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A Turkish woollen carpet, the brown ground having three linked medallions within a surround of gul motifs and further multiple trailing borders, having flatweave Kelim ends, 213 x 300cmCondition report: Approx mid 20th century. Overall very good and original condition. Colours good. No particular wear or losses.
Orientteppich aus Seide. HEREKE, 159x95 cm. Das Innenfeld zeigt ein hellbeigefarbenes Giebelfeld mit aufsteigendem Vasenmotiv, die oberen beiden Ecken sind von hellbrauner Farbe und ebenso wie der dreireihige Bordürenrahmen floral gemustert. signierte Knüpfarbeit aus reiner Seide. Oriental silken rug. Hereke, 159x95 cm. Prayer carpet, beige and brown coloured, made from pure silk, signed.
Orientteppich. ARDEBIL/PERSIEN, 20. Jh., 340x240 cm. Das blaue Mittelfeld inklusive einer langgestreckten, zentralen Raute und der entsprechenden Eckzwickel ist durchgemustert mit einem Fische im Teich Rautenmuster. Die lachsfarbene Hauptbordüre zeigt ein Schildkrötmuster. Normale Alters- und Gebrauchsspuren. Oriental rug. Ardebil/Persia, 20th ct., 340x240 cm. Field mirror carpet with a central rhombus and all over geometric pattern on dark blue ground. Salmon colored main border. Normal traces due to age and use.
Orientteppich aus Seide. 20. Jh., 208x132 cm. Floral durchgemusterter Medaillonteppich mit langgestrecktem Zentralmedaillon mit Anhängseln auf rotem, mit Spiralrankwerk verziertem Fond. Die schwarzgrundige Hauptbordüre ist mit einem Rosenblütenmuster verziert. Oriental silken rug. 20th ct., 208x132 cm. Medallion carpet with all over floral patterned mirror. The black main border is patterned with red roses.
Orientteppich aus Seide. 20. Jh., 160x107 cm. Das blasstürkisfarbene Mittelfeld zeigt ein Zentralmedaillon und ist durchgemustert mit einer Botehmusterung. Schwarzgrundige Hauptbordüre. Normale Alters- und Gebrauchsspuren, verblasste Farben. Oriental silken rug, 20th ct., 160x107 cm. Pale turquoise field carpet, patterned with a central rose and with boteh ornaments. Black main border. Normal traces due to age and use, faded colors.
§ JOHN BYRNE (SCOTTISH B.1940) CECI N’EST PAS UN AUTO-PORTRAIT, 2003 Signed lower right and inscribed with title, oil and mixed media(78cm x 72cm (30.75in x 28.25in))Footnote: Literature: This work was featured on the front cover of 'John Byrne: Art and Life', by Robert Hewison, published by Lund Humphries, 2011. Note: 'Ceci n'est pas un auto-portrait' is a significant work in Byrne's career, as reflected by its inclusion in the artist's retrospective at the Scottish National Portrait Gallery and the decision to feature it on the cover of the artist's monograph. The title makes a clear allusion to the famous work 'Ceci n'est pas une pipe' by the Belgian Surrealist master René Magritte, to whom this work is an homage. Byrne was an avid admirer of Magritte which often tells in the whimsical qualities and the quietly uncanny nature of his work. As well as resonating with the older artist's painting in a visual and ideological sense, Byrne also found comfort in the tales of Magritte's early difficulties finding his foothold in the art world. In 1967 when Byrne was in his late twenties, a struggling artist working as a carpet designer in a factory, he penned a letter of admiration to his hero, addressing it simply 'Margritte, Brussels' and dispatching it, probably with little hope, in the post. Extraordinarily, the letter found its way to Magritte, who touchingly took the time to write a supportive response which must have buoyed the young Byrne immensely. “Like you, I have known what it is like to work as a draughtsman in a factory, and I had to paint in the evenings and on Sunday. “ I think each of us has to get through these years of trial, without hope, and without despair. Life for me – now – is ‘easier’, but I know that there is nothing that can necessarily be learned.” Though there were no keys for the "secret of success" to be handed over, there was empathy and solidarity, and encouragement to keep forging on. In the portrait offered here, Byrne depicts himself with an intriguing look in his eyes. There is something at once wild and wise - a knowing nod to Magritte perhaps - that his words had been true and that the artist's road is a long, hard and strange one.
