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Low Countries, circa 1640 A.D.. Ellipsoid panel with polychrome scene depicting a standing figure in doublet with broad collar, plain hose and wide-brimmed felt hat, holding a surveying staff and pointing towards a stone in preparation; mason to the rear wearing a soft felt cap with turned brim and with an apron on his waist, using a mallet and chisel to finish a stone block on a bench; second mason kneeling working on a fresh dressed stone with a mallet and bolster; chisels, square and other tools in the foreground, all set in a landscape with building under construction; cracked and repaired, in a lead came with loop to the upper edge. 271 grams, 26.7 cm (10 1/2 in.). Collection of Henry L Hotellier (1908-1993), and by descent until 2021. Encheres Cote d'Opal DeBacker Richmond, 22 May 2021, no.263 [Part]. [No Reserve]
2nd millennium B.C.. Distaff with spiral slot to the thicker end, separate domed whorl and tapering shank. Cf. Grütter, N., ‘Spindle Whorls and Other Textile Tools’ in Münger, S. (ed.), Kinneret II,2 – The Early Iron Age. Report on Finds and Findings from Tell el-‘Or?me/T?l Kinr?t, Excavations 1994– 2008, Bern, 2020, pp.1-22, fig.6. 60 grams, 32 cm (12 5/8 in.). Spindle whorls are one of the most durable traces of textile craft in the archaeological record. They can be found in copious quantities and diverse types. Whorls in the shape of discs, cylinders and cones of clay, bone, stone and other more precious materials are widespread in all areas and periods, evidencing the skills of craftswomen engaged in textile production.Collected from 1969-1999. From the collection of the late Mr S.M., London, UK. [No Reserve]
10th-18th century A.D.. Mainly comprising socketted axeheads and adzes, together with other items; including at least one stamped with maker's marks. Cf. Roesdahl, E., Wilson, D.M., From Viking to Crusader: The Scandinavians and Europe 800 to 1200 (22nd Council of Europe Exhibition), Copenhagen, 1992, p.321, fig.359(4), for a similar Viking axe/tool. 9.5 kg total, 14.5-28.5 cm (5 3/4 - 11 1/8 in.). An axe similar to those of our group was found in the fortified camp of Péran, in Brittany, among the objects that emerged from a conflagration due to the attack of Alain Barbetorte's Bretons on a Viking camp, in 936 A.D. These axes were certainly work tools, although in case of necessity they could also serve as improvised weapons.Acquired 1990s-early 2000s. East Anglian private collection. [10, No Reserve]
Mesolithic Period, circa 9000-3450 B.C.. A mixed group of twenty-one worked blades and other flint tools. Cf. PAS NARC-A2C32D, for similar examples. 390 grams total, 22-55 mm (7/8 - 2 1/4 in.). Mesolithic men made use of a vast range of materials and mass-production techniques to make the special tools they needed. One of the oldest examples of a 'factory' intended for large-scale production was discovered by Grahame Clark, in the underground of a reclaimed field at Star Carr, Yorkshire.Found Portland Bill, Dorset, UK, 1970s. Ex Hampshire, UK, collection. From a Leicestershire, UK, collection. [21, No Reserve]
10th-11th century A.D.. Fitted with two channels running to a central circlet with the image of a saint cavalryman in the centre, surrounded by Greek letters A, O, O, E, C, OS, E, O; small holes to three of the corners for insertion of pegs. Cf. Adam-Veleni, P., Mylopoulos, Y., The Metro-nome of Thessaloniki’s History, Thessaloniki, 2018, p.167, for similar moulds. 136 grams, 79 mm (3 1/8 in.). Plates from mid-period jewellery moulds (10th-12th centuries) with the imprint of the jewellery to be made carved into one or both of the surfaces (earrings, buckles, clasps, beads of necklaces, etc.) were usually made of graphite schist, or other rocks. The plates were bound together in twos or threes by lead pins and the liquid metal was injected via conical openings. Similar tools were found in the 10th-12th levels of Thessaloniki.UK private collection before 2000. Acquired on the UK art market. Property of a London gentleman. [No Reserve]
Neolithic Period, circa 3rd millennium B.C. and later. Including miniature pointed tools, discoid scrapers and other tools, mounted on stands. 127 grams total, 16-60 mm (5/8 - 2 3/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. [21, No Reserve]
15th-17th century A.D.. Comprising hook-ended examples together with one square-ended example. Cf. Seetah, K., ‘The Middle Ages on the block: animals, Guilds and meat in the medieval period’ in Pluskowski Breaking and Shaping Beastly Bodies, animals as material culture in the Middle Ages Oxford, 2007, fig.3.6 (images of Medieval cleaver from the Luttrell Psalter). 8 kg total, 25-48 cm (9 3/4 - 18 in.). During the Roman period chopping tools such as cleavers were predominantly used whilst during the medieval period knives and cleavers were the preferred tools for butchering carcasses. Cleavers were also often depicted in medieval art as having riveted handles. Such handles made a cleaver more durable, whilst using steel as a component of the blade made it last longer.Acquired 1990s-early 2000s. East Anglian private collection. [14, No Reserve]
10th-12th century A.D.. Comprising: two elliptical bronze tortoise brooches, each domed with raised ornament of four Borre-style faces with pellet eyes to the centre of a panel of body parts and hatching with two more faces to the narrow ends, wide flange, catchplate, pin-hinge and pendant attachment bar to the reverse; two suspension links, each an omega-shaped loop with lateral coiled ends and ring above; three swags of graduated beads (restrung) - upper: pale blue glass oblate beads, crystal annular beads, melon beads; middle: deep blue and dark green glass and lapis lazuli polyhedral and annular beads; lower: oblate and polyhedral amber and glass beads. For similar brooches see Arbman, H., Birka I: Die Gräber, Uppsala, 1940, pls.58ff. and in particular 62-63, 67; see also Graham-Campbell, J. & Kidd, D., The Vikings, London, 1980, figs.52-53, for similar brooches from Norway. 310 grams total, 57 cm total long (22 1/2 in.). The most characteristic items of Viking period women's jewellery are oval brooch pairs, called 'tortoise brooches' in the literature. As in this example, the brooches themselves were usually connected by swags of coloured beads or by chains supporting tools such as tweezers or a small knife, as well as amulets.From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s.
