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Click here to subscribeDonegal carpet, Ireland, early 20th century, 13ft. 6in. X 11ft. 1in. 4.12m. X 3.38m. Overall wear, heavier in some places; cobbled repair/patch to centre; hole and damage top end left side, 24in. X 16in. 0.61m. X 0.40cm. approx. Small hole lower end of the field with fabric patch verso; other small repairs. Slight loss to ends. All over palmette design in soft red, light blue and green; wide greeny/blue main border. All over soft palette
Exceptional Donegal carpet in Arts and Crafts style, Ireland, early 20th century, 12ft. 6in. X 11ft. 9in. 3.80m. X 3.58m. Overall even wear with slight fraying to underturned flatweave end at lower end. Deep red field with all over very large palmettes, flowerheads and angular leaf forms; shaded purply/blue to dark blue main border with outer band of orange/yellow cloudbands; plain deep red outer border. Literature: Haslam, M. Arts and Crafts Carpets Chapter 3, From Turkey to Donegal pp. 87-145 especially pp. 102-108. Rich palette and soft handle.
Mahal carpet, north west Persia, early 20th century, 11ft. 10in. X 7ft. 5in. 3.60m. X 2.26m. Overall wear with moth damage in places; repair/patch to top right side outer border; slight losses to ends. Dark red field with all over floral motifs; narrow dark blue main border and narrow pale blue, green and ivory floral guards. Soft handle.
Ahar carpet, Heriz region, north west Persia, circa 1920s, 11ft. 4in. X 8ft. 10in. 3.45m. X 2.69m. Slight wear in places. Lower end professionally stopped; flatweave finish to top end. Typical 8-pointed dark blue central medallion on a light terracotta field with ivory spandrels; all over floral design; indigo main border of mille-fleurs and palmette design; pale gold guards. Lustrous wool and soft palette. Medium handle.
Very finely woven Esfahan carpet, wool pile with silk highlights on a silk foundation, central Persia, mid-20th century, 11ft. X 6ft. 9in. 3.35m. X 2.05m. Sky-blue cartouche shaped field with central dark red medallion and ivory pendants, dark red spandrels with ivory strapwork; dark red main border of strapwork and palmettes interspersed with various landscape cartouches; ivory floral guards. Close clipped velvety wool, rich palette and soft handle. Provenance: Purchased in Geneva by the present owner in the 1960s.
Good Veramin carpet of mina-khani design, north central Persia, circa 1950s, 11ft. X 6ft. 6in. 3.35m. X 1.98m. Skilfully repaired crease marks to both ends. Mid-blue field with all over trellised flowerhead design; light red palmette, bird and flower main border within pale blue guards. Rich palette.
Anatolian carpet, second half 20th century, 10ft. 2in. X 8ft. 2in. 3.10m. X 2.49m. Slight wear in places. Central cartouche shaped medallion with pale blue and ivory spandrels with pale apricot quarter medallions to each side; all over scrolling flowers repeated in the greeny gold main border. Close clipped pile and soft palette.
Tabriz carpet, north west Persia, second half 20th century, 10ft. X 6ft. 9in. 3.05m. X 2.05m. Surface mark and slight loss to end top right corner. All over herati design on dark blue diamond shape field with inner medallion; ivory and dark blue spandrels; light red main border. Robust handle. Leatherette strips to long selvedges.
Tabriz(?) carpet with inscription, north west Persia, first half 20th century, 9ft. X 6ft. 7in. 2.75m. X 2.01m. Some wear in places. Ivory cartouche with inscription: 'Kanadi' in lower outer guard. Light terracotta field with all over Shah Abbas design around central pale blue medallion; bottle green main border and yellow floral guards. Robust handle and soft palette.
Baluchi carpet, Khorasan, north east Persia, circa 1930-40s, 9ft. X 6ft. 1in. 2.75m. X 1.86m. Overall even wear with corrosion to dark brown; crease marks in places; small areas of old moth damage. Light sand field with concentric hooked diamond motifs; light sand main border of rosettes and ram's horn guards. Lustrous wool, soft palette and soft handle.
Amritzar carpet, north India, late 19th/early 20th century, 8ft. 9in. X 7ft. 5in. 2.67m. X 2.26m. Overall wear with holes and damage to field; splits to both ends and to sides; losses to ends. Foundation brittle. Petrol blue field with all over angular floral design; deep red main border and deep saffron yellow guards.
Ersari Turkmen 3 x 7 gulli-gul main carpet, south west Turkmenistan, second half 19th century, 10ft. 6in. X 7ft. 7in. 3.20m. X 2.31m. Some wear in places with some corrosion to brown; small repairs/reweaves. Edges re-selvedged. Rewoven patch, 5 1/2in. x 4in. 14cm. x 10cm. approx. to field. Slight loss to top end. Lustrous soft wool and superb 'ersari' palette including a wonderful mid - deep green; main border of linked medallions each outlined in an ivory zig-zag; the lower end with a very narrow piled band of individual styulized flowerheads. Soft handle.
Good Ersari Turkmen main carpet, with 3 x 8 tauk nuska guls, Turkmenistan, second half 19th century, 8ft. 8in. X 6ft. 9in. 2.64m. X 2.05m. Some wear in places. Note the extraordinary variety of minor guls, the small filler ornaments in the field and the variety of motifs in the tauk nuska guls; flatweave ends. Lustrous wool; wonderful rich palette and soft handle.
A GOLD AND DIAMOND 'POSSESSION' SAUTOIR NECKLACE, BY PIAGETThe hoop-link long chain, set with two double hoop larger links, each engraved 'Possession' and set with brilliant-cut diamonds, terminating with a clasp and 'P' link, mounted in 18K gold, signed Piaget, numbered, maker's mark, Swiss assay marks, maker's fitted box, length approximately 87cmThe Swiss luxury brand Piaget, founded in 1874, enjoys international renown, with its jewellery often worn by celebrities to red carpet events. Among its most famed designs is the iconic Possession collection. Possession is a delicate, colourful and versatile collection defined by spherical shapes that rotate and adjust. Rose, white and yellow gold designs boast coloured gems and sprinklings of pavé diamonds. The pieces are classic and elegant yet unmistakably contemporary. Recently, Piaget unveiled its new Possession collection with an advertising campaign starring modern muse Olivia Palmero, which was photographed by her husband and friend of the brand, model Johannes Huebl.
JOHN CONNOLLY (CONTEMPORARY) BRITISH, 'Morning Bluebells', a carpet of bluebells in a wood, an acrylic painting, monogrammed to the front lower right, signed and titled verso, mounted as a box canvas, approximate size 40cm x 40cm, together with a companion painting by the same hand 'Early Morning Bluebells 2', a carpet of bluebells in a wood, monogrammed to the front, signed and titled verso, mounted as a box canvas, approximate size 51cm x 51cm (2) (artist retail rights may apply)
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