We found 82038 price guide item(s) matching your search
There are 82038 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
82038 item(s)/page
Woodworking tools - a Smoothing Plane marked Marples and Son to top of Iron, oak handle, brass body and sole, 10” (25cm) from handle to toe; another Smoothing Plane, by Acorn, 9” (23cm) long; Slack Sellors & Co. Brass-backed Tenon Saw, George Ibbotson 8” Dovetail Saw; Fret saw, Sandvik Superior 14” Tenon Saw; other saws, spoke shave, etc.
A SET OF THREE GEORGE III POLISHED STEEL FIRE TOOLS EARLY 19TH CENTURY Each with flattened disc and spiral decoration poker 74cm long Together with a late George III brass and polished steel serpentine fire fender Early 19th century 11.2cm high, 128.5cm, internal depth at centre 32cm And a polished steel fire grate in the George III 'Adam style' 49cm high, 70cm wide Condition Report: All with wear from domestic fireplace use- wear, marks, knocks and scratches as per age, handling, use, and cleaning Tools Some wear as per use and mild rust that should clean/polish upFender Wear notably to top edge and loss and replacement to internal screws, ends a little tired- dirty- benefit from a cleanGrate fairly modern- clean- little use Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A SET OF THREE GEORGE III POLISHED STEEL FIRE TOOLS LATE 18TH CENTURY With urn shaped grips and baluster knopped shafts with floral engraving, the shovel with pierced tulip-shaped head poker 75cm long Together with a George III Paktong fire fender, after designs by Robert Adam, circa 1810 Of serpentine outline, pierced acroteria frieze 144cm wide, 16cm high Provenance: The fire tools- supplied to Edwin Lascelles, 1st Baron Lascelles (1730-1795) for Harewood House, and by descent until sold by the Earl of Harewood; Christie's, London, 1990s Condition Report: All with wear from domestic fireplace use- wear, marks, knocks and scratches as per age, handling, use, and cleaning Tools - surface dirt and scattered but visible rust- will benefit from clean and polishFender- dirty and wear from use, surface quite heavily polished Vacant screw holes to underside suggesting it may have started with further feet- or had some mounted at some stage Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A George V silver manicure set in a tortoiseshell fitted box with silver hallmark hinges to the lid, contents to include two lidded cylindrical jars and lids, three silver gilt handled tools, a lift out tray beneath with two pairs of non-matching scissors, all items hallmarked London 1919, makers mark for Charles Henry Dumenil, 21 x 13 x 4 cm
GOLF, selection of used golf balls, inc. Corey Pavin 1993 Ryder Cup, Lanny Wadkins 1993 Ryder Cup, John Cook 1993 Ryder Cup, Sergio Garcia 1999 Dunhill, Andrew Murray, Mike King, Eogan O'Connell, Daniel Silva etc., 4 balls signed by user, with a selection of tees and divot repair tools, VG to EX, 23
Kirk (John Foster). History of Charles the Bold, Duke of Burgundy, 3 volumes, 1st edition, London: John Murray, 1863-68, portrait frontispieces to volumes I-II, burgundy morocco gilt bookplates of W. A. Foyle, Beeleigh Abbey and armorial bookplates of Sir Julius Wernher (1850-1912, diamond magnate and art collector). all edges yellow, later tan calf, spines with green and maroon labels and gilt-decorated in compartments, edges slightly rubbed, 8vo, together with Smith (John Thomas). Nollekens and his Times: comprehending a life of that celebrated sculptor; and memoirs of several contemporary artiists, from the time of Roubiliac, Hogarth and Reynolds, to that of Ousell, Flaxman, and Blake, 2 volumes, 1st edition, London: Henry Colburn, 1828, engraved portrait, extra-illustrated with approximately 100 engraved plates and portraits, some light offsetting and spotting, burgundy morocco gilt bookplates of W. A. Foyle, , all edges gilt, later tan calf by Riviere, Bath, spines gilt with artist's easel and palette tools in compartments, slight partial fading to covers, 8vo, plus Smalley (George W.) London Letters and Some Others, 2 volumes, London: Macmillan and Co., 1890, half-titles, 1 pp. autograph letter from the author to the publisher bound-in at front of volume I, burgundy morocco gilt bookplates of W. A. Foyle, Beeleigh Abbey, and publisher Frederick Macmillan (1851-1936), , top edge gilt, contemporary tan calf by Riviere & Son, spines with maroon and tan labels and richly gilt, 8vo, limited signed edition 8/9, with 3 others: The Life and Letters of Lord Macaulay, by George Otto Trevelyan, 2 volumes, 1876, The Life and Works of Goethe, by G. H. Lewes, 2 volumes, 1855, and Our Peculiarities, by Viscountess Combermere, privately printed circa 1863QTY: (12)NOTE:Provenance: W. A. Foyle (bookplates); 2nd work 'from the library of Sir Hugh Walpole, July/45' (pencil inscription at front of volume I).
