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Lot 511
A JAPANESE MEIJI PERIOD CARVED & STAINED IVORY OKIMONO OF A WOOD CUTTER - BY SHUGETSU, the okimono carved upon a stump base with his axe in his hands, gourd to his side and tools upon his back, the artist has signed the base that reads "Shugetsu", presented in its original tomobako, 22.2cm high.
Lot 550
A VERY FINE PAIR OF JAPANESE MEIJI PERIOD CARVED IVORY & SHIBAYAMA TUSK VASES ON STANDS, each vase section finely carved to depict a profuse amount of figures working landscapes each with relevant tools, the upper section carved with scenes of native trees, fitted to thier hardwood and gilt decorated revolving stands, the tusk section alone 27cm high x 11cm wide, overall: 47cm high
Lot 391
A Holtzapffel & Co ornamental turning lathe, No. 1906 complete with associated tools and accessories, with traversing mandrel, screw-barrel tailstock, brass pulley with six rows of dividing holes, segment apparatus, iron bed on double mahogany frame, treadle gear, shepherd's crook overhead and backboard chest containing various small chucks and other tools – 5 in. centre height; a mahogany chest with drawer, containing the slide-rest with spiral apparatus with fifteen wheels, curvilinear attachment (no templates), ellipse, rectilinear and eccentric chucks, horizontal, vertical, and internal cutting frames and drill spindle (9/16 x 3/8in. shanks); other equipment including slender turning guide, two two-jaw faceplate chucks, one signed Holtzapffel & Deyerlein, and twelve brass cup chucks (some numbered 1906) in a tray; a slope-topped cabinet containing 143 s/r tools with pad handle, 118 cutting frame tools and 97 drills; a Hotzapffel goniostat outfit with four tins of abrasive and three laps, in mahogany chest; a hollow tool sharpening outfit in chest with mahogany pulley, T-rest and various small drills; various D-bits and similar tools; and an enclosed oak portable chest of five drawers containing various scraps of hardwood, ivory and metal – 26 ½ in. wide.A quantity of Society of Ornamental Turners Bulletins, in three packages, with a calf-bound copy of Northcott, W.H: A Treatise on Lathes and Turning..., with presentation bookplate dated 1868. A triptych wall cabinet of 75 tools for hardwood and ivory turning by Holtzapffel, with panelled mahogany doors, ebony purfling and brass closing astragal, each tool with hardwood handle stamped with its blade type. A rose pumping chuck with index plate and ten rosettes (for fitting to outer end of mandrel), in a crossbanded till from a cabinet-maker's tool chest. An unusual Ibbetson-pattern single-stage geometric chuck with swinging frame scale with ornamental index, headstock collar with elegantly shaped indexing lever and thirteen spare change-wheels – the base plate 9 â…› in. diam. A rose cutting frame by J. Munro, with seven rosettes, tommy bar and winch key, in fitted mahogany case with Munro label in lid – 3/4in. square shank. An ornamental turning slide-rest, with banjo, cradle (not fitting lathe 1906), and operating lever, for 9/16 x 3/8 cutting frames, in a deal chest stand 105cm high, 106cm wide and 70cm deep, This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.comPlease note, the current lot is subject to CITES regulations.
Lot 134
A Chinese blue and white Kangxi (1662-1722) vase, of inverted baluster form decorated with scholars either looking at scrolls, paintings, playing the Qin on a table with censor and incense tools of playing Go, all above numerous boys in leisurely pursuit to include drumming, a lion parade, blind mans buff and flying kites, the neck with Buddhist symbols, with double under glazed blue circles to the underside, with later hand carved and pierced wood cover. Height excluding cover 34 cm, including cover 44 cm (see illustration). CONDITION REPORT: The later wooden lid is in good order with no issues. The vase itself has no damage, repairs or restoration. We can see no evidence of any hairline cracks to the body. The top rim is in good order. The base rim has minor scuffs and nibbles to the sharp glazed edge. These are all old marks and there are no significant chips at this point.
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