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George Kidner
Los 37

A collection of military crested china, comprising: Swan China clip of .303 ammunition (Pickering), Arcadian `Model of An Armoured Car` (John of Eltham), Arcadian service cap (Borough of Reading), Arcadian `Jack Johnson` shell (Borough of Reading). (4)

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George Kidner
Los 38

A collection of military crested china, comprising: Willow Art `Model of British "Tank"` (Arms of Barmouth), S. Hancock and Sons Corona China submarine `E4` (City of Exeter), Willow Art warship (Southampton), an artillery shell (Morecambe). (4)

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George Kidner
Los 39

A collection of military crested china, comprising: Swan China Mills bomb (Aldershot), Willow Art `Model of British "Tank"` (Herne Bay), Arcadian `Model of Trench Lamp` (Bexley), Carlton `Model of Cannon Shell` (Skipton, and marked for Skipton Stationery Co.). (4)

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George Kidner
Los 80

A Saxon model 1849 sidearm, single-edged hatchet point blade 18 3/4 in., marked for Weyersberg of Soligen, all-brass hilt with crossguard and ribbed grip, brass mounted black leather scabbard.

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George Kidner
Los 84

A model 1898 `Neuer Art` quill-back Mauser bayonet, by Simson & Co of Suhl, slender blade 20 1/2 in., steel hilt with two piece wooden grip, the pommel bearing the coat of arms of Peru, black leather scabbard with steel locket and chape.

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George Kidner
Los 94

A British 1897 pattern infantry officer`s sword, light model, blade 32 1/2 in., etched with retailer`s mark of Samuel Brothers of Ludgate Hill and numbered 10721, regulation hilt with pierced guard, brown leather covered scabbard.

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George Kidner
Los 109

A French model 1833 naval cutlass, broad slightly curved single edged blade 27 in., back marked in cursive script for Chatellerault 1861, anchor motif to each of the broad fullers, steel bowl guard, faceted grip and pommel, lacks scabbard.

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George Kidner
Los 113

A GVR 1897 pattern infantry officer`s sword, light model, slender etched blade 32 1/2 in, numbered 5059, regulation pierced steel hilt, fishskin grip, in brown leather covered scabbard complete with frog and straps.

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George Kidner
Los 114

A Greek Model 1874 Gras bayonet, T-section blade 20 1/2 in. and with Austrian arsenal mark `Waffenfabrik Steyr 1881` to the back flat, steel framed hilt with wooden grip and brass pommel, hooked lower quillon, various numerals marked to the hilt, steel scabbard.

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George Kidner
Los 173

A Colt 1860 Army model .44 calibre percussion revolver, barrel 8 in., barrel locking wedge (with retaining screw removed) numbered 9058, cylinder also with the number `9058` and the patent date, base of butt with holes bored for a lanyard after the cavalry manner.

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George Kidner
Los 176

A Remington 1861 Navy model .36 calibre percussion revolver, octagonal barrel 7 1/2 in. with `Patented Dec17 1861/ Manufactured by Remingtons Ilion N.Y.` to the tope flat, brass trigger guard, staghorn grips.

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George Kidner
Los 226

A 1st model Luftwaffe officer`s dagger, blade 11 3/4 in., drooping quillons, spiral bound leather covered grip, `pinwheel` type swastika to the circular pommel and to the ecousson, metal mounted scabbard with blue leather covered body, chain hangers with suspension clip marked for O.L.C. (Please note that, owing to the large number of reproduction Third Reich and Imperial German items on the market, we can give no guarantee as to the authenticity of any such items. Prospective purchasers must satisfy themselves in this regards, before bidding).

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George Kidner
Los 334

A model of the Nuffield Universal tractor, by Denzil Skinner & Co. Ltd., boxed.

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Special Auction Services
Los 40

A Houghton`s `Ticka` Pocket Watch camera, with lens cap on chain (lens detached from body, internal parts missing) and viewfinder, 6Diii; and Agfa Ambi Silette, with 50mm, 35mm and 90mm lenses, Kodak - No. 3 FPK Model F, No. 3A FPK Model B-4, Bantam f/6.3 with No. 3 Folding Ansco and four Weston light meters, a lot (10)

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Special Auction Services
Los 48

Various Makers: blue Minolta 16 Model I, in maker`s leather case, 1957 - 1960; Ensign Selfix 820, in maker`s ever ready case; Zeiss Ikon Bob 510/2; bakelite Purma Special, in maker`s ever ready case, lacks lens cap; Ensign - Cameo quarter-plate camera and roll-film camera; Autoknips IV self-timer; German light meter; Ilford Sporti, and Polaroid Vision SLR; a lot (8)

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Special Auction Services
Los 55

