628707 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
628707 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
628707 Los(e)/Seite
Los 1479
A Winchester model 73 lever action third model rifle in .44 cal, S/No.481596-B, c1894, a good honest example with all the correct markings on tang and barrel etc for this model with 24" octagonal barrel retaining some original finish as is the action, this item can only be purchased by someone with a current valid firearms certificate with permission to acquire or an R.F.D., face-to-face collection only
Los 1480
A Winchester model 73 lever action 3rd model rifle .32 W.C.F. cal, S/No.497974B c1895, 24" octagonal barrel with all correct markings for this model, general wear and tear but no major damage (top cover missing), this item can only be purchased by someone with a current valid firearms certificate with permission to acquire or an R.F.D., face-to-face collection only
Los 1
Hans Wegner (Danish 1914-2007) for Johannes Hansen 'Peacock' Chair, designed 1947 model JH550, ash, teak, and papercord, 1970s production, stamped 'JOHANNES HANSEN / COPENHAGEN / DENMARK' and with manufacturer's stamp(105.5cm high, 76cm wide (41.5in high, 29.75in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-1 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 13
Jens Hjorth for Randers Stolefabrik Armchair, circa 1954 model 306, beech and oak moulded plywood, traces of paper label(81.5cm high, 54cm wide, 56cm deep (32in high, 21.2in wide, 22in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-53 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 138
Vivianna Torun Bülow-Hübe (Swedish 1927-2004) for Georg Jensen Collar and Pendant models 160 and 135, silver, the pendant with rutilated quartz drops, each stamped manufacturer's mark, model number and '925S DENMARK', and the collar stamped 'TORUN', the pendant with import marks for London 1977(internal width of the collar 13.5cm (5.25in))
Los 142
Henning Koppel (Danish 1918-1981) for Georg Jensen Pendant Necklace & Pair of Earrings model 1368 and 1190, gold, each stamped manufacturer's mark, model number and '750', the earrings stamped '18' and the pendant '18K', the associated link chain with the the pendant with partially stamped hallmarks to the bar for 18ct gold, and possible date mark for London 1966, the pendant with import marks for London 1968(the pendant 4.5cm wide (1.75in wide))
Los 143
Georg Jensen Pair of Drop Earrings model 197, silver, stamped Bent Gabrielsen's designer's monogram, manufacturer's mark, model number and '925S DENMARK'(7cm long (2.75in long))Footnote: This model is usually attributed to Ibe Dahlquist, but these examples are marked for designer Bent Gabrielsen.
Los 19
Finn Juhl (Danish 1912-1989) for Niels Vodder Armchair, designed 1946 model FJ46, teak and cloth, branded mark(84cm high, 66cm wide, 52cm deep (33in high, 26in wide, 20.5in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-24 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 2
Hans Wegner (Danish 1914-2007) for Carl Hansen & Son 'Wishbone Chair / Y-Chair', designed 1950 model CH24, oak and papercord, manufacturer's label, and stamped 'KB77'(72cm high, 56.5cm wide (28.5in high, 22.25in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-3 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 20
Finn Juhl (Danish 1912-1989) for France & Søn Coffee Table, 1950s model FD531/45, teak(45cm high, 175.3cm wide, 60.3cm deep (17.7in high, 69in wide, 23.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-27 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 202
§ Lynn Chadwick C.B.E. R.A. (British 1914-2003) Maquette for Stranger, 1961 6/6, model 340, signed and numbered, bronze with green / brown patina(31.5cm high, 26.3cm wide (12.3in high, 10.3in wide))Provenance: Sotheby's, New York, 1 July 1991, Lot 125; Private Collection, London.Footnote: Literature: Bowness, A., Lynn Chadwick, Methuen, London, 1962, unpaginated (another cast illustrated); Farr, D. and É. Chadwick, Lynn Chadwick Sculptor: With a Complete Illustrated Catalogue 1947-2003, Lund Humphries, Farnham, 2014, p.192, no.340 (another cast illustrated). The subject of the ‘Stranger’ occupied Chadwick over the period from 1954 until 1969, in a formal theme which also informed the contemporary ‘Winged Figure’ works. As Alan Bowness explained in his 1962 monograph about the artist, the stimulus was Chadwick’s controversial commission from the Air League of the British Empire in 1957, to create a memorial to the 1919 double crossing of the Atlantic by the airship R34. Having served as a pilot in the Fleet Air Arm of the Royal Navy during World War Two, Chadwick had a deeply personal experience of flight and link to the concept of a winged figure, itself embedded in the myth of Icarus. In Maquette for Stranger, the power of the anonymous figure’s torso and spread-out winged arms is contradicted by its tapering, spindly legs. It has a monumentality and stillness which yet suggests strength in movement. As Bowness continued ‘the Strangers and Watchers seem to be tensed: waiting, aware that something is going to happen…the tensions arise directly from the sculptor’s treatment of surface. His technique leads him to build an armature, constructed from straight rods, and this becomes the skin as well as the bone of the figure. Everything is thus brought on to the surface, and the network of rigid lines and absence of curves is somehow expressive of a high pitch of nervous intensity, possessed by these strange immobile creatures.’ (Bowness, op.cit., unpaginated). Such was the significance of Maquette for Stranger that a cast of it was selected by the British Council for inclusion in the VI Bienal de São Paulo of 1961, shortly after its creation. Herbert Read wrote about the sculptor’s contribution to the British presentation: ‘Lynn Chadwick’s vision has penetrated a psychic region where man is a tensed geometrical aeronaut, watching the skies, wings folded or outspread for flight. Such is the new image of man, the archetype of a space age.’ (Herbert Read, ‘Lynn Chadwick’, VI Bienal de São Paulo, exh.cat., 1961 quoted in Michael Bird, Lynn Chadwick, Lund Humphries, Farnham, 2014, p. 115). Chadwick was declared hors concours, or ‘beyond competition’ at the biennial, the first time a British artist had been thus honoured.
