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Lot 2002
A Lazer glass kiln, with thermo computer TC60/8 controller by Bentrup (the Lazer kiln is not fully operational and will need a repair believed to be a relay switch, but can not be confirmed), (AF) 111cm high, 65cm wide, and a quantity of related glass tools, etc. Viewing strictly by appointment with saleroom
Lot 477
TWO GOLD THIMBLES, LATE 19TH C one set with split coral boarder, 2.1cm & 2.2cm h, smaller marked H G & S 15CT, later unmarked, a French gold bodkin and gold handled steel spike and a contemporary French ivory necessaire (5) ++Thimbles not holed or repaired, the larger lacking approximately half of the coral, the two tools in good condition, the ivory necessaire yellowed with age, slightly scratched and dirty, two or three blackened hairlines on the curved edges of the lid, hinge in good condition, lid closing tightly shut, not warped and releasing on pressing the push-piece
Lot 271
A Nigerian priest's pendant with a group of miniature blacksmiths tools, suspended on a bar with a link chain, 11.5cm the longest tool, and a Yoruba bronze zoomorphic rattle, Nigeria, the four linked animals with pierced and incised decoration, 16.5cm wide. (2) Provenance Monika Wengraf, London.
Lot 103
Sale Item: SUITCASE WOOD WORKING TOOLS (AF) Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%
Lot 59
AN AQUAMARINE AND DIAMOND DRESS RING, BY MARIO BUCCELLATIThe broad band set with a rectangular-cut aquamarine, weighing approximately 20.00cts, within a four-claw setting, to a finely pierced and textured lattice shoulders and gallery decorated with round brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 1.80cts total, signed M. Buccellati, ring size M½Buccellati The world renowned Italian house of Buccellati is famous for its textural gold jewellery and exquisite silver objects. The pieces are bold and instantly recognisable, with a style that references the great goldsmiths of the Renaissance. The family firm was founded by Mario Buccellati (1891-1965) as the young jeweller was inspired by the forgotten antique techniques of ancient Greece, the Middle Ages and the Renaissance. He sought to revive them using traditional tools and methods. In 1919 he opened his first jewellery store in Milan, practicing these ancient traditions. Buccellati pieces are noted for their rich textural quality achieved through the painstaking techniques. The signature rigato engraving effect completed by the process which uses tiny hand-applied stripes to give gold surfaces the appearance of silk fabric. Other methods used include telato, obtained by fine cross-hatched lines, and modellato, the most delicate engraving technique, which consists of reproducing several designs chiselled in three dimensions, on a minuscule scale, mainly used for the decorations of the borders. These techniques are used to create pieces which look and feel like silk, damask, tulle, lace, or linen. The juxtaposition of precious stones with texturized metals is distinctly unique and synonymous with the Buccellati house. Mario Buccellati’s unique abilities for drawing and creative mind led him to become one of Italy’s most celebrated jeweller’s. The royal families of Europe, great cardinals of Rome and the Pope were amongst his clientele. The expansion of business internationally began in 1951 to New York. After the passing of Mario Buccellati in 1965 he was succeeded by his sons, among them, Gianmaria took over the business. Gianmaria had apprenticed under his father at a young age, embracing the antique techniques treasured by his father, designing every piece produced in the ateliers. In 1970, under Gianmaria and his brother Luca, Buccellati has further expanded the business to Asia, establishing the first Italian Jewellers in Hong Kong. This was swiftly followed by subsequent stores in Tokyo, Osaka and Nagoya in the following years. Buccellati became the first Italian jewellers to launch a boutique in the renowned Place Vendôme of Paris in 1979. In accordance with tradition, Gianmaria after his passing in 2015, was also succeeded by one of his children, his daughter Andrea, the current present and creative director of the Buccellati group today.Over the century the Buccellati group have widened their creations to silver objects, predominately unique, once off pieces, marked with the typical characteristics of the house. Recently the group have expanded further creating a line of luxury watches, both men and women’s pieces, and a line of engagement rings.
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