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AA, O/S - A collection of maps and road atlases to include: AA 2024 large scale road atlas of Britain; O/S Landranger maps, One-inch maps and others; mounted on cloth road map of Manchester, Street Directory for Liverpool; Reading compass and others, AA badge (1945-1967) and a Bartholomew's Revised half inch contoured map of Cardigan mounted on cloth. (This does not constitute a guarantee) [L]
Alexander Magnus 356-323 ac. Faksimile des Manuskripts aus dem 13. Jh. 2005. 86 S. Mit ca. 100 Miniaturen. Folio. Brauner godgepr. Ldr. mit goldgepr. Vignette in Form eines Kompasses und RVerg., Goldschnitt. Faksimile des Brüsseler Manuskripts der Alexander Romans zu der Geschichte von Alexander dem Großen. Der Codex wurde hergestellt für den französischen König Philipp IV. - Zustand tadellos. Alexander Magnus 356-323 ac. Facsimile of the manuscript from the 13th century. With approx. 100 miniatures. - Brown leather with gilt stamped vignette in the form of a compass, gilt edges. - Facsimile of the Brussels manuscript of the Alexander novel on the history of Alexander the Great. The codex was produced for the French King Philip IV - Perfect condition.
* ANDREW WALKER (SCOTTISH b. 1959), BALE-FIELD AND TREES oil on canvas, signed, titled versoframed and under glassimage size 50cm x 53cm, overall size 70cm x 72cm Note: Painter of exuberantly coloured small landscapes and still lifes, born in Aberdeen, who gained an honours degree in drawing and painting at Edinburgh College of Art, 1977–81. He was awarded a prize at Scottish Young Contemporaries in 1981; a Scottish Arts Council Young Artist Bursary, 1983; and Ruth Davidson Memorial Scholarship in 1996. In 1985 the Fruitmarket Gallery, Edinburgh, published The Book of Job, text plus drawings by Walker. His group shows included The British Art Show, Arts Council tour, 1983; The Human Zoo, Castle Museum and Art Gallery, Nottingham, 1986; SSA, 1992; RSA, 1994; and Cabinet Paintings, Compass Gallery, Glasgow, 1999. Among his later solo shows were Paintings from Southern France, Cyril Gerber Fine Art, Glasgow, 1999, reflecting Walker’s deepening links with the Languedoc region; Firth Gallery, Edinburgh, 2000; Maymie White Contemporary Art and Cambridge Contemporary Art, both 2001; and Cyril Gerber, 2002. Lived in the Scottish Borders.
* GORDON HOPE WYLLIE RSW (SCOTTISH 1930 - 2005), FIELDS oil on board, signed, titled versomounted, framed and under glassimage size 15cm x 22cm, overall size 36cm x 41cm Handwritten artist's label versoLabel verso: Compass Gallery, GlasgowNote: Gordon Wyllie was born in Greenock and in 1949 was accepted to study at the Glasgow School of Art. Under the tutelage of such luminaries as Edward Odling and Mary and Willie Armour, Gordon distinguished himself, graduating in 1953 after an eminent final year. He was awarded the post-diploma, or Masters course, won the Scottish Academy Award and also the Newbery Medal, the school's most prestigious prize. This was all the more remarkable considering that Gordon had, in his diploma year, returned home to care for his father, whose seriously deteriorating health ended in death two months before the degree show, and Gordon himself had suffered a bout of pneumonia. With a scholarship award, he studied that summer at Hospitalfield, Arbroath, as a post-graduate under Ian Fleming. Fleming inspired Gordon and encouraged him in abstraction, with which he occupied himself for the next few years. Meanwhile, he trained at Jordanhill College of Education in Glasgow to become a teacher, in the vanguard of the resurgence of art teaching in Scottish schools by the new art masters, undoubtedly because they painted actively while teaching full-time. Passionate about art education, he was instrumental in influencing many students to pursue a career in the creative industry. A former pupil aptly described his classroom as a "guided exploration rather than a formal lesson". His love of the Scottish countryside is mirrored in his work and undoubtedly stemmed from the bank of images he built when, as a youngster, he travelled with his parents around the country. Argyll and the Western Isles were his favourite destinations, where he was fascinated by the crofts and farms sprouting from the land. Small houses typified his landscapes and still-lifes included abstracted landscapes; flowers, particularly poppies, fruit and fish feature in his later output. In 1996, he was awarded the Alexander Graham Munro prize at the RSW exhibition in Edinburgh. His work featured regularly in one-man and combined shows and at his last one-man show in London in 2003, demand for his paintings remained high, as it has done ever since.
