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629120 Los(e)/Seite
Los 440
Large Collection of Geobel Hand Painted Bird Figures ( 9 ) Nine In Total + 1 Beswick Bird Figures ( 10 ) Bird Figures In Total. Comprises 1/ Beswick Bird Figure - Grey Wagtail. Model No 1041. 2/ Wren 1960's. 3/ Robin. 4/ Crested Tit, Model 38027. 5/ Beswick Wren Bird Figure, Model No 993, 6/ Golden Oriole. 7/ Sparrow ( German ) 8/ Yellow Crest +2. Please See Photos. All Bird Figures are 1st Quality and Mint Condition.
Los 442
Large Collection of Goebel Hand Painted Ceramic Bird Figures ( 11 ) Eleven In Total, From the 1960's / 1970's. Comprises 1/ Wax Wing. 2/ Red Start Model CV31 1960's. 3/ Red Start, Model CV31 1960's. 4/ Ringer Plover, Model No 38138. 5/ Chaffinch Model No 38023. 6/ Blue Tit, Model CV34. 7/ Green Finch, Model 28026. 8/ Green Finch, Model 28026. 9/ Crested Titmouse, Date 1970's. 10/ White Wagtail. 11/ Goebel Bird Figure. All Figures 1st Quality & Mint Condition.
Los 444
Goebel Collection of Hand Painted Large Size Ceramic Bird Figures ( 6 ) Six In Total. From The 1960's & 1970's. Comprises 1/ Hawfinch Model No CV83, Height 6.25 Inches - 15.75 cm, Date 1967. 2/ Bramling Pinson, CV86, Date 1967. 3/ Blue Titmouse, Date 1973. Model No 9800615. 4/ Yellow Hammer, Model No 3800812, Date 1973. 5/ Robin, Date 1970's. 6/ Wax Wing, Model no CV80, Date 1967. Height 7 Inches - 17.5 cm. All Bird Figures are 1st Quality and Mint Condition, Please See Photo. Very Low Estimate.
Los 445
A Collection of Goebel Hand Painted Ceramic Bird Figures ( 6 ) Six In Total. From The 1960's / 1970's. Comprises 1/ European Gold Finch, Model No 38017, Date 1976. 2/ Robin on a Branch, Model No CV67, Date 1962. 3/ Redstart Date 1970's. 4/ Firecrest Date 1970's. 5/ Bullfinch Date 1976. 6/ Firecrest Date 1970's. All Bird Figures are In 1st Quality and Excellent Condition. Please See Photo.
Los 449
Royal Worcester Collection of Bird Figures ( 3 ) Three In Total + 1 Beswick Bird Figure. Comprises 1/ Pair of Chaffinches 3364, Height 5.75 Inches - 14.5 cm. 2/ Pair of Pied Woodpeckers, No 3363. Height 4.75 Inches - 12 cm. 3/ Kingfisher, No 3235. 4.5 Inches - 11.25 cm wide. 4/ Beswick Bird Figure - Woodpecker, Model No 2371. Height 5 Inches - 12.5 cm. All Figures are 1st Quality and Mint Condition.
Los 522
Lladro Porcelain Figures (3) in total. Comprises 1.Young Fisherman - gone fishing model no 4809. Height 9 inches 22.5 cms 2. Nap Time' Child in a rocking chair, model no 5448 3. Winter model no 5220, issued 1984- retired, height 7.75 inches 19 cms. 1 Figure missing an Ear and Section of Scarf.
