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628738 Los(e)/Seite
Los 2023
Pair of Rene Lalique "Rinceaux" Chandeliers / plaffoniers, Model: 2468 Circa 1926, 37.5cm diameter, deeply moulded Art Deco repeating fan shapes, clear and frosted bowl etched R. LALIQUE FRANCE, with later fittings (2) Condition Report: Some air bubbles in the glass, some slight chips to the edges, one with very slight cracking in places (no more than 1cm in length)
Los 2022A
Doulton figurine by Leslie Harradine, issued: 1931 - 1940 ' Butterfly Girl ' ceramic model of a girl in butterfly costume. the underside with Hand painted title, The Butterfly Girl, HN 1356 and Potted by Doulton & Co. in green to bottom base. Royal Doulton backstamp H16cm ( We believe an error was made when the HN was painted on this figure and the correct one should be HN 1456)Condition Report: Some restoration and cracking to the front of the base. Some crazing evident throughout when viewed under a lens, especially to the legs.
Los 232
A Cartier 'Elephant' ring, the wide band designed as a continuous line of five elephants accented with circular-cut emerald eyes, the bodies and edges pavé-set with brilliant-cut diamonds, size 52-53 (M), signed Cartier 750, numbered 661297, model no.7A4002, with Cartier box and outer cardboard boxCondition report: Ring size internal diameter 16.7mm, UK M, USA 52-53French Eagle head HallmarkThe ring is worn with has scratchesStones appear to be intact and correct Year: Unkown
Los 389
A 1970's Omega Dynamic Automatic Geneve, Model Tool 107, stainless steel case measuring 41x36mm with blue and silver dial on a stainless steel Omega strap with folding adjustable buckle.Condition report: The watch is in fair to good condition for its age. Slight slack in bracelet but normal for the ageWinds and runs well.No box or papers
Los 694
AN AMBER-GLAZED POTTERY HORSE WITH WHITE-GLAZED BRAIDED MANE AND TAILChina, Tang Dynasty Style, but dating to the late Qing Dynasty (1644-1912). Standing foursquare on the rectangular base, the head lowered and turned slightly to the side, mouth agape, with flaring nostrils and bulging eyes, the forelock parted in the center, the braided mane swept to one side, the tail docked and bound, the muscular body covered in an amber glaze, the forelock, mane, tail, and hooves picked out in a white slip glaze.Provenance: Old French private collection.Condition: Overall fine condition with wear and firing flaws, minor losses and chipping. The glaze with inherent crackling. The tail with an old repair.Weight: 6.2 kgDimensions: Length 48 cm, Height 47 cmExpert's note: Following the Hijra in AD 622, the Arabian horse spread across the known world of the time, and became recognized as a distinct, named breed. The Arabian horse is often found expressing Rabicano patterns, sometimes leading to a white tail as seen in the present depiction. This type of horse must have been extremely expensive in China during the Tang dynasty. It is therefore highly likely that whoever owned one was of very high status and had a model of their personal horse placed in their tomb as a grave good after their death.
Los 1086
'GUAN YU READING THE SPRING AND AUTUMN ANNALS', MING DYNASTYChina, 1368-1644. Ink and watercolors on paper. Signed upper left. Two seals. The famous general seated on an elaborately carved chair and wearing a long coat over a dragon robe as he reads from the Spring and Autumn annals. With a silk brocade frame and mounted as a hanging scroll.Provenance: Sigurd Reininghaus (1933-1981). From the collection of Dr. Ferdinand and Dr. Gudrun Thaler-Szulyovsky, acquired from the above and thence by descent in the same family. The couple, who had both been practicing law, met in 1967 through their mutual passion for art. Together they built a substantial and diverse art collection over many decades. The present lot was one of their first works of Asian art, received as