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A large Chinese washed wool carpet, the ivory field with deep pile and cut floral motifs. 518cm x 550cm.

A Chinese super washed wool carpet, the pink ground with floral motifs 395cm x 274cm.

A modern multi-coloured geometric flat weave carpet

A room sized dark red ground woven woollen modern floor carpet 168 x 243 cm

Victorian double footstool having 'carpet' fabric upholstered seat

Antique Ewbank carpet sweeper

A ladies Double Two blouse - black with bands of roses, size 10/12, together with a white summer dress, a psychedelic scarf and a carpet bag.

Abigail Hampsey Cheek to cheek, 2023 Coloured pencils on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Abigail Hampsey is a British painter and a co-founder of the artist led project Minutes_on. Abigail completed her BA in Fine Art at Newcastle University in 2019 and has recently completed her MA from the Royal College of art (2022). In this time her work has been exhibited at the Holden Gallery and workplace gallery to name but a few. Abigail has also spent time at the British school at Rome being awarded the Foreshaw Foundation Residency and was also the recipient of The Basil H.Alkazzi Scholarship Award at the Royal College of Art. Abigail is also an academic and tutor at Newcastle University where she teaches and a member of the painting collective Contemporary British Painting. Interested in the notion of truth, trickery, the real and the fake, Abigail's work acts like that of the vaudeville stage. Characters, locations and mediums change from scene to scene creating layers of narrative that reflect not only the source of the imagery but also the decision-making process of painting itself. Abigail creates images drawing on her own experiences and memory, as well as art historical and literary sources. She seeks to create her own stories in a new type of narrative painting. With a particular interest in myth and folklore from the North West of England, Abigail's affiliation to place and home plays a strong role in the construction of her work. In turn, the images tell stories that may be neither true nor accurate, but that reflect a personal yet often archetypal narrative. Education The Royal College of Art Painting MA Newcastle University BA Fine Art, 2016/2019 - First Class Honours Blackpool and the Fylde College, UAL Foundation Diploma, 2015/2016 Select Exhibitions/Awards Shortlisted for the Jacksons painting prize 2023 Became a member of Contemporary British Painting 2023 Cyprus School of Art Summer residency July 2022 Shortlisted for the BEEP Painting Biannual 2022 The Basil H.Alkazzi Scholarship Award, The Royal College of Art, 2020//2022 The Hatton The Foreshaw Foundation residency at The British School at Rome, July 2019 20th May 2023, Contemporary British Painting X, Newcastle 2023 Stage, Pebble/ Shoe, Kingsgate project space, London 2022, The Road to somewhere, Hew Hood, London 2022, Pigeon Park 2, Manor place, Kennington, London 2022, The World In Colour, Hew Hood Gallery, London 2022, Beep Painting Biannual, Shortlist exhibition, Swansea, Wales 2022, The Royal College of Art, Degree show, Battersea, London 2022, Kaleidoscope, WORKPLACE Gallery, London 2022, An Allegory of Love and Time, New Normal Projects, London 2022 Threes a crowd, Gallagher and Turner, Newcastle 2021 Fully Awake, Holden Gallery, Manchester 2021 Pigeon Park, Manor Place, Kennington, London Statement about AOAP Submitted Artwork Titled House luck, this most recent body of work within the ongoing series, explores themes of narrative, the everyday and sense of place, since moving back to her home town of Lancaster. (Nov 22-July23) Exploring for the first time the land of her memories hoping to find her "Home" now within it. "House luck is the luck we bring into the home. The luck we can create, the luck we can wish for and the luck others can give. It is mystical and non-verbal. It's a lottery and not a given. It's an exploration into the desire to have one's own space, place or home. In its simplest form its safe and dry. It doesn't always physically exist. its coins under the corners of your carpet or thrown through the door on new years day. Often times we gaze at others, imagining what ours could be. Its Piranesi in appearance and ever expanding upon our land, yet tricky to possess entirely. It's the luck of the house at the loss of the land. A conversation to start with no end as old as standing strait. An initial scratch of a larger itch, since arriving "Home" that one can't help but latch."   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Laila Tara H She, 2023 Pigment, gum arabic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ell Pennick About Laila Tara H (b.1995, London/Tehran) deconstructs the aesthetic framework of the Indo/Persian miniature tradition. Hybridising traditional painting materials and methods to form her own visual language, disentangling compositions, and exploring the material breadth of paper. Her works observe and assess social structures and interpersonal dynamics often in the context of sociopolitical circumstance and the domestic space. Education Prince's School of Traditional Arts (MA) Select Exhibitions/Awards CV Selected solo / Two-person 2023 Hastan/هستن (with Narges Mohammadi), Copperfield, London Anousha Payne, Laila Tara H, Isabella Ducrot, Super Super Markt, Berlin Sum, Sarabande Foundation, London New Ancients, Guts Gallery, London Gesture, Cooke Latham Gallery, London STRIKE, Forma Arts Media, London Tangle Teazer, Sarabande Foundation, London I Like it What is it?, Albert Contemporary, Odense, Denmark The Coordinate Plane, Arusha Gallery, New York Interior, Fabian Lang, Zurich KaplanKaplan, Copperfield Gallery, London India Art Fair, Galerie Isa, Delhi 2022-2023 Sarabande Foundation, London   2022 Twisted toes, tangled ears (with Anousha Payne), Public Gallery, London duck duck goose, Purdy Hicks Gallery, London In Studio, Drake's London, New York Drawing 1990-2022, Purdy Hicks, London The body we are in, Confer-Karnac, London Future Fair, Cob Gallery, New York Drawing Now Fair, Purdy Hicks Gallery, Paris ASSEMBLE, V.O Curations, London   2021 Vexilloid, O Gallery, Tehran Sky-Circles (with Anusheh Zia Siddiqui), Indigo+Madder, London Am I?, V.O Curations, London Selected group Slow Burn, Indigo+Madder, London Cruel Intentions, Arusha Gallery, London Legacy Series: FUTURE virtual Exhibit, ArteEast 2020 Casa Balandra Open Studios, Casa Balandra, Mallorca Nourishment Projects, V.O Curations, London So Good So Close, Numeroventi, Florence Dance First Think Later, General Practice Gallery, Lincoln To All Our Absent Dialogues, Warbling Collective, 145a Gallery, London Casa Balandra, Mallorca Numeroventi, Florence 2019 Royal Miniature Society, Mall Galleries, London Carpet Pages II:Roots, Mile End Pavilion, London The Prince's School of Traditional Arts MA Degree show, London Dumfries House MA exhibition, HRH King Charles, Scotland Residencies   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