Los 560
Beswick Yorkshire Terrier Model no. 2012, issued from 1967 - 72 and modelled by Arthur Hallam -Beswick stamp to underside, height 3 inches. Together with a Beswick novelty cat figurine, Beswick stamp to underside, height 3 inches. Each in good condition. Together With Four Brown Beswick Horses, 976 Mare Facing Left, 996 Foal, 1549 Horse Head Tucked, Leg Up + 1 Other
Los 6
Jaeger - Le - Coultre 270854 - Very Fine Reverso Duo-face Night and Day Steel Wrist Watch with Original Tan Leather Strap. Rectangular and Reversible Two Time Zone, Double Dial, Model No 270854, Case No 2063033. Features Five Body Polished and Brushed, Reeded Bezel Sapphire Crystals. 1/ On One Side Guilloche Anthracite Dial, off Center Ring with Luminous Numerals and Applied Steel Dart Indexes on a Plain Reserve, At 6 Subsidiary Dial for The Second Time Zone In 24 Hours In Painted Arabic Numerals and The Indication ' Night and Day ' Luminous Steel Lozenge Hands with Pusher on The Band, The Hours May be Forwardly Independently From the Other Dial. 2/ On The Other Side, Two Tone Guilloche Silver Dial with Painted Arabic Numerals on a Plain Reserve, Subsidiary Seconds Dial, M.Cal 854. 21 Jewels Straight Line Lever Escapement, Monometallic Balance, Adjusted to Five ( 5 ) Positions Shock Absorber, Self Compensating Flat Balance. Comes with Original Box and Outer Box, Instruction Booklets ( 2 ) and Wallet. The Watch and Box Are In Wonderful Condition, Hardly Worn. Please See Photo.
Los 615
Collection of Crested Ware Pieces 11 in Total. Large sizes, some rare and interesting ones, including Jovial Monk from Kirkham. Also includes 1. Black cat seated at fireplace 'We kept the home fires burning', 2. Blackpool - Progress 'Ferris Wheel' Arcadian, 3. Blackpool - Progress Pig - Florentine China. 4. 'Jovial Monk' Kirkham - Clifton. 5. Fleetwood Fisherman. 6. Blackpool Large Swan. 7. Blackpool Tower - Shelley. 8. Marble Arch, Hyde Park, City of London, Arcadian. 9. Model of 'Flanborough Lighthouse' Willow Art. 10. Model of the Old Lantern - Shelley China. 11. City of Leicester - Grandfather Clock.
Los 1
Rolex Submariner 18ct Gold And Stainless Steel Wrist Watch Model Number 16613, Serial Number L 563692 - circa 1989 Comprising 40 mm Oyster case, automatic 3135 movement, waterproof, screw-down crown, blue rotatable diver's bezel and scratch-resistant sapphire crystal glass. The coordinating blue dial is topped with contrasting luminous hour markers, sweeping hands, and a date aperture. Complete with box and papers, purchased from Mappin & Webb Regent St London, dated 1989.
Los 150
Tudor Classic by Rolex Midi Size- Date-Just Steel Case Rotor Self Winding Wrist Watch. Model No 22010, Serial No J761976, Self Winding Movement Automatic, Silver Dial, Tudor Caliber 2671, Water Resistant 330 Feet, Sapphire Crystal, Luminescent Hand / Hour Markers. As Brand New In Box. With Booklets Papers and Receipt for Date 26-11-18, Leather Wallet, Confirm with Photo, Working at time of Cataloging.
Los 19
Tag Heuer Brand Carrera Calibre 17 Automatic Chronometer Wrist Watch. Watch No 01700825, Model CAV 511A. Steel cased precision wrist watch with chronograph function, date display, blue dial Tag branded tan calf leather strap. Finished with push button deployment clasp. Comes complete with original boxes, certificates and authenticity cards. Plus C.O.S.C. certificate, receipt dated 12.05.09. Both watch and box in pristine condition. Please see accompanying image.
