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Swiss Military Compass inscribed 1918, E.KOEHN, GENEVE, SUISSE, No.137550 in brass and black metal 

Two crates of silver plated wares, ceramics, Poole pottery vase, compass set, copper vase, bellows etc

Two Early 19th Century Books; 1807 Leather Bound Edition of 'Worth of the Soul, or a Treatise of the Soul of Man..' with 'Navigation Spiritualised; or a New Compass for Seamen: Consisting of Thirty-Two Points of Pleasant Observations, Profitable Application and Serious Reflections....' Second Section by John Flavel Printed by J. Tregortha Together with a Welsh 1837 Edition of 'Cyfarwyddyd Profedig i bob Perchen Anifeliad' (A proven guide to all animal owners) by John Edwards (Missing Front Page)

A Terrestrial Globe with compass to stand, 55cm high. Faults

Stanley London compass

A cased pocket barometer / compass, together with a brass pocket barometer

Circular cast iron compass points sign, D: 9 cm. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

2 Corgi Golden Compass 1 airship and 1 carriage.

A RAF Astro compass and an Artillery 64 compass

A gold compass pendant.

Five (5) European maps, including French Napoleonic and English. 1st item: Map of Theater of War and French and Allied Saxon Marches in Prussia and Poland during the Campaigns of 1806 and 1807 (Carte de Theatre de la Guerre et Marches des Armees Francaises et Allies en Saxe en Prusse et en Pologne pendant les Campagnes de 1806 et 1807) engraved by Jean Baptiste Pierre Tardieu, circa 1807. Copper plate engraving depicting the areas of Europe involved in the Napoleonic War of the Fourth Coalition, October 1806-July 1807, including with hand colored elements detailing the routes of the different armies with French text. Title and tables, top left and center, scale of miles, lower center. Map surrounded by scale notations and double line border. Previously mounted to mat with old archival paper tape. Image - 16 3/8" H x 20 5/8" W. Sheet - 17 7/8" H x 22 1/2" W. Mat - 23 3/8" H x 27 1/4" W. 2nd item: The County of Middlesex, from an Actual Survey made in the Years 1819 & 1820 by C. & I. Greenwood, engraved by J. & J. Neele, 1829. Published by the proprietors C. Greenwood & Co., London. Copper plate engraving with hand coloring depicting Middlesex, a historic county in southeast England almost entirely within the wider urbanized area of London, center, with vignettes of Westminster Abbey, lower left, and St. Paul's Cathedral, lower right. Title, top left, compass rose, top center, Explanation and scale of miles, top right, Reference to the Hundreds, lower center. Map surrounded by border with scale notations. Housed in a mat with plastic covering. Image - 21" H x 25 3/4" W. Sight - 21 1/4" H x 26" W. Mat - 26 7/8" H x 32 3/8" W. 3rd item: "Carte D'Angleterre 1754" by Jean Palairet. Colored map of England and Wales with French identifications. Counties, cities, towns, rivers, bodies of water, and points of interest marked. Ireland, Scotland, and France also present. Decorative title cartouche with scale of miles, top right. Image - 20-1/4" H x 20-5/8" W. Sheet - 28-3/4" H x 21-1/4" W. 4th item: "A Map of France with the Dominions" by Richard William Seale, for "Mr. Tindal's Continuation of Mr. Rapins History", 1750. Uncolored map of France and surrounding territories, including parts of England, Germany, and Spain, with regions, cities, towns, rivers, bodies of water, mountain ranges, and points of interest marked. Decorative title cartouche, middle left. Explanation and 2 scales of miles, lower right. Image - 15" H x 18-1/2" W. Sheet - 16" H x 19-1/4" W. 5th item: "Dept de la Seine" by Victor Levasseur, engraved by Laguillermie and Rainaud, for "Atlas National Illustre des 86 Departments et des Possessions De La France", 1833. Colored map of Paris, with surrounding regions, including Versailles, some colored elements. Surrounding map are sections of text describing statistics, curiosities and celebrities, and products and commerce. Images of local heroes, products, landscapes, dress, and coat of arms with colored elements above and below map. Image - 12" H x 17-3/8" W. Sheet - 14-1/8" H x 20-1/8" W. All items mid 18th/second quarter 19th century. CONDITION: 1st item: Overall good condition with foxing spots, tears. Residue from old archival paper tape to each corner. Sheet has been cut down. 2nd item: Overall good condition with toning/areas of acid burn, foxing spots. Not examined outside of mat. 3rd item: Impression of other map visible lower right. Areas of toning on surface, largest area 1/2", lower middle left. Slight toning around edges. Loss, rips, tears, to edges of sheet. 4th item: 1-5/8" line of toning, top left. Slight toning around edges, toning extends 1-5/8" on top edge. 5th item: 2 brown stains, 3/8" top middle right, and 1/8" middle left. Slight toning around edges.

