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WWI US Engineers Pocket Watch Style Compass Dated 1917. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

1915 Dated British Officers Pocket Watch Style Compass. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Boxed brass Mary Rose sundial compass. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

9ct gold sovereign pendant mount, 9 carat gold single cufflink with masonic compass engraving, 4g (2)

Mixed works of art, to include an ivorine common prayer book, a small burr wood box, 19th century silver bladed and mother of pearl fruit knife, continental silver letter opener stamped 800, a modern silver letter opener, London 1996, a Leatherman micra and a compass (qty)

A mixed lot to include ski attachment and ski polish, printed blotter and pen tray, cork screw, compass, Sundo altimeter, key fob watch, military and enamel badges including East Riding Special Constabulary 1914.Condition ReportSki attachment with paint wear, military badge missing pin.

A German Lehmann EM GE tin plate toy artillery gun, a clockwork Castle Art racing car and a novelty lighter formed as a spy camera and incorporating a compass (3)

A WWI period compass, three Ronson lighters and two service outfit tins, pipe reamer, silver pencil, etc.

A brass ships compass by ARKAS, no.2068, Copenhagen, on a gimbal, 29cm

Wade Shooting Box, Dominoes and Compass. Box H5cm x W12cm. Both in good condition

Quantity of Silver items to include spoons, compass and others

R Field & Son Birmingham school microscope and two rosewood cased compass sets (3)

Collectibles comprising an early 20th century ebonised and silver mounted card box (4)An early 20th century Anglo Indian horn and bone mounted gaming token case 10cm wide; 3cm high, a Victorian walnut string box 16cm high and a walnut cased compass 8cm high

A collection of mostly early 20th century cased scientific items, including compass, barometer and sundry

A vintage unmarked brass compass, possibly nautical use, 6 1/2" long

A 19th Century mahogany cased travelling compass

A map reading distance wheel with two scales 1:100,000 and 1:80,000 together with leather cased scout's pocket compass

WW2 Original Army Issue Compass No 908, comes with a compass belt case. Made by J H Steward 406 The Strand, London. Mint condition, still working. Whilst the basic prismatic compass design has its origins in Schmalcalder's patent of 1812 (Patent No 3545), Verners Pattern is a significant development which can be traced back to 1895. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

RAF P4 Compass Corrector for RAF aircrafts including Lancaster and Spitfires, and allied forces aircraft. Product code 6A/1752. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Hallmarked Sterling silver Albert chain with hallmarked fob and vesta, another Sterling silver Albert chain with fob and compass 3.76ozt another fob and chain

Large leather bound and gilt highlighted Victorian family bible and a reproduction brass ship style compass (2)

Regimental interest, a mid 20th century The Buffs (Royal East Kent) Regiment locket, the circular locket with an applied dragon above a blue enamelled swag inscribed The Buffs, stamped 9ct, 3cm diameter; together with a 9 carat gold Masonic pendant, the expanding compass and set square, Birmingham 1986, 2.8cm long; 8.4g gross Condition Report: The locket has some denting and signs of wear, but no noticeable holes, hinge ok, but it doesn't totally close flush. The masonic pendant has some wear Condition Report Disclaimer

A WALKING STICK with a telescope and compass 36ins long

A WALKING STICK WITH A GLOBE COMPASS

Amazonite and White Zircon Halo Ring, two natural stones, the blue amazonite mined in Peru, the zircon mined in Cambodia, brought together in a strikingly pretty ring; the 4.5ct oval cut cabochon amazonite framed with 1ct of round cut zircons, accented with four floral motifs at the compass points; the whole in platinum vermeil and silver with a touch of yellow gold at the accents; size P

A 20TH CENTURY CHINESE LUOPAN or Feng Shui compass, 16.5cm diameter within square frame; together with a metal gong 36cm diameter with relief moulded decoration, and beater Condition Report : good condition throughout. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

ASSORTED COLLECTABLES comprising an S.S. Mataroa souvenir perpetual desk calendar by Hinkels of London (lacking two of six double-sided month slides); a Taunton Cider 1977 Silver Jubilee mug, boxed; two brass and wood cribbage boards; a modern brass compass, probably Indian, spuriously marked 'Stanley / London', cased; a pair of Kershaw pink plastic opera glasses, cased; and other items, (11).

