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Lot 21
A selection of silver and white metal lady's dressing table accessories, to include an Edwardian silver mounted goliath pocket watch stand by William Henry Sparrow, Birmingham 1904, 11.2cm x 10cm, with accompanying plated goliath pocket watch, a silver mounted cut glass hair tidy, a silver mounted manicure stand with accompanying silver handled nail tools and white metal nail scissors, a silver handled shoehorn, a silver handled button hook, silver handled glove stretchers, a silver mounted comb, a silver salt spoon, a white metal manicure tool with mother of pearl handle, and a silver matchbox holder (15) Condition reports can be found attached to your lot of interest once a request has been submitted, and can be found attached to the lot at auctions.trevanionanddean.com. Please only bid if you are entirely satisfied with the condition of your lot. The absence of a condition report does not guarantee that the lot is free from faults or defects.
Lot 540
Gastronomie - Hausväterbücher - - Walter Hermann Ryff. (Confect Buch und Hauß Apoteck, Kunstlich zubereiten, einmachen, und gebrauchen, Wes in Ordenlichen Apotecken, ... dienlich unnd nütz, Trewliche Unterrichtung ... in Acht theyl kürtzlich abgetheylt). Mit über 50 Textholzschnitten. (und) Ders., Practicierbüchlein bewerter Leibartzney, 1574. I. (Frankfurt, C. Egenolffs Erben, 1578). Titel, 344 Bll., 7 nn. Bll. - II. Ebenda 1574. (Beginnt mit) S. 9-168 (fehlt Titel u. Bll.- S. 8). (Mod.) Pp. mit RSchd. I. Weiss 3297 - VD 16, R 3936. - Zuerst 1540 erschienen. Eins der beliebtesten deutschen Hausbücher des 16. Jahrhunderts mit vielen Rezepten u. Ratschlägen. Die hübschen Holzschnitte zeigen u.a. Hausgeräte, Maulbeeren, Meerrettich, Quitten, Zitrusfrüchte, Weinfässer u.v.m. - Etwas gebräunt, gelegentlich am Oberrand schwach wasserrandig, insgesamt gut erhalten. Titel in Rot und Schwarz gedruckt. - II. Beigebd. Ders., Practicierbüchlin bewerter Leibartzney, Jn allen Kranckheyten, vnnd Leibsgebrächen Erneuwert vnnd gebessert. Mit zahlr. Textholzschn. Ebenda 1574. - VD 16 R3998 - Benzing, Ryff 125 - Gebräunt und teils fleckig bzw. fingerfleckig, teils leicht wasserrandig. One of the most popular 16th century German house books with over 50 text woodcuts, mostly old colored, depicting tools, mulberries, horseradish, quince, citrus fruit, wine barrels etc. - New boards. - Slightly browned and fingerstaining, only few waterstaining. - Added: Ryff, Practicierbüchlin bewerter Leibartzney ... 1574. With numerous text woodcuts. Missing title and leaves 1-8. - Browned and partly stained or finger-stained, partly slightly waterstained.
Lot 109
Pyu city-states, 2nd-10th century. The semi-translucent stone of a black color with white bands and natural dark-brown inclusions, skillfully carved and incised as a dog with a bushy bifurcated tail obscuring its hind legs. Pierced through the dog’s neck and tail to allow for suspension as a pendant.This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan, a leading expert in Pyu art and Burmese gemstones, and Hungarian gemologist Dr. József Takács. Their analysis finds that the stone is a very rare, beautiful, and natural banded black agate with natural white stripes and the talisman is original, ancient, cut by hand with carving, boring and grinding. The color is original and natural, with no trace of dying in the material and microcracks. The stone has been cleaned by hand using organic oil and its surface is smooth and polished, while the fine ancient patina has been preserved. The marks of primitive tools are clearly visible on the surface. The holes are ancient, handmade, irregular, funnel-shaped, executed from both sides using iron needles. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear, one tiny natural fissure to the tail.Weight: 15.4 gDimensions: Length 4.3 cmLiterature comparison: A very similar dog talisman is published in Burmese Gemstone Amulets and Talismans Volume 1 (part of the series From the Collection of Dr. Zelnik), page 168, Budapest 2016. 