payment for legal services, from the prominent Styrian brewer Sigurd Reininghaus.Condition: Extensive wear, creases, small losses, minor tears, soiling, staining.Dimensions: Size incl. mounting 128 x 42 cm, Image size 55 x 31.5 cmThe present lot depicts the military hero and God of War Guan Yu (died 219), who became glorified in the Ming Dynasty (1368-1644) historical novel Romance of the Three Kingdoms, attributed to Luo Guanzhong. The subject represents an episode from Guan Yu's life when he memorized in only a few nights the Confucian Classics of The Spring and Autumn Annals and The Commentary of Zuo. His feat of memory made him an admirable model for the literati and, as well as becoming a God of War in 1615 with state backing, he also became a God of Literature.Auction result comparison: Compare with a considerably larger hanging scroll by Ding Yunpeng of the same subject and from roughly the same period, at Christie's Hong Kong in Fine Chinese Classical Paintings and Calligraphy on 25 November 2019, lot 966, sold for HKD 2,500,000.明代《關羽夜讀春秋》中國，1368-1644年。紙本設色，挂軸。左側上端落款，兩枚鈴印。著名的大將關羽坐在椅子上，著長袍，挑燈夜讀《春秋》。來源：Sigurd Reininghaus (1933-1981)。Ferdinand Thaler-Szulyovsky博士與Gudrun Thaler-Szulyovsky博士收藏，自此在同一個家庭世代相傳。這對夫妻一直從事法律工作，1967年因爲對藝術的共同熱情而相識。 數十年來，他們共同建立了豐富且龐大的藝術收藏。 圖片：Ferdinand 與 Gudrun Thaler-Szulyovszky 品相：廣泛磨損，摺痕，小缺損失，輕微的水漬，污跡。 尺寸：縂128 x 42 厘米, 畫面55 x 31.5 厘米 拍賣結果：一幅大型丁雲鵬《關於夜讀春秋》挂軸見香港佳士得Fine Chinese Classical Paintings and Calligraphy 拍場2019年11月25日lot 966, 售價HKD 2,500,000.
Los 589
OKATOMO: A RARE STAINED WOOD NETSUKE OF TWO QUAILS ON MILLETBy Okatomo, signed Okatomo 岡友Japan, Kyoto, early 19th century, Edo period (1615-1868)A classic model by Okatomo, though rarely seen in wood, depicting two quails, side by side and facing in different directions, perched on two large heads of leafy millet, one of the leaves forming the himotoshi underneath and housing the signature OKATOMO. Both birds with neatly incised plumage and minutely inlaid eyes of dark horn.LENGTH 4.5 cmCondition: Very good condition, minor wear to staining.Provenance: British private collection.Auction comparison:For a similar example in ivory, see Bonhams, Fine Netsuke from the Adrienne Barbanson Collection, 13 May 2013, London, lot 30 (sold for 7,250 GBP).5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Los 745
A SET OF SANCAI-GLAZED POTTERY FURNITURE AND OFFERINGS, MING DYNASTYChina, 1368-1644. Comprising two horseshoe-back folding armchairs (jiao yi) and an altar table with six separate trays of offerings including a pig's head, a chicken, peaches and nuts, all variously glazed in green, amber, and cream, and some pieces with additional dark red pigment. (9)Provenance: A notable private collector in Kensington, London, United Kingdom.Condition: Old wear and firing flaws, such as kiln grit, firing cracks, and glaze recesses. Small losses. The chairs with minor old repairs and touchups. Overall as expected, commensurate with age and presenting very well.Weight: 2,157 g (the table), 501.8 g and 535.2 g (the chairs), 757 g (the offerings)Dimensions: Size 28.2 x 17 x 13.4 cm (the table), Height 17.2 cm and 17.4 cm (the chairs)Expert's note: According to Jessica Harrison-Hall, Head of the China section, Curator of Chinese Ceramics and Decorative Arts at the British Museum, related "models of folding armchairs made in metal, stone and wood have been excavated from middle and late Ming tombs". Such chairs appear frequently to have been placed in these tombs, belonging to members of the aristocracy and scholarly elite. "Two models of folding armchairs, one of bronze and one of tin were excavated in the Ding Ling, the tomb of the Wanli emperor (1573-1619). Another similar model of a folding armchair with a textile covering, carved from stone, was excavated from a tomb at Tongliang county, Sichuan." This chair was discovered near a small rectangular table laden with an assortment of model food dishes, which suggests that folding armchairs were used for dining.Literature comparison: Compare a closely related horseshoe-back folding armchair, dated circa 1550-1600, in the collection of the British Museum, museum number 1937,0716.135.Auction result comparison: Compare a related group, also with Sancai glaze and dated to the Ming dynasty, at Christie's New York in Fine Chinese Ceramics, Paintings and Works of Art on 21 September 2000, lot 305, sold for USD 4,465.5% or 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU. 