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Los 6165

A box containing miscellaneous books all relating to railways, a quantity of model railway buildings

Los 6342

An early 20th James Model 38 tricyle with Olympic multi-sprung saddle, needs some restoration

Los 247

Millie the Model (1961-69) Marvel, #105 #113 #117 #131 #169 bagged and boarded (5)

Los 499

A contemporary scan coin counter, model 303, with boxes and instructions

Los 501

A large wooden ship model, with stand approx 95cm tall x 150cm long.

Los 523

A Mamod Roadster, together with a mixed collection of diecast including a boxed Corgi CC25902 Golden Jubilee Routemaster Bus model etc.

Los 545

A good collection of Hornby Skaledale model railway buildings, all boxed (24)

Los 550

A collection of assorted model railway foliage, including Javis, Gauge master etc, all bagged (44)

Los 561

Forty Faller HO and N gauge model railway layout accessories, including road foils, tunnel portals etc, all bagged.

Los 563

A good collection of Noch model railway accessories, including ice crystals, walls, flora, tunnel portals, etc, all bagged. Approx 40

Los 574

Timepsycle Arnie The Cat, The Post Apocalyptic Cat (Terminator inspired) model kit, 1:1 scale. Boxed, unstarted and complete.

Los 580

A quantity of assorted model railway layout accessories, including buildings and track

Los 598

A collection of Star Wars related model kits and vehicles, including AMT Ertl and Revell, mostly started

Los 199

A Collection of Motor Parts for Large Model Vehicles to include Alloy Wheels, Various Parts and Body Shell (Body Shell 80cm)

Los 993

'Britains' model American 155mm gun No 2064 (1950's), boxed

Los 1093

A scale model of an anti aircraft search light, by C Sheffield, under glass dome, 60cm tall

Los 209

Hotpoint reversomatic dryer, de luxe model TS12

Los 424

2 pairs of vintage binoculars super Tecnar and Panorama model 3845 also includes boxed olympus digital camera etc

Los 142

A brass model of a bird with out stretched wings on rustic stump, 40 cm high (broken to legs - requires re-soldering)

Los 311

A George Jensen silver ring, model no 46A (lacking inset stone cabochon, but retaining the original George Jensen box), ring size L/M

Los 431

An Archibald Knox for Liberty & Co, Tudric pewter teapot with rattan handle, model No. 0231, 17 cm diameter.

Los 432

An Archibald Knox for Liberty & Co, Tudric pewter coffeepot with rattan handle, model No. 12131, 23 cm high.

Los 532

A pottery model of a Highland cow, with chip to ear, and a similar model black faced ram (chip to horn).

Los 584

A box of various camera equipment, lenses, camera bodies to include Exakta and also Exa Model 1A, various lens meters etc

Los 607

A Hotspot Elite wall or ceiling mounted heater, model No. HSE3000

Los 884

An Amcor black painted wood cased dehumidifier, model No D-350, 83 cm high & trouser press

Los 1319

Jaeger-LeCoultre Marina Model Atmos clock, the 4.25" recessed dial within a plexi glazed case gilded with galleons to the front and sides, within a brass bound case, no. 291404, 9" high, with original white leatherette folding travelling case, packaging and various Jaeger-LeCoultre literature, and the original purchase receipt dated 7th April 1970 (front glass at fault)

Los 2112

Ultrasonic electric watch cleaning unit; also a Summit MicroFix USB digital microscope, power punch kit, Power Line Model 72 Hobbyist kit and an old heavy duty Avo meter and electric air compressor (6)

Los 2201

Very large quantity of old Clocks magazines and a quantity of old Model Engineer magazines

Los 441

An Imperial Good Companion standard model portable typewriter, cases with instruction booklet I working order. Printed with royal warrant By appointment to the late King George

Los 586

A Hutschenreuther German model of a eagle. Stamped 17 to base. H:45cm Condition: damage to wing tip- signs of restoration

Los 13

A rare Royal Doulton flambé model of The Smiling Buddha, circa 1925,designed by Charles Noke, mounted to an ebonised wood plinth base with lamp fittings 19cm high (54cm high overall)

