36562 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Gethin Evans Rose Dawn Swimmers, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas.   Education   1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course   Select Exhibitions/Awards   2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School   Gallery Representation   Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online)   Statement about AOAP Submitted Artwork   Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Gethin Evans Golden Dawn Swimmer, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas.   Education   1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course   Select Exhibitions/Awards   2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School   Gallery Representation   Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online)   Statement about AOAP Submitted Artwork   Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Norman Ackroyd RA Estuary - Detail, 2022 Etching - Detail on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Norman Ackroyd studied at Leeds College of Art from 1956 to 1961, and subsequently at the Royal College of Art, London from 1961 to 1964. Ackroyd has had many solo exhibitions, both in Britain and internationally, including Anderson O'Day; Aitken Dott, Edinburgh; Jersey Arts Centre, Channel Islands and the Compass Gallery, Glasgow. Solo shows abroad include the National Museum of Art, Santiago, Chile; Jan Turner, Los Angeles; Dolan/Maxwell Gallery, Philadelphia and the Mickleson Gallery, Washington DC. Ackroyd has also received several public mural commissions, produced in etched stainless steel or bronze. Recent commissions include Lloyds Bank, London; British Airways, Birmingham Airport; Freshfields, London; Tetrapack, Stockley Park, Heathrow; a bronze mural for the Main Hall of the British Embassy, Moscow; and Lazards Bank, Stratton Street, London W1. Norman Ackroyd was elected a Royal Academician in 1991 and was made Senior Fellow, Royal College of Art in 2000. Ackroyd lives and works in London. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Norman Ackroyd RA Estuary II - Detail, 2022 Etching - Detail on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Norman Ackroyd studied at Leeds College of Art from 1956 to 1961, and subsequently at the Royal College of Art, London from 1961 to 1964. Ackroyd has had many solo exhibitions, both in Britain and internationally, including Anderson O'Day; Aitken Dott, Edinburgh; Jersey Arts Centre, Channel Islands and the Compass Gallery, Glasgow. Solo shows abroad include the National Museum of Art, Santiago, Chile; Jan Turner, Los Angeles; Dolan/Maxwell Gallery, Philadelphia and the Mickleson Gallery, Washington DC. Ackroyd has also received several public mural commissions, produced in etched stainless steel or bronze. Recent commissions include Lloyds Bank, London; British Airways, Birmingham Airport; Freshfields, London; Tetrapack, Stockley Park, Heathrow; a bronze mural for the Main Hall of the British Embassy, Moscow; and Lazards Bank, Stratton Street, London W1. Norman Ackroyd was elected a Royal Academician in 1991 and was made Senior Fellow, Royal College of Art in 2000. Ackroyd lives and works in London. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Norman Ackroyd RA Sun and Mist - Thirsk Hall, 2022 Etching - Detail on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Norman Ackroyd studied at Leeds College of Art from 1956 to 1961, and subsequently at the Royal College of Art, London from 1961 to 1964. Ackroyd has had many solo exhibitions, both in Britain and internationally, including Anderson O'Day; Aitken Dott, Edinburgh; Jersey Arts Centre, Channel Islands and the Compass Gallery, Glasgow. Solo shows abroad include the National Museum of Art, Santiago, Chile; Jan Turner, Los Angeles; Dolan/Maxwell Gallery, Philadelphia and the Mickleson Gallery, Washington DC. Ackroyd has also received several public mural commissions, produced in etched stainless steel or bronze. Recent commissions include Lloyds Bank, London; British Airways, Birmingham Airport; Freshfields, London; Tetrapack, Stockley Park, Heathrow; a bronze mural for the Main Hall of the British Embassy, Moscow; and Lazards Bank, Stratton Street, London W1. Norman Ackroyd was elected a Royal Academician in 1991 and was made Senior Fellow, Royal College of Art in 2000. Ackroyd lives and works in London. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

SPAIN -- "ANDALUZIA continens Sevillam et Cordubam". Plain engr. map, 2 dec. cartouches and 2 coats of arms. 380 x 500 mm. V.d. Krogt II, 6110:2. -- "GRANATA et Murcia regna." Engr. map, 2 dec. cartouches and 2 coats of arms in cont. colouring. 375 x 495 mm. V.d. Krogt II, 6130:2. -- "VALENTIA Regnum (…)". Plain engr. map w. compass rose, sea monster, ships in full sea and cartouche. 385 x 500 mm. V.d. Krogt II, 6155:2. -- Tog. 3 maps. Amsterdam, W.J. & J. Blaeu, c. 1635.