明代一組三彩祭祀用品 中國，1368-1644年。兩把馬蹄形折疊扶手椅（交椅）和一張祭桌，六個獨立的供品托盤，托盤中有一個豬頭、一隻雞、桃子和堅果，所有這些都用綠色、黃色和白色釉，還有一些深紅色。 (9) 來源：英國倫敦知名私人收藏 品相：舊時磨損和燒製缺陷，如窯灰、裂紋、釉面凹陷和小缺損。椅子有輕微維修和修飾。總體符合預期，與年齡相符。 重量：桌子2,157克，椅子分別為501.8克與535.2克，祭品757 克 尺寸：桌子28.2 x 17 x 13.4 厘米，椅子分別高 17.2 厘米與17.4 厘米 專家注釋：據大英博物館中國部負責人、中國陶瓷與裝飾藝術館館長Jessica Harrison-Hall介紹，"明中後期墓葬中出土了金屬、石頭和木材製成的折疊扶手椅模型"。這些椅子似乎經常被放置在這些墓中，屬於貴族和文人的專用。"在萬曆皇帝（1573-1619）陵墓中出土了兩種折疊扶手椅，一種是青銅，一種是錫。另一種類似的折疊扶手椅模型，由石頭雕刻而成，帶有紡織覆蓋物，是從四川銅梁縣的一座墓葬中出土的。" 這把椅子是在一個小長方形桌子附近發現的，桌子上放著各種各樣的食物模型，這表明折疊扶手椅是用來吃飯時使用的。 拍賣結果比較：比較一件相近明代三彩組，見紐約佳士得 Fine Chinese Ceramics, Paintings and Works of Art 2000年9月21日 lot 305, 售價USD 4,465。
Los 425
A WOOD NETSUKE OF FUKUROKUJUJapan, 19th century, Edo period (1615-1868)The wood netsuke, depicting a finely carved model of Fukurokuju holding his staff in his right hand and a handscroll in his left hand, wearing a long cowl over his characteristically elongated head, with a fan hanging on his back. The natural himotoshi through the backside underneath the fan.HEIGHT 8.4 cmCondition: Good condition with minor wear and natural age cracks. Provenance: Ex-collection Richard R. Silverman. Richard R. Silverman (1932-2019) was a renowned Asian art collector with one of the largest private collections of netsuke outside of Japan. He lived in Tokyo between 1964 and 1979 and began to collect netsuke there in 1968. Since the 1970s, he wrote and lectured about netsuke and was an Asian art consultant for Christie's, Sotheby's, and Bonhams. His gift of 226 ceramic netsuke to the Toledo Museum of Art constitutes perhaps the largest public collection of these miniature clay sculptures in the world. After moving to California, Silverman became a member of the Far Eastern Art Council at the Los Angeles County Museum of Art in 1984. In 1993, he joined LACMA's Executive Board. He served on the board of directors for the International Society of Appraisers from 1986 to 1994 and served nine years as chair for the City of West Hollywood Fine Arts Commission. Richard Silverman was posthumously awarded the Order of the Rising Sun for his decades-long promotion of Japanese culture.
Los 528
A WOOD CONTEMPORARY NETSUKE OF A LIZARD ON MUSHROOM, AFTER MITANI GOHOInscribed GohoFinely carved after the famous model by Mitani Goho illustrated in Kurstin, Joseph / Ortega, Maria (1986) Masterworks of Netsuke, no. 48. The eyes double-inlaid in pale and dark horn. Inscribed GOHO on the stem of the mushroom, which functions as the himotoshi.LENGTH 5 cmCondition: Excellent condition.Provenance: European collection.
Los 352
RYUBUNDO: A SUPERB SILVER OKIMONO OF A MINOGAMEBy Ryubundo, signed Ryubundo zoJapan, Meiji period (1868-1912)The mythical turtle finely cast standing foursquare with its front legs bent as it slightly turns and slowly raises its head, looking ahead with gilt almond-shaped eyes, its long and feathery tail elegantly swept to one side, the carapace and scaly skin naturalistically rendered. Signed RYUBUNDO zo to the underside with a hallmark/stamp below.LENGTH 24 cm, WIDTH 21 cmWEIGHT 1,800 gCondition: Very good condition with minor surface wear and minimal casting flaws.Provenance: British private collection.Auction comparison: Compare a closely related silver model of a minogame by Nogami Ryuki, of much smaller size (11.4 cm wide), at Bonhams, Fine Japanese Works of Art, 19 March 2014, New York, lot 3164 (sold for USD 6,875).
