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Lot 25
Fiona Bradford. Jack of Spades, 'Fish Hook'. Signed verso: 'Fishhook, Oil on board, Fiona Bradford'. Oil on board. 9 x 6.5cm. Framed. Fiona Bradford: My practice is an attempt to articulate the space between what 'there is' and 'there is not'; a point of potential immanence. This is not a tactic for avoidance or resolution, but a curiosity about the transformative and mutable potential of the medium. The work is informed by ideas related to the principles of emptiness and uncertainty. Emptiness, is not seen as a 'thing' or 'state of being,' but rather a process or 'state of becoming'. In relation to painting I use uncertainty as a tool - a way to figure my practice by using 'uncertainty purposefully'. These persistent interchanges between the tools and my intentions convey an agitation- an unavoidable restlessness in the work. It also reflects my confusion about what painting should be and what I should paint. It's messy. Repeated trial and error with pigments, oils, airbrush, spray painting and collage does not preclude other modes of working such as daydreaming and deferral. Experimenting with strategies such as hesitation, delay and deceleration lead me down dubious alleyways, only to retrace my steps in concentric circles.As an artist my task as I see it is to try and apprehend these reverberations. www.fionabradford.com. As a retired S.R.N I appreciate the importance of a charity such as Transplant Links for action, research & understanding. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Lot 26
Fiona Bradford. Jack of Spades 2, 'Jaybird'. Signed verso: 'Jaybirds, Oil on board, Fiona Bradford'. Oil on board. 9.2 x 6.8cm. Framed. Fiona Bradford: My practice is an attempt to articulate the space between what 'there is' and 'there is not'; a point of potential immanence. This is not a tactic for avoidance or resolution, but a curiosity about the transformative and mutable potential of the medium. The work is informed by ideas related to the principles of emptiness and uncertainty. Emptiness, is not seen as a 'thing' or 'state of being,' but rather a process or 'state of becoming'. In relation to painting I use uncertainty as a tool - a way to figure my practice by using 'uncertainty purposefully'. These persistent interchanges between the tools and my intentions convey an agitation- an unavoidable restlessness in the work. It also reflects my confusion about what painting should be and what I should paint. It's messy. Repeated trial and error with pigments, oils, airbrush, spray painting and collage does not preclude other modes of working such as daydreaming and deferral. Experimenting with strategies such as hesitation, delay and deceleration lead me down dubious alleyways, only to retrace my steps in concentric circles.As an artist my task as I see it is to try and apprehend these reverberations. www.fionabradford.com. As a retired S.R.N I appreciate the importance of a charity such as Transplant Links for action, research & understanding. Please note that final invoices will include buyers' premium at 27% (inclusive of VAT) added to the hammer price. Ewbank's are waiving all vendor commission for the charity. Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future.
Lot 1817
•STANLEY ANDERSON, CBE, RA (1884-1966) HURDLE MAKERS Engraving, 1937, edition of 50, and inscribed (Line Engraving) in pencil, unframed 19 x 15.5cm. * Herbert and Leonard Soanes, skilled and long-established Oxfordshire hurdle-makers, are seen working with traditional tools. Anderson's remarkable ability to capture detail and texture is evident in the crisp clarity of this print. ++ Very good condition
Lot 1819
•STANLEY ANDERSON, CBE, RA (1884-1966) THE COOPER Engraving, 1947, signed, titled, inscribed (Line engraving) and Edition 65 proofs in pencil, unframed 18 x 14.5cm. * This determined worker is George Ramsey of the Chesham and Brackley Brewery, hammering down a raising-hoop onto a Russian Memel oak cask. Once again, the craftsman's tools catch the artist's eye and seem to be almost more a focus of interest than Ramsey himself. ++ Good condition
Lot 212
A Tudor Prince Oyster date Sub Mariner Model 494110 wristwatch, dating from the late 1970's CONDITION REPORTS Appears to be in good condition throughout. Hands / movement appears to be working. Cannot enter the case back of the watch as do not have the tools nessasary and the codes are as follows 380B and 78500.Specific enquiries - overall condition appears good. However is it in shop condition? Suggest not. Light scratch to the back plastic cover (wrist side). Is the movement functioning correctly? The second hand is moving more than that we cannot tell. Unknown whether it is an ETA2784 movement. Unknown as to whether it has been serviced. The colour of the dial is dark blue. The bezel is blue but looks to be new blue, rather than faded. The only visible numbers on the watch / bracelet are those already provided ie 380-B and 78500 to the bracelet. Bracelet length open is 21 cm. There is no box and there are no papers with this piece.
