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Preisdatenbank abonnierenCollection of British Copper Coins from Charles II to Victoria, Tokens, and older World Silver & Copper Coins, Victorian Play/Model Money including 1675 Farthing, George III 1797 Cartwheel Pennies with other British & Irish George III coins, quantity of Canadian Token Coins, Small quantity of Roman Coins, Brass Gaming Tokens of George III & Victoria, Farthings of George III, George IV, William IV and large Victorian, With other Coins.
A late Victorian Doulton Lambeth silver-mounted stoneware pottery tea caddy, of rectangular waisted form, with relief foliate decoration, embossed motto "Honest Tea Is The Best Policy", applied silver shield cartouche with silver collar and pull-off cover, Chester 1895, model no. 2632, 16cmSeveral chips around base, top rim has a large chip and silver rim is dented, cover fits perfectly, general wear to high points of silver, hallmarks rubbed
A large Majolica Bretby pottery monkey umbrella stand, in the form of a monkey holding a tree trunk with bamboo, model no. 1212, reg. no. 1330709?, H60cmMonkey's feet have been broken and restored, several chips around base along with minor glazing chips to high points of bamboo and top rim, otherwise no damage
A SWISS SCHMIDT-RUBIN MODEL 1889 STRAIGHT PULL RIFLE, in obsolete calibre 7.5x53.5mm, with 30" barrel, ramp rearsight, removable magazine and full stock, 51 1/2" long, with original leather strap (Est. plus 24% premium inc. VAT)Condition Report: Good overall condition. Action works. Obsolete calibre.
A PAIR OF VICTORIAN ROYAL WORCESTER PORCELAIN FIGURES, modelled by James Hadley as a young fisherman holding a basket in his right hand, wearing clogs, and his female companion with creel slung over her shoulder, barefoot, both on pebble moulded circular bases, in blush ivory glazes, puce mark, model numbers 1202, 18" and 17 1/2" high (Est. plus 24% premium inc. VAT)Condition Report: Man has heavily restored legs and basket (probably bene in half), woman no chips, cracks or restoration.
Vintage fashion: Four brown crocodile or alligator leather handbags, including the Sackville Model by Bagcraft, France, late 1950s, chestnut brown leather, two internal pockets and a brown suede lining, 25.5cm x 18.5cm; and three others, nice quality leather; together with a white fur shoulder cape stole and two further fur stoles (7)
After Claire Jeanne Roberte Colinet (1880-1950)An Art Deco model of the 'Snake Dancer', the green bronze nude female figure unusually standing on a ball, mounted on a typical speckled marble base, signed 'Collinet' (sic) to the ball, 56cm highCondition:Generally good. Small surface scratches to the back of the figure just below the right shoulder and another smaller on the back of one thigh. The marble base has some small chips to the bottom corners.
Roman, 2nd-3rd century A.D. or later. Carved in the round in good quality marble, with plump cheeks, a flat nose and lentoid sockets at the eyes, the hair modelled in a chignon, small socket at the right ear; mounted on a custom-made stand. 230 grams total, 12 cm including stand (4 3/4 in.). The eyes have been prepared to accept silver or other inserts, and the ear likewise would have been provided with a model earring.London art market, 1992. [No Reserve]
Circa 1500 A.D. or later. Large carved hardstone model of a crouching figure with elbows resting on the knees and hands supporting the chin; the head modelled as a skull with exposed teeth, drilled eye-sockets and triangular nasal cavity; mounted on a custom-made display stand. For a smaller figure in similar pose see The Met Museum online, accession number 2010.177. 6 kg total, 34.3 cm high including stand (13 1/2 in.). The population of the Taino people of the Dominican Republic and surrounding Caribbean islands may have been as high as 2 million by the 15th century. The Zemi, a spiritual figure forms a major part of their existing legacy and examples exist in many sizes including depictions in wood and stone.From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. [No Reserve]
2nd century A.D.. Modelled in the half-round, nude with eyelids half-closed in sleep; a drapery partly covering the head and wrapping around the lower body under the hips; the hairstyle similar to those of the Antonine Dynasty, the peaceful face supported by the hands and the ear pierced to accept an earring; iron reinforcing rod to the feet and the right arm's armilla a later replacement; upper head restored in Parian marble. Cf. a similar statue of a sleeping girl in Galleria Borghese, Rome, inv.no.XIV, 140-160 A.D. in Moreno, P., Stefani, Ch., Galleria Borghese, Milano, 2000, p.38, n.6a. 104 kg, 110 cm long (120 kg, 117 cm including stand) (43 1/4 in. (46 in.)). The girl shows exotic features, evocative of Roman North Africa, where a mixed