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A VICTORIAN SCROLL-ENGRAVED SNUFF BOX with rounded ends and edges, a concealed hinge and a vacant cartouche on the cover, gilt interior, by Nathaniel Mills, Birmingham 1848; 3.1" (8 cms) long; 1.75 oz

A WILLIAM IV ENGINE-TURNED SNUFF BOX with an applied scroll thumbpiece, and an applied cartouche on the cover, the base with a presentation inscription "The Revd. Henry Chaytor B.A.....Chapel of Croxdale... AD1837", gilt interior, by C. Rawlings and W. Summers, London 1836; 3.35" (8.5 cms) long; 4.6 oz

A GEORGE III NAVETTE-SHAPED SNUFF BOX with engraved decoration, by T. Phipps & E. Robinson, London 1785-90 (date letter worn) and two other Continental, decorative boxes; the largest on 4.75" (12 cms) long; 9 oz (3)

A 19TH CENTURY FRENCH PARCELGILT & NIELLOWORK SNUFF BOX rectangular with slightly concaved sides and a cartouche on the cover with two dancing figures, Paris post 1838; 3.2" (8 cms) long; 3.2 oz

A 19TH CENTURY AUSTRO-HUNGARIAN SILVERGILT RECTANGULAR SNUFF BOX with a mother of pearl mounted cover, maker's mark "IS", Prague c.1850 (date marks rubbed), a large vesta case, initialled and dated "1886-1911" and two other boxes; the vesta 2.25" (5.8 cms) long; 7.6 oz gross (4)

A GEORGE II SILVERGILT RECTANGULAR SNUFF BOX with chased decoration and a scene with serenading lovers in a woodland setting on the cover, in low relief, unmarked 1735-40; 2.75" (7 cms) long; 3.1 oz

A MIXED LOT:- A George III engraved snuff box, initialled "AW", a cased seal-top spoon, an egg cup, crested, another seal top spoon, also cased, an Edwardian circular snuff box with dispenser and the following plated items:- tea spoons and a child's Christening set; the snuff dispenser 3" (7.5 cms) diameter; 7.2 oz weighable silver (lot)

A SILVER GILT AND ENAMEL SNUFF BOX probably German c.1740; 7.5 cms (damaged), a Victorian silver mounted teether, a silver and mother of pearl lorgnette and two other items (5)

A SILVER SNUFF BOX rounded rectangular, Birmingham c.1830 (worn); 9 cms, a horn and silver snuff box, oval c.1800, a leather and silver mounted etui, c.1820, a Spanish horn snuff box, a treen perpetual calendar and a plaque of Catherine the Great (5)

A George IV silver snuff box, maker Clark & Smith, Birmingham, 1824: initialled, of rectangular outline with engine turned decoration, and reeded sides, 7.25cm wide, 69gms, 2.22ozs.

A Reproduction Circular Nazi Snuff Box with Adolf Hitler and Swastika Mounts, 5cm Diameter

A Mauchline ware circular pin cushion, 5.5cm diameter, a wood and plated snuff box, 7cm long, an Acme whistle and miscellaneous small items.

A sovereign case, silver snuff box and one other

An oval silver snuff box, together with a silver sovereign case/vesta case CONDITION REPORTas per images

A pair of cloisonne ovoid jars and covers with floral decoration on a green ground together with a 19th century porcelain snuff box, painted with scenes, figures and flowers within gilt heightened borders; various other small porcelain boxes, Halcyon Days and other enamel boxes; a silver mounted glass match striker and other small itemsCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

A collection of metalware to include a copper hot water bin, a Manchester City Police Hudson & Co whistle, an Acme whistle and compass, an iron warming stand, a letter opener with a mother of pearl handle, a brass snuff box, a silver plated ashtray stand, a wooden handled bell and further itemsCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

A Dutch 18th century brass snuff box, the hinge lid and base hand engraved with Dutch biblical style proverbs and figures, hunting frieze engraved to the sides, 15.5cm wide x 5.5cm deep x 3.5cm highCondition report: Engraving worn to the point of being illegible in places, brass worn to the top right-hand side of the lid, some oxidization to both top and bottom.

A box containing snuff boxes and trinket boxes

A horn antique snuff box

Oriental snuff box .

A Victorian stoneware jug and a pottery toby jug, the jug moulded with classical figures and a putti on a dark brown dipped ground, 9cm high, the toby jug enirched in blue, modelled holding a snuff box, 21.5cm high

A box of Wonderments, including a 19thC figural painted wooden snuff box, vintage tins and containers, etc. (a lot)

A pierced silver spoon and a papier mache snuff box. The former 12 cm long.

A Victorian agate snuff box and various agate specimens. The former 6 cm wide.

A late 19th century Russian silver and niello decorated pocket snuff box of hinged rectangular form, having engraved scrolling decoration, and gilt washed interior, maker Andrey Antonovich Kovalsky, Moscow, 1821-1856, 6.5 x 4cmCondition report: Light wearing and scratches consistent with age.

A silver snuff box having bright cut leaf engraved decoration monogrammed cartouche, gilt washed interior, 33g, 5cmCondition report: Minor handling wear only.