Lot 162
NO RESERVE Razzolini Luigi. Serie delle edizioni citate dagli accademici della Crusca nelle cinque impressioni del loro vocabolario... Seconda Edizione. Firenze: presso Antonio Cecchi, 1867.In-12° (mm 132x92). Pagine 226, [2]. Completo dell'ultima carta bianca. Esemplare in barbe, stampata su carta forte. Piccoli aloni marginali. Legatura in percallina verde scuro. Piatti in cornice di filetti in oro e a secco. Dorso a quattro piccoli nervi, scomparti decorati con ferro floreale in oro, titolo in caratteri dorati. Contropiatti e sguardie in carta marmorizzata a pettine. Al recto della carta di guardia anteriore nota autografa dell'autore 'In questa carta, detta a mano, ne furono tirati due soli esemplari. Luigi Razzolini'. Rarissima, e pressoché sconosciuta tiratura fuori commercio della seconda edizione del noto repertorio allestito dall'erudito e bibliografo toscano Razzolini (m. 1881), e stampata - come si evince dalla nota autografa vergata alla carta di guardia - in due soli esemplari su carta speciale ad uso dell'autore. La prima edizione della bibliografia di Razzolini era apparsa nel 1863. 12° (132x92). 226, [2] pages. Complete with the last blank leaf. Uncut copy, printed on hand-made paper. A few minor marginal spots. Dark green cloth, covers within blind and gilt fillets. Spine with four small raised bands, compartments decorated with gilt floral tools, title lettered in gold. Marbled pastedowns and flyleaves. Author's autograph annotation on the recto of the front flyleaf 'In questa carta, detta a mano, ne furono tirati due soli esemplari. Luigi Razzolini'. Exceedingly rare, nearly unknown issue hors commerce of the second edition of the estimeed bibliography compiled by the Tuscan scholar Razzolini (d. 1881), of which - as the author himself states in an autograph note on the flyleaf - only tow copies were printed, on special paper. The first edition of Razzolini's work appeared in 1863.
Lot 54
NO RESERVE Diplomatica. Baring Daniel Eberhard. Clavis diplomatica, specimina veterum scripturarum tradens, alphabeta nimirum varia, medii aeui compendia scribendi, notariorum veterum signa perplura, cet. singula tabulis aeneis expressa. Praemissa est bibliotheca scriptorum rei diplomaticae... Hanoverae: sumtibus haeredum B. Nic. Foersteri et filii, 1754.In-4° (mm 252x191). Pagine [4], 60, 152, [2], [153]-196, [6], 197-616, [20]. Vignetta incisa al frontespizio. 73 tavole fuori testo, di cui una a doppia pagina, e una ripiegata. Alcune illustrazioni nel testo. Testatine, iniziali decorate e finalini xilografici. Esemplare mediocre, uniforme brunitura dovuta alla qualità della carta e dell'inchiostro; diffusi aloni e fioriture, ampie gore, che interessano anche le tavole. Legatura coeva in bazzana. Dorso a cinque nervi, scomparti decorati con ferri floreali, titolo in caratteri dorati. Tagli rossi. Numerose abrasioni e mancanze alla legature, cerniere usurate, in particolare l'anteriore con lieve distacco del piatto in corrispondenza della cuffia di testa. Piccole mancanze al dorso, spellature agli angoli. Al frontespizio timbro nobiliare, e nota di possesso settecentesca, di difficile lettura. Seconda e accresciuta edizione di questo trattato di diplomatica redatto da Daniel Eberhard Baring (1690-1753), al tempo responsabile della Biblioteca Regia di Hannover, in Bassa Sassonia. La prima edizione era apparsa, sempre a Hannover, nel 1737.4° (252x191 mm). [4], 60, 152, [2], [153]-196, [6], 197-616, [20] pages. Engraved vignette on the title-page. 73 plates hors texte (of which one double-page, and another one folded). Some illustrations in the text. Woodcut head- and tailpieces, decorated initials. A fair copy, uniformly browned as expected; spotting and foxing throughout, large waterstains to the leaves and plates. Contemporary bazzana leather. Spine with five raised bands, compartments decorated with floral tools, title lettered in gilt. Edges red. Covers and joints rather abraded, the upper cover slightly detached at the top. Corners worn, minor losses to the spine. Armorial stamp, and an illegible 18th-century ownership inscription on the title-page.Second and enlarged edition of this monumental treatise by Daniel Eberhard Baring (1690-1753), at the time librarian at the Royal Library in Hannover, Lower Saxony. The first edition of the Clavis diplomatica had appeared, always in Hannover, in 1737.
