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Büttner, Werner. Konvolut von 8 Werken und Katalogen. Mit zahlr. Abbildungen. Verschiedene Formate. Originaleinbände. 1983-1985.Enthält: Werner Büttner und Albert Oehlen. "Jenseits konstanter Bemühungen um braven Erfolg". Hamburg, Produzentengalerie, 1983. - Werner Büttner. Annemarie- und Will-Grohmann-Stpendium (Katalog). 1985. - Werner Büttner. Schrecken der Demokratie. Band I. Köln, W. König, 1983. - Werner Büttner. La luta continua. Drei Beispiele. Köln, M. Hetzler, 1984. - Werner Büttner und Albert Oehlen. Angst vor nice. Ludwig's Law. Hamburg, Meterverlag, 1985. - Werner Büttner. In Praise of Tools And Women. Ebenda 1986. - Werner Büttner und Manfred Bischoff. Schmuck. München, Annette Rössle, 1985. - Werner Büttner. Die Probleme des Minigolfs in der europäischen Malerei. Köln, M. Hetzler, 1983. - Teils mit geringen Altersspuren, insgesamt sehr gut erhalten.
TOOL - ÆNIMA LP (1996 US SPECIAL CUT - BMG - 72445-11087-1). A sought-after 1996 US special cut LP pressing of Tools album Ænima (72445-11087-1, 1996 US pressing on Zoo/ BMG. A1 RE1/ B1 RE1/ C1 RE1/ D1 RE1 machine stamped/ etched matrix. Plain black labels. Printed inner sleeves have no splits of tears. Records are VG+/ Ex. All sides would benefit from a professional clean. Gatefold sleeve is VG+, displays some faint ring wear to the covers and light edge storage wear).
THREE FRUIT KNIVES, the first with metal blades/tools and a silver case, hallmarked 'Sampson Mordan & Co Ltd' Sheffield 1923, closed length 8cm, the second with a carved mother of pearl handle and silver blade, hallmarked 'Henry Griffith' Chester 1894, open length 13cm, the third with a carved and polished mother of pearl handle, silver blade with worn marks, open length 14cm (condition report: general wear, may benefit from some attention, clean and polish)
A LARGE QUANTITY OF VINTAGE BUTCHER TOOLS to include fourteen antler handled knife sharpeners, many with impressed names to include Goodman Bros Cardiff, John Petty & Sons Sheffield, Thomas Tupner, Volk Staul, G. Rushbrooke Smithfield, many with brass hanging attachments, nine wooden handled knife sharpeners, a group of wood handled cleavers in various forms to include four with turned patterns, two with brass fittings, some impressed with names to include W. Gilpin, W Marples & Sons, Haleham & Yeomans Cutlers (two broken handles), a display case, and three meat hooks (qty) (Condition Report: wear consistent with age, some have loose wooden handles or splits)
A SELECTION OF AUTOMOTIVE SPARES, TOOLS AND UPHOLSTERY including blue leather trim, rubber matting, a pair of mats for an Audi A3, two radios (UNTESTED) an AA badge and other car badges (mostly reproduction) a wicker basket containing old road maps and A to Zs, used front springs for a 1989 Ford Sierra, a Lucas headlamp , other lights and bulbs, etc (7 boxes/crates)
Kodak - A collection of natural crystal rocks, an Instamatic M2 Movie Camera with instruction and a spare reel of film House in a leather caser. A Shillelagh walking cane with carver skull handle, An African style statue. Harry Potter and the Goblet of Fire Book. A trinket box with floral design and a small assortment of hand tools. Appear mostly very good. (This does not constitute a guarantee) RG-2
Henri Gaudier-Brzeska (1891-1915) “Torpedo Fish” (1914) cast between 1960 -1962 Bronze on a square base, one of two casts by Michael Gillespie before the 1968 edition of nine, 19.5cm high (including base)Provenance: H.S. Ede, Cambridge Roger Cole, Cambridge Sold to a Private Collector Purchased back by Roger Cole in 2018 Purchased by the present vendor from Roger Cole in 2019 Literature: Roger Cole, "Burning to Speak: The Life and Art of Henri Gaudier Brzeska", Phaidon, Oxford, 1978, cat. no.63B, illustrated p.117 (another cast); Evelyn Silber, "Gaudier-Brzeska: Life and Art", London, Thames & Hudson, 1996, cat. no.80, p.270 (another