Los 489
A RARE OKATOMO SCHOOL IVORY NETSUKE OF A QUAIL ON MILLET WITH YOUNGJapan, Kyoto, 19th century, Edo period (1615-1968)A classic model after Okatomo, depicting a quail with three young perched on two large heads of leafy millet, one of the leaves forming the himotoshi. All birds with minutely inlaid eyes of dark horn.HEIGHT 3.5 cmCondition: Very good condition with expected wear, one inlaid eye missing. Provenance: French private collection.Auction comparison: Compare to a closely related Netsuke of Quail on millet by Okatomo in Bonhams London, Fine Netsuke from the Adrienne Barbanson collection, 13 May 2013, lot 30 (sold for 7,250 GBP).This item contains or is made from elephant ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Please note that in compliance with EU regulation effective January 19th, 2022, all items carved from elephant ivory before 1947 must carry a legal trade permit issued by the Austrian ministry of trade, or any other appropriate authority within the European Union. For this reason, any sale of such item can only be concluded after such permit has been granted. All payments made prior to the issuance of the respective permit will be held in escrow until the application for the permit has been approved. Please note that according to EU regulation it may take up to 3 months until the permit has been granted. In case the permit is declined, or not granted after 3 months, the payment will be returned to the client immediately.
Los 696
A RARE QINGBAI 'GRANARY' VESSEL, SOUTHERN SONG TO YUAN DYNASTYChina, 1127-1368. The bulbous body of this rare funerary grain storage vessel rises from a spreading foot to a domed top with a prominent bud finial. The front with a rectangular aperture surrounded by applied strap work, covered in a thin and finely crackled straw glaze stopping unevenly above the foot, revealing the buff ware.Provenance: From a private collection in Phoenix, Arizona, USA, by repute acquired at a local estate sale.Condition: Good condition with minor wear and firing flaws, small losses to strap work on the cover and around the opening, significant glaze flakes to some areas, one side with prominent soil encrustation. Presents well and overall commensurate with age.Weight: 2,290 gDimensions: Height 33 cmLiterature comparison: Chinese Ceramics Song-Yuan, Taipei 1997, p. 388. Song Ceramics from the Kwan Collection, Hong Kong Museum of Art, Hong Kong 1994, no. 96, p. 229.Auction result comparison: Compare with a closely related Longquan shrine at Christie's New York on March 22, 2019, in Fine Chinese Ceramics & Works of Art, lot 1618, sold for USD 18,750. Compare also a related Qingbai-type model of a granary and cover, also dated Southern Song to Yuan dynasty and with a similar bud finial, at Christie's New York in The Collection of Robert Hatfield Ellsworth Part IV - Chinese Works of Art: Metalwork, Sculpture and Early Ceramics on 20 March 2015, lot 839, sold for USD 37,500. 南宋至元罕見青白釉糧倉 中國，1127-1368年。極爲少見的喪葬糧食儲存器皿，球根狀體，底足外撇，圓頂。 正面有一個矩形孔，周圍可見飾帶，全身覆蓋著一層薄薄且開片的褐色釉，底足露胎。 來源：美國亞利桑那州鳳凰城私人收藏，據説購於當地遺產轉賣。 品相： 品相良好，有輕微的磨損和燒製缺陷，蓋子和開口周圍的裝飾帶有小缺損，一些區域有明顯的釉面剝落，一側有明顯的土壤結殼。 狀況很好，整體上與年齡相稱。重量：2,290 克 尺寸：高33 厘米 拍賣結果比較：一件相似的龍泉龕見紐約佳士得2019年3月22日 Fine Chinese Ceramics & Works of Art lot 1618, 售價USD 18,750. 同樣是南宋至元的青白釉糧倉見紐約佳士得 The Collection of Robert Hatfield Ellsworth Part IV - Chinese Works of Art: Metalwork, Sculpture and Early Ceramics 于2015年3月 20日 lot 839, 售價USD 37,500。
Los 539
UEDA KOHOSAI: AN IVORY NETSUKE OF A BIZEN WARE CERAMIC MODEL OF HOTEIBy Ueda Kohosai (died 1907), signed Kohosai Japan, Osaka, second half of 19th centuryThe finely stained ivory netsuke of a bizen ceramic model depicting Hotei, wearing a long flowing robe, revealing his bulging belly and chest, holding a fan in his right hand and his treasure sack in the left hand with a cheerful expression on his face. One single himotoshi through the back and the signature KOHOSAI.HEIGHT 4.2 cm Condition: Good condition with minor surface wear. Provenance: German private collection.This item contains or is made from elephant ivory and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Please note that in compliance with EU regulation effective January 19th, 2022, all items carved from elephant ivory before 1947 must carry a legal trade permit issued by the Austrian ministry of trade, or any other appropriate authority within the European Union. For this reason, any sale of such item can only be concluded after such permit has been granted. All payments made prior to the issuance of the respective permit will be held in escrow until the application for the permit has been approved. Please note that according to EU regulation it may take up to 3 months until the permit has been granted. In case the permit is declined, or not granted after 3 months, the payment will be returned to the client immediately.