Los 205
Le Corbusier, Pierre Jeanneret and Charlotte Perriand for Cassina Chaise Longue model number 306, chromium plated frame with black enamelled base and adjustable leather bolster, horse hair seat, frame with facsimile signature and numbered 'LC/4 10811'(70cm high, 54cm wide, 163cm long (27.5in high, 21.2in wide, 64.2in long))
Los 208
Le Corbusier, Pierre Jeanneret and Charlotte Perriand for Cassina 'Basculant' Chair model number 301, chromium plated tubular frame, leather arm rests with horse hair seat, the frame with facsimile signature and serial number '93605'(63.5cm high, 60cm wide, 63.5cm deep (25in high, 23.6in wide, 25in deep))
Los 21
Finn Juhl (Danish 1912-1989) for France & Søn 'Japan' Sofa, designed 1953 model 137, teak and wool with brass fittings,(72cm high, 127cm wide, 68cm deep (28.3in high, 50in wide, 26.8in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-29 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 22
Finn Juhl (Danish 1912-1989) for France & Daverkosen Side Table, circa 1950s model FD531, teak, 'France and Son' label, 'FRANCE AND SON / DENMARK / 36060'(39.5cm high, 59.5cm wide, 42.5cm deep (15.5in high, 23.4in wide, 16.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-26 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 24
Finn Juhl (Danish 1912-1989) for Søren Willadsen Møbelfabrik Chair, designed 1956 model 96, teak and rattan upholstery, with metal fittings(78cm high, 75cm wide, 66cm deep (30.7in high, 29.5in wide, 26in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-30 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 25
Finn Juhl (Danish 1912-1989) for France & Søn Chair, designed 1959 model FD192, teak and vinyl seat, makers label 'AF FRANCE / 6255671'(83cm high, 70cm wide, 58cm deep (32.6in high, 27.5in wide, 22.8in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-31 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 26
Tove & Edvard Kindt-Larsen (1906-1994 & 1901-1982) for France & Daverkosen Armchair, designed 1956 model 117, oak, teak, and wool upholstered cushions, branded mark 'FRANCE AND DAVERKOSEN'(72.5cm high, 68cm wide, 74cm deep (28.5in high, 26.8in wide, 29in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-54 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 27
Karen & Ebbe Clemmensen (Danish, 1917-2001 & 1917-2003) for Fritz Hansen Two Safari Armchairs, model 4305, ash with original wool upholstery, leather star arms, with brass fittings, applied foil label(72.5cm high, 61.5cm wide, 66cm deep (28.5in high, 24.2in wide, 26in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-55 (one illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 28
Børge Mogensen (Danish 1914-1972) for Fredericia Stolefabrik Armchair, designed 1967 model 2225, oak and leather(76cm high, 69cm wide, 73cm deep (30in high, 27in wide, 28.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-8 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 3
Hans Wegner (Danish 1914-2007) for Carl Hansen & Son Armchair, designed 1950 model CH22, oak and papercord(72.5cm high, 68cm wide (28.5in high, 26.75in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-4 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 30
Børge Mogensen (Danish 1914-1972) for FDB Five Chairs, designed 1947 model J39, beech and oak, unmarked(77cm high, 49cm wide, 40cm deep (30.3in high, 19.3in wide, 15.7in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-7 (one chair illustrated). Exhibited (one chair): Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 31
Georg Jensen (Danish 1866-1935) 'Blossom' Tureen, conceived 1905 model 2C, silver, stamped with manufacturer's mark and '925S / DENMARK / STERLING / 2A', import marks for 1937(12cm high, 32cm wide (4.75in high, 12.6in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 2-7 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 32
Arno Malinowski (Danish 1899-1976) for Georg Jensen Brooch, circa 1944 model 5001c, iron and silver, stamped artist's monogram and 'GEORG JENSEN 5001C'; together with a Kinmark Resistance Medal, circa 1940, silver and enamel, commemorating Danish King Christian X’s 70th Birthday, stamped '925'(brooch 4.2cm wide (1.7in wide); the medal 3cm high (1.2in high))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 2-9 and 2-10 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.Footnote: Brooch 5001c was produced during the war years when silver was scarce due to the allied blockade. Consquentely Jensen had to be creative in its use of materials during this period, finding new ways to create jewellery whilst using as little silver as possible.
