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An Art Deco emerald and diamond set mother of pearl oval snuff box, oval mother of pearl body adorned with a panel of eight old cut individually set diamonds and a vibrant green square cut emerald arranged in a spiders web motif, indistinctly marked gold collar and cover lip, 65mm x 41mm, x 20mm
A George III Birmingham enamel oval snuff box, the hinged cover printed in monochrome with a gentleman serenading a lady with his flute in a landscaped garden, the background with a bridge and obelisk, pink base, 6.5cm wide, with John Jaffa Antiques, their label, c. 1770; another, similar, monochrome printed throughout, 7.5cm wide, c. 1770; a George III South Staffordshire enamel oval snuff box, the cover painted with a family fishing a river, green base, 5cm wide, c. 1780, [3]
A Victorian EPNS shaped rectangular table snuff box, brightly engraved with a quatrefoil and leafy scroll terminals, the verso with a patera conforming, 6cm wide, c. 1870; a 19th century steel oval snuff box, in the 18th century taste, 7cm wide; a 19th century Mauchline ware named-view castle money box, printed with a view of the High Street, Llandrindod Wells, [Wales], black ground, 8cm high; a 19th century snakeskin vesta case and cover, 6.5cm long; a novelty marquetry and burr vesta, as a book; a treen vesta; Victorian tortoiseshell case; etc., [9]
An early George III Rococo Bilston enamel rectangular snuff box, the cover painted with a rustic and his cattle in an Italianate landscape within a relief border of white C-scrolls, the interior inscribed with the sentiment: Fidelle & sincére, the bowed base with further landscape vignettes, gilt-metal mounts, 5cm wide, c. 1760
A 19th century Folk Art novelty copper snuff box, as a love heart, possibly a sweetheart's token, hinged cover, 6cm wide; a George III copper oval snuff box, the cover centred by a William III coin, beaded borders, 6.4cm wide, c. 1820; a 19th century miner's copper pebble snuff box, inscribed W. Wright, wrigglework borders, 8.7cm wide; another, plain, [4]
A 19th century papier-mâché circular table-top snuff box, the cover printed in colour with amorini in the manner of Bartolozzi, 8.7cm diam, c. 1840; another similar, allegorical, printed and painted with lovers from Classical Antiquity in a walled garden with a pair of white doves, 8.2cm diam, c. 1830, [2]
A Biedermeier tortoiseshell and burr circular snuff box, the cover with an inset colour stipple engraving of a beauty holding a mask, the base turned and outlined with an arrangement of spheres, horn bands, 8cm diam, c. 1830; a 19th century papier-mâché and tortoiseshell bun-shaped snuff box, probably French, the push-cover centred by a stylized white metal and abalone shell flowerhead, 7.5cm diam; an early 19th century Continental papier-mâché circular table-top snuff box, the cover with young ladies enjoying the fruits of nature, black ground, 8.5cm diam, c. 1825, [3]
A George III mother-of-pearl and gilt-metal circular snuff box, the cover as flowerhead, the sides chased in the Rococo taste with scrolls and foliage, bow thumbpiece, 4.3cm diam, c. 1780; another two mother-of-pearl snuff boxes, various; a novelty mussel shell and pewter snuff box, 6.6cm long, [4]
A George III pewter navette-shaped snuff box, the hinged cover engraved with a draped festoon surmounting a monogram, wrigglework borders, 7cm long, c. 1795; a 19th century novelty pewter snuff box, as a pocket watch, 7cm long; a William IV royal commemorative rounded rectangular brass snuff box, his accession to the throne, 5.2cm wide, dated 1830; a 19th century Welsh miner's brass pebble snuff box, inscribed Robert Hughes/Miner/Gilfach Goch, [South Wales], and dated Aug. 26.19, stamped flowerhead borders, the verso advising: Don't Sponge, 7.1cm wide; a Middle Eastern brass hexagonal snuff box, turning 'crescent moon' cover, 6.5cm wide; a Victorian silver-plated rounded rectangular snuff box, brightly engraved, gilt interior, 5.7cm wide, pseudo-hallmarks; Old Sheffield Plate; etc., [11]
A large 19th papier-mâché rounded rectangular table-top snuff box, the cover inscribed in gilt: Take A Pinch!, 13cm wide, c. 1870; another similar, smaller, advertising Prince Royal Snuff, surmounted by a royal crown, 7cm wide, c. 1860; another, Have a pinch, 7cm wide, c. 1860; others, various designs, shapes and sizes, (4); a Victorian horn rounded rectangular snuff box, 7cm wide, c. 1860, [8]
A large Soviet Russian rounded rectangular table-top box, the hinged-cover well-painted with a princess from a fairytale, inscribed in Cyrillic characters, within a gilt foliate border, red interior, 17.2cm wide; another similar, smaller and painted with a bucolic and idealized tableau of rural peasant life, 13.5cm wide; another Orthodox, square, 8cm wide; a 19th century Imperial Russian brass circular snuff box, the cover embossed with St. George slaying the dragon, the base with wrigglework borders, 3.6cm diam, [4]
A late George III gold-mounted tortoiseshell rounded rectangular snuff box, the hinged cover centred by a monogrammed cartouche, slightly later gilt-metal repaired heel, 7.3cm long, c. 1820; a George III bowed canted rectangular snuff box, of small proportions, the hinged cover with a monogrammed silver cartouche, textile ground and Greek meander border, 4cm long, c. 1820; an early 19th century faux wood papier-mâché rounded rectangular snuff box, of small proportions, 4.5cm long, c. 1830, [3]