Los 86
Actor, Jane Fonda vintage signed and inscribed 10x8 photograph. Fonda (born December 21, 1937) is an American actress, political activist, environmentalist, and former fashion model. She is the recipient of various accolades including two Academy Awards, two British Academy Film Awards, seven Golden Globe Awards, a Primetime Emmy Award, the AFI Life Achievement Award, the Golden Lion Honorary Award, the Honorary Palme d'Or, and the Cecil B. DeMille Award. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 10
June Wilkinson signed vintage 10x8 black and white Batman promo photograph picturing a scene during her time playing Evilina in the 1968 superhero movie. Wilkinson (born 27 March 1940 in Eastbourne) is an English model and actress, known for her appearances in Playboy magazine and in films of the 1960s. One of the world's most-photographed women in the late 1950s and early 1960s, at the height of her career she was called the most photographed nude in America. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 18
James Bond, Madeline Smith signed 10x8 black and white photograph inscribed with her character details as Miss Caruso in 1973 007 spy film, Live and Let Die. Smith (born 2 August 1949) is an English actress. After working as a model in the late 1960s, she went on to appear in many television series and stage productions, plus comedy and horror films, in the 1970s and 1980s. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 72
Large group of scale model trains, including one AHM model 3011 Baldwin 0-4-0 4-10-C train, one AHM model 3013 "Wood Burner" train, seventeen Mini Trains tracks, one KMT undecorated engine and caboose, one Stewart Hobbies model 5025 "Northern Pacific" FTB dummy HO scale train, one Stewart Hobbies model 5025 FTA single headlight powered "Northern Pacific" HO scale kit, one International Hobby Corp model 4358 "Chicago & North Western" track cleaning car, one TM model 8053 "Western Union" maintenance of way materials car, one TM model 8055 "Gerber's Baby Food" wood refrigerator car, one TM model 8052 "Old Dutch Cleanser" refrigerator car "Cudahy Packaging Co.", one TM model 8054 "3M" 40' wood "Minnesota Mining & Mfg." box car, one TM model 8059 "Baby Ruth" Curtiss Candy Co. wood sheathed reefer, one Tyco "Santa Fe" flat car, one Tyco "A.T & S.F." flat car, one Mantua model 353001 undecorated black 2-6-6-2T articulated logger-flywheel drive, one Bachmann model 1300 powered Amtrak Metroliner, one Bachmann model 1301 700 Amtrak Metroliner dummy, one ATT model 17 powered C&O car, one ATT model 12 C&O dummy, two McKean Models model 1002 "Santa Fe" flat cars, one Con-Cor model 0004-001042 Atlas tractor & moving van trailer, one Con-Cor model 0004-001021 CMS tractor & moving van trailer, one International Hobby Corp. Mountain Premier soo line set, one Nakamura Seimitsu undecorated locomotive, one Athearn model 91613 "Southern Pacific" locomotive, and one Walthers model 54073 double stack car.
Los 71
Marklin, Germany. Large group of HO scale K train track totaling 336 pieces; including but not limited to two model 22715 tracks, 30 model 2291 tracks, 58 model 2231 tracks, eleven model 2151 tracks, 39 model 2221 tracks, ten model 2299 tracks, two 11 1/4 inch tracks with left facing connector, five 7 inch track splits, three 6 inch tracks, two 5 inch tracks, one 10 1/4 inch track split, five 11 1/4 inch tracks with right facing connector, eleven 12 inch tracks, three 8 inch tracks, fourteen 8 inch curved tracks, four 7 inch tracks, three 10 1/2 inch tracks, six 13 5/8 inch tracks, three 12 3/4 inch tracks, three 9 inch tracks, one 9 inch track with left facing connector, two 10 1/2 inch track splits, nine 7 1/4 inch tracks, and two 9 1/2 inch track splits.
