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36562 Los(e)/Seite
Los 26
Four drinking glasses of Masonic interest two of campana form on heavy glass bun feet, one for the Hampshire and Isle of Wight Lodge, the other for James E. Bullen Lodge 9273, 4in. (10.2cm.) high; a glass of tapering form for the Old Wycombiensian Lodge No.6754, 4¼in. (10.7cm.) high; and a small tumbler with etched square, compass and Lodge number 210, 2¼in. (5.7cm.) high. -4
Los 660
Two Sunderland lustre plaques, 19th century, each printed in black, one with `The Mariner's Compass', the other with a sailing vessel and the verse beginning `May Peace & Plenty...', each within a pink lustre border and copper lustre rim, the second impressed Dixon & Co., the largest 23.5cm.wide.
Los 73
A LATE 17TH / EARLY 18TH CENTURY BRASS HORIZONTAL BUTTERFIELD SUN DIAL of octagonal form, the top side engraved Arabic and Roman numeral divisions and Butterfield's signature and having latitude scale and bird beak pointer, inset with compass, the underside inscribed Premier Cadran, engraved is the names of twenty European cities and their respective latitudes and all within original leather and velvet lined case, the sundial 7.8cm wide
Los 279
CASED COMPASS SET and attachments, all engraved MSW, cased Moore and Wright micrometer, a Waltham Admiralty Pattern #6 stop watch, an unusual cased pedometer with an Arabic numbered dial to 10 and a subsidiary dial to 100, a map distance measurer, converting centimetres to kilometres and 1/2 " to miles, three rulers, a scientific ruler, three magnifying glasses and a folding magnifying glass
Los 14
A bureau organ, north German, mid-18th century, the case of mahogany, the fall front opening to reveal some of the pipework, with four false single drawers beneath, the topmost removable to reveal the retractable keyboard, the keyboard, compass four octaves and two notes, C to d3, with ivory naturals with decorative facings and ebony accidentals, with four stop levers, two on each side of the keyboard controlling 8ft Gedackt and 4ft Flöte, divided between treble and bass at a/b flat, with treadle and electric blower. Height 3ft 7 7/8in, 110.8cm; width 3ft 6¼in, 107.3cm Provenance This organ was in the possession of the composer Paul Hindemith while he was resident in the USA between 1940 and 1953. He became an American citizen in 1946. It is accompanied by copies of various documents relating to it before it was shipped to the USA and one from Paul Hindemith reporting on it after its arrival. The originals of these documents are held in the Hogwood Archive. July 1936
Los 15
**THIS LOT IS TO BE SOLD IN SITU - SEE VIEWING ARRANGEMENTS BELOW** A five-stop chamber organ, Dutch, circa 1760 and later, the case painted cream, the upper section with a trellised panel behind the keyboard with three towers of display pipes above interspersed with two tiers of further display pipes, 5.10.5.10.5, the central tower surmounted by a lyre and musical trophies, the flanking towers surmounted by urns, the lower section with three panels to the front each painted en grisaille with musicians flanked by marbled pillars, the base with a frieze of grey marbling, the keyboard, compass four octaves and two notes, C to d3, with ebony naturals and ivory-overlaid accidentals, seven wooden cream-painted hand stops controlling Holpijp 8vt. bas/diskant, Prestant 8vt. diskant, Fluit bas, Prestant 4vt. diskant and Octaaf 2vt. bas/diskant, divided at b/c1, the Holpijp and Fluit pipes made of oak, the other pipes of unusually thick and soft metal with a high lead content, the feeder and foot pedal now removed and replaced by an electric blower. Height 8ft 10¼in, 270cm; width 4ft 6¼in, 137.5cm; depth 2ft 5?in, 74cm. Gardiner Houlgate are grateful to Dominic Gwynn of Goetze & Gwynn, who carried out the most recent restoration of the organ, for providing the following notes: "The case, soundboard, bellows and pipework were made circa 1760 in the Netherlands, perhaps by Hendrik Hermanus Hess (1735-1794) in Gouda. Circa 1899 a new pipe front was added to the case, perhaps in Dordrecht. The dummy metal pipes are very similar in make to the inside pipes which suggests a successor's workshop, perhaps Pieter Johannes Geerkens (1757-1833). In the mid-19th century the organ was restored using