Upper Palaeolithic Period, circa 28,000-22,000 years B.P.. Two with applied collector's label 'La Gravette' and identifier 'R' and 'T'. 103 grams total, 68-71 mm (2 5/8 - 2 3/4 in.). The Gravettian tools making culture is named after the type site of Gravette, Dordogne, France, each has clear intricate re-touch.Found Gravette, Dordogne, France. Acquired on the UK art market in the 1970s. From the collection of famous UK musician and amateur archaeologist, Victor Brox (1941-2023), formed in the 1980s-1990s. From the private collection of an East Anglian, UK, collector. [3, No Reserve]
Neolithic Period, circa 6,000 years B.P.. Group of finely worked flint tools with adhesive labels and inked collection numbers W10, 20, 21, 29, 30,32, 38, 59 and two unnumbered; all from Wellesbourbe, warwickshire, UK. 92 grams total, 22-52 mm (7/8 - 2 in.). Found Wellesbourne, Warwickshire, UK. Acquired on the UK art market in the 1970s. Ex amateur archaeologist. From the private collection of an East Anglian, UK, collector. [10, No Reserve]
Neolithic Period, circa 3rd millennium B.C. and later. Including narrow flint spearheads with barbs, D-shaped blades, pointed burins and other tools; the larger spearheads probable reproductions. 427 grams total, 3.3-14.5 cm (1 1/4 - 5 3/4 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. [8, No Reserve]
An Omega DeVille gold plated gentleman's wristwatch, Swiss quartz movement, white dial, Roma numerals, outer minute track, date aperture, case back engraved 'W.D.SHIRLEY STANLEY (Tools) Presented 9th December 1988' original black leather strap stamped Omega, Omega gold plated buckle, w/o, original Omega box
Draper Air Tools - Humbrol - A pair of #25989 6 Piece Air Brush Kit and a pair of #1950 six packs of Just Power Pack aerosol cans. Items appear to be excellent condition in good-very good boxes; some storage wear. Contents not checked for completeness. (This does not constitute a guarantee) RG-4
TWO BOXES AND LOOSE METALWARE, to include three large cast iron cooking pots for over a fire, brass wall bell, fireplace tools on a hanging stand, candelabra, vintage number machine, stainless steel coffee/teapots, milk creamer, covered sugar bowl on a tray, posy bowls etc. (sd/af), (2 boxes + loose)
EIGHT AND LOOSE NEW GIFT SHOP ITEMS AND SUNDRIES, to include mounted nursery rhyme prints, selection of small square Rupert the Bear prints, Christmas tins sets of two, plastic jars with lids, forty reporters notebooks with pencil, fifteen packs of various colour tissue paper with ten sheets to a pack, twenty aluminium card wallets various designs, fifteen boxed picture frames, birthday decor and gift wrap items, two vintage games unopened, six boxes of aluminium cups in packs of four, Postship scales, twenty folding water bottles, a variety of tools, new in packaging, Puma price labeller, Veuve Clicquot champagne carry case with two glasses, etc (sd) (8 boxes and loose)
A 1920 Austin 20 Open Tourer, Registration No. Y 8056, the coachwork, rather than having been built by specialist coach works, rather unusually was built by Austin and is finished in blue and black, The engine is a four cylinder side-valve of some 3,610 cc and is mated to a very substantial gate-change four-speed gearbox. Chassis No. PT 2019, Engine No. P 3089. She was acquired by the family on the 13/08/1992, the previous owner having acquired her on the 26/07/1989. She was manufactured with a Touring Car body in 1920 and was exported to New Zealand at that time via the Shaw Savill Line vessel the S.S. Mamari. In the mid 1960's, after being rested in a shed for some time, extensive restoration work was carried out continuing until 1988, prior to her return to the U.K. Subsequent to her arrival on our shores further works were carried out including a change of colour from yellow to blue. Some time ago, during a routine internal inspection of the top end, entailing the removal of the cylinder head, the family were astonished to discover that the pistons still bear the original serial numbers relating to the vehicle, indicating that they are almost certainly the original pistons and bores. A key to the rear tool compartment is present, inside there are the wheel changing tools, a lump hammer, a warning triangle, an octagon key for the fuel filler, a hydraulic bottle jack with handle, the starting handle, oily rags, etc., A complete set of side screens is present, these are normally stored behind the rear seat backrest. The Information Folder includes a V5C Registration Document, correspondence concerning the formerly allocated registration number FX 1581, this was substituted by Y 8056 in February 2006. Various invoices are present, as is The Austin Twenty Owner's Handbook. She has proven reliable on numerous local runs as well as on several lengthy continental trips including to Northern France, Holland and Belgium. Here is an example of the over-engineering that almost led to the collapse of Herbert Austin's business, interestingly each cylinder being of 155 cc greater volume than the 747 cc total cubic capacity of the diminutive jewel of a motor car that saved his business, the Austin 7. A pair of new 12 volt batteries are fitted.

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