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Lot 40a
Wooden tray containing a selection of heavy duty hand tools to include axes, spanners and tyre levers, a pair of Record No 603A wire cutters, a pair of Draper 24" wire cutters, a quantity of flexible nylon tube 3mm i.d x 5mm o.d, metal box containing gloves, masks, eye wash and small fire extinguisher, another metal box containing four HGV trailer side lights, a boxed Black and Decker 240v 600w Vibro Centric valve seat driver, Black and Decker stone dressing stand and a boxed DAF kingpin drill.
Lot 320
A SET OF GEORGE III STEEL FIRE TOOLS LATE 18TH CENTURY Comprising poker, shovel, and tongs the poker 73.5cm long Condition Report: Surfaces have been polished previously and some surface remains, but now with pitting, wear, corrosion, and tired in appearance overall Condition Report Disclaimer
Lot 224
Owen (Wilfred) Poems, second edition, introduction by Siegfried Sassoon, portrait frontispiece, presentation inscription to Michael Redgrave on front free endpaper, original cloth, paper spine label, 1921; and a small group of press, illustrated, typography, lettering tools etc., 4to and 8vo (10)
Lot 334
CROM (T), HOROLOGICAL SHOP TOOLS 1700 TO 1900, brown cloth with pictorial front board, Florida, 1980; HOROLOGICAL AND OTHER SHOP TOOLS 1700 TO 900, Florida, 1987, (2).Condition Report: Larger volume with lighter cover, some uneven sun fading. The spine has a concave curve along the vertical. Light shelf wear to edges. Page block with light foxing spots. Smaller book with some small marks to front board and lesser edge wear. Undulation to the paper on the half title. Both internally clean and bright. The larger book with pencil book seller notes to front.
Lot 220
Collection series of silver-tone metal miniature tools. Made for children and those interest in craftsmanship. 18 tools from open end wrenches, hatchet, bit brace, hack saw, micrometer, try square and more. Each tool is in individual original Marx packaging. A package measures is approximately: 7"L x 1"W x 4"H. Issued: Mid 20th CenturyDimensions: See DescriptionManufacturer: Louis Marx & Co. Country of Origin: United StatesCondition: Age related wear.
Lot 221
As seen on 1960s TV. A set of 18 tools in silver-tone metal finish. Made for children and those interest in craftsmanship. Includes hand saw, hand drill, adjustable wrench, screw drivers, pliers, b all peen hammer, box end wrenches, claw hammer, and open end wrenches. Set displayed in original Marx box. Box: 14.5"L x 11.5"W x 1.25"H. Issued: Mid 20th CenturyDimensions: See DescriptionManufacturer: Louis Marx & Co. Country of Origin: United StatesCondition: Age related wear.
Lot 222
A set of 18 tools in silver-tone metal finish. Made for children and those interest in craftsmanship. Includes hand saw, hand drill, adjustable wrench, screw drivers, pliers, b all peen hammer, box end wrenches, claw hammer, and open end wrenches. Issued: Mid 20th CenturyDimensions: 14"L x 11"W x 1.25"HManufacturer: Louis Marx & Co. Country of Origin: United StatesCondition: Age related wear. As is. No original box lid.