Louisiana, as formerly claimed by France, now containing part of British America to the East in Spanish America to the West of Mississippi map, by Thomas Kitchin, published in the London Magazine, for R. Baldwin, Vol. 34, opp. pg. 276, June 1765. Copper plate engraving with hand coloring depicting the Louisiana territory, center, and the surrounding areas including the Country of New Mexico, lower left, and Native American territory, including Cherokees and Creeks, designated as "Upper Cherakees [sic]", "Lower Cherakees [sic]", "Upper Creeks", and "Lower Creeks", along with other tribes, right. Cities and towns, including New Orleans, bodies of water, and other points of interest including "Country full of Mines" are labeled. Compass rose, scale of miles, and title cartouche, lower right. Map surrounded by scale notations and line border. Secured to a mat with two pieces of white archival tape, top left and right edge. Sheet - 8 3/8" H x 9 5/8" W. Sight - 7 1/4" H x 9 3/8" W. Mat - 11 1/8" H x 13 3/4" W. Third quarter 18th century. CONDITION: Light toning, few minute foxing spots. Few tears, largest 1/4", to fold lines. Two areas of loss, largest 1 1/4" x 1/4", to corners of sheet. Pencil inscription en verso. David Lloyd Swift ink stamp indicates that the map was professionally deacidified in March 1998.

Trippensee Planetarium Co. Tellurian Model, Howard Miller Lighted World Map Electric Clock, 2 items total. 1st item: Trippensee Planetarium Company, Saginaw, Michigan, geared Tellurian model, manufactured by the George F. Cram Company. Comprised of painted wood or dense plastic globes representing the Earth, Moon, and Venus affixed to metal rod arms that revolve around a central yellow dense plastic sphere containing a lightbulb representing the sun on a maroon colored dense plastic arm with an inset compass, all mounted on a turned ebonized wooden pillar, set on a stepped round maroon colored dense plastic base, with a circular zodiac dial to the top, printed in black on silver. Iron weight on the underside of the base is stamped "1966." Maker's marks to maroon arm. Wired for electricity. 13 3/4" H x 20" W x 7 1/2" D. 2nd item: Howard Miller Clock Company lighted world time zone map electric clock, model 612-371, serial number 81830859. Comprised of a chromolithographic labeled world map printed to reverse of glass with open slots exposing different time zones of major cities around the world with slots for local time top center, all housed in an oak case. Cartouche with title, maker, scale of miles, copyright date "1959", and patent information, lower right. Informational paper label en verso. Wired for electricity with button switch, top of case. Glass map - 12 5/8" H x 19 1/2" W. Case - 18" H x 26 1/3" W. 5 1/2" D. Both items mid 20th century. CONDITION: 1st item: Overall good condition with surface wear, scuffs to globes. Gears, rotating parts on working condition. Electrical parts are functional. 2nd item: Overall good condition. Lighting mechanism was in working condition when tested. Few areas of loss, largest 3/4", to case.