EASTERN EUROPE -- "CARTE NOUVELLE DES ROYAUMES DE GALIZIE et Lodomerie avec le District de Bukowine". Augsburg, T.C. Lotter, n.d. (c. 1760). Sparsely cold. engr. map w. scale indicator and compass rose. 490 x 605 mm. (Margins short). NOTE:Map showing the Kingdom of Galicia and Lodomeria, which was a crown land of the Habsburg Monarchy, acquired during the first partition of Poland and extending southeast to Bukowina, which is shown here shortly before the beginning of the Turkish occupation in 1769.

FRANCE -- "PROVINCIA/PROVENCE Auctore Petro Joanne Bompario". Amst., W.J. & J. Blaeu, n.d. (=1631). Cold. engr. map w. 3 coats of arms, scale indicator, 2 compass roses and title cartouche. 390 x 545 mm. (Small defect to vertical fold, fold skilfully reinforced on v°). NOTE:Latin text on v°. V.d. Krogt II, 4700:2.

PORTUGAL -- "PORTUGALLIÆ quæ olim Lusitania, noviisima et exactissima desriptio, Auctore Vernando Alvaro Secco, & de integro emendata, anno 1600". (Amst., J. Hondius, c. 1628). Engr. map by Van Doetecom after Alvares Seco in fine cont. colouring w. 3 elaborate cartouches, a compass rose, 2 ships and a seamonster. 341 x 502 mm. (Upper blank margin reinforced on vertical fold, small burn hole in lower blank margin, but in good condition). NOTE:V.d. Krogt I, 6300:1A.

LOW COUNTRIES -- "NOVUS XVII INFERIORIS GERMANIÆ PROVINCIARUM TYPUS de integro multis in locis emendatus à Guliel. Blaeu". Amst., W. Blaeu, (1662). Engr. map, cold. by hand, w. large title cartouche, a compass rose, several ships at sea and sea monsters. 405 x 514 mm. (3 small holes in upper blank margin, a bit browned/foxed, but a good copy). NOTE:Third state, text in Latin on v°. - V.d. Krogt 3000:2.2; Van der Heijden 64.2.

A bag containing a miniature tin plate bird, Acme whistles together with a miniature brass cased compass.

An Imhof lacquered brass combination timepiece, of cube form, the square top with inset compass, over four hinged dials below, including thermometer, barometer, hydrometer and clock with day and date display, rotating on a pedestal base, 10cms high; together with a 19th Century brass lantern clock, of typical form, 32cms high. (2)

A selection of maritime interest items, including: bronze ships propeller; Cope Nottingham clock and barometer set, in brass and mahogany wall mounting case; and a F. Barker & Son brass cased compass; together with four albums of cigarette cards by makers including Wills, Kensitas and others; and loose cigarette cards.

A late 18th century or early 19th century small compass/ sundial with a paper printed dial and outer engraved brass dial. Diameter 8.5cm approximately.

A collection of boat related items to include a gimballed compass, a Icon HF radio, an anchor, two portholes, a propeller, a telegraph and various other boating related items and fittings

A Scottish brooch a silver napkin ring small compass a silver ring set with Moss-agate and other oddments (a lot)

THREE BOXES AND LOOSE to include an African fly whisk with beaded handle, a writing slope in need of some attention, a Sunwatch pocket compass by The Ansonia Clock Company, a half barrel, a boxed Concord harmonica, a cased pair of binoculars marked 'W Gregory & Co, 51 Strand, London', a Players Regent tobacco advertising ashtray, a brass trivet and large covered vase height 63cm, a Westclox Big Ben alarm clock, a walking cane with Mr Punch handle, etc (3 boxes + loose) (sd)

Original vintage travel poster for Hainaut Henegouwen in Belgium featuring a colourful pictorial map by Philippe Dumont and J. Ado Baltus depicting the Hainaut province marking the capital Mons or Bergen in Dutch and Charleroi, depicting castles, factories, and tourist places of interest, with an astrological sign compass above and a knight in armour standing with a flag next to the coat of arms, set over dark background. Horizontal. Very good condition, creasing. Country of issue: Belgium, designer: Ph. Dumont, J.A. Baltus, size (cm): 29x40, year of printing: 1950s.

