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A late Victorian engraved silver cheroot cutter, the sprung steel blade marked Sheffield, maker James Allen, Birmingham, 1896, 31mm, together with an early 20th century sterling silver and blue enamelled brooch in the form of an anchor, 31mm, a silver shield shaped pendant with inset compass surmounted by a dog, a white metal charm in the form of an owl, a white metal model of a crab and a miniature silver trophy cup, (6)
A quantity of miscellanea including a pair of Nipole 10 x 50 binoculars, wall hanging barometer/thermometer, drawing instruments, unusual compass with wheel measure in metric and imperial measurements on reverse, Calibri and Ronson lighters, goat skin wallet, fruit knives, vintage hand held trouser presser, etc.
Late 19th/early 20th century boxwood and brass clinometer rule by Stanley, with inset magnetic compass, screw action protractor hinge divided to one degree with rise in inches per yard scale under, spirit level to one edge, marked 'W.F. Stanley Great Turnstile Holborn' with tables of distances, angles and thickness H16cm closed: in original leather covered case with instructionsCondition Report:Instrument looks to be in very good condition.Box showing signs of wear consistent with age, use and storage and lacks outer casing to one end of base.
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003), SLOW BALLAD (BLUES NUMBER) oil on panel, signed, titled and dated 1978 label versoframed image size 45cm x 37cm, overall size 63cm x 56cm Artist's label verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
A rummage box of antique / vintage collectables to include a Black Forest type painted figural wooden soldier nut cracker; Take to pieces model of R.M.S. "Queen Mary" puzzle, Chad Valley; papier mâché circular snuff box with relief portrait of Nelsen?; two rolled gold fobs and rolled gold bangle; leather purses; tobacco tins; combination stamp case / vesta case book form; opera glasses; horse ring; propelling pencil; costume jewellery, a/f; The Famous Anvil Gretna Green Souvenir Enamel Badge Brooch; enamel butterfly; various other brooches, 9ct gold miniature compass, etc, all a/f. (quantity)
ESTATE SYNTHETIC RUBY & DIAMOND BROOCH 18ct yellow gold (tested) knife edge bar brooch, with central oval cut synthetic ruby approx 1.5 carats, flanked by four compass point collet set, old cut diamonds with two further diamonds at each end of bar. Approx total diamond weight 0.69 carats. On a wire pin and C hook lever clasp. With original presentation box. Weight 6.1 grams.
Three unusual 19th century polished steel engraving plates for the production of ceramics, one inscribed 'Exclusive to Mottahedeh', further inscribed 'Ship Caroline, James Leech' and depicting a masted vessel beside a coat of arms for the Shipright Arms, 35.5 x 27.5cm, a slightly smaller example stamped 'Kent', the front decorated with the mariner's compass, a masted vessel, and prose, the reverse with the borders of plates and with two Victorian registration lozenges, 21 x 31cm, and a third stamped 'Gray's' featuring a boat titled 'Hero' beside a walled town, 28 x 35cm (3)
Joseph Mallord William Turner RA (London 1775-1851)East Cliff Lodge, Ramsgate, the seat of Lord Keith signed 'Turner' (twice, lower left) pencil and watercolour31.1 x 40.8cm (12 1/4 x 16 1/16in).Footnotes:ProvenanceCollection of Revd. W. CovingtonSale, Christie's, London, 18 May 1885, lot 169 (bt. Thomas £16.16.0)Private Collection, UK, since 1972LiteratureA. Wilton, The Life and Work of J.M.W. Turner, London, 1985, p. 337, no. 327, ill. (originally catalogued in the 1979 edition as 'A castellated building,' but updated in the 1985 edition to note that the building is East Cliff Lodge)Andrew Wilton dates this watercolour to 1796-7. It is one of a number of architectural watercolours painted by Turner between 1796 and 1799 which include several gothic buildings, amongst which is a group related to Fonthill commissioned by James Wyatt (1746-1813). A view of East Cliff Lodge from the other side, once attributed to Turner, is in the collection of the Victoria & Albert Museum (Dyce 963) but is now thought to be the work of Edward Hawke Locker (1777-1849). That side of the house is also recorded in an engraving of 1805 by W. Cooke for Beauties of England and is titled 'The Seat of Lord Keith'.East Cliff Lodge was designed by the architect Charles Boncey of Margate for Benjamin Bond Hopkins and is thought to have been completed by 1794. In the gothic revival style, the imposing house with its crenelated roofline was built around a central