A Tetex carpet, approximately 297 x 202cmCondition Report: Carpet has good pile overall. Binding to longest edges are tidy with just some minor wear. Some fraying and losses to tasselled ends (see images). Some small discolourations to lighter areas. Please refer to additional images for visual reference to condition.Condition Report Disclaimer
A Ziegler Mahal carpet, the dark field decorated with an overall design of meandering foliage incorporating flowerheads and palmettes within pale madder borders and polychrome guard stripes, approximately 533 x 320cmCondition Report: Various losses to pile from moth damage - see images for extent.Wear overall.Wear reveals underlying weft in areas. Longest edges have been re-bound. They have wear, fraying and some loose threads.Pale knot heads poke through pile in places. Stitched repair to tear at one end (approx. 11cm). One end with fringing lacking. Strips of fabric have been stitched to the underside of this end to help secure.Fringing to the other end is short, and has wear, discolourations and losses. Various patches old lighter coloured replacement pile in areas - see images for extent. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Sarouk carpet, approximately 352 x 277cmCondition Report: Some wear overall. Patches of wear reveal underlying weft in places - see images for extent. Fringing is short at both ends. Fringing has moved into the guard stripe at on end. This end also has some undulation. Longest edges have been re-bound and have some wear and fraying. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Sarouk carpet, approximately 320 x 200cmCondition Report: Some wear but carpet maintains good pile overall. Some surface dirt, could benefit from cleaning. Strips of leather stitched to the underside of the longest edges. Tasselled ends with some wear, discoulourations and losses. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Mohajeran carpet, the blue field decorated with flowering foliage in tones of ochre and puce , within floral borders and guard stripes, approximately 390 x 310cm Condition Report: Wear overall. Some areas of stains/discolurations - see additional images for extent. Pile is short overall with areas of additional wear revealing underlying weft in places. Pale knotheads poke through pile in places. Longest edges have been re-bound at some point. they have some wear, loose strands and undulation. Fringing is short at one end. It has wear and fraying. This encroaches into the guard stripe slightly in places. Fringing lacking to the other end. This are has been secured by later thread but is untidy. Colour appears more pink upon first hand inspection. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
An Heriz carpet, approximately 249 x 335cmCondition Report: Some wear to pile overall. Some additional patches of wear to spandrels at one end and one side of the central medallion. This reveals underlying weft in places. Longest edges have been re-bound. They are tidy overall with just some minor undulation. Fringing is short at both ends. It has fraying and losses. this has encroached into the guard stripe slightly at one and and about halfway into the guard stripe at the other end. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A George II oak and walnut crossbanded side table, circa 1750, 71cm high, 81cm wide, 47cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old splits and chips. All legs with glue and nail repairs where they meet the body of the table. Glue reside and nails visible to the corners of the frieze adjacent to where the legs join. Filler has been applied to help disguise. Late supporting blocks have been applied to the back/tops of the legs to help secure. Some of the 'ears' to the tops of the legs are later replacements. Section of replacement timber to the shaped lower section of one side. Handles are possibly original, or are period replacement using the same holes.Fading to timber. Later supporting blocks to the interior of the carcass. Evidence of old worm to interior of carpet. One of the tips of the shaped frieze of the front has been re-glued. Small sections of replacement banding to one drawer front. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
EARLY 20th CENTURY LARGE CHINESE CARPET, plain mauve field with multi-coloured pagoda and flowering shrub design and flying scrolls to two opposing corners, off-white mons and blue rectilinear decoration to the other two corners, blue line delineating the darker shaded plain border, 15ft x 10ft (457 X 305cm)
BELGIUM MACHINE WOVEN TAPESTRY SMALL CARPET OF PERSIAN STYLE, with two large oval floral medallions on a brick red field with scattered sprays, floral meander irregular border, 8ft6in x 4ft3in (260 x 130cm) c/r good and a CASA PUPO STYLE WOVEN WOOL BORDERED RUG with floral pattern, with knotted fringe to all four sides, 3ft4in x 2ft1in (102 x 63.5cm) c/r good (2)
ANATOLIAN, TURKISH, SEMI-ANTIQUE NOMADIC CARPET, with fawn petal shaped centre medallion with lantern pattern pendants, on lbue ground with rectangular double ended mihrabs on the brick red field, the principal border off-white with linear floral meander and four guard stripes, 10ft x 7ft (304.8 x 213.3cm)
HEAVY QUALITY EMBOSSED WASHED CHINESE CARPET, the plain pale blue field having grey mon medallion, the broad cream border decorated in each corner with a Chinese character and each side centred by a mon, plain light blue narrow outer border, 9ft x 6ft (274 x 193cm) c/r sky blue is now grey blue, oatmeal border now cream
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69194 item(s)/page