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Lot 1878
(See English version below)Alex Katz (New York 1927 – lebt in New York). „Untitled (Flying Carpet)“. 2008/10Farbaquatinta auf Velin. 24,6 × 35,3 cm (34,7 × 50,3 cm) ( 9 ⅝ × 13 ⅞ in. (13 ⅝ × 19 ¾ in.)). Signiert.Schröder 479.–Ex. 46 von 50 nummerierten Abzügen aus einer Gesamtauflage von 74 Exemplaren. Blatt 4 (von 6) des Portfolios: Small Cuts. Rimini, Galleria Fabjbasaglia, 2008. [3452]Zustandsbericht: Ex. 46/50. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Alex Katz (New York 1927 – lives in New York). ”Untitled (Flying Carpet)”. 2008/10Colour aquatint on wove paper. 24,6 × 35,3 cm (34,7 × 50,3 cm) ( 9 ⅝ × 13 ⅞ in. (13 ⅝ × 19 ¾ in.)). Signed.Schröder 479.–No. 46 of 50 numbered prints from a total edition of 74 copies. Sheet 4 (of 6) of the portfolio: Small Cuts. Rimini, Galleria Fabjbasaglia, 2008. [3452]Condition report: No. 46/50. In good condition. The sheet edges without tears or losses. Fine harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.
Lot 304
1968 Jaguar 240, 2483 cc. Registration number NVY 482F. Chassis number 1J2722DN. Engine number 7J 3170-8.Launched in 1959 as a three-model range from the very beginning, the 2.4-litre, 120bhp engine formed the bedrock of the MKII line-up, with the performance-oriented customer able to choose between 3.4-litre and 3.8-litre engines. Jaguar?s independent front suspension and trailing arm suspension at the rear offered sparkling handling, while all-wheel disc brakes meant that it stopped as quickly as it accelerated.Re-badged the 240 and 340 in late 1967 while Jaguar waited for the XJ6 to be launched, the 340 was withdrawn in 1968 and the 240 in April 1969, when it cost £1364, only £20 more expensive than the first 2.4 in 1956. Output was increased from 120 bhp at 5,750 rpm to 133 bhp at 5,500 rpm and torque was increased. There was a slight reshaping of the rear body and slimmer bumpers with over-riders were fitted. The economies of the new models included replacement of leather upholstery with Ambla and tufted carpet on the floor.NYF was purchased from Kennings of York on the 17th of May 1968 by Neville Bycroft and serviced by them at 1029 miles in the November, at 1740 miles in May 1969 and at 11,324 miles in March 1972; nine years later the MOT was undertaken at 56,098 miles and in 1985 at 60,080. It was then purchased by our vendors uncle who intended to restore it but business commitments got in the way so it remained in barn under covers. He never changed the ownership documents.In April 2005 our vendor purchased it and began a comprehensive restoration, stripped back to bare metal, the shell was in good order and only needed localised repairs, all the chrome was replated or replaced as were all nuts and bolts with stainless steel upgrades, a stainless steel exhaust was fitted. The original interior responded very well to being cleaned and a new headlining was fitted. The engine and the manual with overdrive gearbox, only needed a good service.Finished in 2013 it was MOT'd at 60,191, in 2015, in 2016 at 60,419 miles and 2017 at 60,460 miles. Today it is at 60,559 miles. The car has been regularly started up and warmed through but our vendor prefers restoration to use and has now decided to part with the car.Sold with the V5C, V5, old MOT's, comprehensive photographic restoration, receipts for parts purchased, the original service book and manuals. This 240 is highly recommended by the cataloguer who feels it would win prizes if entered into concours competitions; the underside is as perfect as the topsides!
Lot 147
Marion Piper New Garden 1, 2021 Acrylic and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Marion's works with a limited geometric lexicon through drawing and painting to pursue the infinite possibilities and interplay of image, history, place and text. Instagram @marion_piper Marion is based in Norfolk UK. Education 2012 - BA Hons. Fine Art Buckinghamshire New University 1985 - BA Hons. Carpet Design and Related Textiles, Wolverhampton School of Art Exhibitions/Awards 2020 MK Calling 2020, MK Gallery, Milton Keynes WAY OUT, La Grange Gallery, Cernay Les Reims, France Grey | Grey (Matter), Divisible Projects, Ohio, USA A Little Painting Show, The Brunswick Gallery, Leeds 2019 READER, Magdalen Art Space, Oxford Object Meditation, curated by Tom Wilmott, After Nyne Gallery, London Coventry Biennial 2019, Parmar & Piper A Hybrid Painting Project, Coventry Be Absolutely Concrete! Hase29, Osnabrück, Germany Unfinished Business, Ex Libris Gallery, Newcastle University Drawing Now, ICA, Maine, USA Shortlisted and exhibited for 2017 Creekside Open 2017, selected by Alison Wilding, APT Gallery, London, U.K. 2016 Jerwood Drawing Prize show, Jerwood Space, London Selected by MK Gallery for CVAN (South East) Platform Graduate award 2012 (finalist) https://afternynecontemporary.com About the postcard artworks The four postcards I have submitted are inspired by the work of Édouard Manet and Bauhaus artist and weaver Gunta Stölzl. This is an ongoing exploration into the process of design and pattern, and the practice and theory of painting."
