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36562 Los(e)/Seite
A BOXED MOORCROFT POTTERY VASE OF OVOID FORM DECORATED IN THE JACOBS LADDER PATTERN, ivory ground, impressed, painted and printed marks including a printed compass, dated 2004, height 9.3cm, together with three Moorcroft books, comprising 'The Phoenix Years', 'The Winds of Change' and 'Moorcroft' by Paul Atterbury, together with a 2011 Circles of Life brochure (5 + box) (Condition report: in good condition)
A QUEEN VICTORIA SILVER CROWN COIN AND THREE WHITE METAL MEDALLIONS, the silver crown dated 1893 showing Queen Victoria to the front with George and Dragon to reverse, length 40mms, approximate gross weight of coin 27.9 grams, together with three unmarked white metal medallions to include a Masonic set square and compass, a Wilhelmina of Netherlands openwork medallion and a circular cartouche medallion with foliate semi surround (condition report: generally good, some with tarnish)
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),SLEEPING HARBOURoil on canvas, signed verso, titled and dated 1995 labels versooverall size 189cm x 152cm Unframed.Handwritten artist's label verso.Artist's label verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),QUIETUS (TO MY MOTHER)oil on board, signed, further signed verso, titled and dared 1991 labels versooverall size 145cm x 145cm Unframed.Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),ACT, DEATH DREAMoil on board, signed, further signed verso, titled and dated 1974 labels versoimage size 161cm x 130cm, overall size 162cm x 131cm Framed. Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),GIRL ON A BEDoil on board, signed verso, titled and dated 1972 labels versoimage size 199cm x 161cm, overall size 200cm x 162cm Framed. Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),VISION (TWILIGHT GARDEN)oil on canvas, signed verso, titled and dated 1984 labels versoimage size 170cm x 119cm, overall size 171cm x 120cm Framed.Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
19th century Sunderland orange lustre tankard 'The Token or Jacks Safe Return to his True Love, If you Loves I as I Loves you, No pair so Happy as We Two' possibly by Scott or Ball, a pink lustre tankard transfer printed with a portrait of John Wesley and a pink lustre meat dish and cover 'Mariners Compass' (3)
A GILT BRASS POCKET BAROMETER incorporating to the reverse a thermometer and a compass, 5cm diameter (excluding suspension ring). Condition Report : One end of thermometer tube broken, with loss. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A late 19th/early 20th century gilt brass adjustable bullseye lens, height 14.5cm, an early 20th century large table-top magnifying lens, a late 18th/early 19th century naturalist's botanical specimen magnifier, height 5cm, boxed, a gimbal mounted compass and two further small lenses.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Boxed Palitoy Vintage Action Man Deep Sea Diving Equipment, Cat no:34504 waterproof white fabric suit, diving helmet, weighted boots and belt, gloves, sledge hammer, buoy, compass knife & scabbard, rope, oxygen pump and hose, L104 instruction leaflet, all in good used condition, plus a shark, dynamite, on a fair fixed hands flocked hair doll, original box is fair and an original Jungle Explorer with River craft, on a painted head doll, complete except for later issue rifle, missing two supply boxes, 2nd craft and joining clips, with leaflet in good original condition. (2 items)
Vintage Palitoy Action Man Secret Mission To Dragon Island, on gripping hands, eagle eyes, brown realistic hair doll, complete with jacket trousers, boots, haversack, dynamite, mess kit, torch, pliers, grenades, belt, compass, map, helmet, L593 Dragon Island map, L590 correct leaflet, uniform is sun faded, gripping hands on doll have gone hard and Sabotage 1st issue on gripping hands, brown realistic hair eagle eye doll, missing TNT with detonator, artwork illustration from original box, in good original condition, some sun fading to jumper. (2 items)
An enamelled yellow metal cufflink, one plaque depicitng a hand of cards and the other depicting a dancing lady, stamped '18ct', weight approx 5.4g, together with a silver mounted pique tortoiseshell 'Gloustershire' 'Egypt' brooch, a 9ct gold compass, two harstone set fobs, a banded agate bead, a plated Albertina with compass fob and a plated T-bar (8)
MASONIC INTEREST; a Queen Victoria Diamond Jubilee 9ct gold Masonic jewel, the raised diamond shape with a central bust of Queen Victoria, within a border of white stones (some missing), with a crown and compass above, set square below and enamelled dates 1837-197 either side, on a blue ribbon with '14th June 1897' bar, the back of the jewel marked '925'. CONDITION REPORT Overall weight including ribbon and non-gold is approx 26g. The ribbon is detached from the pin. The jewel is 9ct yellow gold, marked 375. Five small white stones missing.
A pair of American sterling mounted porcelain circular pin dishes, each centre decorated with a printed duck amongst reeds, by Frank M. Whiting, diameter 11cm, a silver mounted pendant compass, London 1926, length 2.2cm, a silver and red enamelled shield shaped fob medallion, London 1928, length 3cm, and a silver keyring, Birmingham 1927, together with a sterling and enamelled pillbox, the hinged lid decorated with jazz musicians, length 3.2cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Speed, John, engraved by Jodocus Hondius, The Countie Pallatine of Lancaster Described and Divided into Hundreds 1610, hand coloured engraved map with landmark key upper right, eight royal portraits, compass rose, sea monsters and ships and title cartouche, sold by Thomas Bassett, Fleet Street and Richard Chiswell, St Pauls Churchyard, 15 3/8 x 20 1/8in. (39 x 51cm.), modern gilt frame. * Sheet time stained, which is notably heavier to the top third. Acidic mount. A few pale spots to top right from old restoration and a little minor foxing. Some cockling to sheet.
Jansson, Jan, British Islands - Holy Island, Garnsey, Farne [and] Jarsey, c.1680, engraved map with outline colouring, four maps on one sheet, each with cartouche, compass rose and rhumb lines, 20½ x 16¼in. (52 x 41.25cm.). * Time staining and spotting. Acidic mount – mount burn. Modern wood frame.
Bellin, Jacques Nicolas (1703-1772), Essay d`une Carte Reduite Contenant les Parties Connues du Globe Terrestre..., large engraved world chart on Mercator’s projection, hand coloured outlines, large decorative title cartouche and compass roses with rhumb lines, early issue, c.1748, modern wooden frame. * Patchy toning and foxing across the sheet. Folded as issued.

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36562 Los(e)/Seite