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McCULLOCH PETROL GARDENING TOOLS including a MD320i-AV strimmer with plate blade fitted and a blower vac (engines pull freely but haven't been started) (some fuel leaking from both) (2)

TWO TOOLBOXES CONTAINING TOOLS including Britool rachet and sockets, a Zyliss and a Draper vices, a Record No 12 Stilson, etc

Box of mixed tools

Mixed lot of various tools to include tap and die set etc

Mixed box of vintage blacksmiths tools, hammers etc

Mixed lot of various Ryobi power tools

Mixed lot of gardening tools to include spade, weeder etc

Four boxes of mixed tools to include spanners, rachets etc

Two vintage hand tools, hay fork plus one other

A box of gilding tools and materials including a gilder's cushion, samples of bole and gesso work, and transfers

Two leather cases containing vintage hand tools, including a Stanley planer, chisels, and files

ITEM: Key ringMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 19 mm x 28 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, acquired in the late 1960s-early 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: KeyMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 30 mm x 80 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. From old European collection, acquired in Múnich in the 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: KeyMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 20 mm x 51 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. From old European collection, acquired in Múnich in the 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: Weight loom with mark depicting a headMATERIAL: PotteryCULTURE: GreekPERIOD: 3rd - 1st Century B.CDIMENSIONS: 20 mm x 67 mm diameterCONDITION: Good conditionPROVENANCE: Ex French private collection, acquired between 1960 - 1990Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.The Greek weight loom, or lomentum, was an essential tool in ancient textile production, particularly during the classical and Hellenistic periods. This device was used to create woven fabrics and was integral to the textile industry in ancient Greece. The weight loom consisted of a series of weights and cords that were used to maintain tension on the warp threads while the weaver worked on the weft. This system allowed for the production of various types of textiles, from simple garments to intricate patterned fabrics, demonstrating the sophistication and skill of ancient Greek weavers.Loom weights from this period often bear distinct markings or inscriptions, which can provide valuable insights into the social and economic aspects of textile production. These marks might include symbols, initials, or even small inscriptions that could indicate the ownership of the weights or their place of origin. In some cases, the weights were stamped with the names of manufacturers or patrons, serving both practical and administrative purposes. Such inscriptions can help historians and archaeologists trace the trade and distribution of textiles and loom weights across different regions of ancient Greece.The use of marked loom weights also reflects the broader context of textile production in Greek society. Weaving was an important economic activity, often carried out in domestic settings or by specialized artisans. The marked weights indicate a level of standardization and organization in the textile industry, suggesting that loom weights were not just functional tools but also components of a regulated trade system. Archaeological finds of these weights, along with other weaving tools and remains of textile workshops, offer insights into the technical aspects of weaving, as well as the economic and social organization surrounding textile production in ancient Greece.

ITEM: StylusMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 142 mm x 9 mmCONDITION: Good conditionPROVENANCE: Ex Dutch private collection, acquired before 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.The Roman stylus was a versatile writing instrument used primarily for inscribing on wax tablets, which were a common medium for recording information in ancient Rome. The stylus typically had a pointed end for writing and a flat, broad end for erasing or smoothing the wax surface. Made from materials such as metal (bronze or iron), ivory, bone, or wood, the stylus was an essential tool in both educational and administrative contexts. Wax tablets were reusable; the surface could be smoothed out and rewritten over, making the stylus a practical choice for note-taking and document drafting.Roman styluses varied in design, reflecting both functional and aesthetic considerations. The pointed end of the stylus was used to inscribe text or draw on the wax tablet, while the flat end was employed to smooth out the wax for reuse or to correct mistakes. More elaborate styluses, especially those used by wealthy individuals, might be ornately decorated with inscriptions, inlays, or artistic designs. The decoration not only enhanced the appearance of the stylus but also signaled the owner's status and personal taste. Inscriptions on styluses could sometimes include the owner's name or professional title, adding a personalized touch to these everyday tools.The use of styluses and wax tablets highlights the Roman approach to writing and record-keeping, which was both practical and adaptable. These writing tools were integral to various aspects of Roman life, from administrative work and legal documentation to educational exercises and personal correspondence. The durability and practicality of the stylus made it a favored instrument across the Roman Empire, and archaeological finds of styluses in different regions reveal their widespread use and the continuity of Roman literacy practices. The study of Roman styluses provides valuable insights into the daily functions of Roman society and the tools that facilitated its extensive administrative and cultural activities.