Three (3) Southern, likely East Tennessee, hand-stitched pieced and appliqued cotton quilts, including Whig or California Rose, Oak Leaf variant, and Mariners Compass patterns. 1st item: Whig or California Rose pattern, off white ground with red, pink, cheddar yellow, and tan appliqued cotton floral spray design, surrounded by a scalloped border. 94" x 92". 2nd item: Oak Leaf variant pattern, off white ground with four light blue or green and red appliqued cotton stylized leaves positioned around a red square, arranged in six rows of two or three, surrounded by a green and red swag and leaf border. 96" x 84". 3rd item: Mariners Compass pattern, off white ground with red and tan appliqued cotton stylized eight-pointed stars arranged in five rows of six squares, surrounded by additional square shapes and a red border. 84 1/2" H x 70 1/2" W. Late 19th/early 20th century. Provenance: Private Knoxville, TN collection.  CONDITION: All items in overall good condition with discoloration, fading, stains, largest 9". 1st item: Frayed edges.

Collection of twelve (12) German or Swiss made desk clocks, including Seth Thomas, Elgin, Howard Miller. 1st item: German Seth Thomas mantel clock having a black metal face with gold numeral chapter ring, glass to front side, and a brass framework with a top handle and footed base, time and strike (hours and half hours) movement. Maker's marks stamped to face. 5 1/2" H x 8 1/4" W x 3" D. 2nd item: German Elgin mantel clock having a rectangular silver metal face with radiating black line chapter ring, calendar face lower center, inset in a brass frame with glass front, brass framework with a footed base, battery operated movement. Maker's marks to face, back of framework, additional marks to movement. 6 1/8" H x 6" W x 3 3/8" D. 3rd item: West German Howard Miller carriage clock having a circular silver metal chapter ring with gold numerals, brass works before a glass pyramidal panel, glass windows in all sides, back glass is beveled, and a brass framework with a top handle and footed base, battery operated movement. Maker's marks to chapter ring, glass , and brass bar en verso of panel. 9 1/4" H x 7 5/8" W x 4 7/8" D. 4th item: Swiss Remembrance mantel clock having four silver metal faces each representing different time zones with gold numeral chapter rings enclosed by a larger chapter ring, surrounded by a brass compass rose ring, plastic front and back with a decorative brass framework and works, 8-day movement. Maker's marks to center of faces. 7 1/2" H x 11" W x 2 1/2" D. 5th item: Swiss Hamilton rotating desk clock, thermometer, barometer, and hygrometer, comprised of brass, metal, beveled glass, and plastic, with a top handle and footed base. Maker's marks to faces. 5" H x 3 1/4" square. 6th-8th items: Three (3) German or Swiss Seth Thomas combination clock and barometers, comprised of brass, metal, and plastic, two (2) with thermometers, one (1) with a hydrometer. Maker's marks to faces. Ranging in size from 3 1/4" H x 6 1/2" W x 2" D. 4 1/8" H x 7 3/8" W to 2 1/4" D. 9th item: Swiss Semca combination clock, thermometer, and barometer, comprised of brass and plastic, with a top handle and footed base. Maker's mark to face, additional marks en verso. Inscribed "FROM THE "OLD" REGIONAL GANG ROBERT L. HERMAN, C.L.U. 5-28-65". top of framework. 4 1/8" H x 5 7/8" W x 1 3/4" D. 10th-11th items: Two (2) Metro items, including one (1) combination thermometer and barometer, and one (1) barometer, comprised of brass and plastic. Maker's marks to faces. Ranging in size from 2 5/8" H to 2 1/4" W x 5 5/8" W x 1 1/2" D. 12th items: Swiss Remembrance combination clock, barometer, and calendar, comprised of brass and beveled glass. Maker's marks to left face, additional marks en verso. 1 5/8" H x 6 7/8" W x 4 1/4" D. All items second quarter/mid 20th century. CONDITION: Overall good condition with areas of tarnish, abrasions to brass. Not tested for functionality. 2nd-3rd items: Needs a replacement battery.