Los 44
Roman, Imperial Period, ca. 1st century CE. A special fresco fragment depicting the torso of Venus (Greek Aphrodite), nude save a swath of drapery falling from her shoulder to hips, and posed with her right arm gracefully lifted. The body is naturalistically rendered with supple flesh, perky breasts, navel, and harmonious anatomical ratios. The artist was particularly skilled at creating chiaroscuro light effects to model her curvaceous figure which stands out against the rich red background. This beautiful fresco section is not only set upon a stand but also housed within a black wooden pedestaled display case, faced on both sides with beveled glass. Size: 6.125" W x 4.75" H (15.6 cm x 12.1 cm); 6.625" H (16.8 cm) on included custom stand. Glass-fronted display case measures 3.25" L x 11.375" W x 15" H (8.3 cm x 28.9 cm x 38.1 cm)The ancient fresco technique involved applying saturated pigments into wet lime-rich plaster, and only the wealthiest, most elite Romans adorned their houses with these elaborate wall paintings which required immense skill to create. Art historians have identified four styles of wall painting. This example aligns closest with the Second Pompeiian Style - also known as the architectural style - which was popular during the 1st century BCE. This style was characterized by illusionism whereby the walls were painted with architectural elements framing compositions that fooled the eye into believing they were real via a trompe l'oeil effects. While we cannot see architectural elements given the size of this fragment, the artist of this piece successfully achieved naturalism in the visual imagery via subtle tonal changes, modeling the figure with color and shading, and suggesting depth with foreshortening.Another aspect of Roman wall painting to appreciate are the brilliant colors which contrast with the white hues of surviving ancient marble sculpture. Scholars have demonstrated that classical sculptures were actually originally brightly painted; however, the pigments have worn away over the ages. Thankfully, ancient wall paintings demonstrate the bold coloration that embellished ancient visual culture. What's more, while some of the most impressive artists of the Classical world were painters, sadly, many of their creations were painted on wood panels and have disappeared due to the perishable nature of this material. Thankfully, other forms of Classical art such as vase paintings, mosaics, and even a few fresco fragments like this example - many surviving from Pompeii and Herculaneum buried under the ash of a volcanic eruption in the year 79 CE - have survived the tests of time and can provide a means of understanding ancient painting techniques.Published in P. Grimal & E. Kossakowski, Pompei, Demeures secretes, Paris, 1992, no. 54. Provenance: private East Coast, USA collection, acquired at Pierre Berge & Associes, Archeologie auction, Paris, 29 November 2014, lot 264; Published in P. Grimal & E. Kossakowski, Pompei, Demeures secretes, Paris, 1992, no. 54. Condition: A section from a larger fresco. Expected surface wear with scuffs and pigment loss commensurate with age. Edges and verso are not smooth. Mineral deposits scattered across peripheries and verso as well. Pierre Berge & Associes auction house label attached to the stand. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #145986
Los 294
A MEISSEN ‘CRIS DE PARIS’ SERIES FIGURE OF A WAITER CIRCA 1745 modelled by Johann Joachim Kändler (1706-1775) standing before a stove proffering a chicken on an oblong dish wearing a white coat with blue revers a long pale yellow apron and puce breeches pad base applied with flowers 15cm high some restoration For another example of this model where the waiter holds a pot in one hand and its cover in the other see the Collection of Peggy and David Rockefeller: English & European Furniture Ceramics and Decorations Part I Christie’s New York 9 May 2018 lot 261. Provenance: Meissen Figures from the Barlow Collection the collection started by Sir Thomas Dalmahoy Barlow GBE (1883-1964) banker and industrialist also known as an art collector and historian; added to by his son Basil Stephen Barlow (1918-1991); thence by family descent.
Los 296
A MEISSEN GROUP OF A REARING STALLION AND MOORISH GROOM SECOND HALF 18TH CENTURY modelled by Johann Joachim Kändler (1706-1775) the groom holding the horse by the reins and wearing a lilac tunic and plumed turban the trunk support and base applied with flowers and leaves underglaze blue crossed swords mark 26cm high some restoration The model is probably that listed by the Parisian marchand-mercier Lazare-Duvaux in June 1753 as ‘un cheval de porcelaine de Saxe avec une figure à côté’. A ‘Mohr mit Pferd’ is also mentioned in the ‘Konditorei’ of Count von Brühl the same year. Also see Ulrich Pietsch ‘Meißner Porzellanplastik von Gottlieb Kirchner und Johann Joachim Kaendler’ 2006 p.30 cat. No.26. For a 19th century version of the group that often accompanied this model see the preceding lot. Provenance: Meissen Figures from the Barlow Collection the collection started by Sir Thomas Dalmahoy Barlow GBE (1883-1964) banker and industrialist also known as an art collector and historian; added to by his son Basil Stephen Barlow (1918-1991); thence by family descent.