Los 19

§ John Maltby (British, 1936-2020), King,a stoneware model of a crowned head mounted on a stepped stoneware base, impressed seal mark to underside 36cm highFootnote: Whilst he did not necessarily aspire to great prestige, there can be no doubt that by the time of his death in December 2020, John Maltby had firmly established an international reputation as one of the most significant and most collected British ceramicists of his generation, if not of the 21st Century. Born in the Lincolnshire seaside town of Cleethorpes in 1936, Maltby trained for his degree at Leicester College of Art where he specialised in sculpture before spending a further year of study at Goldsmiths College, London. In 1962, having only recently read Bernard Leach’s ‘A Potter’s Book’, Maltby and his new wife, Heather, ventured on a trip to St Ives, Cornwall, to meet the renowned potter. Though impulsive, this meeting proved to be a seismic event in Maltby’s life and prompted him to pursue a career in ceramics under the tutelage of Bernard Leach’s son, David. After working as Leach’s apprentice for two years, during which time he honed his throwing skills and became accomplished in Anglo-Oriental techniques, in 1964 Maltby founded Stoneshill Pottery in Devon, where he continued to work until his death. Early wares produced by Maltby were mostly domestic in function and were heavily influenced by the Anglo-Oriental forms and glazes favoured by Leach. However, quickly realising that he had little interest in Eastern ceramic traditions, Maltby looked elsewhere for inspiration and discovered that the ‘naïve’ styles favoured by the previous generations of St Ives artists, such as Alfred Wallis, Christopher Wood and Ben Nicholson, offered fertile ground. Seeking to create a new brand of English studio pottery and to distil ‘Englishness’ into each and every one of the stoneware figures he created, Maltby drew inspiration from ancient English folklore and often featured an ensemble cast of kings, queens, angels, and knights. Meeting at the junction between art and anthropology, Maltby’s figures are at once rooted in the ancient and the English but are also in dialogue with the modern world and, borrowing decorative motifs from Oceanic and African sculpture, with broader world art cultures.

Los 192

William Plunkett, a rare model WP01 sofa, circa 1960,with original tweed upholstery and polished aluminium frame, arms to either end 65 x 188 x 70cm

Los 26

§ John Maltby (British, 1936-2020), Knight & Horse,slip decorated and incised stoneware model, with seal mark impressed to the horses chest 17cm high

Los 27

§ John Maltby (British, 1936-2020), Knight & Horse,slip decorated and incised stoneware model, with seal mark impressed to the horse's chest 15cm high

Los 270

§ Dame Laura Knight RA RWS (British 1877-1970)Peter's Hand signed and inscribed, Peter's own splendid / hand: so strong and vital / With love to / my patient model / Laura knight lithograph 19 x 13.5cm; a black and white lithograph of Dame Laura Knight's Take-Off: Interior of a Bomber Aircraft, inscribed to the reverse, To dear Peter with love / Laura, 17.5 x 14cm: together with a first edition of Janet Dunbar, Laura Knight, Collins, 1975, signed by the author and inscribed by Peter

Los 281

§ Jacob Epstein KBE (American/British 1880-1959)Reclining Nude, 1928 signed 'Epstein' (lower left) pencil 42.5 x 55cmFootnote: Provenance: Sale; Christie's, South Kensington, 28 March 1996, lot 37 Sale; Sotheby's, London, 2 October 1996, lot 87 Exhibited: London, Godfrey Phillips Gallery, Drawings by Epstein, 1928, no.44 Literature: Hubert Wellington, Epstein - Seventy-Five Drawings, J. Saville & Co., 1929 (ill.no.44) The present lot was one of several pencil studies of women of colour that Epstein produced in the summer of 1928 and, whilst seemingly divergent from his best-known works, is demonstrative of Epstein’s lifelong endeavour to disrupt and challenge European paradigms of beauty. Unlike many of his contemporaries and predecessors, who erased and denied the black body a place in art, Epstein’s sketches elevate his models to a position traditionally occupied only by white, European models. A similar sketch by Epstein, which depicts the same unnamed model, is held by the Tate Gallery, London.

Los 31

§ John Maltby (British, 1936-2020), Two Fishermen and a Boat, 2009,a stoneware model of two stylised masks in a boat mounted on a black wooden plinth base, seal mark to boat and further signed, titled and dated to underside 36cm high

Los 33

§ John Maltby (British, 1936-2020), Royal Barge, 2007,a stoneware model of a stylised king and queen in a boat mounted on a black wooden plinth base, with impressed seal mark to the stern of the boat and further signed, titled and dated to the underside 39cm high