A George III side-drum and two Unionist flags, the drum shell painted with a compass rose, 11" (28cm) high, 16" (41") diameter; together with an Ulster Vanguard flag and another.

1039-1945 German Kriegsmarine schnellboot or E-boat compass by C. Plath, Hamburg, the 4in. ring card contained within a liquid-filled dome, Kriegsmarine emblem and issue number '273', Plath trademark to bezel ring.

Boxed compass

A group of compasses to include escape compasses and a Cornish Serpentine desk compass,

An early 20th century silver cased hunter pocket watch having an enamelled dial with Roman numerals and subsidiary seconds dial together wtih various other open faced pocket watches, pocket compass commemorative crowns etc

Pocket brass cased Aneroid Barometer, mahogany cased compass and a reproduction 'Stanley' brass cased compass (3) Condition Report Click here for further images, condition, auction times & delivery costs

Various Drawing and Other Instruments including callipers, dividers, set square, slide rules, scale rule, compass sets, small tool set, various spectacles and a few others

Various Navigational Instruments including a Stanley pocket sextant, Stanley sighting compass (cased), Brass parallel rule by Kelvin & Hughes, 1880 Pattern Azimuth circle (cased), three rules and two others

Compass Planes (i) Stanley Rule & Level Co.No.113 10'' (ii) Stanley no.13 (2)

An 18 carat gold framed compass charm 0 8g a/f

A silver albert chain, stone fob and compass fob

Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels.   The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional.   The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path.   At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.    

Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels.   The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional.   The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path.   At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.    

Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels.   The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional.   The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path.   At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.    

Stephen Kenny You Complete Me, 2020 Letterpress on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My paintings most often focus on the human figure paired with elements found in nature. These surreal, symbolic juxtapositions are intended to work on at least two levels.   The first alludes to the fact that we are an integral part of the natural world and subject to its laws. This seems like an obvious statement until we step back and objectively assess our symbiotic relationship with each other and the Earth. Depending on your perspective, these relationships fall somewhere on the scale between harmonious and dysfunctional.   The second turns the lens around to look inward upon the stewardship of our own emotional, intellectual and psychological landscapes. The same pictorial subject matter allows me to make references to our individual journeys of self-exploration and discovery. Again, depending on who is holding the compass, we are either lost or on the right path.   At the very least, I desire to create images of beauty and mystery that allow the viewer to find their own personal significance in them.    

Longman & Broderip (c1780’s) A square piano in a mahogany case on a tray base with a 4 ½ octave compass. The fascia bearing the inscription 'Longman and Broderip, Musical Instrument Makers, No 26 Cheapside and No 13 Haymarket, London'.

A small collection of vintage lorgnettes, an amber glass scent bottle, an Acme Girl Guides whistle with integral compass etc.

Negretti & Zambra Pocket Forecaster, in box with instructions, Philips Universal map measurer, compass, The Otis King calculator, three harmonicas, bakelite bagatelle style game, Monopoly, card games, etc:- One Tray

A First World War British War medal 1914-1918, awarded to G.E. JEFFERSON. P.O.(SWS) R.N.V.R. a Menin Gate medal in remembrance Ypres 24.VII.27, an Ordnance badge, a compass, a T Force pass, and other items in a Christmas 1914 tin, a hip flask, a Military Vocabulary German-English dictionary by F.G. Zimmermann, and four Armed Services editions of novels including The Great Gatsby, I'm a Stranger Here Myself, The Asiatics, and The Razors Edge

A vintage green Boy Scouts beret together with a "The Emea" Boy Scouts whistle, a Pathfinder "Major" luminous magnetic compass with Scouts logo to face, a multi blade penknife and a Girl Guide pin badge.