ITEM: Cosmetic bowl / paletteMATERIAL: StoneCULTURE: Iron AgePERIOD: 8th - 6th Century B.CDIMENSIONS: 20 mm x 88 mm diameterCONDITION: Good conditionPROVENANCE: Ex Jerusalem private collection, A.K., with Israeli export licence number 57470BIBLIOGRAPHY: The Israel Museum, Jerusalem, Accession number 1936-929 and 1980-1161Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.During the Iron Age period, cosmetic palettes and bowls held significant cultural and social importance in various ancient civilizations, particularly in regions such as the Near East and Egypt. These artifacts served as both functional tools for cosmetic preparation and as symbols of status and identity within society. Cosmetic palettes from this period typically consisted of flat, circular or oval-shaped pieces of stone or other materials, often adorned with intricate engravings or relief carvings depicting religious, mythological, or symbolic motifs.In ancient Egypt, cosmetic palettes were widely used for grinding and mixing cosmetics, such as kohl for eyeliner or various ointments and pigments for body adornment. These palettes were crafted from materials like schist, slate, or limestone and were often decorated with elaborate designs that reflected the artistic styles and religious beliefs of the time. Many palettes featured animal motifs, geometric patterns, or scenes from mythology and everyday life, serving as artistic expressions of the cultural milieu in which they were created.Beyond their utilitarian function, cosmetic palettes also held symbolic significance in ancient societies. In addition to being practical objects for cosmetic preparation, they were often associated with rituals, ceremonies, and beliefs surrounding beauty, health, and spiritual protection. In some cultures, cosmetic palettes were buried as grave goods alongside the deceased, reflecting beliefs in the afterlife and the importance of personal adornment and grooming even in death.

ITEM: Key ringMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 22 mm x 20 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, acquired in the late 1960s-early 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: Key ringMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 21 mm x 30 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, acquired in the late 1960s-early 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: Medical instrument, spoon probe (cyathiscomele)MATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 145 mm x 16 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, acquired between 1970 - 1990Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman bronze medical instruments, meticulously fashioned with skill and care, epitomize the sophistication of ancient healthcare. These robust implements, encompassing scalpels, forceps, and probes, manifest the Romans’ dedication to surgical precision and patient well-being. These tools played pivotal roles in an array of medical procedures, from intricate surgeries to wound management, underscoring the Romans’ unwavering commitment to the practice and science of healing. In contemporary times, these relics remain enduring symbols of the enduring influence of Roman medicine and surgical prowess.This is similar to the spatula probe, but has a narrow leaf shaped spoon in place of the spatula. They also have the same olivary end as spatula probes. For pharmaceutical purposes the spoon was used to remove medicines from their flasks, explaining the many different sizes of the spoon and handle. It might have been used to mix ointments as well. For surgery Milne suggests it might have been used as a curette (1907: 62). There is also the possibility that it was applied in lithotomy operations to help remove stones from the urethra (Jackson 1994b: 181; Milne 1907: 62).

