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2.80 x 2.00 Red Ground Bokhara Carpet

Large Afghan Carpet

Fabric/carpet covered car subwoofer

A 'HAPPY AMORE' PENDANT NECKLACE, BY CHOPARDThe articulated heart-shaped pendant framed by brilliant-cut diamonds, containing a glazed compartment with a collet-set 'floating' diamond, suspending from a double belcher-link chain, mounted in 18K gold, signed Chopard & LUC, numbered, pendant length (including bale): 3.7cmAccompanied with its certificate of authenticityChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

A PAIR OF 'HAPPY AMORE' PENDENT EARRINGS, BY CHOPARDEach of heart design, with a central glazed compartment revealing a brilliant-cut 'floating' diamond, suspending an articulated heart-shaped drop, mounted in 18K gold, signed Chopard & 'LUC', numbered, length 2cmAccompanied with their certificate of origin from Chopard, with corresponding serial numbersChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

A 'HAPPY DIAMOND' RING, BY CHOPARDThe glazed heart-shaped compartment revealing three collet-set 'floating' diamonds, between bifurcated shoulders, mounted in 18K gold, signed Chopard & LUC, numbered, ring size LAccompanied with its certificate of authenticityChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

A 'HAPPY DIAMOND' PENDANT ON CHAIN, BY CHOPARDThe heart-shaped glazed compartment pendant, revealing five collet-set 'floating' diamonds, suspending from a trace-link chain, mounted in 18K gold, signed Chopard, numbered, French assay mark, length 42cmChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

A PAIR OF 'HAPPY DIAMOND' EARRINGS, BY CHOPARDEach glazed heart-shaped compartment with three collet-set 'floating' diamonds, suspending from a gold polished hoop, mounted in 18K gold, signed Chopard & 'LUC', numbered, length 3cmChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

A 'HAPPY DIAMOND' BRACELET, BY CHOPARDThe yellow gold fancy-link bracelet suspending a glazed heart-shaped charm, containing a collet-set 'floating' brilliant-cut diamond, in 18K gold, signed Chopard & LUC, numbered, length 19.5cmChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

A 'HAPPY DIAMOND' PENDANT NECKLACE, BY CHOPARDThe gold belcher-link chain, decorated with a glazed heart-shaped pendant with a collet-set 'floating' brilliant-cut diamond, suspending the polished gold letters 'YOU', mounted in 18K gold, signed Chopard & LUC', numbered, necklace length 43.5cm, pendant length 7.8cmAccompanied with its certificate of originChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

A PAIR OF 'HAPPY DIAMOND' PENDENT EARRINGS, BY CHOPARDEach glazed heart-shaped surmount, featuring a floating brilliant-cut diamond, suspending the word 'YOU', mounted in 18K gold, signed Chopard, numbered, French assay marks, length 7cmChopard’s Happy Diamonds collections are synonymous with playful fun. The dancing, sparkling design was first created in 1976 by Ronald Kurowski, a designer at Chopard who tried to capture the magic and light of water droplets glinting and gleaming in the light. To do this, he encased a group of loose diamonds between two sapphire crystals and contained the entire in a gold bevelled capsule, thus giving the appearance of loose shimmering diamonds against bare skin. When Karin Scheufele (co-owner at the time of Chopard and mother of the current Co-Presidents) saw the design, she is said to have exclaimed “These diamonds are happiest when they are free”, thus bestowing the iconic name.Although the design was originally created for timepieces, it wasn’t long before it earned its own jewellery line. Caroline Scheufele, Artistic Director and Co-President of Chopard, first used the Happy Diamonds in the tummy of a clown pendant which she designed for herself. The piece turned out to be such a success that she also produced an elephant, a ladybird, a teddy bear and eventually the heart, leading in 1985 to the launch of the Happy Diamonds jewellery line. This also marked the beginning of high jewellery by Chopard.Since then, Caroline Scheufele has continued to breathe new life and glamour into the world of high jewellery. A keen film enthusiast, in 2007 she negotiated a partnership with the Cannes International Festival, making Chopard the official sponsor of the event and giving the house the opportunity to create a new high jewellery collection each year to adorn the stars of the red carpet at Cannes. The partnership is now in its 21st year and Caroline remains at the helm, creating unique works of art for and inspired by the women who wear them.

