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dating: about 1880 provenance: London, Octagonal, rifled, 11 mm cal. barrel, with fore-sight; six-shot cylinder marked 'No. 1075' and with London test-bed stamps, frame marked 'ADAMS PATENT No. 1075', grip strap marked 'ADAMS PATENT SMALL ARMS COMPANY 391 STRAND LONDON'. Wooden, checkered butt. Iron mounts. All the iron parts are silvered (at 90%) and engraved with floral motifs. Loading gate and extractor. Suspension ring. In its original, leather case, lined with blue velvet and equipped with tools. length 31 cm.
Dentistry - Late Victorian mahogany Dentists cabinet by C. Ash & Co, hinged cover above six long graduated drawers, enclosing a comprehensive arrangement of implements, pharmaceutical bottles, tools, modelling wax, porcelain teeth, "Portex Dentine" Formula Chart and other instruments, brass carrying handle, H26.5cm, D22cm, W30cm - Condition Report
Binding.- [The Holy Bible], 2 parts in 1, lacking general title, ruled throughout in red, some light staining, handsome contemporary red panelled morocco, richly gilt, white morocco arabesque centre-piece inlays, floral motifs of white or black morocco heads on gilt stems, other foliage tools, spine in compartments and richly decorated with a ring pattern enclosing and surrounded by various floral and foliage tools, 2 very small holes to head of spine and a single small hole to foot, corners worn, rubbed, g.e., 8vo (binding 157 x 90mm.), [John Bill, Thomas Newcomb and Henry Hills], [1679]. sold as a binding and not subject to return. ⁂ Provenance: Sir George William Denys, Bt. (engraved bookplate and signature).
The Basket Maker signed 'Stanley Anderson' (lower right); numbered 'Ed:50' and titled to the mount engraving 18.5 x 18cm; The Smith signed 'Stanley Anderson' (lower right); numbered 'Ed:65' and titled to the mount 19 x 20.5cm (2)Footnote: The basket maker, William Youens Fleet, of nearby Thame, is shown sitting at his lapboard weaving a half bushel basket. Traditional basket making tools, including a wooden rapping iron, picking knife and bodkin can be seen surrounding Mr Youens Fleet. Blacksmith, Rupert Timms, and his father, Ralph, of Aston Clinton, are the subject of The Smith. Typically working in pairs, the Timms descended from a long line of farriers. After the Second World War, smithing work was in decline and Rupert Timms began to diversify into ornamental metalworking. In a later engraving, Rupert can be seen forging a garden gate, surrounded by objects, including farrier’s hand tools and a tripod, which can be similarly observed in The Smith.

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