ITEM: Plate with decorationMATERIAL: PotteryCULTURE: RomanPERIOD: 4th Century A.DDIMENSIONS: 40 mm x 183 mmCONDITION: Good conditionPROVENANCE: Ex Marius-Victor-Ernest Dumas private collection (North Africa and France), acquired in Tunisia between 1890 - 1920. M. Dumas was Controleur Civile (French colonial administrator) of the city of Sousse in Tunisia prior to World War I. This collection of Roman and North African antiquities has remained in the family for the past 100 years in the Haute-Savoie region of France.Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman vessels in North Africa played a crucial role in the region's integration into the broader Roman Empire, facilitating trade, military transport, and cultural exchange across the Mediterranean. North Africa, particularly regions like modern-day Tunisia, Algeria, and Libya, became vital to the empire for its agricultural production, especially grain, olive oil, and wine. Roman vessels, including merchant ships, were essential for transporting these goods from the fertile plains of North Africa to Rome and other parts of the empire. The region's harbors, such as Carthage, Leptis Magna, and Sabratha, became bustling centers of maritime trade, connecting North Africa to Italy, Spain, and the Eastern Mediterranean.The design and technology of Roman vessels used in North Africa reflected the broader Roman advancements in shipbuilding. These ships were often built to be sturdy and capable of handling long voyages across the Mediterranean. They varied in size and purpose, with some designed for large cargo loads, while others were used for military purposes, like protecting coastal regions or transporting soldiers. Roman merchant vessels, typically equipped with a single large sail and several oars, were key to moving bulk goods, such as African grain and oil, which became the lifeblood of Rome, particularly in times of food shortages.The cultural exchange facilitated by these Roman vessels in North Africa was profound. Along with goods, ideas, religions, and art traveled across the sea, leading to the spread of Roman culture and the development of a distinct Romano-African identity. Roman amphorae, ceramics, and other artifacts discovered in North African archaeological sites reveal the extent of this interaction. Roman architecture, language, and customs became deeply rooted in the region, blending with local traditions to create a unique cultural landscape. Roman vessels, therefore, were not just tools of commerce, but vehicles for the transformation of North Africa into a crucial and vibrant part of the Roman world.

ITEM: KeyMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 25 mm x 50 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. From old European collection, acquired in Múnich in the 1970sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman keys were essential tools in ancient Roman society, used for securing doors, chests, and other locked items, reflecting both practical utility and social status. Typically made from materials like bronze or iron, Roman keys were often small and intricately designed to fit into complex locks, which were a common feature in Roman homes, shops, and public buildings. The locks they operated were generally made of wood or metal and could be quite sophisticated, incorporating pin-and-tumbler mechanisms similar to modern locks. Keys were often carried on a person, and their design sometimes included a ring-shaped handle, allowing them to double as finger rings, a practical solution that made them easy to carry and also a display of wealth or status.Keys held symbolic value in Roman society as well. For wealthy Romans, owning and using keys was a marker of personal security and control over valuable goods, such as money, jewelry, and important documents. The presence of keys signified that someone had possessions worth safeguarding, and they could also represent authority and independence, particularly for Roman women. A key ring given to a bride on her wedding day, for example, symbolized her new role as the manager of the household and its resources. Keys thus became more than functional objects—they were symbols of trust and responsibility in both personal and public life.In addition to their daily use in homes and businesses, Roman keys have been found in tombs and burial sites, signifying their importance even in death. Keys placed in graves could represent the deceased's continued guardianship over their possessions or symbolize their journey to the afterlife, unlocking the gates of the underworld. The craftsmanship and materials used in Roman keys provide insight into the technological advancements of the time, as well as the social and economic conditions in which they were created. These small but significant objects tell us much about Roman security practices, social norms, and the values attached to ownership and authority.

ITEM: Medical instrument, Spatula probeMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 175 mm x 16 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, acquired between 1960 - 1980Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman bronze medical instruments, meticulously fashioned with skill and care, epitomize the sophistication of ancient healthcare. These robust implements, encompassing scalpels, forceps, and probes, manifest the Romans’ dedication to surgical precision and patient well-being. These tools played pivotal roles in an array of medical procedures, from intricate surgeries to wound management, underscoring the Romans’ unwavering commitment to the practice and science of healing. In contemporary times, these relics remain enduring symbols of the enduring influence of Roman medicine and surgical prowess.The Spatula probe consists of a long thin handle and tends to range in size from roughly 6 to 15 centimetres with a spatula on one end of its handle and an olivary probe on its other end, indicating its multifunctionality. The spatula is usually leaf-shaped and tends to be flat on one side and slightly rounded on the other. Some spatula ends are quite thin, perhaps five or six millimetres in width, whilst others are short and blunt. Some have more of a rectangular shape to them and others have a spatulat blade on both ends. It could be used for spreading medicaments on infected areas of the body as well as mixing medicines on an ointment pallet. Sometimes the spatula could be used as a cautery, as Soranus mentions using it on the umbilical cord (Gyn 3. 27, Milne 1907: 60). It could also be used as a tongue depressor and as a blunt dissector (Milne 1907: 59-60). The olivary end could be used in the same way as many already suggested for the double-ended olivary probe.

