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An Edwardian silver and enamel Masonic Founder's jewel for The Royal Naval Lodge No. 337, maker William Henry Toye, London, 1908: the top bar of opposing dolphins over an enamel globe and banner, cyan coloured ribbon with compass and cornucopia clasp over Royal Navy clasp, the suspension in the form of an anchor flanked by an officer and rating with enamel portrait of HMS Collingwood beneath flags, in case of issue, together with a silver gilt jewel for the Royal Naval Lodge, (2)
A BRONZE CIRCULAR 'TLV' MIRRORHan DynastyThe upper side cast in crisp relief with three symbols resembling the Western letters T, L and V spaced in four groups at the compass points around a plain central boss, within two geometric bands, the reflective surface shallowly rusted overall.10cm (4in) diam.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價漢 青銅博局紋鏡For further information on this lot please visit Bonhams.com
* LESLEY BANKS (SCOTTISH b 1962), IN THE MULLEN HOUSE mixed media, signed 56cm x 38cm Framed and under glass. Note: Born in 1962, Lesley Banks grew up in Denny, Stirlingshire. In 1980 she began a four year Degree course at Glasgow School of Art specialising in Drawing and Painting. After graduating she travelled and painted throughout Europe funded by an Elizabeth Greenshields Scholarship. In 1988 she became a gallery assistant in the Compass Gallery, Glasgow. Here, encouraged by Cyril and Jill Gerber, Lesley began to exhibit more of her artworks winning various prizes and awards, such as The 1991 Scottish Prize, Royal Overseas League London. This gave her the confidence to concentrate on painting full-time. In 1999 Lesley was appointed 'Artist in Residence' at Edinburgh Zoo where her popular ''Urban Zoo'' exhibition gained funding from the Scottish Arts Council. Since this time Lesley has exhibited throughout the U.K. and as far afield as Singapore and the USA. Works in public collections include Aberdeen Art Gallery, BBC Scotland, Motherwell District Libraries, Leicestershire Schools Collection, Lillie Art Gallery, Unilever, TSB Bank, Kelvingrove Art Gallery and Museum, Perth Art Gallery and Museum.
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003), UNTITLED (GIRL AND PARROT) oil on board, signed, titled label verso 91cm x 106cm Framed. Artist's label verso. Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
Four silver open faced pocket watches, two other open faced pocket watches with cases stamped fine silver, six lady's fob watches with cases stamped fine silver, 0.935, 0.800 and argent, square shaped dial lady's fob watch with case stamped 0.935, two lady's silver wristwatches, and a silver chain with attached compass (qty)
CYCLADIC IDOL HEAD CYCLADES, EARLY CYCLADIC II, C. 2600 - 2400 B.C. carved marble, the head upon a broad cylindrical neck, the smooth facial plane with a convex form, bending back as if gazing upwards, with gently rounded chin and central rectangular nose, raised on a bespoke mount(11.5cm tall)Footnote: Provenance: Private collection, Switzerland, acquired January 1992 Private collection, London Please note that this piece is accompanied by an Art Loss Register Certificate dated to the 9th May 2005. Note: The Cyclades, an archipelago in the southwestern Aegean, comprises thirty-nine small islands and many more islets. In ancient Greek they were referred to as the kyklades, envisioned as a circle (kuklos) around the sacred island of Delos, home to the most sacred temple of Apollo. In the fourth millennium B.C. a distinctive culture emerged in the islands which ran for over two thousand years. Sitting at a favourable location in the Aegean sea and rich in mineral resources, in particular iron ores and copper, the inhabitants of the Cyclades benefitted from the trade in these raw materials at a time when metallurgy was developing rapidly across the Mediterranean. Existing largely tangentially with the great civilisations of the Minoans and Mycenaeans, Cycladic people are counted among the three major Aegean cultures. It was the Cycladic people who produced the very first masterpieces of Greek marble sculpture. “Idols” such as the present example were spread throughout the archipelago, with the tradition of carving such figures lasting for well over one thousand years. Their exact use is unclear, some resemble fertility figures encountered across the Near East. Others have been interpreted as images of the deceased or servants for the afterlife. It is clear however that they were used in both funerary contexts and day-to-day ritual life, as some have been found with ancient repairs. Though they are today notable for their minimalist appearance, scientific analysis has shown that the surface of the marble would originally have been painted with mineral-based pigments, azurite for blue and iron ores or cinnabar for red. Many of the figures show a remarkable similarity in their proportions, suggesting that the production of these idols was regulated using a type of early compass. The sense of abstraction offered by ancient Cycladic art stimulated many of the great twentieth century artists, including Brancusi, Modigliani, and Picasso. The present piece is a wonderful example of the type, though carved over four thousand years ago its geometric appeal remains distinctly modern.
A Victorian whitewood cotton reel stand, possibly ash, the dish top above a buluster support with two tiers, on turned feet, 20.5cm high, with a 19th century mahogany money box in the form of a house, 15cm wide x 8cm high, an early 19th century travelling shaving mirror, the base fitted with three later cut-throat razors; a treen cribbage set, a treen cup, a compass, lacking pointer, two pieces of 20th century treen, a bone box, s/d, and a Victorian papier mache snuff box and a wick cutter (11)Condition report: Treen cotton reel stand ok, shaving set ok but old dents and scratches. Cup - badly chipped handle, bone box finial broken off. Compass - cracked top, lacking catch and pointer
MARGARET HALL; an oil 'Liverpool Customs House and Albert Dock 1841', a coastal scene of fishing village and harbour by the same hand, both framed, unattributed; a watercolour of a 19th century harbour with church and buildings in the background, sailing ships in the foreground, framed and glazed and Esterel Beauchamp; a signed print 'The Axe and Compass' (5).
A quantity of mainly British military and naval buttons and various military cap badges to include The Rifles Regiment, Lancashire Regiment, The Kings Liverpool Scottish Regiment, Royal Fusiliers, MVR Rifles, Army Ordnance Corps', epaulettes with military buttons, The Prince of Wales Volunteers cap badge and many more, also a cased WWII respirator withy carrying box and a Abraham & Co Liverpool brass cased compass.

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36562 Los(e)/Seite