BOKHARA BORDERED CARPET, decorated with five rows of octagonal medallions, on a crimson groundA few small areas of damage to one edge and one corner, some small losses to fringes and some shorter or trimmed, some general fraying and thinning commensurate with use, additional images available; approximately 310cm x 230cm

NO RESERVE Wilkinson (Charles K.) Nishapur: Pottery of the Early Islamic Period, half-title, frontispiece, plates and illustrations, bookplate, original cloth, slight bumping to spine extremities, dust-jacket, slight creasing to corners and extremities, New York, 1974 § Achdjian (Albert) Un Art Fondamental Le Tapis. A Fundamental Art The Rug, text in French and English, plates, some colour, illustrations, bookplate, original stiff paper wrappers, rubbed and worn, Paris, 1949 § Ford (P. R. J.) The Oriental Carpet, illustrations, many colour, bookplate, previous owner's ink inscription, original cloth, slight bumping to corners and extremities, dust-jacket, a little rubbed, slight creasing to edges, New York, 1981; and others similar, v.s. (c.55)

Cream Ground Full Pile Cashmere Carpet, all over floral design, with gold belcher, measures 2m x 3m.

Eight Scottish pottery carpet bowls plus one stone carpet bowl, various sizes and patterns. (9)

A BOXED SUPER LIGHTWEIGHT VAX CARPET WASHER

William Scott, British, 1913-1989, Still life with Orange notes, 1980;wool pile carpet, from an edition of 25, with embroidered signature 'C. Scott' on the reverse, overall: 147 x 264 cm, (ARR)

3 walking sticks, shortest with horn handle 85cm long has a silver coller, 2 vintage umbrellas a shooting stick by John Collier T/w 2 carpet beaters etc

Mid 20th century hand knitted Persian carpet, beige and red ground diamond and crab detail

A Persian style carpet with central lozenge medallion on a midnight ground within naturalistic foliate multiple borders. H.290 W.255