9CT HALLMARKED MASONIC RING – the top swivels, one side is enamelled with masonic compass and square, the other is plain, size T

A collection of vintage retro mid 20th century engineer measuring tools to include micrometers, rulers, levels, compass, and many more 

A 20th century contemporary brass compass in the manner of Sewills Liverpool. Held within a wooden box. Measures 7cm in diameter. 

An Italian 19th century pietra dura table top together with a modern simulated marble pedestalThe top inlaid with a central compass star within concentric circular surrounds, resting on a fluted columnar base, the diameter of the top: 100.5cm, 71cm high. (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A pair of Italian early 19th century rosewood, ebony, purplewood, sycamore marquetry and chequer-inlaid commodes all'antica by Karl Amadeus Roos (1775-1837)Each with a rectangular top inlaid with a central compass rose oval within lozenge and feather banded surrounds, above one long drawer inlaid with a frieze of alternating palmettes, scrolled foliate cornucopiae and harpie busts, over a deep drawer inlaid with one central tablet flanked by two smaller tablets, each within a chevron border encompassed by a stylised foliate pattern, one commode with scenes depicting figures about to sacrifice a bull at a temple, a dancer playing pipes and a warrior, the other inlaid with Paris and Helen of Troy, Cerberus and figures eating and drinking, the drawer below with conforming inlay to the frieze, on square tapering legs, with identically inlaid sides centred by the figures of three dancing Muses within a tablet, with walnut-lined drawers, the reverse of each commode branded: 'ROOS', one commode with a paper label inscribed in ink: 'SIGNORA, TERESA GUGLIELMI, CASTELLAMARE DI STABBIA' 118cm wide x 59cm deep x 91cm high, (46in wide x 23in deep x 35 1/2in high) (2)Footnotes:ProvenanceThe present lot apparently belonged to Teresa Guglielmi some time during the latter half of the 19th century. Teresa was the daughter of, and one of five children born to, Maria Carolina Guglielmi, who was herself born with the surname Chirulli in 1831. Following her marriage to Pasquale Marzano, she became Teresa Marzano.Teresa Guglielmi evidently lived in the Castellammare di Stabbia region which is located on the bay of Naples, not far from the city of Naples itself. However it is not known how and why the offered pair of commodes, which were most likely originally produced in Rome and probably supplied for a Roman client at the beginning of the 19th century, ended up being in Naples later on in the same century.Karl Amadeus RoosRoos was born in 1775 in Ludwigsburg, Germany. Following a period as an apprentice, he moved to Paris where he trained under the renowned ebeniste, Jacob. Then, at the age of 28, Roos re-located to Rome in 1804. Despite initially struggling to obtain major work, once he had done so his reputation spread rapidly and his business soon flourished. Within a short period of time, furniture by Karl Amadeus became highly fashionable among the affluent clientele of Rome, who were keen to purchase works produced by the German emigre.By 1808, the same year in which Roos married a Roman called Felicita Mazzotti, he had already established a thriving workshop on the Via Condotti. Two years later he participated in an exhibition of Roman decorative arts held in the Campidoglio to mark the occasion of Napoleon's name day, winning the silver medal with a mahogany bureau housing various secret compartments, a Neoclassical 'Etruscan' style pier table with pietra dura top and a dressing box.From 1811, Roos started to supply furnishings for the Palazzo Imperiale del Quirinale following the instructions of the architect Raffaele Stern (1774-1820). Stern appears to have been ultimately responsible for the refurbishment and renovation of three rooms at the Palazzo: the Sala Gialla, the Sala di Augusto and the Sala degli Ambosciatori. Among the various artistic and architectural figures involved in this Quirinale project Roos was evidently the pre-eminent cabinet maker. This was due not only to the quality and quantity of the furniture executed in the Roos workshop between 1811 and 1813 but also because of its renowned beauty and practicality.A detailed list appears in Il Palazzo del Quirinale, Il Mondo Artistico a Roma nel Periodo Napoleonico, Vol II, ed. by M. Natoli and M.A. Scarpati, of all the furnishings supplied to the Quirinale by Roos during the Napoleonic Imperial period. This record, which is both extensive and highly varied, totals a vast number of pieces including: 86 commodes, 76 tables, 36 gueridons, 36 bureaux, 36 items of seat furniture and 25 secretaires among other assorted items.Following the restoration of the Papal States to the control of the Vatican, Roos resumed his work for the Quirinale, now called the Sacro Palazzo Apostolico (as it had in fact been known prior to the Napoleonic era), once again under renewed orders from Raffaele Stern. During the period 1815-17 Roos prepared the interiors of the apartments for the rulers of Austria in advance of their proposed visit to Rome, which didn't actually take place until 1819.At roughly the same time Roos was commissioned to provide furniture for the Villa Borghese, the then recently built residence of Princess Paolina Borghese, among which a bookcase, a circular table with a porphyry top and a chiffonier were perhaps the most significant examples of his oeuvre at that time. His business was evidently flourishing at this point since in 1817 Roos purchased two adjacent properties on the Via della Mercede. This would remain the location of his workshops for the last twenty years of his life.Following his death in 1837, an inventory of items reveals the prolific stature of Roos as a cabinet maker, along with the wide variety of his output. This inventory also possibly includes a reference to the present pair of commodes in the following passage, Ibid:'La varieta di legni, tipica dell' epoca, e legata anche al rinnovato gusto per gli intarsi, che infatti sono ben rappresentati nell'Inventario a decorazione di alcuni dei pezzi piu importanti: 'due commod di noce a 3 tiratori con meandro intarsiato, non finiti' (sc. 28)'LiteratureIl Palazzo del Quirinale, Il Mondo Artistico a Roma nel Periodo Napoleonico, Vol II, ed. by M. Natoli and M.A. Scarpati, 1989, Rome, pp.'s 80-3.This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