cast) In 1910 Gaudier-Brzeska set out to become an artist in London without any formal training. He travelled to England with Sophie Brzeska, a Polish writer he had met when he was eighteen and she was twice his age; he would later take her surname, but the pair never married. In London, he fell in with the Vorticist movement, led by Ezra Pound and Percy Wyndham Lewis, and was also influenced by Jacob Epstein to move away from the highly finished classical style of sculpture to a more earthy, direct form of working that left visible the fingerprint of the artist and his tools. Formative to his work, too, was Cubism, and the non-European visual culture he studied at the Victoria and Albert Museum and the British Museum.Ideologically, Gaudier-Brzeska was fascinated by the natural world and felt alienated from urban culture, although he never strayed from city life. The tension between his desire to represent nature and the driving force of modernity and city life - electricity - as espoused by Vorticism, is reflected in "Torpedo Fish". Inspired by an electric ray, which can produce their own electrical discharge, "Torpedo Fish" or “Ornament torpille bronze cisele” was originally made in 1914 as a cut brass sculpture, as listed in Gaudier-Brzeska’s List of Works that he compiled before leaving to fight in the First World War. He also lists a plaster model of the sculpture. The cut brass version was sold to T.E. Hulme, one of the theorists of Vorticism, and was one of a number of small sculptures he made to amuse close friends and associates that he referred to as ‘toys’.After Gaudier-Brzeska’s died in the First World War, his estate passed to Sophie Brzeska, much of which in turn was purchased by Harold Stanley ‘Jim’ Ede in the 1920s after Sophie, too, died. Jim Ede was an art collector, champion of Modern Art and friend of a great many avant-garde artists, whose home and collections now form the museum Kettle’s Yard in Cambridge.Between 1960 and 1962 Ede commissioned Michael Gillespie, an artist and master bronze caster, to make two casts of "Torpedo Fish". The present example was purchased from Ede by Roger Cole in 1962, the other was kept by Ede. In 1968, he commissioned a further nine bronze casts from Gillespie, each numbered on the lower edge. Again, Ede kept two, and the rest were sold to dealers and galleries, and one of which is now held in the Tate. The finish is original and as the artist (Gillespie) intended with remnants of gilt / copper patination and with various tool marks throughout.Some minimal edge small edge dents and blemishes that may or may not be original to the piece.The base is a later addition, a threaded nut has been drilled and tapped into the underside of the sculpture (see additional condition report images with the base removed).
A Rare and Unusual Oak Cased Large Scale Reproduction of a Six Pounder Smooth Bore Cannon, the cast bronze barrel of approximately 15ins in length mounted on an oak gun carriage with steel bound wheels, with ammunition limber and seats to top of ammunition chests, fitted with miniature tools, comprising - pick axe, axe, ram rods and shafts for horse, all contained in a custom made oak and glass cabinet, on oak frame with commemorative brass plaque, overall dimensions of gun and limber 40ins x 17ins, overall dimensions of glass case 43ins x 21ins, overall dimensions of glass case on oak stand 43ins x 42ins high - a rare and unique opportunity to acquire a museum grade item Note: In service in the mid-18th century from 1796. It was used by the batteries of the Royal Horse Artillery. Provenance: This particular example was presented to the Royal Temple Yacht Club at Ramsgate by G J Egerton Esq, 1939Images within the attached Dropbox link https://www.dropbox.com/scl/fo/qa24dar9toifb73idwr2i/ABpqWV9p13uxlB1Ngg3cJJc?rlkey=gl3ardr5qr6s9rxrje8wiq8cn&st=mth5in3s&dl=0

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82067 item(s)/page