There are 69172 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeBaotou Teppich. Mongolei / China. Antik.151 cm x 93 cm. Handgeknüpft. Wolle auf Baumwolle. Naturfarben. Gegenstück zu Los Nummer 1994. Siehe Fotos. Versand kann organisiert werden.Baotou carpet. Mongolia / China. Antique.151 cm x 93 cm. Hand-knotted. Wool on cotton. Natural colours. Counterpart to lot number 1994, see photos. Shipping can be organised.
Schahsavan Kelim Teppich. Antik.296 cm x 150 cm. Handgewebt. Wolle auf Wolle. Naturfarben. Circa 140 - 180 Jahre alt. Siehe Fotos. Versand kann organisiert werden.Shahsavan kilim carpet. Antique.296 cm x 150 cm. Hand-woven. Wool on wool. Natural colours. Approximately 140 - 180 years old. See photos. Shipping can be organised.
Schirwan Teppich. Kaukasus. Antik.265 cm x 168 cm. Handgeknüpft. Wolle auf Wolle. Naturfarben. Sehr feine Knüpfung. Beeindruckendes textiles Kunstwerk, ungewöhnlich groß. Circa 130 - 160 Jahre alt. Siehe Fotos. Versand kann organisiert werden.Shirvan carpet. Caucasus. Antique.265 cm x 168 cm. Hand-knotted. Wool on wool. Natural colours. Very fine weave. Impressive textile work of art, unusually large. Approximately 130 - 160 years old. See photos. Shipping can be organised.
Baotou Bild - Teppich. Mongolei / China. Antik.119 cm x 63 cm. Handgeknüpft. Wolle auf Baumwolle. Naturfarben. Baum. Kranich. Hirsch. Siehe Fotos. Versand kann organisiert werden.Baotou picture - carpet. Mongolia / China. Antique.119 cm x 63 cm. Hand-knotted. Wool on cotton. Natural colours. Tree. Crane. Deer. See photos. Shipping can be organised.
Tibet Meditations - Teppich. Khaden? Antik.160 cm x 86 cm. Handgeknüpft. Wolle auf Baumwolle. Naturfarben. Circa 110 - 120 Jahre alt. Siehe Fotos. Versand kann organisiert werden.Tibetan Meditation - Carpet. Khaden? Antique.160 cm x 86 cm. Hand knotted. Wool on cotton. Natural colours. Approximately 110 - 120 years old. See photos. Shipping can be organised.
Heris. Schmale Galerie. Läufer - Teppich. Strip. Antik.247 cm x 60 cm. Handgeknüpft. Wolle auf Baumwolle. Naturfarben. Circa 110 - 120 Jahre alt. Siehe Fotos. Versand kann organisiert werden.Heris. Narrow gallery. Runner - Carpet. Strip. Antique.247 cm x 60 cm. Hand knotted. Wool on cotton. Natural colours. Approximately 110 - 120 years old. See photos. Shipping can be organised.
Baotou Teppich. Mongolei / China. Antik.151 cm x 93 cm. Handgeknüpft. Wolle auf Baumwolle. Naturfarben. Gegenstück zu Los Nummer 1985. Siehe Fotos. Versand kann organisiert werden.Baotou carpet. Mongolia / China. Antique.151 cm x 93 cm. Hand-knotted. Wool on cotton. Natural colours. Counterpart to lot number 1985, see photos. Shipping can be organised.
Kagizman Teppich. Ost Anatolien. Antik.162 cm x 123 cm. Handgeknüpft. Wolle auf Wolle. Naturfarben. Um 1760 - 1810. Circa 210 - 260 Jahre alt. Obwohl das Muster an Gebetsteppiche erinnert, wurden diese Stücke vor Ort aufgehängt vorgefunden mit den "Giebeln" nach unten zeigend. Erfreulich guter Zustand für das Alter. Spitzenstück von musealer Qualität. Siehe Fotos. Versand kann organisiert werden.Kagizman carpet. East Anatolia. Antique.162 cm 123 cm. Hand-knotted. Wool on wool. Natural colours. Circa 1760 - 1810. 210 - 260 years old. Although the design is reminiscent of prayer rugs, these pieces were found hanging in situ with the "gables" pointing downwards. Pleasingly good condition for their age. Top piece of museum quality. See photos. Shipping can be organised.
China - Teppich. Alt.303 cm x 244 cm. Handgeknüpft. Wolle auf Baumwolle. Wohl noch Republikperiode 70 - 90 Jahre alt. Siehe Fotos. Versand kann organisiert werden.China - Carpet. Old.303 cm x 244 cm. Wool on cotton. Probably still Republic period 70 - 90 years old. See photos. Shipping can be organised.