Los 33
Nanna & Jørgen Ditzel (Danish 1923-2005 & 1921-1961) for Georg Jensen Black Pearl and Shell Brooch, model 328, silver and hematite, stamped manufacturer's marks, 'STERLING DENMARK / 328 / NJ' and import marks for 1961; and ring, model 92, stamped with manufacturer's mark and 'STERLING DENMARK / 92'(the brooch 5.3cm wide (2.1in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-81 and 3-82 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 335
Geoffrey Baxter (British 1922-1995) for Whitefriars 'Drunken Bricklayer' Vase Model 9672, willow colourway glass; together with two vases, model 9682 in the kingfisher blue and willow colourway glass; and 'Nuts & Bolts' Vase, model 9668, in cinnamon colourway glass(Drunken Bricklayer 33.3cm high (13.3in high); Nuts & Bolts vase 26.5cm high (10.5in high); Kingfisher blue 31.5cm high (12.5in high); Willow 31.5cm high (12.5in high))Provenance: Albert Dawson Educational Trust; The Peter Rose and Albert Gallichan Collection, Brighton, UK.
Los 36
Henning Koppel (Danish 1918-1981) for Georg Jensen 'Splash' Earrings, designed 1965 model 1118, gold, each stamped manufacturer's marks, '750 / DENMARK / 1118' and with import marks(each 3.2cm high (1.25in high))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-80 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 37
Henning Koppel (Danish 1918-1981) for Georg Jensen Brooch, designed 1947 model 306, silver and blue enamel, stamped manufacturer's mark, 'STERLING / DENMARK / HK / 306'(5cm wide (2in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-73 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 38
Henning Koppel (Danish 1918-1981) for Georg Jensen Brooch, designed 1954 model 314, silver and dark red enamel, stamped manufacturer's mark and '925S DENMARK / HK /314'(7cm long (2.75in long))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-76 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 39
Henning Koppel (Danish 1918-1981) for Georg Jensen Brooch, designed 1947 model 307, silver and mottled purple enamel, stamped 'GEORG JENSEN & WENDEL / STERLING / DENMARK / HK / 307'(6.4cm wide (2.5in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-47 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 4
Hans Wegner (Danish 1914-2007) for Carl Hansen & Son Easy Chair, designed circa 1951 model CH27, oak and cane, stamped 'MADE IN DENMARK / BY CARL HANSEN & SON / ODENSE DENMARK / DESIGNER / HANS WEGNER'(77cm high, 73cm wide (30.25in high, 28.75in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-5 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 46
Arne Jacobsen (Danish 1902-1971) for Fritz Hansen Five Chairs comprising 'Series 7' chair, designed 1955, dated 1967, model 3107, laminated oak, produced 1967, stamped 'FH / BY FRITZ HANSEN / MADE IN DENMARK 1967'; two model 3105 chairs, designed 1955, one in teak, the other beech ply and chromium plated steel legs, teak stamped 'FH DANMARK', beech with paper label 'FH MADE IN DENMARK BY FRITZ HANSEN / 0463'; two model 3103 chairs, designed 1955, teak and moulded plywood and ribbed plastic covered steel legs, both with paper label 'FH BY FRITZ HANSEN / MADE IN DENMARK / 1065'(Series 7 Chair: 78cm high (30.5in high); Model 3105 Chairs: 77cm high (30.3in high); Model 3103 Chairs: 78cm high (30.7in high))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-9, 3-11, 3-12, 3-13 (one example of each chair illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 5
Hans Wegner (Danish 1914-2007) for Johannes Hansen 'Round Chair / The Chair', designed 1949 model JH503, teak and bamboo, stamped 'JOHANNES HANSEN / COPENHAGEN / DENMARK' and with manufacturer's stamp(76cm high, 63cm wide (30in high, 24.75in wide))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-2 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 52
Poul Henningsen (Danish 1894-1967) for Louis Poulsen Three Pendant Lights model PH5, and two model PH4/3, aluminium, the latter two each with manufacturer's label (one partial)(22cm high, 51cm diameter (8.6in high, 20in diameter) and 19cm high, 40cm diameter (7.5in high, 15.7in diameter))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, nos. 3-44 and 3-46 (illustrated). Only one PH4/3 illustrated. Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 54
Nanna Ditzel (Danish 1923-2005) for Oddense Maskinsnedkeri Chair, designed 1969 model OD-5301-2, fibreglass(78cm high, 55cm wide, 48cm deep (30.7in high, 21.6in wide, 18.9in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-51 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 57
Verner Panton (Danish 1926-1998) for Louis Poulsen Two 'Flowerpot' Pendant Lights, designed 1968 model VP2, enamelled steel, with manufacturer's paper labels(15cm high, 21.5cm diameter (5.9in high, 8.5in diameter))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-50 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Los 59
Verner Panton (Danish 1926-1998) for Thonet Chair, designed 1965 model 271F, lacquered and moulded plywood, bears traces of paper label(74cm high, 64.5cm wide, 58cm deep (29.1in high, 25.4in wide, 22.8in deep))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 3-48 (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Loading...-
628707 Los(e)/Seite