courtyard and had two towers on the main front surmounted by spires, one bearing a clock and weather vane, the other capped with a weather vane linked to a compass rose. The 24 acre estate also included stables, a laundry, a kitchen garden and arable land, as well as a lawn extending down to the cliff top from the seaward side of the main house.Owners in the early years included Nathaniel Jeffreys, James Symonds, James Strange and Lord Keith. George Elphinstone, 1st Viscount Keith (1764-1823) was a Scottish-born naval officer who served in the American Revolutionary War and the Napoleonic wars; he was made Admiral of the Red and was raised to the baronetcy in 1797. As Commander in Chief of the North Sea Squadron at the time he was living at East Cliff Lodge, he had an excellent view of the Downs anchorage and even had direct access to his gig at the water's edge via a tunnel which he had constructed through the limestone cliff. After his tenure, the house was leased in 1815 to Marquis Wellesley, brother of the Duke of Wellington, before being sold to Moses Haim Montefiore (1784-1885), a British financier, banker, activist, philanthropist, Sheriff of London, Fellow of the Royal Society, President of the Board of Deputies of British Jews and a key figure in British Jewish history; he was knighted in 1837.Montefiore married Judith Barent Cohen in 1812 and the couple visited Ramsgate on their honeymoon. Judith was multi-lingual, widely travelled and a committed Jew and the two of them supported Jewish communities and charitable causes in Britain and Israel throughout their life together. Some years after their marriage they rented the Lodge for a year before deciding to buy it in 1831; they were to spend the rest of their lives there. During this time they added to the complex, commissioning a cousin, David Mocatta, to design a private synagogue for the grounds. The couple were famously devoted to each other and following Judith's death in 1862 her husband built a mausoleum where they now both lie, based on the design of the legendary Tomb of Rachel outside Jerusalem which Judith had visited. Sir Moses founded the Lady Judith Montefiore College in her name, a Jewish theological college adjoining the family estate. While most of the Lodge was demolished in 1954, a small portion of it was incorporated into the King George VI Memorial Park; the mausoleum, synagogue and college still remain.For further information on this lot please visit Bonhams.com
An open face white metal pocket watch in a Miner's case, with integral compass built into the movement, together with a gold plated Elgin Natl open face pocket watch, a continental silver fob watch with a plaited hair fob chain and another in base metal Condition Report:No condition report available.
ORFINA PORSCHE DESIGN WATCH Chronograph around 1972/78. Black dial with 3 black counters, day and date indication by window at 3 o'clock. Automatic movement. Blackened steel bracelet with folding clasp signed Porsche Design. Case: 41mm It's hard to find a watch more linked to the automotive world than this Porsche Design. This is the first model designed by the Porsche Design workshops founded by Ferdinand Alexander Porsche in 1972 in Stuttgart. The famous designer of the 911 manages to breathe Porsche's own innovation into his creations. The chronograph was the first to adopt a PVD coating and the case, typical of the 1970s, was subsequently taken over by numerous brands, including Heuer for the Pasadena. The black dial with the red chronograph function hand is a reminder of the counters of the 911 and allows optimal reading of the time. The model is produced initially with a Valjoux 7750 movement and then with a Lemania 5100. The design of the watch seduces in the paddocks since the pilot Mario Andretti is known to have worn this model. Fans of the movie Top Gun will also have seen it on the wrist of Mavrick played by Tom Cruise. At the end of the 1970s, the IWC brand took over from Orfina and produced Porsche Design models, including the famous compass watch. Nicholas - Weight: 130 g - Shipping available - Region: Allemagne - Sizes: D 40 MM - At first glance: good condition
A collection of items owned by Sir. Edgar Britten who was a Cunard Line captain & the first captain of the ocean liner RMS Queen Mary in 1936 to include a Queen Mary compass box, a brass map reader, inscribed Commander E. T. Britten KB RD RNR, an art deco RMS Queen Mary ashtray, United States Lines Europe blotter presented to E. T. Britten & various Cunard ephemera with other objects

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