Gendje Läufer. Galerie Teppich. Kaukasus. Antik.380 cm x 112 cm. Handgeknüpft. Wolle auf Wolle. Naturfarben. Circa 130 bis 150 Jahre alt. Siehe Fotos. Versand kann organisiert werden.Gendje runner. Gallery carpet. Caucasus. Antique.380 cm x 112 cm. Hand knotted. Wool on wool. Natural colours. Approximately 130 to 150 years old. See photos. Shipping can be organised.
Khorasan Salonteppich. Dorokhsh? Antik.526 cm x 364 cm. Handgeknüpft. Wolle auf Baumwolle. Manfakturteppich mit Feldermuster. Circa 100 - 120 Jahre alt. Siehe Fotos. Versand kann organisiert werden.Khorasan room size carpet. Dorokhsh? Antique.526 cm x 364 cm. Hand-knotted. Wool on cotton. Manufactured carpet with field design. Approximately 100 - 120 years old. See photos. Shipping can be organised.
Khotan Audienz Stammesteppich. West Turkestan. Antik.230 cm x 116 cm. Handgeknüpft. Wolle auf Wolle. Alles Naturfarben. Der Sitzplatz für den Khan, Audienzgeber, ist speziell mit mehr Zusatzmotiven markiert als der Sitzplatz für den Audienznehmer. Beide Sitzplätze mit Nutzungsspuren. Circa 200 - 300 Jahre alt. Hochwertiges Sammlerstück. Wohl auf Grund des Alters, der Nutzung und der Ikonographie das beste Stück dieser Gruppe. Siehe Fotos. Versand kann organisiert werden.Khotan Audience tribal carpet. West Turkestan. Antique.Hand-knotted. Wool on wool. All natural colors. The seat for the Khan, audience giver, is specifically marked with more additional motifs than the space for the audience taker. Both seats have signs of wear. Approximately 200 - 300 years old. High quality collector's item. Probably the best piece of this group due to its age, use and iconography. See photos. Shipping can be organized.
Persian Nain ivory ground carpet, the field decorated all over with leafy branches and stylised flower head motifs, blue ground central medallion and matching spandrels decorated with trailing foliate pattern, repeating guarded border with overall floral designDimensions: Length/Width: 379cm Depth/Diameter: 292cm
Persian Kashan indigo ground carpet, the central ivory rosette medallion surrounded by trailing and interlaced flower heads and branches, matching spandrels with floral design, the border with scrolling pattern decorated with stylised plant motifs within guardsDimensions: Length/Width: 370cm Depth/Diameter: 264cm
North East Persian Meshed carpet, the field with large central medallion decorated with stylised plant motifs, the field surrounded by panels, medallions and spandrels decorated with floral motifs, indigo ground border with overall floral design Dimensions: Length/Width: 440cm Depth/Diameter: 300cm
A large, fine quality Indian wool carpet: late 20th century, the field with all over interlinking palmettes in light blue, wine red, buff, pale green, ochre, light brown and pale salmon pink, each containing a flowering plant, within a buff border with conforming floral reserves and buff floral meander guards. (373 x 274 cm)
GROUP OF VICTORIAN SCOTTISH POTTERY CARPET BOWLS, 19TH CENTURY painted with linear designs and flowerheads in balck, red and brown, also a monochrome white jackQty: 12Each bowl has chips and losses as one would expect. The images now uploaded show the 'worst' angles in most cases and a few additional shots.
John TUNNARD (1900-1971) A hand-blocked wool scarf Imprints signature, 62 x 67cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A printing block from the Imprints period 34 x 35.5cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) Two printing blocks from the Imprints period The largest measures 20 x 18cm (irregular). (2)The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A printing block from the Imprints period 30 x 29cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) Hand-blocked wool scarfImprints signature, 68 x 68cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints period 66 x 66.5cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) Two printing blocks from the Imprints period The largest measures 13 x 25cm (irregular). (2)The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A sketchbook Possibly dating from 1932 this book includes two unrecorded self-portraits and a few other figure studies (several loose) including a seated man titled KynanceSee John Tunnard His Life and Work (Peat and Whitton) number 27 A work titled Kynance CoveThe internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) Hand-blocked wool scarf Imprints signature, 68 x 68cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints period 67 x 67cmThe internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A printing block from the Imprints period 30 x 30cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints period 68 x 67cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) Two printing blocks from the Imprints period The largest measures 15.5 x 22cm (irregular). (2)The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
Loading...