A tray of militaria to include hat, compass, a Waltham pocket watch, knife and Canadian pennants

Movado ESQ; gents chronograph stainless steel wristwatch, unusual model with built in compass, silver bezel and black dial, with box and outer box. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Boxes and Objects - military badges; a cased knife and fork; a compass; a sheath knife; etc

A selection of sterling silver and other silver charms, church, bells, binoculars, dog, mouse, Bible, 10 shilling note, St. Paul's cathedral, pram, bear, steam roller, compass, steam liner, matches, ballet pumps, skull and crossbones,whale, sewing machine, qty, 112g

A brass orrery, with an astrological plate, raised on four supports above a table type base on three lion's paws supports, above a circular base inset with a compass, 26cm high. (AF)

WW2 compass with T G Co Ltd London Mk III dated 1941, together with a small navigational aid and a WW2 clasp knife with broad arrow mark dated 1945

Francis Barker M73 prismatic compass, serial number 29971, with case and carry strap, together with a Silva Type 15T 'The Ranger' compass

WW1 marching compass by S Mordan & Co, serial number 5041, dated 1918, with broad arrow mark and leather case stamped 'Walsall 1918'

A BRASS CALENDER COMPASS

Two trays of Portmeirion pottery items of varying designs including: 'Welsh Dresser' vases and jugs, 'Botanic Garden' cylinder vase, 'The Mariner's Compass' plate, 'The National Trust Ickworth' jug and other jugs etc. (2 trays, 10 items)(B.P. 21% + VAT)

BRITISH ARMY 58 PATTERN COMPASS POUCH

A JAEGER LE-COULTRE 8-DAY TRAVEL CLOCK, TWO PAIRS OF TORTOISESHELL FOLDING SPECTACLES AND OTHER ITEMS (23)Including; two Tunbridge ware boxes, a 19th century lignum vitae carved circular snuff box, a prisoner of war bone compass, a cased silver thimble by Charles Horner, a red moss agate wax seal, a silver whisky label by William Hutton & Sons Ltd, London 1902, and further items.

