasing has some wear and slight loss of definition, no severe damage, closes snuggly, hinge is operational, basically very nice condition and probably high carat gold, 2cm high
A TREEN BURR OAK FOLK ART OVAL SNUFF BOX PROBABLY FIRST HALF 18TH CENTURY the lid carved with Eve accompanied by various animals beside the tree of the knowledge of good and evil, above a Latin motto 'Totus Mundus In Maligno Mali Positus', with a brass band and a leaf border, the base carved with a seated figure and an indistinct motto '...Here Redde Diem' 10.7cm wide PROVENANCE 'A Lifetime of Collecting' - The Property of a Gentleman.
A GEORGE IV OAK 'YORK MINSTER' CIRCULAR SNUFF BOX EARLY 19TH CENTURY engine turned, the lid inset with a silver medallion, one side with a view of York Minster, titled and dated '1829', the obverse inscribed 'York Minster was commenced 1171, completed 1377, the choir of this magnificent edifice destroyed by an incendiary Feb 2nd 1829', inscribed in pen 'The incendiary was an insane brother of Martin the great painter' 10cm diameter PROVENANCE 'A Lifetime of Collecting' - The Property of a Gentleman. CATALOGUE NOTE The fire, one of several in the Minster`s history, was started deliberately by a deranged man, Jonathan Martin, elder brother of the Romantic painter John Martin (1789-1854).
FIVE SNUFF BOXES 19TH CENTURY comprising: a brass and stag antler example, a tole example in the form of a book, a brass curved hip box, a circular box in burr walnut and a lacquer snuff box painted to simulate tortoiseshell (5) 7.7cm (max) PROVENANCE 'A Lifetime of Collecting' - The Property of a Gentleman.

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44471 item(s)/page