Rabelais (François). Master Francis Rabelais. Five books of the lives, heroic deeds and sayings of Gargantua and his son Pantagruel, translated into English by Sir Thomas Urquhart of Cromarty and Peter Antony Motteux, 2 volumes, London: Lawrence and Bullen, 1892, half-titles, portrait frontispiece to volume I, 14 plates by Louis Chalon, light spotting to fore edges, bookplates of Raphael Bauer (1864-1947, German banker), top edge gilt, later crimson half morocco by Zaehnsdorf, spines lettered in gilt and decorated with satyr head and quiver and flaming torch tools in compartments, 4to, limited edition 916/1000 together with The Decameron of Giovanni Boccaccio, translated by John Payne, 2 volumes, London: Lawrence and Bullen, 1893, half-titles, titles printed in red and black, illustrations by Louis Chalon, Raphael Bauer bookplates, top edge gilt, uniformly bound by Zaehnsdorf, 4to, plus 3 others: The Nights of Straparola, now first translated into English by W. G. Waters, illustrated by E. R. Hughes, 2 volumes, 1894, limited edition of 1000 (this copy unnumbered), The Novellino of Masuccio, 2 volumes, 1895 (limited edition 960/1000), and The Pecorone of Ser Giovanni, 1897 (limited edition 72/600), all uniformly boundQTY: (9)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey.
Cosway-style binding. Letters of the English Seamen: 1587-1808, edited by E. Hallam Moorhouse, 1st edition, London: Chapman and Hall, 1910, folding facsimile letter, 16 portraits, watered silk endpapers, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey, all edges gilt, finely bound in later Cosway-style russet full morocco by Bayntun Riviere, Bath (signed to turn-in), the upper cover with inset oval hand-coloured portrait of Admiral Cuthbert Collingwood, 1st Baron Collingwood, the miniature within a gilt-tooled border, anchor and volute corner pieces with fillet borders, the spine with raised bands, lettered with anchor and ship tools in gilt in compartments, 8vo QTY: (1)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplate).
Binding - [Matthewman, John]. Considerations of the Present State of the Controversy between the Protestants and Papists of Great Britain and Ireland; Particularly on the Question How far the latter are entitled to a Toleration upon Protestant Principles. Being the Substance of Two Discourses delivered to the Clergy of the Archdeaconry of Cleveland, in the Years 1765 and 1766, by Francis Blackburne, M. A. Archdeacon of Cleveland, London: Printed for A. Millar and T. Cadell, 1768, blank leaf following page 296 at rear of volume with foliage motif stamped (by Matthewman) in black ink bearing the author's initials F. B. beneath, occasional light toning and light spotting, marbled endpapers with armorial bookplate of Hagley Hall to upper pastedown and with oval ink stamp of Hagley Library to front free blank endpaper, contemporary red morocco (by John Matthewman, unsigned), pointillé gilt line border to boards, upper board with central gilt tool of a seated Britannia and lower left corner with cockerel gilt tool motif (symbolising alertness or vigilance), lower board with central gilt tool of the figure of Athena (the Greek goddess of wisdom) and lower right corner with owl gilt tool motif (symbolising wisdom), spine with author's surname in gilt divided by gilt tool motif depicting the Rod of Asclepius, spine very slightly faded, extremities lightly rubbed, 8voQTY: (1)NOTE:An example of the same title in matching binding by Matthewman is held at the National Library of Scotland (Nha.Misc.31).Thomas Hollis FRS FRSA (1720-1774) was a political philosopher, Dissenter and Republican and author. He was a wealthy man having inherited from his father, grandfather and uncle. Hollis advanced his views to others by having books that promoted his beliefs specially bound and presented to friends and institutions within the UK and abroad, notably to Harvard Library following the serious fire in 1764. The majority of volumes bound for Hollis were covered in red Morocco with specially cut emblematic decorative tools designed by the Italian painter and engraver Giovanni Battista Cipriani (1727-1785, who resided in London from 1755). His principal bookbinder from circa 1759 to 1769 was John Matthewman (and business partner John Bailey). In June 1764 a large fire broke out at the Matthewman and Bailey bookshop and bindery causing a great deal of damage and the loss of three lives. As a consequence of the fire new emblematic tools were cut by the engraver Thomas Pingo. In March 1766 the bindery workshop suffered severe financial difficulties and eventual bankruptcy which was announced in the newspapers at the time. The failure of the business was reported to have been caused by Matthewman’s business partner John Bailey. The business continued for a short while until 21 June 1769 when Matthewman absconded to avoid the debtor’s prison.

-
82038 item(s)/page