A GERMAN TERRESTRIAL GLOBEBy Mang's Neur Erd-Globus, Stuggart, Early 20th CenturyThe approx 13 inch globe mounted on a turned wooden stand, the base inset with a compass, 61cm highCondition report:- Fading scuffs and staining to the paper, tears running down the central seam otherwise ok  

A 15CT GOLD CASED POCKET BAROMETER / COMPASS / THERMOMETERThe curved rectangular hinged case opening to reveal the barometer detailed Rain Change Fair, central thermometer and circular compass, the case exterior plain, fitted with an oval suspension loop, retailed by Tiffany & Co London, London 1912, length 6.6cm, gross weight 70 gmsCompass needle appears to function, compass dial good condition. Mercury thermometer: glass complete and appears to function. Barometer: upon placing in plastic bag full of air and applying pressure the needle will move. We would not guarantee the accuracy of the instrument . The barometer is not perfectly centred in its case. We note that the milled glazed front casing is raised up at the edge and appears not to be properly soldered into position. It will move up and down upon applying gentle pressure with the thumb. On the dial of the barometer in certain lights, there is a slight loss of matt finish just above the 'IR' of the word 'FAIR'. Exterior of case: apart from slight surface scuffs no significant dents. Hinge to case good condition. Length of case 6.7cm. 

A 9CT GOLD CHARM BRACELETThe oval link charm bracelet fitted with eight mostly 9ct gold charms, including a steam roller, a compass, a boot and a dog in a basket, on a boltring clasp, bracelet length 18.3cm, gross weight 31.2 gms

Antique brass ships compass, together with ships clock and a wall barometer. (3)

Silver cased pocket watch on a silver chain with silver compass fob, one other silver cased half hunter pocket watch and a silver fob

18ct gold watch chain L 32 cm approximate weight 11 g with 9ct gold compass fob weight 4.68 g

WW II Air Ministry Type P10 compass No. 18789T on a custom mount

A 19th century pocket mounted barometer enclosing a small compass with paper label - mounted barometer table from the barometer manual by Admiral Fitzroy with leather case

A George V gift tin containing various buttons, badges, compass etc.

A small table compass

A nautical compass, marked Henry Brown & Sons, #1695 (grey) approx 15 cm (h)

A 19th century Sir William Thompson patent ships binnacle compass, dial marked “Reparied by J W Ray & Co London”, helmet shaped brass surround, with glass viewing aperture, flanked with illuminating lanterns, 55cmWx37cmH

* GRAEME SHARP, CLAIRE II oil on board, signed, titled and dated 1998 verso image size 30cm x 30cm, overall size 45cm x 45cm Framed. Label verso: The Compass Gallery, Glasgow, Christmas Exhibition 1998.

* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003), MOMENT IN A LAZY SEA, 1995 oil on hardboard panel, signed verso, titled and dated label verso overall size 193cm x 43cm Unframed, as intended. Artist's label verso. Handwritten artist's label verso. Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.

* SUE BIAZOTTI (SCOTTISH CONTEMPORARY), EVENING JOURNEY, SINKING SUN oil on canvas, signed and titled verso overall size 150cm x 180cm Unframed, as intended. Note: Sue Biazotti (nee Barclay) famously won The Aspect Prize (one of the UK's most prestigious art awards) in 2005. She had previously won The Elizabeth Greenshields Scholarship in 1985 after graduating with a BA degree from Edinburgh College of Art (1984). Sue lived and worked in London for a decade and her work has been exhibited at many solo shows in London and in Scotland. Numerous group shows and public exhibitions including London Art Fair, The Royal Scottish Academy, The Royal Glasgow Institute, Paisley Art Institute and Glasgow Art Fair. Favoured galleries include Compass Gallery and Mansfield Gallery and had a celebrated 2014 solo show at House For An Art Lover (Glasgow). Sue has enjoyed widespread and enthusiastic media coverage throughout her career and her work is held in corporate and private collections throughout the UK.

* HEATHER NEVAY (SCOTTISH b. 1965), UNTITLED oil on panel, signed image size 25cm x 20cm, overall size 41cm x 34.5cm Framed and under glass. Note: A rare early work by Heather Nevay. Heather was born in Glasgow in 1965. She studied at Glasgow School of Art, graduating with a degree in with BA Art and Design (Printed Textiles) in 1988. A predominantly figurative painter, Nevay's works have been exhibited regularly at the Compass Gallery and Cyril Gerber Fine Art, Glasgow, and the Portal Gallery, London. She has also exhibited many times in group shows at The Royal Scottish Academy, The Society of Scottish Artists, The Royal Glasgow Institute, and at the London and Glasgow Art Fairs.