A Good Collection of Tools and Accessories to include Handsaws, Spirit Level, Safety Goggles, Dust Masks, Bungee Straps, Extension Leads, Paint Rollers, Cable Ties, Copper Piping, Torches etc.

The Impreza P1 is undoubtedly JDM 'Royalty' and this fastidiously maintained, UK-supplied example remains in delightfully standard condition. Finished in Sonic Blue with a grey/blue interior, this particular UK-registered P1 has formed part of a small private Collection in recent yearsFirst registered on 15/09/2000 by Bell & Colville in SurreyMaintained as required over the years evidenced by the numerous stamps in the service books, including a full engine rebuild financed by Subaru, a cam belt replacement in 2022, an air-con re-gas in 2023 and, more recently, a set of Pirelli P Zero tyresRemaining unmodified and in ‘factory-spec’ even down to the rare option of larger 330mm Prodrive brakes, made for Prodrive by Alcon in the USAAccompanied by a comprehensive service history, original manuals, book pack and period sales brochures alongside the original tools, jack and 'space saver' spareTo fully appreciate the superb and original overall condition on offer, we welcome and encourage your early inspection of this increasingly desirable low-production SubaruSpecification Make: SUBARU Model: IMPREZA P1 Year: 2000 Chassis Number: JF1GM8KDGYG003428 Registration Number: S88 SBU Transmission: Manual Engine Number: 904696 Drive Side: Right-hand Drive Odometer Reading: 76000 Miles Make: RHD Interior Colour: Blue Grey ClothClick here for more details, condition report and images

A well presenting example of the wonderfully luxurious S2, offered from a private Collection. Originally supplied by Jack Barclay of London in Black Pearl with a tan leather interior, fawn headlining and brown carpetExtras include a radio, electric windows, electric wing aerial, Avon Tubeless tyres, a switch for flashing headlamps and combined parking/blinking lightsRestored in 1995 by LAC Coachworks of Weybridge, including a bare metal repaint in Shell Grey over Tudor GreyUpgrades include stainless steel exhaust, new windscreen rubber, re-chromed radiator surround and wheel discs and re-varnished interior woodUnderbody steam-cleaned and rustproofed, engine replaced by Royce Service and Engineering in 1999 at 136,023 miles. Suspension and power steering overhauled in 2001, new heater matrix and sills fittedPurchased by current owner in July 2021 and driven less than 10,000 miles since the 1997 restorationWell documented and in very good condition, featuring original, nicely patinated interiorIncludes tools, original handbook, spare keys and comprehensive service history dating back to 1972, plus detailed restoration invoices and copies of factory recordsSpecification Make: BENTLEY Model: S2 STEEL SALOON Year: 1960 Chassis Number: B321BR Registration Number: WIA 917 Transmission: Auto Engine Number: 160BB Drive Side: Right-hand Drive Odometer Reading: 37000 Miles Make: RHD Interior Colour: Tan LeatherClick here for more details, condition report and images

A collection of mainly contemporary ladies and gents wristwatches, watch parts and tools.