Lot 87
NO RESERVE Harwood Edward. Degli autori classici sacri profani greci e latini biblioteca portatile ossia il prospetto... reso più interessante per nuovi articoli e per recenti scoperte, ed illustrazioni critiche, cronologiche, e tipografiche con mutua cura disposte dall'ab. Mauro Boni e da Bartolomeo Gamba. Parte prima [- seconda]. Venezia: a spese di Antonio Astolfi, 1793.Un'opera in 2 volumi, in-12° (mm 172x101). I. Pagine XXII, 449, [3]. Manca la carta iniziale *1 bianca, ma è invece presente l'ultima carta bianca T10. II. Pagine VIII, 5-428, LXX, [4]. Mancano le carte bianche S11 e S12. Esemplare in ottimo stato di conservazione, sporadiche e leggere fioriture. Legatura uniforme coeva in vitello raciné. Dorsi lisci, divisi in scomparti da filetti in oro, e decorati con ferri floreali dorati. Titolo in oro su tasselli in pelle, numero del volume in caratteri dorati. Contropiatti e sguardie in carta marmorizzate, segnalibri in seta rosa, tagli marmorizzati. In entrambi i volumi cerniere leggermente abrase, qualche minima mancanza in corrispondenza delle cuffie di testa.La seconda e notevolmente ampliata edizione in lingua italiana della celebre e fortunata A View of the Various Editions of the Greek and Roman Classics del classicista e biblista Edward Harwood (1729-1794), apparsa originariamente a Londra nel 1775. Una prima e più concisa edizione era apparsa sempre a Venezia nel 1780, data alle stampe per le cure di Maffeo Pinelli con il diverso titolo di Prospetto di varie edizioni degli autori classici greci e latini. La nuova edizione del 1793 fu edita dal noto bibliografo italiano Bartolomeo Gamba (1766-1841). Gli ultimi fascicoli del secondo volume comprendono il Quadro critico tipografico, redatto dall'abate Mauro Boni (1746-1817).One work in 2 volumes, 12° (172x101 mm). I. XXII, 449, [3] pages. Lacking the first blank *1; complete with the final blank T10. II. VIII, 5-428, LXX, [4] pages. Lacking the blanks S11 and S12. A very good copy, light foxing in places. Uniform contemporary binding, calf raciné over pasteboards. Smooth spines, divided into compartments by gilt fillets, and decorated with floral gilt tools. Gilt title on lettering-pieces, volume numbering lettered in gilt. Marbled pastedowns and flyleaves, pink silk bookmarks in seta rosa, Marbled edges. Joints of both volumes slightly worn, a few minor losses to the extremities of spines. The second and significantly enlarged edition in Italian language of the famous and estimeed treatise A View of the Various Editions of the Greek and Roman Classics by the biblical and classical scholar Edward Harwood (1729-1794), first appeared in London in 1775. A first and briefer edition had been published in Venice in 1780, edited by Maffeo Pinelli with the different title Prospetto di varie edizioni degli autori classici greci e latini. The new publication of 1793 eas edited by the well-known Italian bibliographer Bartolomeo Gamba (1766-1841). The last quires of the second volume contain the Quadro critico tipografico, compilet by abbot Mauro Boni (1746-1817).
