Hasluck P. : The Handyman's Book of Tools, Materials and Processes Employed in Woodworking, 1903. Qto. Textured brown cloth binding with black titling and decorative illustration. Profusely illustrated throughout 700+ pages. Scarce original edition in very good, near fine condition. A sought after manual still being reprinted.
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Hasluck P. : The Handyman's Book of Tools, Materials and Processes Employed in Woodworking, 1903. Qto. Textured brown cloth binding with black titling and decorative illustration. Profusely illustrated throughout 700+ pages. Scarce original edition in very good, near fine condition. A sought after manual still being reprinted.
EIGHT GUN LOADING TOOLS, 19TH CENTURY AND LATER comprising, a 12 bore bench-mounted cartridge reloading machine, a tamper for an Erskine loading machine, a 12 bore Bartram reloading tool a turnover tool by Dickson, a 12 bore brass reloading tool, two 12 bore capper and decapper machines, and a modern brass nipple pricker (8)
The following 8 lots are by the British ceramic artist Peter Hayes, Peter Hayes was born in Birmingham and after initial studies at the Birmingham College of Art he travelled to Africa, India, Japan, Korea and New Mexico where he worked as a ceramic artist with tribes and he was inspired to use limited technology and tools but rather combining techniques derived from the landscape and his natural surroundings. The distinctive appearance of Peter Hayes' ceramics comes from the techniques like Raku firing which he subjects them but also by submerging them in the river beside his studio in Bath or washing them in the Cornish seas for months at a time. Erosion and change through time and nature are recorded in his pieces . The water washes minerals like copper and metal oxides into the white clay which he works with creating random elements that make every piece individual. Hayes then finishes the works by waxing and polishing. Peter Hayes, British b.1946- Raku bow with blue wave and disc; raku ceramic sculpture on slate base, signed and dated '06 on the base, height 35.5cm, width 19cm, (excluding base) (may be subject to Droit de Suite) CONDITION REPORT: overall there appear to be no damages, visible restorations or chips as such in good original condition Note: some of the cracks & crazing to the surface of the work are filled with polychrome material and others are not it is not clear whether this was part of the intended design of the artist, due to the firing and finishing processes or whether this is due to some movement of the ceramic body or glaze at a later date in some places, in the areas where the crazing is not filled, some sections of the surface of the ceramic sit proud of the overall surface of the work
Brass post scales on mahogany plinth, `Made in England Warranted Accurate`, with four brass weights 1/2oz - 2oz; and of Philatelic / Stamp Exhibition interest - pewter commemorative wall plate `Ehrenpreis des Bundes Deutscher Philatelisten` [Honorary award of federal German philatelists]; bronze circular plaque `1990 Internationale Postgeschichtliche`; a bronze medal and one other trophy; and two pointed wooden tools (perhaps leather-work related)
1991 BENTLEY Eight Châss is n° SCBZE02A0MCX33882 125 000 km Carte grise française / French title Intérieur cuir terracotta incluant le ciel de toit. Une Bentley neuve de 120 000 kilomètres. Voilà ce que nous vous proposons. CÂ’est un des plus beaux exemplaires que nous ayons vu cette voiture nÂ’ayant eu que 2 propriétaires méticuleux lÂ’un comme lÂ’autre. En lÂ’occurrence notre Eight étant de 1991 elle bénéficie déjà de la suspension Active Ride dÂ’un intérieur tout de cuir revêtu et dÂ’une calandre à lamelles du plus bel effet. Livrée neuve par le distributeur Merz&Pabst de Stuttgart son premier propriétaire la conserve jusquÂ’en 2002 la faisant entretenir comme il se doit tampons à lÂ’appui (jusquÂ’à Octobre 2012). LÂ’actuel détenteur est un amoureux de sa voiture et il suffit dÂ’étudier les dernières factures pour le comprendre. Avec plus de 12 000€ dépensés lÂ’année dernière (Garage Paris-Londres de Gentilly) comprenant la réfection complète du train avant et de ses innombrables silentblocs le changement des amortisseurs pilotés ou encore une inspection du différentiel. Vous nÂ’aurez absolument rien à prévoir si vous vous portez acquéreur de cette superbe automobile la batterie et les pneus étant neufs ! La carrosserie est dans un état de préservation somptueux et il faudra vraiment être extrêmement pointilleux avant de lui trouver quelques défauts tout à fait superficiels. Les chromes sont en bon état général la calandre étant particulièrement belle elle se voit dÂ’ailleurs surmontée du flying B ce qui était une option dÂ’époque. Ouvrez les portes en grand et vous pourrez contempler un intérieur pratiquement neuf. Nourri deux fois par an chez Bentley Paris au hide food celui-ci est un plaisir pour les sens. Les contres-portes sont immaculées les sièges également et comble du raffinement même le ciel de toit est intégralement recouvert de cuir. Vous pourriez dépenser 15 000€ dans un exemplaire au passé incertain ou entre 25 et 30 000€ pour cette automobile à lÂ’historique limpide et à lÂ’état pour ainsi dire neuf. This gorgeous Bentley 8 was originally delivered by Merz&Pabst in Stuttgart Germany. Kept until 2002 by its first owner who always serviced it with M&B it was then bought by the current owner. It comes with a fully stamped service book and many bills from Bentley of Paris and the Garage de Paris-Londres in nearby Gentilly. 