Alchemy.Using found tools rather than conventional brushes, Nicola’s contemporary abstract art is frequently highly textured and many pieces feature her signature gold leaf in amongst the mixed media. Nicola saw that the body shape of our sheep was very similar to a Shetland Ram which is a brown/black base so she decided to decorate it using a black base layer and added real gold leaf flecks on the wool and all gold leaf horns which makes a dramatic effect.The sheep's main bodies measure approximately 90cm long x 72cm high x 30cm wide. Artist:Nicola Warner.Nicola Warner has lived in rural Suffolk since the 1970s and has also spent much time in Cornwall over the last 2 decades. Having sketched and painted since her childhood, her love of art led her to a 3 year period of running her own gallery in Framlingham, Suffolk. Drawing her inspiration from the vastly different shorelines of both Suffolk and Cornwall, she also benefits from the natural forms and botanical shapes she encounters in the rambling garden outside her studio. Using found tools rather than conventional brushes, Nicola’s contemporary abstract art is frequently highly textured and many pieces feature her signature gold leaf in amongst the mixed media to which she is drawn. Intuitive and using a varied colour palette, her work appeals to both corporate and private collectors. Sponsor:Coes.We are a privately owned, independent family of stores specialising in menswear, womenswear, sportswear and school uniforms across East Anglia, this makes us the destination of choice for style conscious individuals. Our independent culture runs throughout every aspect of our business as we aspire to recognise the individuality and personal style in ourselves and every one of our customers. Since 1928, we have been focused on giving our customers the best possible shopping experience with our truly personal approach to style. We are proud to be East Anglia’s leading independent clothing shop.https://www.coes.co.uk/
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Meinertzhagen, Col. R. The Birds of Arabia. Henry Sotheran Ltd, 1980. Folio, half green morocco by Morrell, boards ruled in gilt, spine gilt in compartments, four with gilt tools, lettered directly in two, marbled endpapers, t.e.g.; 19 coloured plates, 9 numbered photographic plates and one in text, numerous illus and maps to text. De luxe limited edition, no. 196 of 305 (295 numbered).Bar a little rubbing to spine, practically fine.
Keill (John). Introductio ad veram physicam: seu lectiones physicae habitae in Schola Naturalis Philosophiae Academiae Oxoniensis an. Dom. 1700. Quibus accedunt theorematum Hugenianorum de vi centrifuga et motu circulari demonstrationes, 4th edition, Henry Clements, 1719, woodcut title device and text diagrams, a3 verso and a4 recto transposed in printing, corrected cancels bound in after a7, a5 verso and a6 recto also transposed, but all leaves and text present, marginal browning to endpapers, title-page and final leaf, small marginal stain to R2 and adjacent leaves, contemporary speckled tan calf, spine gilt with seed-head and shell tools, red morocco label, blind panels to sides, joints superficially cracked but firm, 8vo (19.5 x 11.8 cm) (Qty: 1)NOTESProvenance: 1) Sir Thomas Clarke (1703/4-1764), English judge (ownership inscription 'T. Clark, Trin Coll Cantab.' to front free endpaper). 2) Library of the Earls of Macclesfield, Part Five, 14 April 2005, lot 1125 (bookplate; blind-stamp to title-page). Clarke was persistently rumoured to have been an illegitimate son of his patron Thomas Parker, 1st Earl of Macclesfield (1666-1732), and bequeathed most of his estate to the third earl (1723-1795). Houzeau & Lancaster 9241. These lectures constituted 'the first course on Newtonian natural philosophy, and the first reputedly based on "experimental demonstrations", at either of the English universities' (ODNB).
Bible [English]. The Holy Bible, Containing the Old Testament and the New. Newly translated out of the Original Tongues..., Cambridge: Printed by John Field Printer to the Universitie, 1663, general title engraved by John Chantry (frayed and a little torn to margins, strengthened to verso), letterpress New Testament title, bound without Apocrypha, bound with an incomplete Psalms at rear (without title), with imprint Edinburgh: Printed by James Watson, His Majesty's Printer, 1720, leaves of Psalms frayed and with some tears, dust and some finger-soiling mostly at front and rear of volume, front blank endpaper with late 18th/early 19th century manuscript genealogical entries, lacking front free marbled endpaper, all edges gilt, early 18th century Scottish black morocco binding, rubbed, raised bands, compartments gilt tooled with central saltire incorporating seedhead tools and fleurons, volute cornerpieces, sides with central rectangular herringbone panel of leaf fronds, crescent moon with face tool above and below, enclosed by a seedhead roll border, within a larger hound's tooth roll and palmette panel containing a variety of tools, including cherubs, crescent moon, stars, and seedheads, within an outer panel enclosed by an edge border of gilt hound's tooth roll and milled semi-circles, containing fish scale pyramids, wheel tools, flower tools, and fleurons, gilt seedhead roll on turn-ins, 4to (leaf size 22.8 x 16.8cm), with old leather loose protective cover (Qty: 1)NOTESHerbert 684; Darlow & Moule 538. The National Library of Scotland has in its collection a Holy Bible printed by Charles Bill in 1699 bound in a Herringbone binding which most likely came from the same workshop, utilising as it does several of the distinctive bookbinding tools found here (Shelfmark: F.4.d.29 Ref. 00002670); as well as the unusual and attractive moon tool. The two bindings also have in common the following tools: large seedhead, tripart leaf frond, flower and seedhead volute, fleuron, and wheel.
Bible [English]. The Holy Bible, containing the Old and New Testaments..., Oxford: Printed by John Baskett, 1723, decorative woodcut initials, G7 with short tear and associated small loss to fore-margin, variable spotting throughout, close-trimmed at head (affecting some headlines), front flyleaf verso and two preliminary blanks with early ink genealogical entries for the Fry family, contemporary blind-panelled reversed calf, upper board near detached, worn, 4to, together with The Holy Bible, containing the Old and New Testaments; and also the Apocrypha..., Birmingham: Printed by Pearson and Rollason, 1788, engraved frontispiece dust-soiled and laid down (on paper manuscript waste), numerous engraved plates (offsetting with a few tears, one laid down, one detached, one with old repair to verso), New Testament title verso with early ink genealogical entries for the Starkey family, front free endpaper and blank detached, lacking rear free endpaper, both hinges cracked, contemporary blind-tooled calf, joints cracked, worn, old leather repairs to rear joint and corners, 4to, plus The Book of Common Prayer , London: Printed by John Baskett, 1739, decorative woodcut initials, head and tail pieces, spotting and toning, all edges gilt, contemporary black goatskin gilt, covers with decorative borders composed of various gilt tools, spine gilt tooled on raised bands and in panels, rubbed with some wear to extremities, 4to, with 10 others (some defective), including: The Holy Bible, containing the Old and New Testaments..., Oxford: Printed for Mark Baskett, 1762; The Holy Bible, containing the Old and New Testaments..., Cambridge: Printed by Joseph Bentham, 1762 (Qty: 14)

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