A collection of mainly mid 20th century axes and tools to include military issued examples

Large collection of vintage woodworking tools, mainly comprising wooden planes, some with owner's names J F Cole and SH Cole (2 boxes)

A rare mid-19th century brass and iron ornamental turning lathe signed C. Rich, 44 Denmark Street London. Mounted on a decorative cast iron stand with mahogany and brass mounted bench back, additional iron overhead drive. Numerous tools and accessories including a Holtzapffel brass and steel eccentric chuck, two further chucks, a Holtzapffel quadrant, around 200 chisels and specialist turning tools, makers include Calloway, g.Moseley and Ward amongst others. A further mahogany cased part set of fine turning tools. Mahogany cased honing stones, squares etc. Length of stock 79cm. The bench 127cm wide. Provenance.Sotheby's Gargrave house sale 1982. Lot 971.

A collection of metalware and other items, to include ornate pierced brass table casket, fire tools, novelty children's coat rack

A quantity of gold leaf with gold brushes and working tools, boxed - condition commensurate with age

The Fiat 500L, first registered in 1958, is a classic model painted in a striking red. It is registered as an oldtimer and comes with a manual book and a chassis number of 11OF2588020. The odometer shows 95,901 kilometers, and this mileage is demonstrable. Despite this, the vehicle is currently not drivable due to a broken clutch, and recent maintenance has not been performed. The car has had 8 owners in the Netherlands. It shows no traces of accidents or rust, although there is a slight oil leak. The bottom of the car is in good condition, and the exhaust is also in good shape. The rims are original, and the car is fitted with original stainless steel components. While there are no age stamps on the tires, the vehicle does come with a spare wheel and tools located at the front of the car. The engine is original and in good condition, with a power output of 18 horsepower. However, it does not currently shift gears properly. The paint is in good condition with a nice finish, though it is not specified if the paint is original. The interior is in perfect condition, though the carpet is not original. All essential systems, such as heating, air conditioning, and windows, are operational. The car lacks maintenance booklets and invoices, but overall, it retains its classic charm with an intact interior and robust overall appearance. Location: The Netherlands, Tilburg.

The Rolls-Royce Silver Shadow II, first registered on November 7, 1977, is presented in a classic creme color. Registered as an oldtimer, the car was imported to the Netherlands in 2011. It features a chassis number SRH32421 and has an odometer reading of 111.754 kilometers, with mileage documentation available. The car has had 7 owners in the Netherlands and was originally delivered new in the UK. It is in good condition overall, with recent maintenance performed in June of the previous year. There are no visible traces of accidents or rust, though a slight oil leak is present. The condition of the bottom and exhaust is good, and the original rims are intact. The car drives well, as evidenced by a test drive, and there is one invoice available from the recent maintenance. The engine is original, produces 196 horsepower, and is in good condition. It runs smoothly and shifts gears properly. The paint is in good condition, though it is not specified if it is the original color. The interior is also in good condition, with all systems such as heating, air conditioning, and windows functioning properly. Documentation is incomplete, with no maintenance booklets or additional invoices available. The steering wheel is on the right side, aligning with the car’s UK origin. No spare parts or tools are included. Location: The Netherlands.

A Victorian pine twelve drawer apothecary cabinet and a Nelsein fitted engineers chest with tools

A collection of vintage and later tools including a Record 0110 plane, Surform plane, standard cut, files, a carpenter's square, three Black & Decker items - sander and circular saw attachments, boxed, etc.

SCHUCO/MÄRKLIN 5-tlg Konvolut Modellfahrzeuge, SCHUCO: Magirus Feuerwehr Art. Nr. 07101; "Studio III" Mercedes Stromlinie W196, Karton, Anleitung und Werkzeug anbei; MÄRKLIN Krupp LKW m. Anhänger 18035, Orig. verpackt mit Zertifikat von 2017; Jahreswagen 2017 gedeckter Güterwagen und Muldenkippwagen von 2018, je unbespielt im Orig.-Karton.| SCHUCO/MÄRKLIN 5-piece mixed lot of model vehicles, SCHUCO: Magirus Fire Department Item No. 07101; "Studio III" Mercedes Stromlinie W196, box, instructions and tools included; MÄRKLIN Krupp truck with trailer 18035, original packed with certificate from 2017; Annual car 2017 boxcar and dump car from 2018, each unused in the original box.