Los 107
Peruvian or Bolivian school of the 19th century."Allegory of Peruvian-Bolivian unionism".Polychrome metal plate on both sides.Silver frame.Measurements: 7 x 5,5 cm (plaque); 11 x 7,6 cm (frame).This is a medallion with a metal plate polychromed on both sides which allegorically represents Peruvian-Bolivian unionism. On the obverse, the artist shows the image of the Virgin of Candelaria crowned with the Child, a strictly symmetrical composition of Baroque heritage that does not lose the naturalism or the contained dynamism that reveals the taste of that period. A break of glory serves as a backdrop for the representation of the Virgin and Child, flanked at the base by the flags of Peru and Bolivia waving majestically above a pompous cloud. The souls of the damned, probably an allusion to the anti-unionists, observe this honourable scene burning in the flames of hell. On the back, the artist painstakingly depicts the coronation of the Virgin of Mercy at the hands of Christ and a bishop wearing a mitre. The dove of the Holy Spirit completes a completely narrative composition, technically derived from the stylistic concepts assimilated in the colonial process. However, it can be seen in this work that, in the early years of the 19th century, at the time of the independence and political opening up of some of the colonies, several artists began to represent a new model of painting with its own identity. The technical virtuosity and meticulousness in the depiction of each figure stands out. As already mentioned, the medallion iconographically alludes to Peruvian-Bolivian unionism (or Peruvian-Bolivian nationalism), an initially political and social and later economic trend that emerged in the 19th century, at the beginning of the independence of South American countries from the Spanish empire. This ideology advocated the union of Peru and Bolivia for historical, economic, social and political reasons of both territories before American independence.
Los 17
Mexican school; last third of the 18th century."Dolorosa".Oil on copper.It has traces of illegible signature.It has faults in the painting.Measurements: 43,5 x 32 cm.In this devotional work the painter presents Mary as Mater dolorosa, placed on a neutral background that emphasizes the monumentality of the figure. The Virgin is portrayed at this moment after the death of her Son, suffering and feeling deep pain which is symbolically represented in the form of a sword piercing her heart. Devotion to the sorrows of the Virgin has its roots in medieval times, and was especially widespread among the Servite Order, founded in 1233. There are many and varied iconographic representations whose central theme is the Virgin Mary in her Sorrowful aspect, the first of which depicts her next to the Child Jesus, who sleeps oblivious to the future suffering that awaits him. The devotional image is inscribed in an oval around the perimeter of which the legend ECCE MATER TUA (Here is your mother) can be read.It is worth mentioning that, during the Spanish colonial domination, a mainly religious painting was developed, aimed at Christianising the indigenous peoples. Local painters were modelled on Spanish works, which they followed literally in terms of type and iconography. The most frequent models were harquebusier angels and triangular virgins; however, in the early years of the 19th century, at the time of independence and political openness in some of the colonies, several artists began to depict a new model of painting with its own identity.
Los 32
Spanish school, follower of DIEGO RODRIGEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid,1660); 17th century."The Jester Sebastián de Morra".Oil on canvas. Re-coloured.It presents damages in the pictorial surface.Measurements: 40 x 26 cm.This work replicates the well-known portrait of Sebastián de Morra nicknamed "the cousin", which was painted by Velázquez around the year 1645. The original work is currently in the Prado Museum in Madrid. In both pieces we see the representation of the jester of King Philip IV, who at first formed part of the court of the Cardinal Infante Don Fernando of Austria, and after his death moved to the protection of Prince Baltasar Carlos, who bequeathed him several objects in his will. Both portraits have the same composition, with the jester in the centre of the scene, seated against a neutral background that gives the figure all the prominence. Despite the damage that can be seen in this work, and the tonal darkness that does not allow all the details to be made out, it is possible to see the suit with lace at the neck, a symbol of distinction and royal protection that the sitter enjoyed, as this type of garment was forbidden for anyone who did not belong to the aristocracy. The work belongs to a series of portraits painted by Velázquez with the intention of decorating the secondary or transitional rooms of the palace (corridors, staircases, etc.). This set of portraits has generated great interest throughout the history of art, and has therefore been widely debated, with theories such as that these works were painted by Velázquez with the intention of dignifying the sitters and criticising the society of the time.Diego Rodríguez de Silva y Velázquez (1599-1660) was the leading artist of the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He began painting in a precise tenebrist style, later developing a freer form characterised by bold brushstrokes. In addition to numerous interpretations of scenes of historical and cultural importance, he painted dozens of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656). Velázquez's work became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí and Francis Bacon paid homage to Velázquez by reinterpreting some of his most iconic images.
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628738 Los(e)/Seite