letters from the Dordrecht tax office to seal the bar frame. In the early 20th century the organ came to England. It was found by Thurston Dart in a cottage just north of Cambridge in 1956 and restored by N. P. Mander. In 1971 Thurston Dart left the organ to the Oxford University Faculty of Music. It was kept in the Holywell Music Room until 1985. In 2004 it was moved from storage to New College Chapel and repaired. In 2009 the organ was sold to Christopher Hogwood and restored by Dominic Gwynn". Viewing arrangements This organ is currently located on the premises of Messrs Goetze & Gwynn, near Worksop in Nottinghamshire, and will be sold in situ. Prospective purchasers wishing to view it are requested to contact either Jamie South or Luke Hobbs at Gardiner Houlgate (01225 812912) to arrange a viewing appointment. Restoration history 1956 N. P. Mander 2009 Dominic Gwynn Current pitch A=440Hz
Los 17
A small unfretted clavichord by Thomas Goff and Joseph Cobby, London, 1952, the case of burr walnut with kingwood crossbanding, the lid with two shaped and pierced brass strap hinges, bichord and strung in brass with close-wound bass strings, the keyboard, compass four octaves and two notes, C to d3, with arcaded ebony naturals and ivory accidentals, on trestle stand. Inscribed on the name batten T.R.C.G. et J.C.C. Fecerunt MCMLII. Length 3ft 11¼in, 130cm; width 1ft 3¼in, 38.7cm Provenance Built for the harpsichordist Charles Thornton Lofthouse (1895-1974). Also with his initials pierced in a gilt metal rose at the left hand end of the tangent cover. Christopher Hogwood purchased this clavichord from Lofthouse's daughter, Hermione Lockyer, in 2007. Current pitch A=440Hz
Los 18
A small unfretted clavichord by Arnold Dolmetsch, Haslemere, 1929, the case of walnut with gilded mouldings and shaped brass strap hinges, the lid interior inscribed in gilt PLVS FAIT DOVCEVR QVE VIOLENCE, the keyboard, compass four octaves and two notes, C to d3, with ebony naturals with gilded arcading and ivory overlaid accidentals, the soundboard painted around the edge and the bridge with blue tempera scalloping, bichord stringing in brass with close-wound stringing in the bass, on trestle stand. Inscribed on the name batten Arnold Dolmetsch Anno M CM XXIX, also in ink on the wrestplank Arnold Dolmetsch Haslemere 1930 (sic). Length 3ft 8½in, 113.3cm; width 1ft 3in, 38.1cm Restoration history 2014 Christopher Nobbs and Ben Marks Current pitch A=440Hz
Los 22
An unfretted clavichord by Johann David Schiedmayer, Erlangen, 1791, the case of oak with frame and panel lid, the area beyond the hitchpins veneered with walnut, the keyboard, compass five octaves and two notes, FF to g3, with ebony naturals and bone overlaid accidentals, bichord iron and brass stringing on a divided bridge with open wound strings in the bass, on four turned tapering reeded legs, later music desk. Inscribed on a printed paper label on the bass hitchpin rail Johann David Schiedmayer Hochfürstlich-Anspachischer Hof-Instrumentenmacher in Erlangen 1791. Length 5ft 2?in, 159.8cm; width 1ft. 6?in, 48cm. Not recorded in Boalch3. The only instrument by this member of the Schiedmayer family that is recorded belonged to the Schiedmayer company in Stuttgart and was destroyed in World War II. A restoration report by Peter Bavington is available for this instrument. Provenance Purchased by Christopher Hogwood from Bernhard von Hünerbein in 1993. Discography 2006 The Secret Mozart, with Derek Adlam, Deutsche Harmonia Mundi 82876 83288 2 Restoration history 1999-2000 Peter Bavington Current pitch A=430Hz
Los 24
An unfretted clavichord by Johann Gottlob Horn, Dresden, 1789. the oak case veneered with mahogany panels with holly stringing and mahogany crossbanding, the interior edged with vertically-grained yew veneer, the panel above the hitchpins with bird's-eye and boxwood veneers, with boxwood stringing and tulipwood crossbanding. the lid of the accessory compartment and the name batten with similar veneers, the keyboard, compass five octaves and two notes, FF to g3, with arcaded ebony naturals and ivory overlaid accidentals, bichord stringing in brass, FF to A open wound, on frame stand with later square tapered legs. Inscribed on a bone plaque on the name batten Nom 321. Johann Gottlob Horn, Instrumentmacher. in