John TUNNARD (1900-1971) A printing block from the Imprints period 37 x 36cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
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John TUNNARD (1900-1971) A printing block from the Imprints period 28 x 27cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder. By inheritance from the estate of John Tunnard's Executor, Neil Treseder.
John TUNNARD (1900-1971) A hand-blocked wool scarfImprints signature, 64 x 65cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A printing block from the Imprints period 28 x 28cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A large hand-blocked wool scarf (c.1943)Imprints signature, 93 x 94cm, 116 x 116cm framed.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints periodImprints signature, 66 x 66cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A hand-blocked wool scarf from the Imprints period 66 x 65cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come from the estate of John Tunnard's executor and close friend Neil Treseder.
John TUNNARD (1900-1971) A hand-blocked wool scarf Imprints signature, 68 x 67cm.The internationally renowned artist John Tunnard led a Bohemian London life moderated by the need for work. He produced carpet and fabric designs, he organised jazz events with himself at the drums, and was a dedicated naturalist and countryman.In 1933 he bought a horse-drawn gypsy caravan and moved to Cornwall with his wife Bob (Mary) settling at Cadgwith on the Lizard peninsula and there they set up 'Imprints', a small business making hand-blocked scarves and textiles. They became part of the community, and his acceptance was confirmed by his appointment as coastguard.Throughout this Cadgwith period he painted and was shown in London by Redfern (first major exhibition 1934), Zwemmer, Guggenheim Jeune (1938/9 first non-representational show) and in New York with Nierendorf Gallery.He exhibited with Henry Moore, Nash, Klee and Roland Penrose.These entries come to us from the estate of John Tunnard's executor and close friend Neil Treseder.
A PART SILK ESFAHAN CARPET, PERSIANThe pale pink field with a multi coloured design of a large faceted medallion, brown spandrels all highly decorated with abundantly floral sprays; a grey pink floral border, circa late 20th century, 412 x 300cmCondition: Very goodProvenance: A House on Belgrave Square - Part I See Bellmans website article for further details.
ONE BOX OF MIXED EPHEMERA AND SUNDRY ITEMS, comprising a silk Turkish carpet sample with a certificate of origin, a China Daily Newspaper, 1997, a Stuart crystal paperweight, a 1958 copy of 'The Motor', The Ladies of Rylstone Calendar 2001, a Concorde plastic folder, The Old Man of Lochnagar by HRH The Prince of Wales and a Fac-Simile of the Kilmarnock Edition of Burns Poems 1786 a souvenir of The Empire Exhibition Glasgow 1938 (1 box)
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