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Books relating to North American Indian beadwork and jewellery. (18) Provenance Dr Alan Black Collection.LiteratureMonte Smith. The Technique of North American Indian Beadwork, states ‘First Edition’;Monte Smith. The Technique of North American Indian Beadwork;The Heard Museum, Phoenix, Arizona, Gloria A. Lomahaftewa (exhibition curator). Glass Tapestry, Plateau Beaded Bags from The Elaine Horwitch Collection, November 1993;Gerry Biron. A Cherished Curiosity, The Souvenir Beaded Bag in Historic Haudenosaunee (Iriquois Art), 2012;W. Ben Hunt and J. F. ‘Buck’ Burshears. American Indian Beadwork, 1973 (2);Kate C. Duncan (written by), Terry P. Dickey & Mary Beth Smetzer (compiled and edited by). Some Warmer Tone, Alaska Athabaskan Bead Embroidery, 1984;Colin F. Taylor, Ph. D. Yupika, The Plains Indian Woman’s Dress, an overview of historical developments and styles, 1997;Kate C. Duncan. Northern Athapaskan Art, A Beadwork Tradition, 1989;Lois Sherr Dubin. The History of Beads, from 30,000 BC to the Present, 1987;Henrietta Lidchi. Surviving Desires, Making and Selling Native Jewellery in the American Southwest, 2015;Joel Monture. The Complete Guide to the Traditional Native Merican Beadwork, A Definitive Study of the Authentic Tools, Materials, Techniques, and Styles, 1993;Gerry Biron and JoAnne Russo. Made of Thunder, Made of Glass, American Indian Beadwork of the Northeast, 2006;William C. Orchard. Beads and Beadwork of the American Indians, 1975;Robert K. Liu, Ph. D. (preface by) Wendy Weston-Ben (foreword by) Stefani Salkeld (catalog essays by). And the Bead Goes on! 1995;Caroline Crabtree and Pam Stallebrass. Beadwork, A World Guide, 2002;Kate C. Duncan and Eunice Carney. A Special Gift, The Kutchin Beadwork Tradition, 1997;Canada House Cultural Centre Gallery. (An Exhibition/Souvenir guidebook including an exhibition catalogue), Mohawk Micmac Maliseet and other Indian Souvenir Art from the Victorian Canada, an exhibition displaying the June Bedford Collection, 1985;Mary Seyd. Introducing Beads, 1973;(18)
Books relating to North American Indians including costume, designs, history, crafts and Sacred Circles exhibition catalogue. (41) Provenance Dr Alan Black Collection.LiteraturePaul E. Kennedy, Dover Publications, Inc., New York, North American Indian Colouring Book, 1971;Maria Naylor (edited by). Authentic Indian Designs, 1975;Richard C. Schneider. Crafts of the North American Indians, A Craftsman’s manual, 1972;John Mack (edited by). Masks, the Art of Expression, 1994;Michael A. Weiner. Earth Medicine-Earth Foods, Plant Remedies, Drugs, and Natural foods of the North American Indians, 1972;W. Ben Hunt. Indian Crafts and Lore, 1973;W. M. Bray, E. H. Swanson, I. S. Farrington. The Ancient Americas, 1989;Cyril B. Courville. Southwest Museum Leaflets, Trade Tomahawks, 1963;Hilary Stewart. Totem Poles, 1990;Geoffrey C. Ward. The West, An Illustrated History, 1996;Peter L. Macnair, Alan L. Hoover and Kevin Neary. The Legacy, Tradition and Innovation in Northwest Coast Indian Art, 1984;Eva Wilson. North American Indian Designs, British Museum Pattern Books, 1984;J. C. H. King. First Peoples First Contacts, Native Peoples of North America, 1999;Joanna Cohan Scherer with Jean Burton Walker. Indians, Contemporary photographs of North American Indian Life 1847-1929, 1974;Hilary Stewart. Cedar, Tree of Life to the Northwest Coast Indians, 1984;Josephine Paterek. Encyclopaedia of American Indian Costume, 1994;Dan L. Monroe, Richard Conn, Richard W. Hill Sr, Suzan Shown Harjo and Jon R. Grimes (exhibition curators). Gifts of the Spirit, works by Nineteenth Century & Contemporary Native American Artists, an exhibition in the Peabody Essex Museum, Salem, Massachusetts, 1996-1997;Natalie Tobert (editor). Feet of Ingenuity, A Catalogue of Footwear, 1993;Karen Duffek. A Guide to Buying Contemporary Northwest Coast Indian Arts, 1983;Fritz Scholder. An Intimate Look, 2008;Ralph W. Andrews. Indian Primitive, Northwest Coast Indians of the Former Days;The Detroit Institute of Arts. Art of the American Indian Frontier, a Portfolio, 1995;Frances Densmore. How Indians Use Wild Plants for Food, Medicine & Crafts, 1974;J. C. H. King. Portrait Masks from the Northwest Coast of America, 1979;Hilary Stewart. Looking at Indian Art of the Northwest Coast, 1979;Colin F. Taylor. Native American Weapons, 2001;National Museums of Canada. The Covenant Chain, Indian Ceremonial and Trade Silver, 1980;Walker Art Center, Indian Art Association, The Minneapolis Institute of Art. American Indian Art: Form and Tradition, 1972; Christian F. Feest (edited by). Studies in American Indian Art, A Memorial Tribute to Norman Feder, 2001;Colin F. Taylor. Native American Hunting and Fighting Skills, 2003;Honolulu Academy of Arts. Of Pride and Spirit, North American Indian Art from a Private Collection in Hawaii, 1981;Martha Black. Bella Bella, A Season of Heiltsuk Art, 1997;Lillian A. Ackerman (edited by). A Song to the Creator, Traditional Arts of Native American Women of the Plateau, 1995;Arts Council. Sacred Circles, Two Thousand Years of North American Indian Art, 1976;Frederick E. Hoxie (editor). Encyclopaedia of North American Indians;Colin McEvedy. The Penguin Atlas of North American History to 1870, 1988;James Austin Hanson. Metal Weapons, Tools, and Ornaments of the Teton Dakota Indians, 1975;Michael G Johnson. American Woodlan Indians, 2003;Akicita. Early Plains and Woodlands Indian Art from the collection of Alexander Acevedo, 1983;R. Gabor. Iroquois Reprints, Costume of the Iroquois, 1983;C. A. Lyford. Iroquois Reprints, Iroquois Crafts, 1984;Colin F. Taylor. Buckskin & Buffalo, the Artistry of the Plains Indians, 1998;Richard Conn. Robes of White Shell and Sunrise, Personal Decorative Arts of the Native American, 1974;(41)
A collection of sundry items to include bar kit, picnic hamper, various tools, lampshades and a holdall to include AFTER WILLIAM RUSSELL FLINT "Madame du Barry The Reigning Beauty", as a reclining nude, together with another similar AFTER WILLIAM RUSSELL FLINT "Madame du Barry as a Bacchante" and various other pictures

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82038 item(s)/page