Lot 33
This ancient Roman ring, dating to the 2nd century AD, is crafted from either iron or bronze, featuring a beautifully engraved intaglio of a lady set into the bezel. The intaglio, carved in a deep red stone, possibly carnelian, depicts a finely detailed profile of a woman, adorned with a hairstyle and attire typical of the Roman era. The contrast between the weathered metal of the band and the vivid, polished surface of the intaglio creates a visually compelling piece that reflects the artistry and durability of Roman craftsmanship. Rings like this served not only as personal adornments but also as functional tools, often used to impress seals on wax for official documents. The depiction of a lady on the intaglio suggests a connection to a woman of high status, or perhaps it served as a personal or familial emblem. D: 2.3cm
Lot 33
Registration No: 208 UXF Chassis No: B332FV MOT: April 2025The subject of an extensive and high quality past restorationA 'cut above' the majority of surviving MkVI Saloons and worthy of close inspectionNotably good body, paint and chromework plus much of its original interiorPrevious engine overhaul by a leading RR&B Specialist Association MemberIntroduced in 1946, the MKVI was Bentley's first post-war model. Built around a massive cruciform-braced chassis equipped with independent front suspension and a leaf-sprung rear axle, its freshly developed 4257cc OISE straight-six engine was mated to four-speed manual transmission. Capable of over 100mph when clad in the factory's understated but stylish 'standard steel saloon' coachwork, the MKVI developed a reputation for being a refined yet responsive drive. No ordinary MKVI, chassis B332FV was for many years the property of a classic car restorer who specialised in post-WW2 Bentleys. Refurbished to award winning condition as a calling card for his business and proudly exhibited at the 2016 Bentley Drivers’ Club’s Concours d’Elegance, the four-seater remains extremely presentable. The front seats have been partially retrimmed and seatbelts added but the rest of the interior appears pleasingly original with leather bound carpets and the correct matt finish to the wood veneers etc. Indeed, the seller considers ‘208 UXF’ to represent ‘originality at its finest’. Starting readily and running well during our visit having had a major engine overhaul circa fifteen years ago, the MKVI has been enjoyed for a variety of journeys this year including a 200-mile plus round trip to Silverstone. The sunroof is operational and most of the original tools present. Proudly featured on the restorer’s website and Facebook page, there is even a video of the Bentley in motion on YouTube (https://www.youtube.com/watch?v=x8uyN9SKg8U). Built in 1949 but not registered until January 1950 when it was bought new by a Kings Lynn-based solicitor, the Sports Saloon subsequently belonged to Major-General Sir Allan Henry Shafto Adair, 6th Baronet, GCVO, CB, DSO, MC & Bar, JP, DL; a hero of both World Wars. Off the road for a time, the four-seater was re-registered with the DVLA during 1979 sporting the number plate ‘GVF 1’ for several decades. Treated to a renovation which would far, far exceed the guide price if carried out today, ‘208 UXF’ is worthy of close inspection. For more information, please contact: Damian Jones damian.jones@handh.co.uk 07855 493737
Lot 85
Registration No: 813 CYE Chassis No: 1210427503213 MOT: August 2025Entered from The Merlin Collection1 of only 562 cars built across all right-hand drive markets1 of just 3,332 190SLs made during 1957 but not UK road registered until April 1958The subject of an exhautsive three and a half year, photographically documented, rotisserie restorationAs good underneath as it is on top and the nicest example we have encounteredPotentially Mille Miglia eligibleThe 190SL was introduced in 1955 – the year Mercedes swept all before it on the Mille Miglia with the 300SLR. Indeed, the graceful, new two-door, convertible grand tourer was sold alongside the road-going version of the SLR – the 300SL - whose styling it strongly resembled. In fact, the underpinnings of the two cars were quite different and, while the 300SL had a purpose-built tubular spaceframe (W198), its smaller sibling was built on a shortened version of the ‘Ponton’ saloon (W121) platform, which was of monocoque construction. The 190SL also boasted an all-new engine - an over-square SOHC straight-four unit of 1897cc that produced some 120bhp, which was sufficient to propel the car to a maximum speed of 112mph. The engine was coupled to a manual four-speed gearbox. The suspension comprised double wishbones and coil springs at the front and a coil-sprung swing axle at the rear. Steering was by recirculating ball and braking by power-assisted drums all round. Built to the highest standards and among the quickest comparable cars of the time, the 190SL featured a well-appointed cockpit, notable comfort for its occupants and relatively generous luggage space. Under the circumstances, even the steep asking price of £2,693 did nothing to deter purchasers. Options included a third seat placed transversely behind the front ones which was big enough to carry an adult. The 190SL continued in production until 1963, when both it and the 300SL were replaced by the 230SL (W113). By this time 25,881 190SLs had been produced (just over two percent of which – some 562 cars - were to right-hand drive specification). Completed during the 1957 model year, this particular example – chassis 121.042-7503213 – was first road registered in London as ‘813 CYE’ on April 14th 1958. Migrating to Oxford and the care of Dr Keith Hawton thereafter, the two-seater was granted a MOT certificate by Alcester Rd Service Station of Kings Heath, Birmingham on September 22nd 1977 at an indicated 63,601 miles. Resident in Yorkshire the following decade, it received a new short block, cylinder head and camshaft plus numerous other parts via Mercedes-Benz main dealer, Derwent Vehicles of Leeds. Returning to London in the early 2000s, the Roadster then relocated to Norfolk for thirteen years before being bought by its previous keeper for £93,000 during April 2017. Fortunate enough to have his own bodyshop, the gentleman in question got carried away with the subsequent restoration to the extent of not daring to add up the number of hours his team spent on it! Familiar with refurbishing classic Mercedes-Benz models, they stripped the 190SL down to ‘the last nut and bolt’, carrying out any remedial metalwork repairs as necessary. Hundreds of accompanying photographs document the extent and thoroughness of the renovation with the previous custodian putting the cost at £104,000 (despite heavily discounted ‘in-house’ labour rates). Refinished in its original Anthracite Grey Metallic (DB172) colour scheme matched to Cream leather upholstery and a matching soft-top, ‘813 CYE’ did not want for visual drama when it joined The Merlin Collection via our 17th November 2021 auction for a record-breaking £224,250. Although, the engine had only covered a few thousand miles since being overhauled while the car was resident in Norfolk the vendor tuned the Solex carburettors, renewed various gaskets and generally improved it. Similarly, the suspension, brakes and electrics were all de-bugged. A new spare wheel was sourced for the two-seater together with a correct-type jack and MB-branded tools etc. Potentially eligible for the Mille Miglia Storica, ‘813 CYE’ remains the best 190SL (LHD or RHD) that we have had the pleasure of offering for sale. Turning more heads than any of its stablemates, this stunning Mercedes-Benz comes to market with owner’s manual, history file, numerous restoration photographs and assorted parts invoices. For more information, please contact: Damian Jones damian.jones@handh.co.uk 07855 493737
Lot 180
19th Century German Human Anatomical Leg, life size, German, mid 19th century, attributed to Bock Steger, Lepzig, the leg constructed of painted and lacquered plaster showing muscle, tendons and bone, numbered parts with paper key to top of wooden baseboard. the leg mounted on a iron spindle to fully rotate with locking nut, base 138cm Footnote: Franz Josef Steger worked in collaboration with the pathological anatomist Carl Ernst Bock (1809-1874) at the University of Leipzig to create anatomical models designed for student instruction. These models were made using various techniques, including direct casting, as well as sculpting in materials such as plaster, porcelain, and wax. Steger also explored the early applications of plastics in his work. However, he is most famous for his plaster models. These educational tools gained wide recognition and were distributed through international catalogues and scientific shops across Germany.