Los 334

§ Roger 'Syd' Barrett (British 1946-2006)Orange Dahlias in a Vase signed and dated 'R. Barrett / Oct. 1961' (lower left) watercolour and pastel 58 x 44cmFootnote: Provenance: Gifted by the artist to Gerald Arthur Clement Harden, thence by descent within the family If you were to read his secondary school reports, there would be very little to indicate that Roger ‘Syd’ Barrett would later become one of the most significant and influential cultural figures of the 20th century, both domestically and internationally; an almost mythic figure, Barrett became an emblem of a time, place, and culture, distilled into a single individual. In 1957, Barrett began his secondary education at Cambridgeshire High School for Boys, which aimed to emulate the public-school model. The exclusively male teaching staff shrouded themselves in academic robes and crowned themselves with mortarboards. The school certainly had a profound effect on Barrett’s fellow pupil and later bandmate, Roger Waters, whose lyrics to the band’s 1979 hit, ‘The Happiest Days of Our Lives’, open with: ‘When we grew up and went to school / There were certain teachers who would / Hurt the children in any way they could’ and continues in the rest of the song to reflect upon the contemptuous and often violent treatment of pupils by some of the school’s tutors. As a student, Barrett was emphatically average and, to most of his teachers, remarkable only in his inability to follow the rules. To Gerald Arthur Clement Harden, the school’s art teacher between 1938 and 1971, however, Barrett was a conspicuous and prodigious talent and one of the very few pupils permitted to use Harden’s oil paints. Painted when Barrett was just 15 years old, the present lot was gifted to Harden by the artist shortly before he left the school and began studying art at Cambridgeshire College of Arts and Technology. Although generally perceived as an unmotivated student by most of his tutors, Harden’s support encouraged Barrett to pursue further study in painting and ignited in him a passion for art that would continue to burn until his death in 2006. Following his death in 2006, Cheffins sold the contents of Barrett's home in Cambridge, no.6 St Margaret's Square, where he had lived since 1981.

Los 41

Paul Philippe (French, 1870-1930), Reveil, a gilt bronze model of an awakening female nude,mounted to a variegated marble base, signed to underside of foot 23.5cm high overall

Los 43

A Bergman cold painted bronze model of a novelty owl,push-button mechanism opening to reveal a female nude within, signed Nam Greb to spine of 'book' base 9cm high

Los 44

Attributed to Bergman, a cold painted bronze model of an Arab Slave Trader,modelled upon a bronze column plinth and marble base, unsigned 41cm high overall

Los 65

† * A contemporary bronze model of a Dachshund,naturistically modelled, unsigned 25 x 42cm

Los 66

Tessa Newcomb (British, born 1955), two carved and polychrome painted model boats,each formed from timber off-cuts and nails, unsigned the larger 31cm wide

Los 88

Maison Desny, Paris, two graduated silver plated vases, circa 1930,of rectangular form with stained wood handles, stamped 'Desny Paris, Made in France' the larger 18cm high, the smaller 14.5cm highFootnote: For another example of this model: R. Niggl, Eckart Muthesius 1930: The Maharaja's Palace in Indore, Architecture and Interior, Stuttgart, 1996, p. 57. Provenance: Julians Park, Hertfordshire

Los 197

Alien: Covenant (2017) Original preparatory latex model of the hand, made by Creatures Inc, the company that did the effects for the film, 41 cm. Link to website showing their work on it -https://www.creaturesinc.com/creature-effectsCondition Report: Some marks and signs of use. Latex is a bit sticky.

Los 248

Joe 90 Joe 90 reproduction puppet made by Century 21 sculptor John Brown in the early 1970s using the original moulds, puppet in full vintage costume on stand with plaque, head and hands made of cast resin with glass eyes and real hair, approximately 17 inches high on stand. Provenance: John Brown, was one of the chief model makers and puppeteers for Joe 90 having worked for Gerry Anderson since the making of the first series of Thunderbirds.

Los 380

Star Wars - Four 1977 Denys Fisher scale model kits of R2-D2, C3PO, X-Wing Fighter and Tie-Fighter (4). Condition Report: Part built sets, boxes good. Have not checked all pieces are present.

Los 238

An HO Gauge Westside Model Company Pennsylvania Q-2 Duplex 4-4-6-4 brass engine and tender, in original box, together with a Nickel Plate Products Japanese brass built CSS&SB #100 Interurban trolley car, also boxed.Condition report: Both appear new and unused. Some wear to the boxes.

Los 243

A group of boxed Rivarossi HO Scale model railway items, comprising: 11814 'Northern Pacific', 1219 Lehigh Navigation Coal Co. locomotive, 1340 BR 98 009 articulated locomotive and 2349 Log Car (x3).Qty: 6Footnote: Appear unused. Boxes with wear.

Los 244

An NJ International Inc. brass railway model, Great Northern Class K 4-4-2, in orginal box and with a purchase receipt, together with a Nickel Plate Products CSS& SB #23, also boxed.Condition report: Appear unused. Some wear to the boxes.

Los 246

A boxed Westside Model Company HO gauge n3 Two Truck Shay with Super Namiki Coreless Power brass locomotive made by Nakamura Seimitsu (Japan), together with a Westside Model Company J-3a 'Super Hudson' brass engine and tender, made in Japan by Micro Cast Mizuno, also boxed.Qty: 2Condition report: Models appear unused. Some wear to the boxes.

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