Spyros Vassiliou (Greek, 1902-1985)Festival, Athènes signé en grec (en bas à droite)technique mixte et feuille d'or sur panneau24 x 35cm (9 7/16 x 13 3/4in).signed in Greek (lower right)mixed media and gold leaf on boardFootnotes:ProvenanceA gift from the artist to a private collector circa 1960.Bonham's London, The Greek Sale, 1 April 2002, lot 78.Acquired from the above sale and thence by descent to the present owner.Athens celebrating the first Monday of Lent is one of Vassiliou's key subjects, considered to be the quintessence of his work and artistic vision.The Monday of Lent marks the passage from a secular period, that of carnival, to a more ascetic and contemplative one, the forty days before Easter. Through fasting people cleanse themselves of everyday mundane thoughts and contemplate matters of life and death, sacrifice and resurrection. This passage is made easier through the feast of the first day of Lent, which combines sadness with hope, yet with a certainty that hope will prevail. There is a definite Byzantine as well as surrealistic quality to this feast, both being captured by the artist.The city seems to float on a golden carpet. The street sellers with their colourful flowers or balloons, the old-time photographer, the horse carriages, the strolling figures are all carried away by the spirit of the day. The impressionistic diminutive pigments give a flickering, micrographic image of the city. Behind the dark mountain the golden Byzantine sky welcomes the kites, which fly free from their cords like birds. Vassiliou never stops being startled, he does not give up on the young child within him. He treasures memories of his youth and shares them with us as a remedy against oblivion. Even the lower part of the work resembles an old mirror that faded as the years went by. Considering the changes in the city's character, Vassiliou's works were almost prophetic. In 'Lights and Shades' he says about the demolition of old houses: '...the salvage remnants of the demolished house laid out on the pavement for sale, at least have something in them to remind us of the human pulse of a city that has lost forever its face and its soul'.Vassiliou creates an 'enchanted city' with face and soul, which accepts the inevitable with dignity.As Haris Kambouridis has noted: ' Vassiliou is a genuine creative artist who combines technical mastery, effective composition, inspirational flair and a talent for self-expression, qualities which have established him as one of the most important Greek artists of this century.' (Haris Kambouridis, Craftsmanship and the human scale in the work of Spyros Vassiliou, Zygos magazine, 1983, vol. II Annual, p.60)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Large contemporary Chinese green ground carpet decorated with stylised foliage 23ft 9" x 12ft 1"

AN AUBUSSON STYLE CARPET/TAPESTRYEarly 20th Century The pale ground decorated with scrolling foliage encircling a central floral medallion, 242.5cm x 410.5cm

A MODERN TAPESTRY CARPET AND AN INDIAN BOKHARA RUG (2)The sage green field with four rows of three compartments each with a bouquet of flowers, a floral garland border, 203 x 163cm, modern and one other - the madder field with three columns of thirteen guls, supporting crosses; a sunburst border and diamond skirt ends, 193 x 127cm, 1970sCondition: Good

A SOUMAC CAUCASIAN CARPETThe field with varying bands of geometric design in varying colours; a madder boteh and star border, 295 x 200cm, modernCondition: Very good

A MODERN LARGE BEIGE CARPETwith embossed border, 420 x 350cm, modernCondition: Good, some pressure marks, needs a clean

A MODERN WHITE CARPETwith minor horizontal bands design, 406 x 350cm, modernCondition: Fair with  brown stains, needs a clean

A MODERN PURPLE ABSTRACT CARPET370 x 358cm, modernCondition: Very good, some pressure marks, needs a clean 

THE RUG COMPANY; MODERN LARGE RECTANGULAR IVORY CARPETwith allover rectangular design, 368 x 275cm, modernCondition: Very good, needs a clean

A MODERN LARGE GREY RECTANGULAR CARPETwith concentric ivory rectangles, 450 x 270cm, modernCondition: Good, some small pressure marks

A MODERN RECTANGULAR PLAIN CREAM CARPETwith indented border, 466 x 193cm, modernCondition: Very good but needs a clean

A MODERN FERAHAN CARPET, PERSIANThe ivory field with an allover herate design; the ivory palmette flowerhead and vine border, 353 x 307cm, modernCondition: Very good

A large Turkish Mashad wool carpet, woven in a traditional medallion design in red and blue colourways with extensive scrolling foliate motifs, 380cm x 260cmCondition reportRepair to one edge of the carpet 22cm x 27cm, please see additional images.Some losses and wear to the tassels, general wear to the pile particularly to the centre, possible minor stains and marks, although none noticeable.Some very minor fraying to the edges of the carpet.

A Turkish Angora carpet, all over trailing foliate design in red and cream colourways, 300 L x 245cm (at fault)

A Tetex carpet, in terracotta, green, blue and ivory colourways, the all over geometric and interlaced design, enclosed by a single continuous border, 296cm x 203cm

A Mashad wool carpet, the central blue medallion upon a vibrant red ground with foliate detail, contained by spandrels and borders, 390cm x 298cm (at fault)

Turkish woollen carpet, having a beige field with two lines of conjoined medallions in blue, red and fawn within a multi-guardstripe border, size approx. 290cm x 193cm (requires extensive cleaning) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Anatolian red ground woollen carpet, dispersed with dark blue hooked lozenges, within a deep blue and fawn border, size approx. 292cm x 200cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Turkish woollen carpet, having a salmon pink field with wide borders of yellow, blue and mustard, size approx. 364cm x 250cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Turkish woollen carpet, having a central salmon pink field within multi-patterned borders of sky blue, fawn and yellow, size approx. 392cm x 308cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Persian Herati woollen carpet, having a deep blue field evenly dispersed with flowerheads, within a red palmette border, size approx. 395cm x 295cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Iranian Kirman style woollen carpet, central fawn and dark blue medallion within a red field dispersed with palmettes, blue and fawn spandrels, and dark blue and sky blue border, size approx. 300cm x 224cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Turkish woollen carpet, having a faded claret field with three lines of conjoined medallions in blue, red, fawn and green, within a multi-guardstripe border, size approx. 336cm x 260cm (requires extensive cleaning) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