A 19th century enamel patch box with interior mirror, together with an oval snuff box with hinged lid and mark to base of Breuettato with a dog's head

A Brass-Mounted Blonde Mud Turtle Shell Snuff Box, 19th century, of oval form with hinged cover, 9.7cm longCondition report: Good condition. light wear and surface scratches. Hinge good and the cover closes tightly.

A 19TH CENTURY RUSSIAN SILVER AND ENAMEL SNUFF BOX, marks indistinct, of rounded rectangular form, picked out with red, blue, white and green enamel, push-button opening. 8cm wide, 4.6 troy ounces

AN EDWARDIAN FINE SILVER AND ENAMEL SNUFF BOX, maker's mark indistinct, London 1903, rectangular with canted corners and hinged cover, enamelled with three reserves depicting putti, within 'jewelled' borders and cobalt-blue panels. 8.2cm wide, 4.6 troy ouncesCONDITION REPORTImport marks, probably Robert Friederich, clear and well struck. Cover hinge sturdy. Gilded to the interior. Very minor chips and cracks in various places to the enamel; some possible repairs, in particular to the white sections. Light surface scratches all over, especially to blue base panel. In generally tidy condition

A FINE CONTINENTAL SILVER AND ENAMEL SNUFF BOX, import mark, H C Freeman Ltd, London 1927, rectangular with canted corners, the hinged cover enamelled with five courtly figures in a garden, the sides and base engine-turned, engraved to underside of cover 'E.R.W 1923 1929'. 8.3cm wide, 3.9 troy ounces

A CONTINENTAL SILVER AND ENAMEL SNUFF BOX, late 19th Century, rectangular, slightly shaped for the pocket, the hinged cover enamelled with figures picnicking, the underside and sides engraved with scrolls, stamped '800' to the gilt interior. 7.5cm wide, 2.6 troy ounces CONDITION REPORTSprung hinge and clasp in good order. The blue enamel mottled in places. Some small losses and scratches to the "scene". A pretty box which fronts up well.

A GEORGE III SILVER-GILT SNUFF BOX, by John Linnit, London 1815, the cover chased with a vignette of figures gathered around a table within Rococo C-scroll borders, the body with engine-turned decoration. 7.5cm wide, 4.2 troy ouncesCONDITION REPORTWell fitting tight lid with a hinge in good condition. A couple of minor dints to the edge of the base. The usual surface scratches commensurate with age and use. In generally good condition.

A 19TH CENTURY DUTCH SILVER SNUFF BOX, marks indistinct, rounded rectangular, shaped for the pocket, with reeded ends and engraved decoration. 8cm wide, 1.4 troy ounces

A GEORGE III SILVER-GILT SNUFF BOX, by Thomas Phipps & Edward Robinson, Birmingham 1808, rounded rectangular, with basketweave pattern ground. 6.5cm wide, 2.6 troy ouncesCONDITION REPORTMarks are slightly rubbed but legible. The lid closes well and flush. Some surface wear commensurate with age. In generally good condition.

A VICTORIAN SILVER SNUFF BOX, by Frederick Marson, Birmingham 1845, of large proportions, rectangular with serpentine sides, engine-turned and engraved decoration, the hinged lid with cast scroll borders, the interior with engraved inscription 'This Box and Silver Salver was presented To Mr. Wm. Kirton by the Subscribers of the LONDON COFFEE AND EATING HOUSE KEEPERS ASSOCIATION As a token of their Esteem & regard for the zeal, ability & liberality displayed by him during the time he fulfilled the Offices of VICE PRESIDENT and PRESIDENT, and for his valuable services upon all occasions to advance the interests of the Association, October 1845', Kirton’s monogram engraved to the exterior. 9cm wide, 4.9 troy ounces

AN 18TH CENTURY CONTINENTAL SILVER-GILT SNUFF BOX, unmarked, circular, the pull-off cover decorated with Classical figures. 5.7cm diameter, 1.8 troy ounces

AN EARLY VICTORIAN SILVER SNUFF BOX, by Francis Clark, Birmingham 1838, rectangular, hinged cover inscribed 'Presented to Mr Thomas Allan, Spoutscross...15th August 1841', within an engine-turned band and foliate border, reeded sides and engine-turned base, the interior gilded. 8.5cm wide, 3.6 troy ounces

AN ELIZABETH II SILVER AND ENAMEL SNUFF BOX, by W W Godwin & Son Ltd, Birmingham 1973, demilune, the hinged cover enamelled with a galloping horse in an open landscape. 4.9cm wide, 2 troy ounces gross

A 19TH CENTURY GOLD-MOUNTED AGATE SNUFF BOX, unmarked, rectangular with hinged cover, the pierced gold-mount chased with putto, C-scrolls and foliage. 7cm wideCONDITION REPORTThe gold mount is slightly bowed on the base showing a slight gap between agate and mount. Crack to agate in back right corner, visible both internally and through pierced gold mount to exterior. Otherwise in good condition

A RARE SPANISH TOLEDO, GOLD, SILVER AND DAMASCENED SNUFF BOX, 18TH CENTURY, the top and bottom of fine gold inlay in scrolling motifs, accentuated with a silver dotted surround, the outer rim decorated with gold inlay of dotted design and stylised floral design. 8.4cm long, 80 grams

AN 18TH CENTURY TORTOISESHELL SNUFF BOX, circular, the cover pressed to depict a Classical figure and motto. 7.5cm diameter

Silver snuff box sheffield silver hallmarks by j.h.potter weight 58g

A South Staffordshire Enamel Snuff-Box, circa 1770, painted with a river landscape and with raised panels of animals in landscape, 6.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical minor losses, hairline cracks and flakes.