Lot 121
Pyu city-states, 2nd-10th century. The translucent stone finely carved and neatly incised as an elephant, its stubby trunk and tusks giving it a compact shape. Pierced through the elephant’s forehead and behind allowing for suspension as a pendant.This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan, a leading expert in Pyu art and Burmese gemstones, and Hungarian gemologist Dr. József Takács. Their analysis finds that the stone is a rock crystal and the talisman is original, ancient, cut by hand with carving, chiseling, boring, and grinding. The color is natural. There are sandy deposits in the recesses of the surface. The stone has been cleaned in a tumbler and repolished by hand. There are marks of authentic ancient craftsmanship and use of primitive tools. The holes are ancient, handmade, and irregular. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear.Weight: 42.5 gDimensions: Size 2.8 x 4 cmPublished: Burmese Gemstone Amulets and Talismans Volume 1 (part of the series From the Collection of Dr. Zelnik), page 240-241, Budapest 2016.Literature comparison: An almost identical piece is published in Burmese Gemstone Amulets and Talismans Volume 1 (part of the series From the Collection of Dr. Zelnik), page 227, Budapest 2016. 
Lot 107
Samon Valley Culture or early Pyu city-states, 8th century BC-5th century AD. The translucent stone of good clarity with few natural inclusions, finely carved to represent a deity standing upright with a distinctive broad nose and prominent buttocks, the legs close together and the arms folded below the chest. Pierced through the sides to allow suspension as a pendant.This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan, a leading expert in Pyu art and Burmese gemstones, and Hungarian gemologist Dr. József Takács. Their analysis finds that the stone is a rock crystal and the talisman is original, ancient, cut by hand with carving, chiseling, boring, and grinding. The color is original and natural. There are no traces of dye in the recesses of the stone. The stone has been cleaned in a tumbler and re-polished by hand using organic oil. There are clear marks of authentic ancient craftsmanship and use of primitive tools. The holes are ancient, handmade, irregular, and funnel-shaped. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear.Weight: 16.5 gDimensions: Height 5.8 cm 
Lot 115
Pyu city-states, 2nd-10th century. The translucent stone of a pale to deep lavender tone with natural white inclusions, finely carved as a tiger with the back arched and the front paws extended forwards as if preparing to pounce at its prey. Pierced through the tiger’s neck and tail to allow suspension as a pendant.This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan, a leading expert in Pyu art and Burmese gemstones, and Hungarian gemologist Dr. József Takács. Their analysis finds that the stone is an amethyst and the talisman is original, ancient, cut by hand with carving, chiseling, boring and grinding. The color is original and natural. The stone has been cleaned by hand using organic oil. There are no traces of later dying in the recesses or on the surface of the stone. The marks of primitive tools are clearly visible on the surface. The holes are ancient, irregular, and funnel-shaped. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear, few natural fissures to the stone.Weight: 36.3 gDimensions: Length 7.4 cmLiterature comparison: Related tiger talismans are published throughout Burmese Gemstone Amulets and Talismans Volume 1 (part of the series From the Collection of Dr. Zelnik), Budapest 2016, with a particularly similar piece on pages 140/141. 
Lot 103
Samon Valley culture or early Pyu city-states, 800 BC-5th century AD. The ancient necklace consisting of 31 amethyst beads of oval and round shapes, pale to deep lavender color, and varying translucency, held together by a modern plastic string.This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan, a leading expert in Pyu art and Burmese gemstones, and Hungarian gemologist Dr. József Takács. Their analysis finds that the stones are rare pink-colored amethysts, original, ancient, cut, carved, chiseled, bored, and ground. The beads are of different sizes and all made by hand using primitive tools. The color is original and natural. The stone has been cleaned by hand while preserving the fine ancient patina. There are no traces of later dying in the recesses of the stone. The beads have been cleaned by hand while preserving the fine ancient patina. The holes are ancient, handmade, and irregular. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear, some natural fissures to the stones, and surface scratches. Weight: 62.3 gDimensions: Length 49 cmPublished: Burmese Gemstone Beads From The Collection of Dr. Zelnik, no. BR. 856 (page 375), Budapest 2019. 
Lot 119
Pyu city-states, 2nd-10th century. The translucent stone of good clarity with some natural inclusions, finely carved as a tiger with a cub in its mouth, a very rare depiction. Large piercing through the mouth and tail allowing for suspension as a pendant.This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan, a leading expert in Pyu art and Burmese gemstones, and Hungarian gemologist Dr. József Takács. Their analysis finds that the stone is a rock crystal and the talisman is original, ancient, cut by hand with carving, chiseling, boring, and grinding. The color is original and natural. The stone has been cleaned by hand while preserving the fine ancient patina. There are clear marks of authentic ancient craftsmanship and use of primitive tools. The holes are ancient, handmade, irregular, funnel-shaped, the use of an iron needle is apparent due to the transparency of the stone, the holes having been made from both sides, the difficulty of execution can be seen. There is no evidence of a later external intervention or the use of modern instruments on this piece. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear.Weight: 48.3 gDimensions: Length 7.8 cmLiterature comparison: Similar tiger talismans are published in Burmese Gemstone Amulets and Talismans Volume 1 (part of the series From the Collection of Dr. Zelnik), pages 94/95 and 142/143, Budapest 2016. 