Turkish deep red ground bokhara carpet, with three rows of guls in a wide border, size approx. 300cm x 240cm (requires cleaning) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

After Frans van Mieris,  Dutch 1635-1681- A woman standing before a mirror; oil on panel, 33.4 x 27.6 cm. (unframed). Provenance:  Private Collection, UK. Note:  The present work appears to be a copy, in reverse, after Van Mieris's original, which is held in the Leiden Collection [FM-121]. The theme of a lady at her toilette is one that often featured in the paintings of Van Mieris and his contemporaries, such as Gerard ter Borch (1617-1681) and Gabriel Metsu 1629-1667). This subject allowed these artists to exhibit their significant technical proficiency, particularly in the depiction of a range of surfaces and fabrics, from the shimmer of satin and pearls to the fur and velvet of the lady's cape, and the weave of the carpet on the table. 

Giuseppe Signorini,  Italian 1857-1932- An Introduction; pencil and watercolour heightened with white on paper, signed and inscribed 'Giusep. Signorini / Paris' (lower right), 53.5 x 82.3 cm. Provenance:  Private Collection, UK. Note:  The present work is a particularly striking and finely executed example of Signorini's work. He was heavily inspired by the output of fellow Orientalist artists, including Jean-Léon Gérôme (1824-1904), and Marià Fortuny (1838-1874).  Signorini's depictions of lavish interiors are notable for their meticulous attention to detail, exhibiting his prodigious skill as an artist, and his ability to render rich textiles and glimmering jewels with significant realism. This virtuosity is strikingly evident in the present work, and can be appreciated in details including the folds of the carpet towards the lower edge, and the minutely applied spots of white used to evoke the shimmering buttons and beads which adorn the clothes of the bowing couple to the right. 

AN ASSORTMENT OF UMBRELLAS AND TWO CARPET BEATERS

A BISSELL PROHEAT CARPET CLEANER

Four Royal Doulton bone china figures and figure groups to include: 'Milestone', 'Hold Tight', 'Lunch Time' and 'Carpet Seller' HH1464 together with a Royal Doulton Toby Jug 'Sir John Falstaff'. (5) (B.P. 21% + VAT)

Persian design carpet on a cream and navy ground decorated with flowers and foliage. 203x132cm approx. (B.P. 21% + VAT)

A vintage oak framed Ewbank Royal carpet cleaner.

18TH CENTURY DUTCH SCHOOL oil on canvas - still life of fruit, wine glasses, lute and Turkish carpet, 72.5 x 96.5cmsProvenance: private collection west Wales Comments: framed, good condition

A Tabriz carpetNorth West Persia Circa 1910-20374cm x 266cm (147in x 104 1/2in)Footnotes:Please note that this lot is subject to the US embargo on the import of carpets of Iranian origin as of 06.08.2018.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A very large Tabriz carpetNorth West Persia, possibly HeydarzadehOf Ardabil design, one end possibly showing a lozenge with text possibly showing the name Heydarzadeh732cm x 448cm (288in x 176 1/2in)Footnotes:Please note that this lot is subject to the US embargo on the import of carpets of Iranian origin as of 6.8.2018.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Kashan vase carpetCentral Persia 209.5cm x 134cm (82 1/2in x 53in)Footnotes:Please note that this lot is subject to the US embargo on the import of carpets of Iranian origin as of 06.08.2018.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Sarouk carpetWest Persia335cm x 270cm (131 1/2in x 106in)Footnotes:Please note that this lot is subject to the US embargo on the import of carpets of Iranian origin as of 06.08.2018.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

English Folk Art/Maritime Interest - a late 19th century wickerwork pull-along carpet toy, in the form of a ship on wheels with wooden axles, 77cm long

After Paul Klee (Switzerland, 1879-1940), Equals Infinity Rug by Ege Axminster, Denmark, late 20th Century, design number 8056, a machine made carpet of polychrome design280cm x 183cmAll over good condition with even pile. ends and sides good. Small area of dark residue / stain to one corner.

After Paul Klee (Switzerland, 1879-1940), Arab Song carpet by Ege Axminster, Denmark, late 20th Century, design number 80572, a machine made carpet of polychrome design, Klee's signature woven to the field278cm x 183cmAll over good condition with even pile. Ends and sides good. Minor spotting and marks - may benefit from a professional clean. Paper label to back worn.

Vax Carpet Washer and Dyson Cordless Vacuum

Large Afghan Carpet

A large Iranian Nain carpet, scrolling blue foilate field with a pale cream ground, enclosed by similar borders, 255x198cm.