* ANDREW WALKER (SCOTTISH b. 1959), ACROSS THE FIELDS oil on canvas, signed framed and under glassimage size 40cm x 43cm, overall size 55cm x 58cm Note: Painter of exuberantly coloured small landscapes and still lifes, born in Aberdeen, who gained an honours degree in drawing and painting at Edinburgh College of Art, 1977–81. He was awarded a prize at Scottish Young Contemporaries in 1981; a Scottish Arts Council Young Artist Bursary, 1983; and Ruth Davidson Memorial Scholarship in 1996. In 1985 the Fruitmarket Gallery, Edinburgh, published The Book of Job, text plus drawings by Walker. His group shows included The British Art Show, Arts Council tour, 1983; The Human Zoo, Castle Museum and Art Gallery, Nottingham, 1986; SSA, 1992; RSA, 1994; and Cabinet Paintings, Compass Gallery, Glasgow, 1999. Among his later solo shows were Paintings from Southern France, Cyril Gerber Fine Art, Glasgow, 1999, reflecting Walker’s deepening links with the Languedoc region; Firth Gallery, Edinburgh, 2000; Maymie White Contemporary Art and Cambridge Contemporary Art, both 2001; and Cyril Gerber, 2002. Lived in the Scottish Borders.
* ANDA PATERSON RSW RGI PAI (SCOTTISH 1935 - 2022), WOMAN OF THE CACTUS mixed media on paper, signed, titled and dated 2013mounted, framed and under glassimage size 41cm x 20cm, overall size 63cm x 40cm Handwritten artist's label versoNote: Painter and administrator, born in Glasgow, married to the artist James Spence. With him she founded the Glasgow Group in the late 1950s, which did much to promote an interest in contemporary art in the west of Scotland and elsewhere. Paterson studied at Glasgow School of Art, in Spain and Portugal. She was elected RSW in 1966 and to Royal Glasgow Institute of the Fine Arts in 1978, and was a winner of the Anne Redpath and Latimer Awards. She showed in mixed exhibitions in Scotland and abroad and had a solo show at Compass Gallery, Glasgow, in 1971, being included in The Compass Contribution at Tramway, Glasgow, in 1990. Paterson was noted for her unusual pictures of ordinary people, often old, lonely and hard-up, which she treated with sympathy. Her work is held by Scottish Arts Council, Arts Council of Northern Ireland and New York Print Workshop.Condition is good overall, with no visible or known issues.
* LESLEY BANKS (SCOTTISH b. 1962), BLUE BELLE oil on canvas, signed, titled versoframed and under glassimage size 31cm x 31cm, overall size 46cm x 46cmNote: Born in 1962, Lesley Banks grew up in Denny, Stirlingshire. In 1980 she began a four year Degree course at Glasgow School of Art specialising in Drawing and Painting. After graduating she travelled and painted throughout Europe funded by an Elizabeth Greenshields Scholarship. In 1988 she became a gallery assistant in the Compass Gallery, Glasgow. Here, encouraged by Cyril and Jill Gerber, Lesley began to exhibit more of her artworks winning various prizes and awards, such as The 1991 Scottish Prize, Royal Overseas League London. This gave her the confidence to concentrate on painting full-time. In 1999 Lesley was appointed 'Artist in Residence' at Edinburgh Zoo where her popular ''Urban Zoo'' exhibition gained funding from the Scottish Arts Council. Since this time Lesley has exhibited throughout the U.K. and as far afield as Singapore and the USA. Works in public collections include Aberdeen Art Gallery, BBC Scotland, Motherwell District Libraries, Leicestershire Schools Collection, Lillie Art Gallery, Unilever, TSB Bank, Kelvingrove Art Gallery and Museum, Perth Art Gallery and Museum.