Lot 249
The Cabinet:English, c.1880, constructed of French polished mahogany, 2 doors opening to reveal a bank of drawers, label to inside of door reads 'ELCOCK - September 29th at 28 Fitzroy Avenue, Belfast, Harriet Sophia wife of Charles Elcock of a son, 1878', the top drawer containing a selection of slides, some by Elcock and others of diatoms and other subjects including one from the HMS Challenger Expedition, the bottom drawer containing a number of hand blown glass bottles and vials containing soundings from the HMS Challenger Expedition ( sounding dates, depths and locations corespond with the charts from 'VOYAGE OF THE CHALLENGER, WYVILLE THOMPSON, 1878', a copy of whihc is included in another lot), with 8 drawers of blank diatom slides and mounting equipment, the cabinet 59cm wide, 59cm tall, 33cm deep.Charles Elcock (1834-1910) was a well known figure in the world of microscopy, particularly known for his expertise in creating microscope slides featuring foraminifera, a group of amoeboid protists characterized by their intricate shell structures. Born in Pontefract, Yorkshire, England, on August 18, 1834, Elcock was the second son of Charles and Mary Ann Elcock. The Elcock family were Quakers, a religious background that profoundly influenced Charles throughout his life, as reflected in his writings and humanitarian efforts during the Franco-Prussian War. Elcock's early career was varied, encompassing teaching and publishing, but it was his later work in microscopy for whihc he is remembered.Early Life and Career.Elcock's early years were marked by a strong education and a diverse set of experiences. After the death of his father in 1837, his mother took up teaching to support the family. Elcock attended the Friends' School at Rawdon, which was a formative experience given the Quaker values emphasized there. His early professional life included roles as a teacher and printer, and he maintained a close association with the Quaker community throughout. By the 1860s, Elcock was involved in publishing religious texts, which eventually led to his work in London and Gloucester, where he likely developed his interest in microscopy through his connection with Alfred William Bennett, a prominent member of the Royal Microscopical Society.Microscopy and Foraminifera.Charles Elcock's most significant contribution to science was his work with microscopy, particularly in mounting foraminifera on microscope slides. Foraminifera are microscopic marine organisms that produce a shell, often referred to as a "test," which can be quite intricate and beautiful. Elcock's slides were celebrated not just for their scientific utility but also for their aesthetic appeal. His work involved arranging these tiny shells meticulously on slides, often organizing them by species and orientation, which made his slides valuable for both scientific study and as objects of beauty.Elcock's expertise in preparing these slides was widely recognized. He became a member of the Belfast Naturalists' Field Club shortly after moving to Ireland, where his skills in mounting foraminifera were lauded. In 1879, his work won a prize from the club for its artistic skill and superior finish. His techniques and methods were innovative, and he shared his knowledge through articles, most notably in the Journal of the Postal Microscopical Society, where he also advertised his slides.Legacy and Impact.Elcock's slides were distributed through well-known retailers in London, Manchester, and Bath, and they were highly regarded by contemporary scientists and hobbyists alike. Reviews of his work praised the meticulous attention to detail and the scientific value of the slides. His contributions to microscopy, particularly in the study of foraminifera, have left a lasting legacy in the field. While much of his life was also dedicated to religious writing and humanitarian efforts, it is his work in microscopy that has cemented his place in the history of science. A large part of his original equipment and the slides he produced is held at the Whipple Museum of Science in Cambridge: https://www.whipplemuseum.cam.ac.uk/explore-whipple-collections/microscopes/foraminifera-slides-and-working-tools-microscope-slide-maker Challenger Expedition: Revolutionizing Oceanography through Deep-Sea SoundingsThe Challenger Expedition (1872-1876), a pioneering oceanographic endeavor, marked a turning point in our understanding of marine sciences. This British voyage, named after the HMS Challenger, was the first dedicated scientific exploration to systematically study ocean basins, marine life, and geology. Among its most critical contributions were the extensive soundings, temperature recordings, and water samples taken during the expedition, which have had a lasting impact on oceanography.Deep-sea soundings, the process of measuring the depth of the ocean, were among the most revolutionary aspects of the Challenger Expedition. Utilizing newly developed sounding equipment, the expedition made nearly 500 soundings across the world’s oceans. These measurements were pivotal, not only in mapping the seabed but also in discovering the global patterns of oceanic trenches, underwater mountains, and plains.Prior to the Challenger Expedition, the depths of the oceans were largely unknown. The sounding techniques employed involved lowering weighted lines, known as sounding lines, into the ocean until they reached the seabed. The depths recorded by Challenger revealed for the first time the complex topography of the ocean floor. One of the most significant findings was the Challenger Deep in the Mariana Trench, recorded as the deepest part of the world's oceans.The data collected on these soundings provided foundational knowledge that spurred further scientific inquiry. For instance, the temperature profiles of ocean waters at different depths, also recorded during these soundings, helped scientists to begin understanding thermocline and its role in oceanic circulation patterns.The implications of these findings were vast. They challenged previous notions of a lifeless deep sea by providing evidence of life at all depths, and the samples of sediment helped develop the fields of marine geology and paleontology. This wealth of data collected by the Challenger laid the groundwork for modern oceanography and prompted the establishment of permanent oceanographic institutions.The Challenger Expedition was instrumental in transforming oceanography from a field cluttered with myths and speculations to a serious scientific discipline. Its soundings opened up new realms in the understanding of oceanic depths and laid down the benchmarks for future explorations, forever altering our relationship with the oceans. The expedition not only charted unknown waters but also set the course for future marine scientific endeavors, proving its legacy in the history of science.
