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Los 233

DINKY TOYS FOUR O GAUGE MODEL RAILWAYS NO 1 STATION STAFF AND NO 6 SHEPHERD SET both VG, boxed (2 boxes)

Los 357

A JAPANESE PAINTED BISQUE MODEL OF MICKEY MOUSE ON THE BACK OF PLUTO 6cm h, impressed copyright symbol and Walt Disney Japan, C1930s In good condition

Los 630

A STAFFORDSHIRE CREAMWARE TOBY JUG the traditional model of a toper seated holding a brown earthenware bulbous jug and sponged in the Pratt palette of blue, manganese and ochre, 25cm h, collector`s label, c1780 Provenance: A M Patrick Collection. Old discoloured restoration to one side of the base, one or two firing cracks in the base but a pleasing example of the model and not subject to any recent or professional restoration

Los 799

A CHINESE BRONZE AND CHAMPLÊVÉ ENAMEL MODEL OF A HARE resting on its forepaws, its ears and head erect, a coat of flowers and tendrils on a turquoise ground on its back and with black patina, 15cm h, Qing dynasty, 18th c On the underside some casting flaws, a copper colour showing through where the black patina is rubbed

Los 1182

A VICTORIAN IVORY PHRENOLOGIST`S MODEL OF THE HUMAN HEAD the cranium mapped into numbered compartments and identified with thirty five faculties, one "unascribed" and another described as Gustative, around the truncation, on associated ebony base, 13cm h A fine quality example one or two insignificant hairlines on the back of the truncation, the associated ebony base with old filled shrinkage crack on the foot

Los 210

An Austrian cold painted bronze model of a pug dog 1920s-30s, modelled seated on his haunches, one paw raised and his head inclined to the right with ears pricked, 3½in. (9cm.) long. .

Los 212

A French gilt bronze model of a seated King Charles spaniel probably late-19th century, crisply cast with good detail, seated upon an oval floral engraved cushion with scalloped base, 4 1/8in. (10.5cm.) high. .

Los 462

A Jaeger-LeCoultre Lady`s diamond-set steel and gold reversible wristwatch signed jaeger-lecoultre, reverso model, the signed rectangluar silvered dial, Arabic numerals, blue steel hands,rectangular case set with diamonds to the end of the bezel, swivel hinged case, 18ct gold and steel Jaeger-LeCoultre bracelet with double deployant clasp, case, back stamped no.1913717. .

Los 2

Four John Beswick Bird And Animal Figures Together With A Beswick Model Gold Crest And A Further Model Parakeet.

Los 16

Two John Beswick Model Horses Together With A John Beswick Jersey Cow.

Los 89

A Staffordshire Pottery Model Of A Seated Dalmatian Seated On A Blue Cushion Base.

Los 199

A Pair Of Two Handled Cased Glass Vases Together With Two Further Vases And A Model Cockerel.

Los 235

Five John Beswick Model Animals Together With A Royal Albert Beatrix Potter Figure.

Los 524

An Excellent Scale Model (Possibly Tradesman’s Piece) Victorian Brass Canopy Bed 24" Long.

Los 552

A Schuco Model Grand Prix Racer Together With A Schuco Ferrari Racing Car.

Los 568

A Pair Of Vintage Goggles Together With An Aluminium Model Canon Barrel Mould.

Los 604

Two Oak Mounted Tin Ware Heraldic Shields Together With A Similar Model Pipe Rack.

Los 1

A 1973 Lamborghini Espada Series 3 Bertone unveiled the sensational Marzal concept at the 1967 Geneva Motor Show, the forerunner to the Espada, which debuted one year later at the 1968 Geneva Show. It was the first genuine production four seat Lamborghini and one of the most distinctive supercars of the 1960s. Named after the Spanish word for a matador`s sword, the Espada`s styling was heavily influenced by the Marzal, but it was equipped with the a much more powerful engine - the 4.0-litre, four-cam V12 engine debuted in the 400GT. It produced 325bhp, sufficient to propel the four-seater coupé to a top speed of 150mph (240km/h). Introduced in January 1970, the Series II cars benefitted from an extra 25bhp, raising the top speed to 250km/h, introducing an improved dashboard layout and the option of power assisted steering. The dashboard was revised yet again in late 1972 for the Series III, which also incorporated power steering as standard, improved brakes, minor suspension improvements and a restyled front grille. Espada production ceased in 1978 after 1,217 cars had been built. This example is a 1973 Series 3 model, chassis number `9006`, engine number `41018`. The vendor collected it from the factory himself on 19th April 1973, registering it originally in the UK before moving to Guernsey in 1978. It was used regularly over the following twenty-three years, by which time it had covered 71,598 km, which included many high speed tours across Europe. It was last taxed and used on the road in 1996, since when it has been parked undercover outdoors. It therefore requires complete restoration and is not currently in running order. Finished in the wonderfully period colour combination of light metallic green with tan leather interior, this stunning car represents a very rare opportunity to obtain a completely original, single owner 1970s Italian supercar in `barn find` condition. * Please note that the Espada is UK tax paid. It does not run and is not roadworthy. Martel Maides Auctions will require the car to be paid for in full and removed from the premises via a low loader, at the owner`s arrangement and expense, by Friday 7th December 2012.

