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A mixed collection of labor and trade related items to include Occidental leather work belts, tool box, protective eye wear and Bonn plastering tools etc. This lot is either a catalogue return, unclaimed good or a despatch return and is sold without reserve. It is boxed and sealed and therefore cannot be viewed in its entirety and as such we are unable to give a condition report. Sealed boxes cannot be opened for viewing and refunds cannot be given for lots that are faulty or incomplete.
A large mixed collection of tools to include sledgehammers, brozner tin opener, ratchet straps, fire extinguishers and hose, rollatape, trimmers etc. This lot is either a catalogue return, unclaimed good or a despatch return and is sold without reserve. It is boxed and sealed and therefore cannot be viewed in its entirety and as such we are unable to give a condition report. Sealed boxes cannot be opened for viewing and refunds cannot be given for lots that are faulty or incomplete.
Rare WW2 Home Guard Bombing Instructor Selection of Bombsall relating to Sgt J C Gardner 58th County of London (CS) Battalion HG Admiralty Company. Contained in his pine travelling chest and containing No 75 MKI Hawkins grenade dated “5/42”. White painted lid and line to top and base ... No 74 AT MK1 khaki painted, external tin cover and Bakelite handle complete with steel lever and “Danger” split pin ... No 68 At Drill white painted grenade dated “1942”, complete in card transport tube ... No 36 drill grenade with rifle firing base plate ... No 36 drill grenade with alloy base plug dated “40” ... Empty ballistite cartridge tin ... Various grenade stripping tools, split pins and grenade levers ... Printed Home Guard armband ... Instructor notes for Northover projector ... Various official training booklets. Interesting time capsule for the Home Guard.
The Country Garden: A French Mid-18th Century Mother-of-Pearl Fan, the guards and gorge silvered and gilded, the guards with roundels at the tips featuring a bee, the gorge sticks, in pairs, with brightly gilded figures and ovals and other shapes containing farming tools and flowers. An orange stone completes the rivet. The double paper leaf is painted en camaieu, one scene in blue, the side scenes in pink, highlighted in gold. In the centre, several figures near a summer house fitted with trellis for climbing flowers, and a fountain. To the sides, a courting couple seated on a fence, and another looking out to sea at sailing ships. The verso, painted all in pink, shows two couples hunting in the countryside, the scene bordered with flowers with gold leaves. Guard length 27cmThe monture has had some restoration, and still has breaks to each upper guard. One guard is repaired with a metal plate down by the rivet. Several gorge sticks have been supported from behind with Mother of Pearl which has been pierced to correspond with the original design. Leaf rubbed on folds and needs slight attention.
First Steps: An 18th Century Fan, circa 1740's-1750's, the ivory monture carved and painted in bright colours. The guards have the addition of portraits in gilded ovals to the tips, a woman on the upper guard, a man on the lower guard. Both guards are carved with figures, cerise foil being visible beneath. The gorge sticks are shaped, with a discernible kink to the centre on some, these being painted with meandering flowers and foliage. Others have their details to the top border, where garden tools, a basket, and a dog chasing a deer are painted. A lower spray of flowers in several colours is tied in blue ribbon with a bow. The double paper leaf makes a feature of blue, mainly in the skies, and in the outline of three vignettes. The largest of these, to the centre, shows a family outside a modest home, one man fishing on the river bank. Two others are playing a game of skittles, these being cone shape and testing the ability of a man to the left who is kneeling ready to take his shot. A maid is drawing water from a well, and to the fore a young mother, dressed in pink, proudly supports a small child in a harness, tentatively taking its first steps. The side vignettes are simple, being painted with a single figure outdoors, under a vast blue sky. The verso has a large landscape, painted mainly in blue, with some shrubbery, a lone man walking next to water. Guard length 27cmBoth guards have been broken at the shoulder and repaired with metal plates. This has had some effect on the first fold to the right. Leaf folds are rubbed.
An early Victorian coromandel wood fully fitted sewing box of rectangular form, the lid and front extensively inlaid, with cut brass, mother of pearl and abalone shell, the interior with pleated silk lid panel with central mother of pearl box within a velvet frame, over a lidded and compartmentalised tray with a full set of seven mother of pearl top reel holders, a trio of tape measure, s.d., waxer and emery, a set of six mother of pearl silk winders, a leaf and scroll border silver thimble and other tools, the lids with mother of pearl handles, 30.5 x 12.5 x 22cm
A papier mache rectangular sewing box, circa 1860, the lid with overhanging shaped border and painted over mother of pearl with a titled view of _Ž£University Galleries and Taylor Building_Ž—, the interior lidded and compartmentalised and with a set of six mother of pearl top reel holders, a similar tape measure with complete printed tape, a matching waxer and four other tools (one a/f), the box with chips to border, part of building lacking painted detail, 24 x 16.4 x 6cm
A small Palais Royal style rectangular sewing box, in stained burr ash, the canted lid decorated with borders of cut steel pins with a rectangular central mother of pearl inset initialled _Ž£A M H B_Ž—, the interior with mirror to lid, the flush fitted green velvet lined interior lacking tools, 13cm x 8.5cm
A Regency grained red leather sarcophagus form sewing box, the convex sides below a reeded lid panel rising to a gilt tablet, gilt metal floral feet, escutcheon and side ring handles, the interior with pink silk tufted lid lining over a lidded and compartmentalised lower section with six spools, a pair of fitted pin cushions, thimble provision, tool card with three steel tools, a pair of needle books and three leather lids, 25cm x 17cm x 12cm *With handwritten note _Ž£This Box was given by a Countess of Aylesford to my Aunt_Žôand to my daughter, Ellen Mary Scollick, July 21st 1914_Ž—. *Louisa (Thynne) Countess of Aylesford 1760-1832, wife of Heneage Finch, 4th Earl of Aylesford
A fine late 18th Century gilt etui chatelaine, attributed to Boulton and Fothergill, Soho Manufacturing, Birmingham, the hinged mount with five panels of figures and scrolls and flanked by a pair of companion hinged cover boxes, one fitted for a thimble, and to the centre an etui cast with male and female figures within scrolls the interior with a full compliment of tools comprising tweezer/file, steel scissors with hinged gilt outer handles, a gilt bodkin/ear spoon, a gilt bodkin, a gilt blade folding knife with floral cast scales, a gilt mounted pencil and a bone swivel tweezer See Sothebys, The James Watt Sale, Art And Science Lots 21 to 27, 20th March 2003

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82067 item(s)/page