Lot 260
19th Century Swing Arm Protractor, Berge, English, c.1840, engraved to the edge of the scale 'Berge London' protractor of typical form with sale engraved 0-180 in both directions, arm with locking nut, glass cross haor to centre, in fitted mahogany case with catches, case 23cm With perion ebgineers drawing titled in manuscript 'Hand or Porrer Punching & Shearing Machine to punch a 3/4 inch hole through 1/2" plate by Wm Muir + Leo Britannia Works Manchester Oct 8th 1857 William Muir & Co., founded by Scottish engineer William Muir (1806-1888), was an important British machine tool company, based at the Britannia Works in Salford, Manchester. Muir, an innovative engineer, gained early experience in Scotland working in the cotton spinning machinery industry before moving to England in 1830. He honed his engineering skills under renowned figures like Henry Maudslay in London, where he worked alongside James Nasmyth, then a draughtsman, and Joseph Whitworth, both of whom would later become famous engineers. In 1842, Muir established his own business in Manchester, beginning modestly but quickly growing. By 1851, his company employed over 30 workers, including apprentices and his own sons. The firm produced a wide array of products, ranging from machine tools to more specialized inventions like screw embossing presses, t and oil-testing machines. Muir collaborated with Joseph Whitworth in developing the world’s first standardized threading system, which became widely influential in mechanical engineering. Over time, the company expanded, manufacturing large-scale machinery such as precision rifle sights and cotton winding equipment. In 1937, the company changed its name to Muir Machine Tools and, in 1944, was absorbed into the machine tool division of David Brown and Sons Group.
Lot 268
An Early First Form, Wollaston Pattern Crystallographic Goniometer, Thomas Jones, English, c.1810, engraved to the front 'Thomas Jones, 62 Charring Cross' the goniometer on a turned French polished wooden base with supporting 'A' frame terminating in a split bearing, with 2 knurled wheels at the rear, 1 to turn the spindal holding the armature the other to turn the spindal and the scale, with a silvered vernier scale at the side reading to arc-minutes, this is the first form of Wollaston goniometer with the the sprung stop at the 0 and 180 positions which was a feature dispensed with on later devices, in the original Mahogany case with catches, case height 15cm, with period glass dome cover Jones, Thomas, according to Clifton Jones was working at 62 Charing cross from 1816, was apprentice to Jesse Ramsden History and Operation of the Wollaston Crystallographic Goniometer The Wollaston crystallographic goniometer was a significant development in the field of crystallography, enabling scientists to measure the angles between crystal faces with great precision. The invention of this device is attributed to William Hyde Wollaston, a British scientist and polymath, in the early 19th century. His work not only advanced the study of crystallography but also laid the foundation for future innovations in mineralogy and materials science. Before the development of the goniometer, scientists faced challenges in accurately measuring the geometry of crystals. Crystals, with their symmetrical and structured shapes, had long intrigued scientists and mathematicians alike. However, understanding their internal symmetry required precise measurements, particularly of the angles between their faces. Traditional tools used for such measurements, were inadequate for obtaining the level of accuracy needed for detailed scientific study. In 1809, Wollaston introduced his crystallographic goniometer. This instrument allowed for highly precise angular measurements of crystal faces, down to fractions of a degree. Considered the first reflecting goniometer, a type of instrument that relies on measuring the reflection of light to determine the angle between crystal faces, as opposed to contact goniometers, which require physical interaction with the crystal. Wollaston’s invention significantly impacted mineralogy and crystallography because it allowed for the accurate measurement of the fundamental angles of crystals, leading to better classification and understanding of crystal structures. By measuring the angles between different faces, researchers could deduce the symmetry and internal structure of the crystal. This was particularly useful for the study of minerals, as crystals often form naturally in these materials. Operation of the Wollaston Goniometer The Wollaston goniometer is classified as a reflecting