Los 299
A MEISSEN FIGURE OF A CHILD AS PULCINELLA CIRCA 1765 modelled by Johann Joachim Kändler (1706-1775) dancing with raised leg and outstretched arms wearing a yellow hat turquoise and puce humped jacket and yellow breeches impressed 24 13.5cm high some restoration and chips From Kändler’s ‘Komödienkinder’ series supposedly first made for Count von Kayserling in 1765 after an engraving by Johann Esaias Nilson (1721-1788) ‘L’amour triomphant par les intrigues d’Harlequin’. For an example of this model from the Hans Syz Collection see The Gardiner Museum Toronto Object No.G96.5.308. The Commedia dell’Arte hunchback character Pulcinella was anglicised to Punchinello hence evolving into that Lord of Misrule Mr Punch. Provenance: Meissen Figures from the Barlow Collection the collection started by Sir Thomas Dalmahoy Barlow GBE (1883-1964) banker and industrialist also known as an art collector and historian; added to by his son Basil Stephen Barlow (1918-1991); thence by family descent.
Los 303
A MEISSEN FIGURE OF A SPANIEL LATE 18TH CENTURY the black and white animal modelled seated with open mouth on a yellow cushion painted with scattered flowers with puce and gilt tassels to the corners underglaze blue crossed swords mark 25cm high A figure of a spaniel was modelled in October-November 1734 for the Japanese Palace and attributed to Kändler see Ulrich Pietsch ‘Die figürliche Meißner Porzellanplastik von Gottlieb Kirchner und Johann Joachim Kaendler: Bestandskatalog der Porzellansammlung Staatliche Kunstsammlungen Dresden’ Munich 2006 pp.305-306. For other examples of this model see The Collection of Sir Gawaine & Lady Baillie Sotheby’s London 1 May 2013 lot 215 and one from the Eugenia Woodward Hitt Collection Christie’s New York 31 March 2016 lot 1295. Provenance: Meissen Figures from the Barlow Collection the collection started by Sir Thomas Dalmahoy Barlow GBE (1883-1964) banker and industrialist also known as an art collector and historian; added to by his son Basil Stephen Barlow (1918-1991); thence by family descent.
Los 311
A MARCOLINI MEISSEN ‘CRIS DE PARIS’ SERIES FIGURE OF A LEMON SELLER LATE 18TH / EARLY 19TH CENTURY after the model by Peter Reinicke (1715-1768) with the young woman holding a basket in one hand and a couple of lemons in the other hand a balanced tray of lemons around her waist wearing a white headscarf and bodice blue apron and flower-sprigged skirt on a gilt-edged scroll moulded base underglaze blue crossed swords and asterisk mark impressed numeral ‘17’ 13.5cm high some restoration Modelled by Reinicke after the 1753 drawings by Christophe Huet (1700-1759) for ‘Cris de Paris’ figures the drawings still held by the Meissen archive. Provenance: Meissen Figures from the Barlow Collection the collection started by Sir Thomas Dalmahoy Barlow GBE (1883-1964) banker and industrialist also known as an art collector and historian; added to by his son Basil Stephen Barlow (1918-1991); thence by family descent.
Los 314
A MEISSEN ‘CRIS DE PARIS’ SERIES FIGURE OF A VEGETABLE SELLER SECOND HALF 18TH CENTURY after the model by Peter Reinicke (1715-1768) with a basket of vegetables on a strap round her neck holding a white radish in her right hand wearing a green jacket and puce striped skirt gilt edged scroll moulded base underglaze indistinct blue crossed swords to rear base 14cm high some restoration This appears to be a variation of the white raddish seller from the Christophe Huet drawings. Provenance: Meissen Figures from the Barlow Collection the collection started by Sir Thomas Dalmahoy Barlow GBE (1883-1964) banker and industrialist also known as an art collector and historian; added to by his son Basil Stephen Barlow (1918-1991); thence by family descent.