A FINE PAIR OF DIAMOND PENDENT EARCLIPS, BY HARRY WINSTONEach surmount set with a cluster of pear and marquise-shaped diamonds, suspending a pear-shaped diamond drop weighing approximately 0.80ct, mounted in platinum, remaining diamonds approximately 4.00cts total, with maker's marks 'HW', numbered, with maker's case, length 2.7cmBorn to Ukrainian parents who had immigrated to New York, Harry Winston worked as a young boy in his father’s jewellery shop. He had a keen eye even then and apparently recognised a two-carat emerald in a pawn shop. He bought the stone for 25 cents and sold it on a couple of days later for $800! He began to build his business during the 1920s, eventually founding the House of Harry Winston in New York City in 1932. He acquired a number of prestigious collections, re-designing old fashioned pieces into more contemporary pieces which he then sold to wealthy society ladies who helped to promote his reputation. Known as “The King of Diamonds”, Winston was not only a clever business man with a good eye but also a very accomplished gemmologist. His early career was littered with the highly publicised purchase of important large uncut rough diamonds, namely the Jonker, a 726-carat uncut rough diamond which Winston had delivered via registered post and the Vargas, which he personally tracked down on a trip which took him first to Brazil and then to Antwerp. These stones were then cut down into wearable jewels by Winston and his designers.By the 1940s, they had come to pioneer the technique of clustering diamonds and gemstones in such a way that the individual stone could dictate the design of the piece. Unrestricted by the confines of the setting, the stones could be displayed at their most brilliant. Since then, this iconic Winston Cluster design has been maintained throughout the House’s history and appears even today in the present lot.Also known as “The Jeweller to the Stars”, Harry Winston set a trend in 1944 when he dressed Jennifer Jones with diamonds for the Oscars. She went on to win the Oscar for Best Actress in the movie “The Song of Bernadette”. His jewels also featured in the 1967 film “The Graduate” and in the more modern-day “How To Lose A Guy In Ten Days” (2003). Harry Winston died in 1978 and today the company is run by his son Ronald. The glittering image continues to sparkle however and red carpet appearances are plentiful with big names such as Madonna, Helen Mirren, Jessica Alba, Amal Clooney, Jennifer Lopez and Natalie Portman.

Persian carpet blue on beige ground 200X123cm Condition: some damage. Signed.

A Persian carpet - Tabriz 365X230cm

Mahal Iranian Old Carpet. 376X275cm.

Anatolian / Armenian carpet 140X340cm

A Persian carpet - 250X155cm

Persian carpet in blue main colours 345X246cm.

Persian carpet blue on beige ground 193X124cm signed.

Bukhara pink carpet 277X192cm. 

A tray of boxed Hermes quartz wrist watch, desk clock, Parker pens, boxed B & A carpet bowls CONDITION REPORT: All items generally appear to be in good order. Desk clocks working. Hermes quartz wristwatch not currently running.

A vintage case containing a carpet beater, brass and copper horn, two walking sticks with silver mounts

An Indian hand tufted carpet, on beige ground, depicting vines, 125 cm x 180 cm

Parcel of electric items including Hoover 1900w vacuum cleaner, VAX Rapide carpet shampooer, Corby 5000 trouser press and a vintage Kenwood food mixer E/T

Colefax & Fowler; a large bespoke carpet, Beaufort design, Brussels weave 7.40m x 3.40m, together with order details 1988.

Tabriz pattern carpet, central medallion on a patterned floral red ground field, worn, 450cm x 320cm.

Tabriz pattern carpet, central medallion on a trellised and floral pattern red field, worn, 360cm x 240cm.

A Turkoman carpet, red ground with all over design of guls within multiple borders, 435x315cm.