Lot 148
Marion Piper New Garden 2, 2021 Acrylic and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)Education 2012 - BA Hons. Fine Art Buckinghamshire New University 1985 - BA Hons. Carpet Design and Related Textiles, Wolverhampton School of Art Exhibitions/Awards 2020 MK Calling 2020, MK Gallery, Milton Keynes WAY OUT, La Grange Gallery, Cernay Les Reims, France Grey | Grey (Matter), Divisible Projects, Ohio, USA A Little Painting Show, The Brunswick Gallery, Leeds 2019 READER, Magdalen Art Space, Oxford Object Meditation, curated by Tom Wilmott, After Nyne Gallery, London Coventry Biennial 2019, Parmar & Piper A Hybrid Painting Project, Coventry Be Absolutely Concrete! Hase29, Osnabrück, Germany Unfinished Business, Ex Libris Gallery, Newcastle University Drawing Now, ICA, Maine, USA Shortlisted and exhibited for 2017 Creekside Open 2017, selected by Alison Wilding, APT Gallery, London, U.K. 2016 Jerwood Drawing Prize show, Jerwood Space, London Selected by MK Gallery for CVAN (South East) Platform Graduate award 2012 (finalist) https://afternynecontemporary.com About the postcard artworks The four postcards I have submitted are inspired by the work of Édouard Manet and Bauhaus artist and weaver Gunta Stölzl. This is an ongoing exploration into the process of design and pattern, and the practice and theory of painting."
Lot 149
Marion Piper New Garden 3, 2021 Acrylic and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)Education 2012 - BA Hons. Fine Art Buckinghamshire New University 1985 - BA Hons. Carpet Design and Related Textiles, Wolverhampton School of Art Exhibitions/Awards 2020 MK Calling 2020, MK Gallery, Milton Keynes WAY OUT, La Grange Gallery, Cernay Les Reims, France Grey | Grey (Matter), Divisible Projects, Ohio, USA A Little Painting Show, The Brunswick Gallery, Leeds 2019 READER, Magdalen Art Space, Oxford Object Meditation, curated by Tom Wilmott, After Nyne Gallery, London Coventry Biennial 2019, Parmar & Piper A Hybrid Painting Project, Coventry Be Absolutely Concrete! Hase29, Osnabrück, Germany Unfinished Business, Ex Libris Gallery, Newcastle University Drawing Now, ICA, Maine, USA Shortlisted and exhibited for 2017 Creekside Open 2017, selected by Alison Wilding, APT Gallery, London, U.K. 2016 Jerwood Drawing Prize show, Jerwood Space, London Selected by MK Gallery for CVAN (South East) Platform Graduate award 2012 (finalist) https://afternynecontemporary.com About the postcard artworks The four postcards I have submitted are inspired by the work of Édouard Manet and Bauhaus artist and weaver Gunta Stölzl. This is an ongoing exploration into the process of design and pattern, and the practice and theory of painting."
Lot 150
Marion Piper New Garden 4, 2021 Acrylic and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Education 2012 - BA Hons. Fine Art Buckinghamshire New University 1985 - BA Hons. Carpet Design and Related Textiles, Wolverhampton School of Art Exhibitions/Awards 2020 MK Calling 2020, MK Gallery, Milton Keynes WAY OUT, La Grange Gallery, Cernay Les Reims, France Grey | Grey (Matter), Divisible Projects, Ohio, USA A Little Painting Show, The Brunswick Gallery, Leeds 2019 READER, Magdalen Art Space, Oxford Object Meditation, curated by Tom Wilmott, After Nyne Gallery, London Coventry Biennial 2019, Parmar & Piper A Hybrid Painting Project, Coventry Be Absolutely Concrete! Hase29, Osnabrück, Germany Unfinished Business, Ex Libris Gallery, Newcastle University Drawing Now, ICA, Maine, USA Shortlisted and exhibited for 2017 Creekside Open 2017, selected by Alison Wilding, APT Gallery, London, U.K. 2016 Jerwood Drawing Prize show, Jerwood Space, London Selected by MK Gallery for CVAN (South East) Platform Graduate award 2012 (finalist) https://afternynecontemporary.com About the postcard artworks The four postcards I have submitted are inspired by the work of Édouard Manet and Bauhaus artist and weaver Gunta Stölzl. This is an ongoing exploration into the process of design and pattern, and the practice and theory of painting."
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69172 item(s)/page