PERSON, Nicolaum(Vor 1648 Lothringen - 1710 Mainz) Karte "Gericht Katzenberg in Hessen "Kupferstich. Um 1700. Platte: 39,5 x 55,5 cm; Blatt: 43 x 59,5 cm. Karte der Gebiete und Wälder um Katzenberg, mit Darstellung einer Windrose am linken Rand und einer Justitia unten rechts. Oben rechts handschriftlich "i3", mit Bleistiftnotiz versehen. Französisch-deutscher Kupferstecher, Architekt, Kartograph und Verleger. Literatur : https://nat.museum-digital.de/people/49940. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:04 Uhr (CET) PERSON, Nicolaum(Before 1648 Lorraine - 1710 Mainz) Map "Gericht Katzenberg in Hessen"Copper engraving. Circa 1700. Plate: 39.5 x 55.5 cm; sheet: 43 x 59.5 cm. Map of the areas and forests around Katzenberg, with a compass rose at the left edge and a Justitia at the bottom right. Handwritten "i3" at the top right, with a pencil annotation. French-German engraver, architect, cartographer and publisher. Literature : https://nat.museum-digital.de/people/49940. Aufrufzeit 26. | Oct. 2024 | probably 10:04 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Altmeisterkopie: Gelehrter mit ZirkelÖl/Sperrholz. Unsigniert. 19. Jh. 38 x 31 cm. Gerahmt : 45 x 37 cm (Goldrahmen). Porträt eines Mannes mit Zirkel und vor neutralem Hintergrund. Altersspuren. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 12:18 Uhr (CET) Old master copy: Scholar with compassOil/plywood. Unsigned. 19th century38 x 31 cm. Framed : 45 x 37 cm (gold frame). Portrait of a man with a compass and against a neutral background. Signs of age. Call time 26 | Oct. 2024 | probably 12:18 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
5 Petschafte. 18. - 20. Jh. Metall versilbert bzw. geschwärzt, Messing, Eisen. H maximal 4,5 cm. Versilberte Biedermeier-Berlocke mit graviertem Vanitasmotiv und Monogramm "EH". / Berlocke mit gravierten Symbolen Winkel, Zirkel und Rad (Freimaurer?) sowie Monogramm "JW". / Barockes Messingsiegel mit verschlungenem Spiegelmonogramm unter Adelskrone. / Siegel mit Allianzwappen. / Typar ohne Griff mit Gravur "CR". Umschrift Allianzwappen getilgt, sonst einige leichte Alters-/Gebrauchsspuren. Aufrufzeit 23. | Okt. 2024 | voraussichtlich 18:16 Uhr (CET)5 Petschafte. 18th - 20th century Metal silver-plated or blackened, brass, iron. H maximum 4.5 cm. Silver-plated Biedermeier bell with engraved vanitas motif and monogram "EH". / Bell with engraved symbols of angle, compass and wheel (Freemason?) and monogram "JW". / Baroque brass seal with intertwined mirror monogram under a noble crown / Seal with alliance coat of arms / Typar without handle with engraving "CR". Alliance coat of arms inscription erased, otherwise some slight signs of age/use. Call time 23 | Oct. 2024 | probably 18:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Zirkelkasten. 19. Jh. Holzschatulle mit rotem Kaliko-Bezug und goldfarbenen Papierauflagen. Geräte aus Messing, Eisen und Mahagoni. Kasten 2,5 x 20 x 12,5 cm. Zahlreiche Zirkel sowie Holzlinieal und -dreieck im Kasten. Starke Alters-/Gebrauchsspuren am Kasten mit Fehlstellen. Wenige Fehlteile, einige ergänzt. Aufrufzeit 23. | Okt. 2024 | voraussichtlich 18:30 Uhr (CET)Compass box. 19th century Wooden box with red calico cover and gold-colored paper overlays. Brass, iron and mahogany fittings. Box 2.5 x 20 x 12.5 cm. Numerous compasses as well as wooden ruler and triangle in the box. Strong signs of age/use on the box with missing parts. Few missing parts, some replaced. Call time 23 | Oct. 2024 | probably 18:30 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Continental A collection of campaign (?) items [a] A collapsible white metal gilt stirrup-type cup in leather case [b] A leather antique collar box with various studs [c] A campaign (?) compass in leather case (in need of repair) [d] AÊcampaign spirits bottle in leather case To be sold without reserve