Original vintage travel advertising poster for Canada Air France, featuring a great illustration of a lumberjack floating wood down the river with tall trees on the river banks, and a Lockheed Constellation propeller plane flying over mountain peaks, black and yellow lettering, compass with the seahorse (pegasus / hippocampe aile) logo. Poor condition, folds, repaired tears, creasing, staining, tape on image, parts of poster painted over, restored paper losses, backed on old linen, linen folded and stuck over edges of poster. Country of issue: France, designer: Jean Dore, size (cm): 100x62, year of printing: 1951.

Cased Pair of Silver Fish Servers with Gardener, Silver Whale bone handled ladle, wine funnel end, Skating Race 1926 Cup for P M Gardener, Sampson & Morden Silver Propelling Pencil and a Richardson, Adie & Co of Edinburgh Compass case

Brass circular cased Negretti & Zambra Compensated Barometer no. 11022, 12cm diameter together with Ship's Compass Type P10 no. 4872T, 17cm diameter

Gents of Leicester Wooden Cased Service Bell Indicator with four apertures, 38cm long, Early 20th century Gallaher Shop Display Cigar Cabinet, 39cm long, Mid 20th century ' Sumlock ' Calculating Machine and an Oak Cased Compass and Speedometer

A mid-20th century terrestrial globe, on beech stand with integral compass, unmarked, approx h.53cmLight wear and fading throughout.Some minor marks to globe.Base appears to be in good condition.

Five Yuan silver Chinese coins 22.221992 Ancient compass Great wall 22.22 KM4071993 Chin Yang, two figures one stand KM4891994 First records of comet KM6271995 Pagoda of six harmonies K828

A brass natural sine compass

A mid 20thC Ansonia Sunwatch, together with a Pathfinder Map Measure and a compass, all boxed

A WW2 Brass Military compass, dated 1942 MKII with serial no. B130403.

Saura handheld compass in wood case

Antique Birmingham 9ct yellow gold fob compass. [5.63grams]

Early large walking cain with fitted brass compass top

Mineral Terrestrial Globe, in brass stand having compass to unite three lower stretchers, approximately 31cm wide.

A Second World War RAF P.11 aircraft cockpit compass and transit case

An RAF Type P8 aircraft cockpit compass and transit case

A Georgian silver pocket magnetic compass by Dolland, London, 1808, bearing Marjoribanks' family crest verso, in later fitted presentation case

A Victorian, F Barker and Sons - London, damp detector together with a compass and a Presta Super stopwatch

Military Magnetic Marching Mark 1 Compass, R.A.F uniform buttons, R.A.F cross country medals etc, Keepers of The Peach cloth badge, other cloth badges.

A Military Brass Shell Case, belt of cartridges, compass, pitch pipes, etc:- One Tray.

A silver cigarette case with engraved decoration (as found) plus a silver cased compass with engraved monogram to front and date to back, cigarette case weight approx 70g