Charles Francis Voysey, a Glenmuir design Donegal woollen carpet, early 20th century, in green and blue colour scheme, patch repair, width 163cm, length 246cm.

Old Baluchi wool carpet in brown, beige and blue, 123cm x 78cm 

A Fine Keshan Carpet, 2.51m x 1.52m

A Kirman carpet, the centre woven in colours with an overall design of flowering plants and tendrils on a red ground, the borders similarly woven with flowerheads, stylised foliage and scrolls, on ivory and dark blue grounds, 19ft x 15ft 6in.

A Zeigler carpet, the ivory field with an all-over design of single floral sprigs, the madder border with palmettes, flowerheads and floral sprays, single inner and two outer guard stripes, 13ft 9in. x 10ft 9in.

A large Savonnerie carpet, with powder blue ground and yellow foliate border, 22ft 9in by 17ft.

A Bokhara carpet on a green ground, 2.8x2.0m

A beige Keshan carpet, 2.3x1.6m

Modern Turkish carpet of geometric design in pastel shades, approximately 12ft x 9ft

Large 20th Century Chinese carpet with an embossed dragon design on a beige ground with green borders, 12ft x 9ft approximately CONDITION REPORT This is the best image we can do for now, a full picture could be taken when we move the items just before the sale.No holes or major wear from foot traffic but does have some pink stains and looks a little dirty, would need clean but not sure if stains will come out. Otherwise ok condition.With regards to shipping - this is a large and heavy carpet, it would be best to use a company like Auction House Shipping - we can provide details if you are interested.

Carved bamboo walking cane, a riding crop with copper mount inscribed ' Please and Tops ' and a carpet beater

Meshed carpet with a medallion and all-over stylised floral design on a wine red ground with multiple borders, 14ft x 10ft approximately (some wear)

Red ground Kashan pattern machine carpet, 2.3m x 1.6m

Kashan carpet with a lobed medallion and all-over floral design on a red ground with borders, 12ft x 9ft approximately (slight wear)

Tabriz carpet with an all-over palmette design predominantly in shades of blue on a pale ground, 12ft x 8ft approximately

A Zeigler style carpet with floral design, on a beige ground, contained by floral border, 280 x 200cm

A Bokhara style carpet with elephant pad motifs on a green ground, contained by geometric borders, 280 x 200cm

An antique North East Persian Turkoman carpet, repeating stlyised Tekkeh motifs on a terracotta field, complimented by a stylised geometric border, 320 x 215cm

A Bokhara style carpet with elephant pad motifs on a blue ground, contained by geometric borders, 280 x 200cm

A North East Persian Meshad carpet, signed, central double pendant medallion with repeating petal and spandrel motifs on a rouge field, complimented by a multi-layer floral sapphire border, 370 x 286cm

A 20th century Chinese woolen carpet, with impressed floral design on a red ground, 350 x 270cm

A Persian carpet with triple geometric medallion, on a red and black ground, contained by geometric borders, 300 x 135cm

A 20th century Isfahan carpet with central floral medallion on a cream ground, surrounded by floral motifs and spandrels, contained by floral borders on a red and blue ground, 307 x 208cm

A Caucasian carpet, triple diamond medallions on an ivory field, within geometric borders, fringed, 320 x 230cm

A Gtech cordless carpet sweeper

A KELIM CARPET with a blue ground and multiple geometric designs, 308cm x 448cm; a further Kelim camel ground rug, 250cm x 149cm; a jajim rug; three further flat weave rugs (6)

AN ANTIQUE KAZAK RED AND BLUE GROUND CARPET with a banded border and stylised foliate decoration, 270cm x 482cm

A modern Persian design carpet square of Tabriz design on blue, red and cream ground

A late 20th century carpet square of Turkish design having red, brown and yellow ground55" x 89"

A Persian-style aubergine ground carpet, all over woven with large stylised flowerheads, 350 x 249cm (worn in places)

An Indian carpet 440 x 300cm

An Aubusson style pink ground carpet 437 x 336cm