goniometer, where the measurement of angles is based on the reflection of light. The basic principle involves aligning the reflection of a light source on one face of the crystal, followed by measuring the angle at which the light reflects from another face. The operation of the Wollaston goniometer can be broken down into a few key steps: 1: Mounting the Crystal: The crystal specimen is carefully mounted on a spindle that can rotate using a small piece of wax. The crystal is positioned so that one of its faces can reflect light. Precise mounting is critical, as the measurement accuracy depends on the crystal's stability and the reflected light's clarity. Aligning the Light Source: A light source is directed at the mounted crystal. In Wollaston’s design, this was often natural light or a simple lamp. The goal is to ensure that the light strikes one of the crystal's faces at a specific angle and reflects back toward an observer. Measuring the Reflected Angle: The observer views the reflection of the light from one face of the crystal. The goniometer is equipped with a graduated circle that can rotate along with the crystal. Once the reflection is observed, the goniometer is rotated until the light reflects from another face of the crystal. The angle of rotation is measured using the graduated circle. This angle corresponds to the interfacial angle between the two crystal faces. Repeating for Different Faces: The process is repeated for different pairs of faces to fully characterize the crystal. By systematically measuring the angles between different faces, it is possible to derive the symmetry and geometry of the crystal. The precision of the Wollaston goniometer allowed for measurements to within 30 seconds of arc, which was a major improvement over previous instruments. The reflecting goniometer, unlike contact goniometers, did not require any physical contact with the crystal, which could damage fragile specimens. Furthermore, by using the reflection of light, it was possible to obtain much more accurate measurements, as light reflection is a highly precise phenomenon that can be accurately measured. Impact on Crystallography - The Wollaston goniometer became an essential tool in crystallography, enabling researchers to explore the geometrical properties of crystals with a great level of detail. Its use led to the discovery of several important principles in crystallography, including the identification of crystal symmetries and the formulation of laws such as the law of constant interfacial angles, which states that the angles between equivalent faces of crystals of the same substance are constant. Wollaston’s contribution also paved the way for the development of more advanced goniometers and crystallographic tools. Later innovations included more precise optical systems and automated goniometers, which could be used to measure crystals with even greater accuracy and efficiency. In modern crystallography, the basic principles of angle measurement established by the Wollaston goniometer remain relevant, even as X-ray diffraction and other techniques have expanded the toolkit available to researchers. References: 1: P. Gay, *Wollaston and His Reflecting Goniometer: A Historical Review*, Nature, 1966. 2: C. Giacovazzo, *Fundamentals of Crystallography*, Oxford University Press, 2011. 3: G. L. Clark, *Applied X-ray Crystallography*, McGraw-Hill, 1955. 4: B. E. Warren, *X-ray Diffraction*, Dover Publications, 1990.
Lot 478
Group Photograph of Students in Commercial Painting and Sign Writing, French, late 19th century, A group photograph of French students in commercial painting and sign writing, pasted to period card, 29cm x 23cm The photograph from the late 19th century, captures a class of young students studying commercial painting and sign writing. The image provides a unique look at the training of that time, showing an organized and proud-looking class of apprentices along with their teachers. The students, all wearing work aprons, hold up their painting tools—brushes, palettes, and other equipment—and are encircled by a display of the remarkable number of hand-painted signs they have painted. The banners and writing seen in the background are of the period, in typical styles for advertising and public signage. The piece features a group of students in various poses with tools, or next to finished works, illustrating their technical instruction inside real-world workshop environments. Marble painting is a design technique used to simulate the look of marble, and the central sign reads "Great Shop of Painting on Marble".
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