Los 393
A DANISH SILVER ‘LOUVRE’ CENTREPIECE BOWL GEORG JENSEN COPENHAGEN 1926 designed by Georg Jensen in 1912 hammer finished the bowl with crimped rim on an openwork pedestal of stiff leaves and berries with welled spreading base stamped with model No.19B STERLING full Jensen marks Copenhagen mark and assay master’s mark for Christian F. Heise 24.4cm diameter 1011gr (35oz) Called a ‘Louvre’ bowl because the Musée des Arts Décoratifs at the Louvre in Paris acquired a bowl of this pattern for their permanent collection in 1914.
Los 494
A GEORGE II SILVER TEA CADDY EDWARD WAKELIN FOR WICKES & NETHERTON LONDON 1755 Rococo embossed with lion masks shells scalework foliage and scrolls surrounding an asymmetric vacant cartouche to each side sliding cover with cast flower sprig handle scratch weight 15=11 13cm high 462gr (14oz 16dwt) Paul de Lamerie tea cannisters of this form first appear in the 1740s. By the 1750s close variants of the model presented here start to appear usually with Chinoiserie figures chased to the cartouches but with the same lion masks shells and scrolls: for examples see: a pair Thomas Heming 1752 Freeman’s Philadelphia 15 November 2013 lot 3; and a set of three Thomas Gilpin 1752 Sotheby’s London 4 June 2008 lot 231. For a pair of Wakelin examples with engraving to the cartouches see Elaine Barr ‘George Wickes Royal Goldsmith 1698-1761’ London 1980 pl.79.
Los 546
AN AUSTRO-HUNGARIAN SILVER AND ENAMEL CIGARETTE CASE OTTO HUETERER VIENNA CIRCA 1915 rectangular the lid painted en plein enamel with ‘September Morn’ after Paul Emile Chabas depicting a young female nude quivering in the shallow waters of Lake Annecy blue and white taille d’épargne geometric outer border gilt interior 900 standard Dianakopf maker’s mark and another mark for Anton Rakusan 11cm long 161gr all in Paul Emile Chabas (1869-1937) had been painting ‘September Morn’ over several summers completing the picture in 1911. Exhibited at the Paris Salon in 1913 the picture went to Russia then surfaced in the collection of Calouste Gulbenkian only to be sold after his death and subsequently donated privately in 1957 to the Metropolitan Museum in New York although since 2014 it is no longer on display. Widely reproduced immediately following its unveiling at the Paris Salon it has always been somewhat controversial subject to a lawsuit and claims of indecency in America: hugely popular nevertheless the image apparently sold some seven million copies in reproduction and several women have famously claimed to be the original model.
Los 57
Rare Rolex 'Pre-Oyster' Hermetic silver wire-lug wristwatch, ref. 397, import hallmarks London 1923, circular dial with Arabic numerals, outer minute track and subsidiary seconds, 15 jewel timed six positions for all climates Rolex Prima movement, inscribed inner case back, Hermetic screw front case with fluted bezel, case maker W&D (Wilsdorf & Davis), 32mm (no strap) - **See Dowling & Hess - The Best of Time Rolex Wristwatches, An Unauthorized History, page 46 for similar reference to the model. - **Green Rolex pouch and Rolex service note dated 26/04/2016
Los 523
Tickell, (R. Eustace) - The Vale of Nantgwilt, a Submerged Valley, illustrative and descriptive of the Elan and Claerwen valleys in Radnorshire, shortly to be submerged by the reservoirs for the water supply of Birmingham. With twelve plates, a map of the district and a model of the watershed, printed board cover. Printed by J.S Virtue & Co, Limited, London, 1894
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629120 Los(e)/Seite