A South Staffordshire Enamel Snuff Box, circa 1770, of oval form, the central lozenge panel painted with a flowerhead and set with cut steel beads on an orange lattice ground painted with flowers, 5.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Soem steel beads missing. Typical minor flakes and hairlines.

A South Staffordshire Enamel Mounted Tortoiseshell Snuff Box, circa 1770, of oval form, the hinged cover painted with an Italianate harbour scene, 8.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Cover extensively scratched and cracked.

A South Staffordshire Enamel Snuff Box, circa 1770, of rectangular form, gilt with stars on a blue ground with white dotted lattice, 6.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some damage and losses to edges. Some wear.

A South Staffordshire Enamel Snuff Box, circa 1770, of rectangular form, painted with panels of flowers and foliate and ribbon bands on a green ground highlighted in gilt, 7.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some restoration.

A South Staffordshire Enamel Snuff Box, 19th century, of circular form, painted with flowers on a foliate and ribbon ground, 15cm diameter; and An Enamel Snuff Box, 19th century, decorated with landscape on a yellow ground with flowers, 4.5cm diameter (2)Provenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: First with some damage. Both with typical minor wear and hairlines.

A South Staffordshire Enamel Plaque, circa 1770, of circular form, printed with A pledge of Love on a scroll ground, 4.5cm diameter, mounted in a later snuff box; A Similar Patch Box, printed A Present from London with scroll and swag borders, base with yellow ground, 4cm diameter; A Similar Patch Box, early 19th century, of oval form, inscribed Hail gentle Peace to Britain’s shore O dwell with us nor leave us more, base with blue ground, 14cm diameter; and A Similar Pill Box, early 19th century, of circular form, inscribed I will not CHANGE Till Death, 13cm diameter (4)Provenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some damage and restoration.

An English Enamel Snuff Box, probably Battersea, circa 1755, of circular form, printed en grisaille with a lady and chinoiserie servant with a cat in a classical landscape, base with turquoise ground, 7cm diameterProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical hairline cracks.

A South Staffordshire Enamel Snuff Box, circa 1800, of oval form, transfer printed and overpainted with MISS/GRANDMA, the box with pink ground, 5cm longProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some typical hairline cracks and wear.

A South Staffordshire Enamel Snuff Box, circa 1770, of oval form, printed and overpainted with a gentleman serenading a lady with a flute and painted with flowersprays, 8cm longProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some surface scratching. Typical minor flakes and hairline cracks.

A South Staffordshire Enamel Snuff Box, circa 1770, of oval form, the central lozenge panel painted with a flowerhead and set with cut steel beads on an orange lattice ground painted with flowers, 5.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Hinge damaged. Losses to enamel on footrim. Other typical minor losses and hairline cracks.

A South Staffordshire Enamel Snuff Box, circa 1770, of rectangular form, painted with a bird and fruit on a blue and white diaper ground, 5.5cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical minor flakes and hairline cracks.

A South Staffordshire Enamel Snuff Box, circa 1770, printed and overpainted with a couple before a chapel and with flowersprays, 16cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical hairline cracks and wear.

An English Enamel Snuff-Box, possibly Battersea, circa 1755, of oval form, printed en grisaille with a family travelling on a donkey and with figures in rural landscapes, 8cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Cover with chips and cracks. Other typical minor flakes and hairline cracks.

A South Staffordshire Enamel Snuff Box, circa 1765, of oval form, painted with a village scene and with flowersprays on a gilt lattice, the interior inscribed L’Amour & L’Gloire, 14.5cm diameterProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Typical minor wear and hairlines.

A South Staffordshire Enamel Snuff-Box, circa 1770, of rectangular form, painted with figures on a bridge and in a boat in a park landscape and with landscape vignettes on a pink ground, 8cm wideProvenance:The collection of Nellie Ionides (1883-1962) and by descent.Nellie Ionides was the daughter of Sir Marcus Samuel, 1st Viscount Bearstead. Nellie married firstly Walter Levy, who died as a result of injuries he sustained in the first world war, and secondly Basil Ionides, the Art Deco designer, perhaps best known for his work on the Savoy Theatre. Nellie was a celebrated collector and philanthropist who was responsible for saving the Octagon Room at Orleans House in Twickenham and for making donations from her art collection to her local council. During her life she amassed a significant collection including not only the present enamel but also a further group which were sold Sotheby’s, London, 17 June 1980.Condition report: Some damage and restoration.

Collectors items including unused 'Phul Nana' perfume bottle, painted lacquer snuff box, pair miniature saltglaze stoneware shoes, other small snuff boxes, etc