Globus - - Seltener Himmelsglobus von Prof. Dr. J. Riem. Berlin, um 1940, bezeichnet "Columbus-Himmelsglobus, bearbeitet von Prof. Dr. Johannes Riem, ausgeführt von Kartograph C. Luther, Columbus Verlag G.m.b.H. (Paul Oestergaard), Berlin-Lichterfelde", der Globus als Pappmaché-Kugel mit 12 farblithographierten Papiersegmenten bezogen, der Globus mit sogenanntem vollständigen astronomisch-mathematischen Apparat mit verchromtem Vollkreismeridian mit 4 x 90°-Teilung, Horizontring aus graviertem Metall mit Angabe der Tierkreiszeichen, Himmelsrichtungen, Zeitzonenteilung und 360°-Teilung, vierarmiges Eichenholzgestell mit späterer weißer Fassung. Globus-Durchmesser: ca. 33 cm, Höhe: ca. 44 cm.A rare 2nd world war celestial globe by Prof. Dr. J. Riem. Berlin/Germany c. 1940, signed "Columbus-Himmelsglobus, bearbeitet von Prof. Dr. Johannes Riem, ausgeführt von Kartograph C. Luther, Columbus Verlag G.m.b.H. (Paul Oestergaard), Berlin-Lichterfelde", 12 chromo-lithographed globe gores mounted on cardboard sphere, graduated meridian circle, two hour-circles, four-legged white painted oak stand, the horizon with engraved metal calendar showing the seasons, compass directions, zodiac, days and months. Diameter globe c. 33 cm, height c. 44 cm.

Globus - - Erdglobus von Ludwig Julius Heymann. Berlin, um 1900, bezeichnet "Erd-Globus, 19 Cent., nach den neuesten Forschungen bearbeitet, Berlin-Zehlendorf, Ludw. Jul. Heymann, Geographischer Verlag", der Globus als Pappmaché-Kugel mit 12 farblithographierten Papiersegmenten bezogen, mit feinem Grenzkolorit, montiert auf gedrechseltem Nussbaum-Holzfuß mit eingelassenem funktionstüchtigen Kompass. Papier teilweise leicht gebräunt. Durchmesser: ca. 19 cm, Höhe: ca. 37 cm.A Ludwig Julius Heymann terrestrial globe.Berlin c. 1900, signed "Erd-Globus, 19 Cent., nach den neuesten Forschungen bearbeitet, Berlin-Zehlendorf, Ludw. Jul. Heymann, Geographischer Verlag", 12 chromo-lithographed globe gores mounted on cardboard sphere, finely handcoloured boundaries, turned walnut stand with inlaid compass. The paper partly darkened. Diameter c. 19 cm, height c. 37 cm.

Globus - - Seltene Armillarssphäre Cinhelium nach Prof. F. Cambier. Brüssel, um 1920, bezeichnet "I.V.A.C. Cinhelium F. Cambier", heliozentrische Ringkugel oder Armillarsphäre mit farbigen Metallringen für den Äquator und die Ekliptik, einigen Sternkonstellationen, einer Horizontscheibe mit Angabe der Himmelsrichtungen sowie zwei Stundenscheiben, montiert auf gedrechseltem Holzfuß. Durchmesser: ca. 41 cm, Höhe: ca. 70 cm.Rare armillary sphere Cinhelium after Prof. F. Cambier. Bruxelles c. 1920, signed "I.V.A.C. Cinhelium F. Cambier", the sphere with coloured circles for the Equator and the Zodiac, some star constellations, the horizon with compass directions and two hour-dials, mounted on turned wooden stand. Diameter c. 41 cm, height c. 70 cm.

Globus - - Erdglobus von Adolf Mang. Stuttgart, um 1920, bezeichnet "Mang's neuer Erd-Globus, 17 cm Durchm., 54 cm Umfang, hergestellt unter wissenschaftl. Mitarbeit d. Prof. Dr. Stricker, Stuttgart, Ad. Mang's Geogr. Astron. Verlag, II. Aufl.", der Globus als Pappmaché-Kugel mit 12 farblithographierten Papiersegmenten bezogen, mit schönem Grenzkolorit, montiert auf gedrechseltem Holzfuß im Art-Deco Stil mit eingelassenem Kompass. Globusdurchmesser: ca. 17 cm, Höhe: ca. 30 cm. Kleinste Modell-Variante in zweiter Auflage aus dem Verlagsprogramm von Adolf Mang in Stuttgart, der 1888 mit der Herstellung von Globen mit Durchmessern von 17, 25, 33 und 48 cm und astronomischen Modellen begann. Vgl. Lit.: Allmayer-Beck, Modelle der Welt, Erd- und Himmelsgloben, Wien Brandstätter 1997.An Adolf Mang terrestrial globe.Stuttgart c. 1920, signed "Mang's neuer Erd-Globus, 17 cm Durchm., 54 cm Umfang, hergestellt unter wissenschaftl. Mitarbeit d. Prof. Dr. Stricker, Stuttgart, Ad. Mang's Geogr. Astron. Verlag, II. Aufl.", 12 chromo-lithographed globe gores mounted on cardboard sphere, turned wooden Art-Deco style stand with inlaid compass. Diameter c. 17 cm, height c. 30 cm.