Lot 99
Persia, Hellenistic period, 4th-1st century BC. The scarab talisman finely carved and incised, with a seal to the underside, and pierced to allow for suspension as an amulet. Scarabs were popular amulets and impression seals in ancient Egypt, a symbol for rebirth and regeneration which from the Middle Bronze Age (2100–1550 BC) spread across the Mediterranean and Middle East. This piece was found near Persepolis, the ancient capital of Persia. This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan and Hungarian gemologist Dr. József Takács. Their analysis finds that the stone is a lapis lazuli of excellent quality from Afghanistan and the scarab is original, ancient, cut by hand with carving, chiseling, boring, and grinding. The color of the stone is original with no traces of dye in the recesses. The stone has been cleaned in a tumbler and re-polished by hand, preserving the fine ancient patina. The holes are ancient, irregular, and funnel-shaped. There are no traces of use of modern tools. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-collection of the imperial family of Mohammad Reza Pahlavi, last Shah of Iran (a letter of provenance signed by Dr. Zelnik will be handed out to the winning bidder upon request). Ex-Collection of The Zelnik István Southeast Asian Gold Museum, acquired from the above. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with expected minor traces of age and wear.Weight: 3.0 gDimensions: Size 0.8 x 1.7 cm 
Lot 117
Pyu city-states, 2nd-10th century. The semi-translucent stone of a mottled spinach-green tone with natural light and dark inclusions, skillfully carved and neatly incised to depict a tiger looking forwards with a short tail and almost straight back. Pierced through the tiger’s mouth and tail to allow suspension as a pendant.This piece was personally examined by Burmese American archaeologist and gemologist Terence Tan, a leading expert in Pyu art and Burmese gemstones, and Hungarian gemologist Dr. József Takács. Their analysis finds that the stone is an aventurine and the talisman is original, ancient, cut by hand with carving, boring and grinding. The color is original and natural. There are no traces of dye in the recesses or on the surface of the stone. There are clearly visible traces of ancient primitive tools on the surface. The stone has been cleaned by hand and re-polished; the fine ancient patina has been preserved. The holes are ancient, irregular, and funnel-shaped. A certificate signed by Dr. Zelnik attesting to the above will be handed to the winning bidder upon request.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above.Condition: Very good condition with minor traces of age and wear.Weight: 74.8 gDimensions: Length 9 cmLiterature comparison: Similar tiger talismans are published throughout Burmese Gemstone Amulets and Talismans Volume 1 (part of the series From the Collection of Dr. Zelnik), Budapest 2016. 
Lot 34
A Group Of Miscellaneous Items Mostly 19th CenturyComprising a shell-guard from a small-sword (repaired), the outer sides chiselled and pierced in relief with equestrian combat scenes, 17th century, probably Dutch; a pocket combination tool, of steel and comprising eight various tools each folding into the partly faceted stirrup-shaped handle; a set of twelve skeleton keys of russet iron and on their original split-ring for suspension; two lacquered spectacle cases, each with inlaid decoration, one containing a pair of spectacles with slender blued frame; two modern sheath-knives; and thirteen various pocket knives of various sizes and mostly with horn, silver, wooden and bone grip-scales (20)For further information on this lot please visit Bonhams.com
Lot 103
An impressive and rare Benjamin Martin tellarium / planetarium, English, circa 1765-70,boldly signed A New PLANETARIUM by B.MARTIN LONDON, probably an experimental model, the drum containing double-cone gear-work for operating both the tellarium and planetarium, top-plate engraved with zodiac degree and calendar scales centred by stylised sun motif, the circumference cut with 274 teeth and mechanism operated by winding handle at the side. When set up as a tellarium complete with brass sphere representing the sun and a James Ferguson 3 inch terrestrial globe mounted within silver meridian with pointer indicating the sun's rays and pointer and dial indicating the hours as the earth orbits the sun, the globe mounted above geared mechanism. When set up as a planetarium with plastic models representing Mercury, Venus, the Earth, Mars, Jupiter and Saturn. The Earth, Jupiter and Saturn have subsidiary arms representing the moons. The whole raised on turned brass column and folding tripod base, 18 in (46cm) high Footnotes:Benjamin Martin (bap. 1705, d. 1782) distinguished in the history of scientific instruments and optics, for his contributions to not only the production and sale of scientific instruments, but also through popularising such skills and knowledge through his numerous published texts as well as a dedicated career in