ORIS PRODIVER CHRONOGRAPH GENTS TITANIUM WATCH REF: 01 774 7727 7154, CASE DIA,METER 50MM / APPEARS TO BE RUNNING / TITANIUM STRAP WITH EXTRA LINKS, EXTRA RUBBER STRAP, TOOLS AND PRESENTATION CASE / WITH BOX & PAPERS

Mixed lot to include power tools etc. see photos.

Two brass Helmet coal buckets and various fire side tools.

Various Woodworking Tools including brace, scribe, set square, chisels, level, various moulding and other wooden planes (qty)

Various Woodworking Tools including Bow saws, Brace and various drill bits, Screw drivers, Levels, Saws, Clamps and others; in three wooden chests and loose (qty)All items are well used

Various Woodworking Tools including a collection of chisels, Bisston saw, Moore & Wright micrometre, scribes, shaves and others (qty)

Violin Makers Tools Chest seven drawers and fold down front, including: four pull saws, set four of hand chisels by Hamlet Craft Tools, set of six small hand gouges, two Stanley low angle block planes (adjustable mouth), measuring gauges including two Vernier callipers, protractors, layout callipers, needle files, knives, hole cutting tools, two purling tools, pliers (all small), small engineers squares, small clamps, small thumb planes (14) smallest 24mm sole, small spoke shave, and other tools

Woodworking Planes 3xBailey No.4, Record No.04 and Record No.073 (all with signs of corrosion) together with assorted various wooden tools including moulding planes and others; together with a pair of Lucas car headlamps

A large crate containing a good selection of hand tools

A 'Jaguar' Roberts 550  green portable radio in full working order, Connolly leather hide and a casket of tools and penknives

Three woodworking plough planes, wood and brass brace and other tools

Two boxes of old tools

Tool box full of old tools, inc. a Nobex mitre saw bench

Quantity of old tools

Vintage cased Harling compass, cased set of draughtsman's tools by Meritor, Prilect travelling iron (boxed), etc.

Assorted tools and spring balances

A Commando knife with leather sheath together with a Kukhri knife and various multi tools and related to include Leathermans

An early 20th century cased set of opticians lenses, accessories and tools

An Axminster Tools AWSMS102 250MM Slide Mitre Saw (Untested)

A Sterling silver cocktail/opium set of tools

A small group of collectable items including, four brass chimney ornaments cast with wild birds, 12cm high, a small collection of amateur microscope slides in a fitted case, a Rabone folding ruler, a pair of Georgian brass 'shooter' candlesticks, a set of three Victorian brass fire tools and related items. (qty)

A VICTORIAN BLACK-PAINTED WOODEN SHIPWRIGHT'S OR ARTISAN'S TRUNKwith internal raised bank of six drawers and partitions for tools, the top edges reinforced with metal banding, raised on plinth base, 53cm high x 94.5cm wide x 56cm deep

Charles I (King of England) Basilika [graece]. The Workes of King Charles the Martyr, 2 vol., engraved frontispieces, additional title and 3 double-page plates, by W. Hollar and A. Hertock, engraved vignette on second title-page, titles, dedication and plates ruled in red, with final colophon f. but without the extra and frequently missing leaf with the epitaph "M.S. Sanctissimi Regis", vol. 1 first few Sig. with very small worming to head of gutter, occasional light browning, some light spotting and soiling, but generally good, attractive contemporary red morocco, covers with gilt panel enclosing large central lozenge with acorn, floral and foliage tools, spines gilt-tooled in seven compartments and with morocco label (vol. 2 label little chipped), lacking ties, vol. 1 repairs to spine ends and foot of upper joint, wear to spine ends and corners, rubbed and scuffed in places, vol. 1 upper joint cracked, other joints split at ends, g.e., [Wing C2075], folio, James Flesher for R. Royston, 1662.  *** Rare with both frontispieces and imprimatur f. present.Provenance: Baron Dimsdale (bookplate to front pastedowns); Deburgh, Earl of Clarincarde (bookplate to rear pastedowns).