Los 39

A Staffordshire porcelaneous model of a boy tending his rabbits 19th century, the boy leaning over a hutch surrounded by six rabbits, his hat placed to one side, on an oblong base with foliate bocage and gilt lining and sprigs, 4¾in. (12cm.) long, one ear chipped.

Los 140

A Japanese Kutani model of a seated cat Meiji period, modelled seated on its haunches with left paw raised, the body painted with brushed patches of iron red and gilt `fur` on a white ground, wearing a floral patterned bell collar tied in a bow, old paper labels to base, 6in. (15.25cm.) high. .

Los 56

A Burmantofts Faience pottery vase, model no.164, shouldered form with flaring neck, incised with a band of daffodil flowers under stylised foliage, in shades of yellow, green and brown on a green ground, and a Burmantofts Faience bottle vase impressed marks, 23cm. high

Los 57

A Burmantofts Faience pottery vase, model no.726, ovoid with waisted neck, modelled with a dragon wrapped around the neck, glazed red impressed marks 31cm. high

Los 58

A Burmantofts Faience jardiniere, model no. 2096, modelled in low relief with panels of acanthus, in shades of blue, green and brown on a cream ground impressed marks, glaze loss, 24cm. high

Los 59

A Burmantofts Pottery bottle vase, model no.2042, modelled in low relief with flowers and foliage panels, in Anglo Persian palette impressed marks, 25cm. high

Los 63

A Burmantofts Faience Anglo Persian bottle vase by Leonard King, model no. 428, ovoid with knopped neck, painted with flower sprays in shades of turquoise, green, brown and aubergine on a deep blue ground impressed and painted marks, LK monogram, professional restoration to rims, 35cm. high

Los 72

A Royal Doulton Veined Flambe vase, model no.1619, shouldered form covered in a flambe glaze graduating to deep blue, a Doulton Lambeth stoneware twisted pot and a Royal Doulton vase by Vera Huggins, printed factory marks, 28cm. high

Los 86

A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.958, compressed body with cylindrical neck and applied angled handles, covered in a streaked ochre and green glaze, and two other vases impressed marks, 9cm. high

Los 94A

A Minton parian figure of a greyhound, model no.421, modelled seated on a rocky outcrop impressed marks, 17cm. high

Los 114

A Bretby Pottery model of a wounded dog, modelled seated with paw raised in a sling and one eye bandaged - a note to his back `After the Battle`, glazed green, applied glass eye impressed marks, 21cm. high

Los 217

A Large Minton`s Secessionist jug designed by John Wadsworth and Leon Solon, model no.10, tubeline decorated with simple columns of stylised ivy leaf, in shades of blue printed mark, no.10, small hairline to top rim 31cm. high

Los 336

An Ashtead Pottery wall mask by Phoebe Stabler, model M.44, covered in a white glaze printed mark, incised number 15.5cm. high

Los 337

`Corn Girl` an Ashtead Pottery figure by Allan G Wyon, dated 1927, model no. M.72, covered in a streaked green glaze moulded marks, 19.5cm. high

Los 540

Rosemary Wren (born 1922) a stoneware model of a curled up cat, incised detail, glazed white and black impressed and painted marks 23cm. wide

Los 605

A Goldscheider Pottery Tragedy wall mask, model no. 6288, modelled as a woman holding a mask to her face, in colours incised 6288 mark, 34cm. high Literature Victor Arwas Art Deco Academy Publications, page 292 a variation on this mask illustrated.

Los 664

Two Arthur W Simpson The Handicrafts Kendal stools, model 1198, rectangular with leather webbed seat applied label to largest, largest 41cm. wide

Los 673

A set of six Gordon Russell teak dining chairs, designed by W H `Curly` Russell, model no. X6409, two carvers and four chairs, with sprung seats 86cm. high

Los 705

A Mabie Todd Swan brown marble Leverless fountain pen, model L.205, with Swan number 2 nib, rolled gold clip and bands impressed marks, 13.5cm. long

Los 732

An Art Nouveau W.M.F electroplated pewter and glass centrepiece, model no.352, elliptical, twin-handled form, pierced and cast in low relief with berried foliage panels cast and stamped marks, 31cm. wide

Los 747

A Georg Jensen silver necklace, model no.2005, stylised bud form with wirework foliate border, on link chain, stamped marks, 2cm. high

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