A late George III silver-mounted papier-mâché circular snuff box, the cover with an onset navette-shaped wrigglework cartouche inscribed: I. Routledge, 8cm diam, c. 1820; a Louis XV Revival brass circular snuff box, the cover finely engraved with Le Départ du Courrier after François Boucher, 6.9cm diam, c. 1900; a George IV toleware bowed rectangular snuff box, graduating two-division dummy interior, 7.5cm long, c. 1830; an 18th century pewter circular snuff box, quite plain, alternating wrigglework and ropetwist borders, 6.4cm diam, c. 1785; a Victorian gun-metal circular snuff box, the push-cover naively embossed with a numismatic profile of the monarch, 4cm diam, c. 1860, [5]
A Queen Anne/George I tortoiseshell oval snuff box, the hinged cover mounted with love hearts and centred by a quatrefoil, piqué beadwork, 6.7cm wide, c. 1714; a late George III tortoiseshell, silver piqué and silvered snuff box, the push-cover centred by an arabesque of leafy foliate scrolls within a husk border, the interior inscribed: J Pollard, draught-turned base, 5.5cm diam, c. 1820, [2]
A Victorian papier-mâché rounded rectangular snuff box, marbled in imitation of Cornish serpentine, the hinged cover centred by a monogrammed gilt-metal cartouche above a Rococo Revival thumbpiece, 10.5cm wide, c. 1850; two other 19th century painted papier-mâché snuff boxes, the largest 11cm wide, (2); an Aesthetic Movement black lacquered toleware rectangular table-top snuff box, the cover profusely inlaid with abalone shell marquetry with cranes and blossoming flowers, 12.2cm wide, c. 1880; others, various, (5), [9]
A William IV/early Victorian penwork birch rounded rectangular snuff box, the cover grisaille painted with embracing lovers, 8.5cm wide, c. 1835; a Victorian horn circular snuff box and cover, the basket weave cover centred by a silver sixpence, 5.6cm diam, c. 1850; a 19th century specimen hardwood marquetry octagonal table-top snuff box, possibly Anglo-Indian, the cover inlaid with exotic timbers, the sides conforming, 7.5cm wide; a similar Victorian Tunbridge ware and rosewood, circular, 5.5cm diam, c. 1850; two early 19th century horn navette-shaped horn snuff boxes, probably Scottish, the largest 8.7cm wide, (2); others, various treen, shapes and sizes, [11]
An early 19th century French papier-mâché circular table-top snuff box, the cover printed in monochrome with Epicurean rakes enjoying the pleasures of the table and friendship, indistinctly signed within the plate, push-cover, 8.4cm diam, c. 1825; two others, English, one titled: Padgers in the Back Slums, its counterpart a contrast with a society soirée, the caricatures printed in colour, 8.5cm diam, c. 1835, (2), [3]
An early 19th century French papier-mâché circular table-top snuff box, the push-cover printed in monochrome with a titled print: l'Age d'Or, from Ovid's Metamorphoses, 8.2cm diam, c. 1820; another, similar, novelty, a lady shoos cats on the rooftop with a broom, meanwhile her husband empties their marital chamberpot, 9cm diam, c. 1830; another, fishing, 8.6cm diam, c. 1830, [3]
An early 19th century Rococo Revival pewter rounded rectangular snuff box, hinged cover, 6.6cm wide, c. 1830; a Middle Eastern octagonal snuff or spice box, the hinged cover with an exotic bird on a radiating ground, 4cm wide, early 20th century; a Japanese rounded rectangular box and cover, the cover boldly cast in relief with a Ikebana of chrysanthemums and further foliage, silk-lined interior, 10cm wide, Meiji period; a Continental porcelain circular pot and cover, painted with flowers, 7.5cm diam, c. 1900; another, similar, c. 1900; a white metal-mounted and mother-of-pearl circular box and cover, 5cm diam; an early 20th century guilloché enamel and brass circular pill box, 2.7cm diam, [7]
Royalty - an unusual armorial verre églomisé and papier-mâché circular table-top snuff box, the cover inset with a foil portrait bust of a gentleman in profile, the base painted with the coat of arms of the Royal House of Stuart, the sides painted with palm fronds and stars, scumbled faux tortoiseshell interior, 9cm diam, c. 1810
Treen - Maritime Salvage, Seven Years' War and American Revolutionary War, a turned circular table-top snuff box, from a spar of HMS Royal George (1756), presumably from Pasley's 1839 salvage operation, enclosing a pencil MS and paper collector's note and dated 1782 twice, 8.7cm diam; an early 19th century lignum vitae circular snuff box, turned with alternating and concentric bands, 7.8cm diam; a large 19th century bun-shaped table-top snuff box, bombé base, 10.3cm diam, [3]
A 19th century Sevres porcelain rectangular snuff box, the hinged cover painted with a huntsman and hounds, landscapes reserves to sides, on gros bleu ground, metal hinge with shell catch, 8 cm, to/w a pair of Continental porcelain small square inkwells and sand caster, painted with courting couples and pink-scale spandrels, 5 cm square and a pearlware small rectangular tray with chinoiserie transfer-printed blue and white figures in a landscape, 21 x 16 cm (4)

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44478 item(s)/page