population Romano-Berber lived in one of the most rich provinces of the Empire. However, the hairstyle refers to those of the Antonine Dynasty, such as the portraits of the Empress Faustina the Elder. It represents probably a sarcophagus lid of a young noble girl, commissioned by her loving parents. Some restorations, today still visible, were done in ancient times: an iron rod at the feet for reinforcement, the armilla on the right arm sculpted at a later stage, the hole in the ear for the insertion of a lost metal or glass earring, the upper part of the head restored in antique with a portion of Parian marble. The sculpture is a Roman work, but it was inspired by a Hellenistic model, probably from Pergamon.Acquired from G. Rihani, 1987. English private collection. Accompanied by a copy of the purchase invoice, 2 July 1987. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12231-218595 [A video of this lot is available to view on Timeline Auctions Website]
Italy, 19th century A.D.. Female bust modelled in the round with hair centre-parted and dressed in ringlets gathered at the nape of the neck and extending to the shoulders; mounted on a socle base. 22.1 kg, 46 cm (18 in.). This portrait is directly inspired by a Roman model (fig. 1) discovered in 1880, now housed at the Museo Nazionale Romano in Rome and believed to depict Minatia Polla. The young woman depicted showcases the refined features characteristic of Roman feminine nobility, with a rounded oval face, large hemmed eyes, a long nose, and a well-defined, slightly open mouth. Her low forehead is adorned with a sophisticated hairstyle: long, soft locks separated by a middle parting that end in curls, with a few delicate strands falling over her shoulders. She wears a dress with subtle pleats and a round neckline. Upon comparing our portrait with the Roman original of Minatia Polla, it becomes evident that this piece is an exact neoclassical copy of the ancient portrait. The only notable difference is the more pronounced fullness under the chin in our version, which is less evident in the antique model. From the 18th century and throughout the neoclassical era, significant archaeological discoveries sparked immense interest and enthusiasm (as evidenced by Winckelmann), compelling contemporary sculptors to engage with ancient works to showcase their talents. The portrait presented here, given the delicacy of the features and the overall quality of the sculpture, is unmistakably the work of a master sculptor.Private collection, England. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12303-215648. [A video of this lot is available to view on Timeline Auctions Website]
Late 3rd millennium B.C.. Plain cylindrical shaft, bulbous towards the top with an incised animal face to the rear of the shaft, the blade with a convex cutting edge. Cf. Mahboubian, H., Art of Ancient Iran, copper and bronze, London, 1997, p.170, fig.178b, for similar type; Gernez, G., L’armament en métal au Proche et Moyen-Orient: des origines a 1750 av. J.C., Paris, 2007, p.124, fig.2.6, subtype H2.B.b. 206 grams, 78 mm (3 in.). The type belongs to the Gernez classification of collared axes, with trapezoidal blade and cylindrical sleeve. This set of fairly standardised axes is characterised by a trapezoidal blade, a cylindrical collar with a clear moulding at its base and a marked angular moulding at its top, extending onto the top of the blade. This basic model is exclusively from Susa.with a London, UK gallery, 1971-early 2000s.
19th-early 20th century A.D.. Miniature boat model comprising: flat-bottomed open boat with incised zigzag line to the hull, curved stern post formed as a reptilian tail, prow with simulated crocodile head; two pairs of figures sitting on the thwarts, one male and one female, each male with a paddle; rear figure with paddle to the port side, leading figure with paddle to the starboard. 1 kg, 35.5 cm wide (14 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. [No Reserve]
2nd-3rd century A.D.. Amuletic model phallus with swept lateral wings; mounted on a custom-made stand. Cf. Beutler, F. et al., Der Adler Roms. Carnuntum und der Armee der Cäsaren, Bad-Deutsch Altenberg, 2017, item 757, for type. 99 grams total, 67 mm high including stand (2 5/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. [No Reserve]
Northern Qi Period, 550-577 A.D. or later. Hollow-formed terracotta figure depicting a male guard or attendant standing with his arms at his sides; painted detailing to the hair and face, white pigment coating to the body, red to the tunic; wearing an outer coat with long sleeves and turned collar, baggy trousers and shoes; right hand empty with a hole to accept a model weapon. 587 grams, 26 cm (10 1/4 in.). Ex North Yorkshire, UK, collection, 1990s. [No Reserve]
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