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THREE BOXES AND LOOSE ASSORTED SUNDRIES to include a boxed vintage cane Japanese fishing rod, a Nintendo Wii with controllers and cables, a boxed portable Brother p-touch label printer, a boxed set of Record Power Woodturning Tools, a box of vintage analogue cameras, a wooden box of sewing supplies, a box of fishing supplies, and a box of car books, etc (3 boxes and loose)
A BOX OF WHITE METAL WARE, to include a 'Garrard & Co Ltd' Regent plate four piece tea set comprising of a teapot, coffee pot, milk jug and sugar bowl, a large wooden canteen, complete with a six person table setting of 'Garrard & Co Ltd' cutlery, knives fitted with ivorine handles, with additional meat carving tools, together with a hip flask and loose cutlery pieces etc
A mixed lot including tools, linen sheets, lever, and similar. Some boxed items. Tools include cork screw, spanners, screwdriver. A trusty stamp album containing some foreign and UK stamps. Fridge magnets. Majority of tools are in rusted condition. Some stains to sheets. (This does not constitute a guarantee) (M)
Festus. O. Idehen is a renowned figurative sculptor in wood and bronze. He carved the standing man in a solid piece of wood with tools that left thick marks of carvings to define areas of the young man's torso, outstretched arms, and hands on his traditional garment, his traditional headwear and his sullen face bent to the side. Artist: Festus. O. IdehenIssued: c. 1950Dimensions: 5.50"L x 17.5"H x 5.50"WCountry of Origin: NigeriaProvenance: The Bass Museum of Art Condition: Age related wear.
Sigmar Polke 1941 Oels/Niederschlesien - 2010 Köln Goldhaar. 1999. Mischtechnik. Acryl, Gouache und Sprühtechnik. Unten signiert, datiert, betitelt und mit einer persönlichen Widmung versehen. 99,8 x 70,3 cm (39,2 x 27,6 in), blattgroß. [EH]. • Polke löst sich von der Figuration, experimentiert mit Farben und Techniken und findet zu einer ganz neuen Ausdrucksform. • Bemerkenswerte Verbindung von leuchtender Farbkraft und spannungsvoller Komposition. • Sigmar Polke zählt zu den wichtigsten Künstlern der zweiten Hälfte des 20. Jahrhunderts. Seine Werke sind in international bedeutenden Sammlungen vertreten. PROVENIENZ: Privatsammlung Deutschland (direkt vom Künstler). Galerie Michael Werner, Köln. Privatsammlung Portugal. Privatsammlung. Vom jetzigen Eigentümer vom Vorgenannten erworben (Sotheby's 2014). AUSSTELLUNG: Sigmar Polke. Bilder und Zeichnungen 2011, Galerie Michael Werner, Köln, 9.9.-7.12.2011. LITERATUR: Sotheby's, New York, Contemporary Art, 14.4.2014, Los 241. Das Å’uvre von Sigmar Polke ist durchzogen von Zitaten, Verknüpfungen, Experimenten und hintergründigen Rätselhaftigkeiten. Er verknüpft in seinen Werken oftmals Abstraktes mit Figürlichem, setzt beide Elemente in Beziehung zueinander und entwickelt so neue, völlig offene Assoziationsebenen. Polke bedient sich dabei immer wieder historischer grafischer Vorlagen. An eine solche erinnert hier der hinter einem Gitter weißer Farbe verschwindende Kopf. Dieser erscheint so diffus, weil er aus der rauhen, dicken Farbe, die sich schon fast wie eine Kruste über den Malgrund legt, mit kühnen Pinselstrichen und Schabwerkzeugen herausgearbeitet, ja schon fast herausmodelliert ist. Hier hat das Blatt die Haptik einer grob verputzten Wand. Dagegen steht die glänzende, glatte und fließende Form des titelgebenden Goldes. Im scheinbar zufälligen Verlauf der flüssigen Farbe gibt es den Umriss eines fiktiven Kopfes vor und setzt sich in einem breiten Schopf nach rechts fort. Diese Kombination verschiedenster Materialien und Farbstrukturen macht Sigmar Polkes Werke so charakteristisch. Der Künstler erklärt nicht, worauf er sich bei Titel und Darstellung bezieht. Das goldene Haar ist jedoch in der Darstellung von Engeln bis zum güldenen Haar der Loreley als Assoziation vorhanden. [EH] Aufrufzeit: 07.06.2024 - ca. 14.51 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N), Folgerechtsvergütung fällt an.ENGLISH VERSIONSigmar Polke 1941 Oels/Niederschlesien - 2010 Köln Goldhaar. 1999. Mixed media. Acrylic, gouache and spray technique. Signed, dated, titled and inscribed with a personal dedication at the bottom. 99.8 x 70.3 cm (39.2 x 27.6 in), the full sheet. [EH]. • Polke broke with figuration, experimented with colors and techniques and found a completely new form of expression. • A remarkable combination of luminous colors and an exciting composition. • Sigmar Polke is one of the most important artists of the second half of the 20th century. His works are included in major international collections. PROVENANCE: Private collection Germany (directly from the artist). Galerie Michael Werner, Cologne. Private collection Portugal. Private collection. Acquired by the current owner from the above (Sotheby's 2014). EXHIBITION: Sigmar Polke. Bilder und Zeichnungen 2011, Galerie Michael Werner, Cologne, September 9 - December 7, 2011. LITERATURE: Sotheby's, New York, Contemporary Art, April 14, 2014, lot 241. Sigmar Polke's oeuvre is permeated by quotations, links, experiments, and enigmatic subtleties. In his works, he often combines abstraction with figuration, putting both elements in relation to one another and thus developing new, completely open levels of association. In doing so, Polke repeatedly makes use of historical graphic models. The head disappearing behind a grid of white paint is reminiscent of one of these. It appears to be so diffuse because it has been carved out of the rough, thick paint, which covers the ground almost like a crust, with bold brushstrokes and scraping tools, almost like sculpted, giving the sheet the feel of a coarsely plastered wall. This contrasts with the shiny, smooth, and flowing form of the gold. The seemingly random flow of the liquid color provides the outline of a fictitious head and continues to the right in a broad head of hair. This combination of different materials and color structures makes Sigmar Polke's works so characteristic. The artist does not bother to explain the title and depiction. However, the golden hair can be found as an association with the depiction of angels or the golden hair of Loreley. [EH] Called up: June 7, 2024 - ca. 14.51 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N), artist´s resale right compensation is due.
Pair of late 19th/early 20th century Naples figures modelled engaged in the arts, the first example modelled as a female figure seated before an easel, painting a figural scene, the second modelled as a female figure seated before a bust with scultping tools in hand, each upon an oval base with naturalistic painted ground, each with blue crowned N mark beneath, each approximately H16cm, including base L15xm
1961 Greeves 250 Sports Twin Registration number 346 YPU Frame number 61/3235 Engine number 638B 6583 Purchased in 2021 The speedo was not working Electronic unit is now fitted 2016 MOT is enclosed showing 67,577 miles Previous owner had it rebored/new piston 300 miles since purchased Starts easy and runs well With some Villiers engine tools All lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C and Greeves riders club magazinesThis lot must be collected by 12.30pm on Friday 8th June. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice

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82067 item(s)/page