Various Makers: quantity including Yashica Lynx 14E, Agfa Isolette II, Koroll 24S, Magazine Cine-Kodak, Brownie Hawkeye Flash Model, in maker`s box and Coronet Flashmaster, a lot

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Special Auction Services
Los 1231

A collection of comme­morative coins and medals, comprising, three John Pinches medals, a 1854 Victorian Prince of Wales Model Half Sovrn, a Jubilee 1897 example other Royal commemorative examples including a framed 1981 Royal Wedding collection (a parcel)

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Special Auction Services
Los 1364

A silver model of a sail ship, with scroll border on plinth base

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Plymouth Auction Rooms
Los 53

Fine Gentlemen`s Rolex 18ct gold Day Date wristwatch, the dial pave later set with small brilliant cut diamonds and sapphires, the bracelet also later set with diamonds, with original box and certificate model No T683161 with separate diamond cut bezel.

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Barry Hawkins
Los 291

Poole rabbit plus a chicken and chicks model with numbers 225 underneath.

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Barry Hawkins
Los 22

Corgi 267 Batmobile black first issue, bat logo, no hook, nine yellow missiles, some attached five spare. Instructions. Model A+ Box B.

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Barry Hawkins
Los 19

Corgi 497 Oldsmobile Man from Uncle, blue with holographic ring. Model A+ Box A.

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Barry Hawkins
Los 20

Corgi 261 James Bond Aston Martin DB5, gold, working ejectable figure, bullet proof shield, including instructions and spare figure. Model A Box A.

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Barry Hawkins
Los 21

Corgi 258 The Saints VolvoP1800, white, transfer logo, early issue. Model B Box G.

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Barry Hawkins
Los 14

Corgi 437 Cadillac Superior ambulance, red/cream, concave hubs. Model A Box E.

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Barry Hawkins
Los 15

Corgi 247 Mercedes Pullman, maroon, cream interior, windscreen wipers. Model A Box D.

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Barry Hawkins
Los 16

Corgi 31 gift set, Buick Riviera set, blue/white/red. Model A (A/A) Box A.

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Barry Hawkins
Los 17

Corgi 485 Mini Countryman with surfer, green, comes with surfer, two boards. Model A Box B (some writing to ends).

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Barry Hawkins
Los 18

Corgi 236 Austin A60 saloon, blue, Driving School with steering. Model A Box E.

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Barry Hawkins
Los 23

Dinky 407 Ford Transit, blue/white, Kenwood. Model A Box D (detached flap included).

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Barry Hawkins
Los 24

Dinky 952 Vega Major luxury coach, cream/maroon, with lights and leaflet. Model B Box B.

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Bellmans Auctioneers & Valuers
Los 298

A Chinese pale quartz model of Budai, 20th century, carved seated and wearing loose fitting robes with his chest and round belly exposed, 37 cm high.

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Bellmans Auctioneers & Valuers
Los 1252

A quantity of vertu and collectables, including: various pipes, model animals, oval frames, tins, paperweights, an enameled dish, a pair of binoculars and sundry.

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Bellmans Auctioneers & Valuers
Los 1297

Collectables and virtue, including: two knives with mother of pearl handles, bone and ivory items, a snuff box, thimbles, napkin rings, a shell purse, a brass model of an elephant, a Coronation coach and further items.

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Bellmans Auctioneers & Valuers
Los 1699

A French bronze model of the Albani vase, after the antique, late 19th century, 23cm high x 35cm wide.

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Bellmans Auctioneers & Valuers
Los 1726

An alabaster model of a recumbent lion on naturalist base, early 19th century, 18cm wide.

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Bellmans Auctioneers & Valuers
Los 1758

Science and Medicine; an anatomical model of a lower leg in bandages, cased 86cm.

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Bellmans Auctioneers & Valuers
Los 1760

Science and Medicine; an anatomical model of an infant circumcision, in a glazed case, 86cm.

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Bellmans Auctioneers & Valuers
Los 1762

Science and Medicine; an anatomical model showing the effects of alcoholism detailed with a head and two stomachs, in glazed case, 70cm.

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Bellmans Auctioneers & Valuers
Los 1764

Science and Medicine; a full size anatomical model of a lady and internal organs, in a glazed case with pine carry box, approximately 180cm.

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Bellmans Auctioneers & Valuers
Los 18

A French biscuit porcelain model of an angel, early 20th century, in mourning pose, inscribed to the reverse `Maugerfils` and `386` (restorations), 84cm high.

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Bellmans Auctioneers & Valuers
Los 130

A group of porcelain and glass miniatures including; a pair of Derby figures, 19th century, both modelled in Middle Eastern dress, a miniature glass jug overlaid with white enamel and hand painted with flowers, a Royal Worcester toby jug No 2831, a porcelain bird and a model of a cat in a ladies hat (6).