lecturing.A successful businessman of his time, he controversially used hard marketing and repeated advertising of his products, a tactic uncommon and regarded as suspicious by his contemporaries, although latterly becoming common practice. Martin's broad education led him to open a school in Chichester in his late twenties, which is where he began to start writing the first of many publications. His first text, published in 1735, 'The Philosophical Grammar', focusing on natural philosophy, was inexpensive and accessible to the common person. Over the following five years he continued to lecture and write extensively, leading to a volume published in 1740 on the topic of Optics. This theme sparked great interest in Martin, creating a portable compound microscope with a micrometer a couple of years previously. Instruments of this formation were reproduced into the Victorian era.At this stage, however, Martin's instruments made of wood and cardboard were crude in comparison to those being manufactured in London at the time. He continued to lecture and write across the country, in Berkshire, Bristol and Bath.In 1746 and throughout the following decade, Martin travelled across the Midlands and southern England. Whilst continuing his lectures on experimental philosophy, he branched out his writings into the field of linguistics, publishing 'Lingua Britannica reformata' or 'A New English Dictionary' in 1749.Although orreries were already on the market at this time with other instrument makers, they were expensive and hence their uses not accessible to the majority. Martin wrote in the 1740's that he wished for a planetarium that any gentleman could have made inexpensively. It wasn't until 1756 that Martin settled in Fleet Street, London, where he began to trade as an optician and instrument maker. Short lists of his products for sale at this time indicate he had begun to sell his own orreries. A particular model of Martin's was the basic 'double cone planetarium', which could have attachments such as 'the lunarium', where Earth and Moon balls could be added, and 'the telluriam' arm, which indicated the Earth's annual and diurnal motions.As a result of his own need for spectacles in his later years, it was a natural progression for Martin to further develop optical instruments, including his invention 'Visual Glasses', which became his shop sign. The apertures were partly covered with an annulus of horn, with green or violet tinted glass lenses.After obtaining the globe plates and tools of the late John Senex FRS, the following year, Martin expanded into the retail and wholesale of globes. Following a fire at Harvard College, Massachusetts, Martin received commissions for two orreries, a planetarium with tellurian and lunarium attachments and a grand orrery, to replace their collection of scientific instruments in 1764.Sadly, he was declared bankrupt in 1782, which likely triggered his death the same year. Although his son Joshua Lover Martin had been apprenticed to his father and for a short time from 1778, they had traded as 'Benjamin Martin & Son', he closed the business and all his father's effects were sold at auction.For further information on this lot please visit Bonhams.com
Lot 117
A SAXON MINERS GUILD AXE, LATE 18TH CENTURY with associated iron head pierced with a slipped circle, engraved bone sectional haft decorated over its full surface with differing scenes from miners' lives, the crossed swords of the Archmarshallship of the empire and the arms of Saxony at the top, and shoe-shaped base decorated with large flowers 66.0 cm; 26 in overall Processions involving miners are first recorded in Saxony around 1574 when the Elector August led a masquerade in the role of the god Mercury accompanied by miners with their tools and landscape. This formed part of a tournament celebrating the recent boom in silver mining that had been brought about by modern technology introduced by the Elector.
Lot 242
Cigarette cards, accumulation of approx. 2,500 cards, all Ardath, Carreras & Phillips issues, various series inc. Ardath Fighting & Civil Aircraft, Carreras Famous Footballers, Film Stars, Tools & How to Use Them, Phillips Aircraft, Beauties of Today 'X' size etc, duplication throughout (fair/vg)
Lot 100J
A bundle of tools from Jewsons, to include Progressor Holesaw Pilot Drill., Progressor Holesaws (in 5 sizes)., 20" handsaw., carpenter's pencils., Insul Screwdriver Set., Mozidrive Screwdriver Set (2 pack)., tradesman's holdall., First Aid Kit., and a box of Big Wipes., all in a big flexi plastic tub. Total value over £200.NB. This lot is being sold on behalf of The Rotary Club of Stamford Burghley to raise funds for the Sue Ryder Thorpe Hall Hospice Appeal.
Lot 100H
A bundle of three vouchers from Travis Perkins Tool Hire, offering great prices and trade offers on a variety of tools, available anywhere in the UK. Vouchers for £100, £50 and £25.NB. This lot is being sold on behalf of The Rotary Club of Stamford Burghley to raise funds for the Sue Ryder Thorpe Hall Hospice Appeal.