Collection of militaria Collection of militaria, to include two packs of 'Iraqi Most Wanted' playing cards, one pack sealed, alloy HMS Laleston ship badge, framed set of Royal Navy cloth ship titles and a cap, Boson's whistle, pair of 1944 dated Kershaw Bino Prism No.2 MkIII with broad arrow mark, Compass Magnetic Marching MkI collecting of various small knives including four British army knives, also a pair of brass kit bag locks.

* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),DIVINE FORMmixed media on canvas, signed verso, titled and dated 1991 label versoimage size 178cm x 51cm, overall size 179cm x 52cm Framed. Handwritten artist's label verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.

* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),SILENT GODHEADoil on canvas, signed verso, titled and dated 1983 labels versoimage size 213cm x 160cm, overall size 215cm x 162cmFramed. Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.

* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),(SUM)MER BOXmixed media diorama, titled and dated 1968 label versooverall size 42cm x 42cm, 17cm deep Framed and under glass. Artist's label verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.

* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),ACT, DEATH DREAMoil on board, signed, further signed verso, titled and dated 1974 labels versoimage size 161cm x 130cm, overall size 162cm x 131cm Framed. Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.

* TOM HOVELL SHANKS RSW RGI PAI (SCOTTISH 1921 - 2020),OLD CAR, TIREEink on paper, titled labels versoimage size 30cm x 43cm, overall size 51cm x 63cm Mounted, framed and under glass. Artist's label verso.Handwritten label verso. Label verso: Cyril Gerber Fine Art & Compass Gallery, Glasgow.

* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),BUTTRESS (SHINGLE POEM)mixed media on board, signed and dated 1996 verso, titled labels versooverall size 79cm x 23cm, 25cm deep Unframed, as intended. Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.

* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),SEA BLUSH (HARBOUR)oil on panel, signed verso, titled and dated 1995/6 label versooverall size 123cm x 53cm Unframed, as intended.Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.

Victorian white metal mounted braided hair mourning watch chain, a silver 'Baby' brooch, a silver double horseshoe brooch, a white metal World Jamboree 1929 Scouting souvenir spoon, two others, a silver watch fob compass with lion surmount and two silver fobs.

RAF aircraft compass Azimuth Circle No4 6A/890, no31430H, in wooden box.

A reproduction wood and brass walking stick with swivel top telescope/compass handle. Approx. 95.5cm long in folded position.

A 19th century brass compass by Adie & Son Edinburgh, 9cm diameter, with caseNeedle does not appear to be responsive when the compass is rotated

Substantial 19th Century blue glass rolling pin, enamel decorated with depiction of a sailing vessel, The Sailor's Farewell, cartouche inscribed "LOVE AND BE HAPPY", poem "when far at sea remember me and bear me in your mind, let all the world say what they will, speak of me as you find" and a depiction of a compass flanked by two ships inscribed "come box the compass", 76cm wide

A collection of 19th century and later scientific items, to include a Carl Zeiss monocular, number 319254 in leather case, a compensated barometer in initialled leather case, a Moldacot patent sewing machine in tin box, a small mahogany cased compass, etc. PROVENANCE: The Collection of Jack Tempest. 

A brass and copper Masthead ships lantern, 38cm high; a ship's compass, on gimbal, 16.5cm diam (2)

Boxes & Objects - a novelty compass topped silver plated vesta case; Sekonda stop watch; map measure, Normans & Saxons booklets etc

A WWI compass and a treen cased 19th century compass together with mixed coinage to include a Mercury crown silver dimeLocation: R2:3

19th Century travelling compass, with silvered dial, housed in a mahogany case, 7cm square