12 000€ were just spent on the car which included the replacement of all the front bushings and suspension arms castor arms shock absorbers differential rebuild new battery and tires!! The bodywork is almost faultless with negligible wear and a depth of shine that is a testimony to how well this car was maintained and loved. The midnight blue colour is very rare and offers very appealing reflections depending on how light hits it. Step inside and itÂ’s as though you were climbing into a brand new 8. Bentley hide food was applied to the leather twice a year (!!) and again the wear is almost non-existent! The headlining is also covered with this sumptuous brown leather. This being one of the last 8s it comes with all the equipment one could desire the power seats work fine as does the cruise control. Everything works and is in superb condition! The wooden appointments are in fantastic shape and nicely compliment the biscuit hide. Open the boot and youÂ’ll find the original tools jack and anti-theft wheel lugs. This example with its desirable vertical-slats grille unique colour and amazing overall condition will be a very usable example of the breed. These often fall into disuse and maintenance is frequently neglected. You could spend 15 000€ on a model with dubious history or 10 000€ more on this one with full service history (stamped until October 2012).
''The Llanthony Estate Table'', this 13' 4 1/2'' long Oak Refectory Table known as "The High Table" is believed to be being offered for sale on the open market for the first time in 324 years, it has a one-plank top and stands on six carefully shaped square-section legs, an understandably, exceptionally uncommon design; which in comparison with wood-turning, must have taken very considerable time to craft from solid Oak in the late 17th century with the few hand tools available. The table top, which is about 2 1/4'' thick, varies from 31 3/4'' to 33'' wide and the height similarly varies from 31 1/2'' to 33'' approx. The one plank top has been patched in places to bridge splits/shakes and knots, the six square shaped legs are united by perimeter stretchers, the frieze rails being decorated with carved repeated flutes. The three legs to one side are carved respectively with the date "1690", the initials "TW/M" and the number "28". Some damage is evident to a number of the legs. It is unusual, indeed, for so much of an item's past history to be available, it seems highly likely that Llwyn-Celyn Farmhouse at Cwmyoy, near Abergavenny was the table's original home as still extant at that very early building is the associated bench, still attached to the dais partition. Mention of the table being at Llwyn-Celyn is made in Bradney's 1906 History of Monmouthshire, but the table was apparently accepted in lieu of rent by the Llanthony Estate some time subsequent to this and it was taken to Llanthony Abbey/Priory, which was the focal point of the substantial Llanthony Estate. The extrication of the table from the farmhouse caused some considerable logistical difficulties; due to it's great size, and it is understood to have entailed the complete removal and re-installing of a large window. The table has since remained at the private apartment at Llanthony Abbey and it is almost certainly being sold on the open market for the first time in it's existence due to the recent sad demise of the widow of the late Matthew Knight, Esq., the last land agent for the estate; who was resident at the Priory, having in 1963 purchased the over one acre site. His purchase included the magnificent ancient ruins (which have since the 1950's been maintained by Cadw), the private apartment and the Abbey Hotel itself. The sale of the premises has recently been agreed and the table has therefore been removed. The Llanthony Estate itself has a long and interesting history, it was purchased by the renowned poet Walter Savage Landor in the early 19th century, a time when the table was already over a hundred years old. The Abbey is surely one of the most atmospheric sites in the principality, nestling in the base of the valley under the towering backdrop of the surrounding Black Mountains.

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