A modern small brass ships compass in a glass topped wooden box. Box approx. 8cm tall x 12cm square.

A carved bone scrimshaw style globe with hinged lid and compass inset to interior. Approx. 7cm diameter.

2 bone letter openers with carved detail to handles. One inscribed "Volubilis" and with a compass symbol, the other marked "Paragon Golf Company". Both approx. 23cm long.

3 assorted compasses. A glass dome topped desk compass, a square shaped metal compass marked 'Kelvin & Hughes, London, 1917' with mirrored inner lid and a Circular shaped Natural Sine compass with mirrored lid, marked Stanley, London.

A collection of assorted misc. items to include boxed vest pocket compass, pen set, playing cards, silver plated barrel tankard and thimble.

KELVIN & HUGHES COMPASS 1917

india : (SG 2302) 2005 5r. 50th Anniv of Jadavpur University ERROR MISSING BLACK (compass, grid, cogs, symbol, links to atoms) superb unmounted mint with normal, unlisted by SG, it is believed that only a very small number exist, guaranteed genuine in all respects (image available)

A First World War Black Enamelled Brass Pocket Compass by F-L, with mother of pearl register, stamped with broad arrow, No.77792, 1917, F-L; five Various Second World War Mk.III Pocket Compasses, dated 1932, 1940,1941, and 1943 x2, in various states of repair (6). 1917 compass in working order, rubber ring to back is perished and case is scratched. Remaining compasses are in various states of repair.

A Second World War Klaxon Air Raid Siren, with original green paint, lacks stand; a Pair of Second World War Barr & Stroud Naval x7 Binoculars, in poor order, with leather case; a German Third Reich 25 Year Long Service Cross, with brooched blue suspender ribbon; a Second World War British Prysmatic Marching Compass, with brass case and mother of pearl dial, glass cracked, in a stitched leather case, af (4) . Siren works, but is in dirty condition, with some loss of paint. Binoculars are broken, with one eyepiece missing. Case needs attention. Long Service Cross with wear to plating. Compass with cracked glass, wear to case, but in working order.

A Reynolds of Birmingham compass, in leather caseCondition: Currently working, slight oxidisation to sides otherwise good condition

An early 20th century WWI Verners pattern Officers Military Compass by Cruchon and Emons, dated 1916 with crow's foot mark, No 46057, in original leather case with strap

A Victorian graduated Albert with tortoiseshell compass fob

A double Albert with fob; a compass; a bosun's whistle

A quantity of automobilia comprising a Lucas no. 60 brass car bulkhead bulb horn, a Smiths car clock in wooden case, a vintage wing mirror, a Lucas Ranger chrome fog lamp, a dashboard compass, a chrome bell from an ambulance or fire engine(?) and an aluminium AA badge.

A mixed lot comprising a reproduction brass compass in wooden case, a wooden letter rack, a circular wooden box with doggy portraits to top and metal liner and a folding 24 inch ruler by John Rabone.

Three cased instruments to include a reproduction military compass, a reproduction boatswain's whistle and a small brass microscope.

Suunto Core divers wristwatch/compass, requires battery P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

MARITIME, table top gimballed compass with brass candle compartment

MARITIME, brass cased gimbled compass on modern mirrored base stand

VINTAGE, miniature compass in hinged ball, testing as gold

VINTAGE LIQUID FILLED CHROME COMPASS

A VINTAGE COMPASS

VINTAGE COMPASS FROM A LANCASTER AEROPLANE

A late 19th/early 20th century hardwood and parquetry cribbage board with central Masonic square and compass, 30 x 11cm, various 19th century bone chess and draughts men and other items.

Regency mahogany dressing table swing mirror, the rectangular glass (23cm x 28cm) on supports with brass hinges and terminals, the bow-front base with compass inlay to top, ebony stringing, and three drawers with brass hoop handles, on ogee bracket feet, overall height 46cm width 40.5cm depth 21cm