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Lot 91
A Victorian ebonised travelling box, brass line inlaid with side flush fitting carrying handles. The box fitted with five cut glass cosmetic bottles with silver tops, a lift out tray of seven cut glass cosmetic bottles and troughs, lift out box with manicure and needlework tools and a lift out leather box. The interior edge of box engraved 'Caulin De Smc. Imperatrice 131 Palais Royale', 33cm w, 15cm h.
Lot 262
Joe Lloyd Green Star Pattern, 2020 Ink and acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Joe Lloyd was born in 1982 in Long Beach, California. He has been making art since he was a child. He pursued his degree in Art Education because he always knew he was an artist and a teacher. He earned his M.F.A. from Claremont Graduate University, where he developed his philosophy of abstract painting. His primary method is to build up layers of organic gestural marks, which are then contrasted with precise geometric lines and shapes that extend to the edge of the canvas. His tools are mostly markers, straight edges, tape, and pallet knives. His newer acrylic paintings are composed of vertical brushstrokes inspired by his works on paper, which are mostly blotches of watercolor within a precise series of symmetrical straight lines. He sees his work as a descendant of midcentury geometric abstraction but is less about depicting mathematical shapes and more about testing imbalanced symmetry and non-repetitive patterns. His geometry is not sacred and his formalism is not pure. He considers his painting as a place for the impossibility of geometry, the tension between concept and form, and the attempt of an idea and an object to become the same thing.
Lot 263
Joe Lloyd Purple Star Pattern, 2020 Ink and acrylic on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Joe Lloyd was born in 1982 in Long Beach, California. He has been making art since he was a child. He pursued his degree in Art Education because he always knew he was an artist and a teacher. He earned his M.F.A. from Claremont Graduate University, where he developed his philosophy of abstract painting. His primary method is to build up layers of organic gestural marks, which are then contrasted with precise geometric lines and shapes that extend to the edge of the canvas. His tools are mostly markers, straight edges, tape, and pallet knives. His newer acrylic paintings are composed of vertical brushstrokes inspired by his works on paper, which are mostly blotches of watercolor within a precise series of symmetrical straight lines. He sees his work as a descendant of midcentury geometric abstraction but is less about depicting mathematical shapes and more about testing imbalanced symmetry and non-repetitive patterns. His geometry is not sacred and his formalism is not pure. He considers his painting as a place for the impossibility of geometry, the tension between concept and form, and the attempt of an idea and an object to become the same thing.
Lot 1047
Schuco Studio 11 kit of 1936 Auto Union type C racing car, silver no 66 as driven by Hans Stuck at Le Mans, complete with wet or dry tyres, tools, spanners and crank winding handle for the clockwork motor. Includes a replica racing poster. Limited Edition 1000 in very good - excellent condition with slightly worn slipcase. P&P Group 2 (£18+VAT for the first lot and £2+VAT for subsequent lots)
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82067 item(s)/page