Lot 88
NO RESERVE Haym Nicola Francesco. Biblioteca italiana ossia Notizia de' libri rari italiani divisa in quattro parti cioè istoria, poesia, prose, arti e scienze... Volume primo [- quarto]. Milano: presso Giovanni Silvestri, 1803.Un'opera in 4 volumi in-8° (mm 199x125). I. Pagine [4], 306. II. Pagine 268. III. Pagine 210. IV. Pagine 368. Buon esemplare, alcune carte in barbe. Fioriture diffuse, qualche alone, tracce di polvere. Alcune carte uniformemente brunite, in modo più evidente al terzo e quarto volume Legatura uniforme coeva in mezzo vitello moucheté, con angoli. Piatti in carta marmorizzata. Dorsi lisci, divisi in scomparti da filetti in oro e decorati con ferri dorati. Titolo e numero del volume su doppio tassello in pelle. Contropiatti in carta remondiniana, segnalibri in seta azzurra. Tagli azzurri. Qualche leggera mancanza agli angoli, cerniere e estremità dei dorsi abrasi, piccolo distacco al dorso del terzo volume, in corrispondenza della cuffia di piede. L'ultima edizione data alle stampe della fortunatissima bibliografia del poliedrico Nicola Francesco Haym (1678-1729) - musicista, librettista, violoncellista al servizio di prelati e nobili romani, e tra 1722 al 1728 segretario della Royal Academy of Music di Londra, città in cui morì nel 1729. L'opera era apparsa originariamente nel 1726 con il diverso titolo di Notizia de' libri rari nella lingua italiana. Le successive edizioni si avvalsero tutte delle preziose notizie fornite dal catalogo della biblioteca del marchese Alessandro Gregorio Capponi, pubblicato nel 1747 e ricchissima di edizioni in lingua italiana (vedi lotto 13).One work in 4 volumes 8° (199x125 mm). I. [4], 306 pages. II. 268 pages. III. 210 pages. IV. 368 pages. A good copy, some leaves uncut. Foxing throughout, a few spots, slightly dusted. Some leaves uniformly browned, more prominent in the third and fourth volume. Uniform contemporary half-calf moucheté. Marbled covers. Smooth spines, divided into compartments by gilt fillets and decorated with gilt tools. Title and volume numbering on double lettering-piece. Pastedowns in Remondini paper, pale blue silk bookmarks. Edges pale blue. A few minor losses to the corners, joints and extremities of spine worn; in the third volume the upper extremitie of spine slightly damaged.The last edition to be printed of the popular bibliography compiled by the poliedric of the poliedrico Nicola Francesco Haym (1678-1729) - musician, librettist, violoncellist at the service of Roman Cardinals and noblemen, and between 1722 and1728 secretary of the Royal Academy of Music in London, where he died in 1729. The work appeared originally in 1726, differently Notizia de' libri rari nella lingua italiana. The subsequent editions took advantage from the publication in 1747 of the catalogue of the library assembled by Marquis Alessandro Gregorio Capponi, an outstanding collection of books published in Italian language (see lot 13).
Lot 778
Small Star Wars Vehicles and Figures, Including four boxed models comprising Return of The Jedi models, a Vehicle Maintenance Energizer, complete with six tools, no instructions, Endor Forest Ranger Vehicle, complete with instructions, an AST-5, complete with instructions, and an Empire Strikes Back, Tauntaun with instructions, together with unboxed models, Return of the Jedi MLC-3 and Speeder Bike Vehicle both with instructions, and four others, F-G, Boxes/instructions P-F, (Qty)
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82067 item(s)/page