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Ewbank Clarke Gammon Wellers Auctioneers
Los 766

After Guillaume Coustou, 19th century bronze model of a Marley horse, on naturalistic base, marked `Coustou`, 23" high,

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Ewbank Clarke Gammon Wellers Auctioneers
Los 885

20th century model of a steam engine, 13"; and two others similar PROVENANCE: Removed from More Place, Wonham Lane, Betchworth, Surrey for convenience of sale.

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Ewbank Clarke Gammon Wellers Auctioneers
Los 898

Model of a Hawker Hurricane WWII fighter plane, with remote running gear

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Ewbank Clarke Gammon Wellers Auctioneers
Los 956

Various books on the Decorative Arts: Millers Teddybears and Dolls Collectors Guide to Model Tin Figures - Ortmann Musical Boxes - Tallis Buttons - Epstein English Painted Enamels - Hughes British Portrait Miniatures - Foskett Arms & Armour - Cimarelli American Militiary Collectibles - Manion Militaria Arms and Armour - Curtis The Grosvenor House Antique Fair Handbook 1996 David and Peggy Rockafeller Collection (Vol. 1)

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Ewbank Clarke Gammon Wellers Auctioneers
Los 1102

§ Sam Taylor Wood, b. 1967 - artist`s working proof for `XV Seconds` produced in 2000 The original weighed two tons, stood 60 feet tall and ran 900 feet around the outside of Selfridges to the bemusement of shoppers on London’s Oxford Street. The giant photograph – Selfridges claim that it was the biggest photograph and artwork ever seen in London – was created by UK conceptual artist Samantha “Sam” Taylor-Wood, essentially to wrap the building and hide the scaffolding while workmen renovated the façade of the famous department store in 2000. Sam Taylor-Wood turned the project into a much vaunted work of art. Called “XV Seconds”, the photomontage was her version of the Elgin marbles, a frieze in which the Greek gods were replaced by 21 icons of modern culture including Sir Elton John, Blur guitarist Alex James, Ray Winstone, Richard E. Grant, Timothy Spall, Adrian Dunbar, Jane Horrocks, Amanda Ooms and models Jodie Kidd and Alex Wek. The artist’s working proof of the creation, a 24-foot computer-printed scale model of the finished article, signed on the reverse by Sam Taylor-Wood in black ink, is offered here. PROVENANCE; This lot is sent for sale by Mr Mario Capaldi, the creative director of the company responsible for overseeing production of the finished article, who believes the proof to be unique. He said: “The fit and colour management of the project was vital to its success. It was something no one had experience before, but it had to be bang on. I suggested the printers should produce a working proof, printed on the same material and exactly to scale, for Sam to approve. The job took many months to complete and when it was finished, the proof was returned to me. I cheekily asked Sam to sign it and I believe it to be unique. I remember her saying that even she did not have a copy.” “The full size version stopped the traffic when it was first unveiled in April 2000 and pictures of the artist posing in front of it with Elton John were on television and in all the newspapers. What happened to the original finished artwork is not clear, but on completion of the project Mr Capaldi was given this proof which he asked Sam Taylor Wood to sign for him. The artist commenced work on a series of major photographic works called “Five Revolutionary Seconds” in 1995. The title refers to an old Royal Air Force camera which registered a 360-degree view in one continuous five-second-long revolution. The Selfridges installation XV Seconds was her first major public commission. Its name was also a reference to the famous Warhol quip "Everyone is famous for 15 seconds". It was made with the special camera with her good friend Sir Elton John sitting in the centre of the circle as Zeus in a pose after the portrait by Ingres. The resulting photograph, which took 15 seconds to take, was the largest, heaviest, longest to print and the most difficult to achieve technically. Its unveiling coincided with the opening of Tate Modern and brought Sam Taylor-Wood’s work to the attention of a new and much wider audience. Nominated for the Turner Prize in 1998, she made her debut as a feature film director in 2009 with Nowhere Boy, based on the childhood experiences of John Lennon and was nominated for a BAFTA award last year. Since graduating in 1990 Sam Taylor Wood has had many solo exhibitions and has been represented in many multiple exhibitions throughout the World. The proof measures 19" x 24`, NOTE; A smaller version of this print was produced in 2000 in an edition of ten measuring 10" x 83" but it only covered part of the whole image. A copy was offered at Phillips de Pury in New York on 14th November 2008, lot no 417.

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Ewbank Clarke Gammon Wellers Auctioneers
Los 520

20th century Chinese white metal model of a three masted gunboat, on carved hardwood stand, 4.5" high,

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Ewbank Clarke Gammon Wellers Auctioneers
Los 740

20th century wood model of HMS Bounty PROVENANCE: Removed from More Place, Wonham Lane, Betchworth, Surrey for convenience of sale.

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Maxwells of Wilmslow
Los 413

A WWII Italian Prisoner of War work model of Noah`s Ark and animals

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