Dresden 1789. Length 5ft 7 5/8in, 171.1cm; width 1ft 8¼in, 51.4cm Full technical drawings of this instrument are available from Christopher Nobbs. This instrument is sold with four earlier replacement legs and a later silked inner cover of cherrywood incorporating a music desk.. Literature For the work of the brothers Horn see Boalch3, (pp. 94 & 397-399) and Joris Potvlieghe, 'The Clavichordbuilders Horn and Contemporaries', in Het Clavichord, Vol. 9, 1996, No. 1 (pp.11-14) , No. 2 (pp. 24-29) and No. 3 (pp. 45-49). See also John Koster, Keyboard Musical Instruments in the Museum of Fine Arts, Boston, Boston, 1994 (pp.186-190) and Andreas Beurmann, Harpsichords and More, Hildesheim, 2012 (pp. 265-269). Restoration history 1968 Robert Morley & Co. Ltd. 2014 Christopher Nobbs and Ben Marks Current pitch A=430Hz
Los 25
A small fretted travelling clavichord by Johann Heinrich Gräbner the younger, Dresden, 1761, the case of oak with a full-width drawer below the bottom boards, interior case edged with decorative papers, the keyboard, compass four octaves and four notes, C to e3, with arcaded ebony naturals and bone overlaid accidentals, formerly strung as a quint instrument in bichord brass stringing with open-wound strings in the bass, recently restrung in iron and brass as an octave instrument, fretted from c, with d and a unfretted in each octave, original brass wrestpins, brass tuning key probably original with ring handle of clock key form. Inscribed on the underside of the soundboard Johann Heinrich Gräbner Dresden 1761 Num 100. Length 3ft 1?in, 96.2cm; width 1ft ?in, 32.8cm. This is the only known surviving clavichord by Johann Heinrich Gräbner the younger. Provenance Purchased by Christopher Hogwood in Hampstead in the 1970s. Literature Boalch3, pp. 338-9 Discography 2005 The Secret Handel, with Derek Adlam, Metronome MET CD 1060 Restoration history 1982
Los 3
A square piano by Johannes Pohlmann, London, 1773, the mahogany case with holly stringing, the keyboard, compass four octaves and ten notes, GG to f3, with ivory naturals faced with boxwood mouldings and ebony accidentals, single Zumpe action with overdampers, bichord stringing on a single bridge, three brass-knobbed hand levers controlling the damper lift in treble and bass and the buff stop, on trestle stand with slightly tapered legs. Inscribed on a boxwood plaque on name batten Johannes Pohlman Londini Fecit 1773. Length 4ft 8 7/8in, 144.5cm; width 1ft 7¼in, 48.9cm Literature Clinkscale, p. 220, No. 17 Discography 1996 J.S. Bach, W.F. Bach, C.P.E. Bach, J.C. Bach: Concertos and Duets, with Christophe Rousset, Decca L'Oiseau-Lyre 440 649-2OH Restoration history 2014 Lucy Coad Current pitch A=430Hz
Los 5
A grand piano after Anton Walter, Vienna, circa 1795, by Derek Adlam, Welbeck, 1987, the case veneered in yew, the keyboard, compass five octaves and two notes, FF to g3, with ebony naturals and bone overlaid accidentals, Viennese action, two knee levers controlling moderator and the damper lift, strung in brass from FF to F then iron throughout, bichord up to a1 and trichord from b1 to g3, with music desk, on five square tapered legs, with padded travelling cover. Inscribed on the label on the soundboard Derek Adlam Musical Instrument Maker Welbeck Nottinghamshire. Length 7ft 3in, 221cm; width 3ft 3¾.in, 101cm. The instrument from which this piano is copied is preserved in the Germanisches Nationalmuseum, Nuremberg, No. MINe 109 (see Clinkscale, p. 312, No. 9, and Meer, p. 261). Discography 1988 Beethoven: The Five Piano Concertos. with Steven Lubin and the Academy of Ancient Music, Decca L'Oiseau-Lyre 421 408-1OH3 Current pitch A=430Hz
Los 7
A grand piano, circa 1815, the case veneered in walnut and with bevelled front corners, the six octave keyboard, compass, FF to f4, with bone naturals and ebony accidentals, Viennese action, trichord stringing in brass from FF to F and iron thereafter, the two front legs linked by a stretcher carrying four pedals and an ebonised lyre, the four pedals controlling una corda, bassoon, moderator and the damper lift, with music desk, on four square tapered legs. Length 7ft 1¾in, 218cm; width 3ft 8¾in, 113.8cm Restoration history 1994 Christopher Nobbs Current pitch A=430Hz
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36562 Los(e)/Seite