A mixed collector's lot including an Edwardian steel deed box, a cased pair of German field glasses, a sealed glass dried floral display, 30cm, a Japanese lacquer jewellery box, cased technical drawing instruments, Stanely brass compass, opera glasses, soapstone figure group, cash tin, folding camera and a Casella aneroid surveying barometer
17th century, a latten seal top spoon, c. 1620-30, with pear-shaped bowl stamped with a small shield containing the maker’s mark in an oval cartouche of three spoons with a compass s between ?a; the tapering handle is square in section and terminates in a moulded baluster with a seal top knob; together with a latten Trefid spoon 6.5 cm x 4.5 cm, containing a similar maker’s mark [2]. Both intact, fine with a patina. £80-£100 --- Provenance: Both found in Woodham in Bucks and recorded on PAS. (BUC-147F4D) Trefid spoons originated in France and were introduced to Britain by Charles II in 1660
A George III silver tankard, by James Stamp, London 1779, tapering circular form, central girdle, scroll handle with a heart-shaped terminal, the domed hinged cover with a pierced scroll thumb-piece, on a raised circular foot, engraved with a square and compass in an armorial shield, height 19.5cm, approx. weight 19.5oz.Provenance: A Private Collection.
PlayStation 2 (PS2) Movie Tie-in bundle (PAL) [14] Includes: The Polar Express, Harry Potter and The Goblet of Fire, Harry Potter and The Chamber of Secrets, Scarface, The Golden Compass, Underworld: The Eternal War, The Terminator: Dawn of Fate, Terminator 3: Rise of the Machines, The Matrix: Path of Neo, The Lord of the Rings: The Two Towers, The Lord of the Rings: The Return of the King, The Sum of All Fears, The Mummy and The Mummy: Tomb of the Dragon Emperor Games are complete and boxed
A leather collar box, initials to lid; Moeris - a military pocket watch, blacke dial with white and orange Arabic numeral chapter ring and subsidiary seconds dial in a meetal case, back marked GSTP M10296 with military arrow, key wind movement, not running; a pair of coral dress studs, boxed; three other evening dress studs, boxed; paper compass in wooden box; hip flasks; travel shaving mirror in leather pouch; leather card holder; two silver and mother-of-pearl penknives; vintage gentlemen's wristwatches; turquoise and seed pearl ring, missing a pearl; simulated pearl necklace; faux turquoise necklace; enamel and gilt metal belt buckle; compacts; glove stretchers; silver thimbles; glass jar of smelling salts in a silver holder; and other collectables.Qty: 1 box
AN AMETHYST AND DIAMOND RINGWith a central bezel set emerald cut amethyst measuring 17.7mm x 13.4mm, compass set with four old cut diamonds, mounted in unmarked gold testing as 9ct, approximately size L½, gross weight 8.2 gramsAll gemstone and diamond weights, colour and clarity have been assessed mounted and are of our opinion only, with the exception of certificated items.
A COLLECTION OF JEWELLERY ITEMS Comprising an 18 carat gold curb link bracelet, with associated ring bolt clasp stamped 9ct, suspending a compass; a 22 carat gold band ring, London 1965; a pierced Austro-Hungarian ring, stamped with an 1872-1922 minor gold control mark; a half pearl set bar brooch, stamped 9ct; a turquoise and half pearl set scrolled floral brooch, stamped 9ct; a Victorian curb link brooch; a 9 carat gold swivel bloodstone and cornelian fob, rubbed Birmingham hallmark possibly 1911, on a figaro link chain, stamped 375; an 1830s polished moss agate brooch, within a chased gold setting; a hairwork clasp, in a gold setting; a 9 carat gold set Longines lady's watch head; a locket on chain, the ring bolt stamped Sterling; a cultured pearl necklace to a base metal clasp; a costume fob watch; and a chain stamped Rolled Gold Size/dimensions: bracelet 19cm long Gross weight: 114 grams Condition Report: The bracelet with compass weighs 17.2 grams gross Various wear and some losses to items, collection as found Condition Report Disclaimer

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