Lot 745
A Roger Deer hand-painted ice hangar artwork from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. Deer, a storyboard and sketch artist active throughout the 1980s and '90s, created this artwork, which purportedly hung on a wall in producer Gary Kurtz's production office. The work has been consigned by the crew member tasked with dismantling Kurtz's office at the end of production and saved it from being discarded.The piece depicts the production itself, specifically the crew preparing the ice hangar set for the Rebel base scenes on Hoth. The artwork features several Rebel ships, including the Millennium Falcon, as well as lighting fixtures, scaffolding, construction equipment and other tools used by the crew. The artwork is rendered in gouache on paper, and is signed and dated "Roger Deer June '79" in the bottom-right corner. It is under acrylic within a metal frame, with steel cable on the reverse for wall hanging. The item has some wear from age and storage, including some scuffing and marks to the frame. Dimensions: 2 cm x 112 cm x 62 cm (3/4" x 44" x 24 1/2") Sold without copyright; see notice in the Buyer's GuideEstimate: £4,000 - 6,000 M AR
Lot 751
A jigsaw tool and unit list from the production of Richard Marquand's Star Wars: Return of the Jedi. Jigsaw tools were used by the crew to cut curved shapes while building the intricate sets. The unit list features a complete list of all the crew who worked on the film.The jigsaw is a blue Bosch with a long lead and "Chapter III" carved into the metal at the front. The jigsaw blade is no longer present.The unit list is 39 pages long and features the film's original title "Revenge of the Jedi" printed in the top-left corner. The list features crew names and their addresses at the time of production, and is printed on yellow paper. The pieces have some wear from production use and age, with rust on the metal pieces of the jigsaw and a build-up of dust. There is rust around the staple on the unit list and some minor creasing. Dimensions (jigsaw): 30 cm x 8 cm x 20 cm (11 3/4" x 3 1/4" x 8"); (unit list): 30 cm x 21 cm x 1 cm (11 3/4" x 8 1/4" x 1/4") Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £300 - 500 M
Lot 798
A Tanker Bug maquette from Paul Verhoeven's sci-fi satire Starship Troopers. Mobile Infantryman Johnny Rico (Casper Van Dien) encountered giant Tanker bugs in the war between the humans and the alien Arachnids. This lot comes from the film's creature visual effects supervisor, Phil Tippett, whose Tippett Studio created maquettes of the film's various bugs as three-dimensional tools for shot planning, lighting reference, and other purposes. Tippett was nominated for an Academy Award® for his work on the film, including the creation of the Bugs.This black and blue resin Tanker Bug maquette was sculpted by Peter Konig, and comes mounted to a black wooden display base. It is in good overall condition with wear from use and handling, including scuffed and chipped resin and wood. Includes a letter of authenticity from Phil Tippett. Dimensions (displayed): 72.5 cm x 49 cm x 31.25 cm (28 1/2" x 19 1/4" x 12 1/4")Estimate: £5,000 - 7,000 Ω
Lot 116
A Danish flint dagger and eleven Neolithic flint implements Late Neolithic, circa 2000-1700 B.C.The dagger of grey flint with slender leaf-shaped blade, the slightly flared grip of lozenge cross section; the flint implements including a Danish dark grey flint lunate sickle, 11.3cm long; three flint arrowheads and a leaf-shaped example; a pointed tool; a small thin butted axe; a discoidal scraper; and three flint tools, 17.5cm long max.; together with four other flints (16)Footnotes:Provenance:Private collection, UK, acquired prior to 1986.The above dagger belongs to Scandinavian flint dagger Type II. For an example of a Danish flint dagger with similarly proportioned grip and blade, see A. MacGregor, Antiquities form Europe and the Near East in the collection of the Lord McAlpine of West Green, Oxford, 1987, p. 80, fig. 4.217.For further information on this lot please visit Bonhams.com
Lot 119
A collection of Palaeolithic and Neolithic axes and flint tools Lower Palaeolithic-Neolithic, circa 2000 B.C. and earlierIncluding a brown flint pointed hand axe, Acheulean, Lower Palaeolithic, marked in black ink: 'Broad Valley Essex', 10.5cm; two caramel brown flint hand axes, one with rounded tip, 12cm the other with a pronounced point 14cm; a hand axe of patinated white flint, with collection label, 'Devenis 1924'; four other flaked tools; an Egyptian flint spear head, marked in ink: 'From Amran...Abydos...Chauncey March July 1898'; seven small tanged and leaf shaped arrowheads, Neolithic; and two small polished axe heads, together with a large grey leaf-shaped grey flint blade, inscribed in black ink: 'Dacota 1888', 16cm, and three small flint arrowheads from Huaneme Ranch, Ventura County, California (22)Footnotes:Provenance:Private collection, UK.Some of the Acheulian implements collected by D.E. Smith prior to 1956.For further information on this lot please visit Bonhams.com
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